Previously, an output that does not implement `info.get_output_type`
would result in these log messages saying `(null)`. This uses the actual
ID directly from the output itself instead.
Also removes two extra calls to `obs_encoder_set_video()` as they are
redundant and unnecessary.
Adds the Apple Silicon hardware encoder as a simple mode option. For
recordings this only requires being on Apple Silicon (since we use the
Constant Quality setting), while for streaming it requires the user to
be on macOS 13 or newer (since we're using CBR).
The old names were simple_h264_recording, simple_h264_stream,
recording_h264, and streaming_h264.
The new names are simple_video_recording, simple_video_stream,
advanced_video_recording, and advanced_video_stream.
The original PR was made with time specified in seconds because it was
useful to debug the behavior. For production, assuming most users want
to specify 10 minutes or more, the time should be specified in minutes.
This reverts commit 02f3495b72.
Multiple issues have come up with this commit. One issue is that
suddenly replays are overwriting themselves despite the option being
disabled. Second issue is that slashes to separate files into
subdirectories no longer work properly with replay buffers.
I'm just reverting it. I do not care enough about this feature to try to
fix it or wait on a fix. If someone wants to fix it they can create a
new PR for it.
This commit adds a setting to reset timestamps when splitting files.
Some NLEs cannot handle video files whose starting timestamp is not
zero. Default is enabed.
This commit implements a new feature to split recordings in split files
in Advanced output mode.
These basic settings are implemented.
- Enable/disable the feature. Default is disabled.
- Select a type of the limit, time or size.
- Specifies the limit in seconds or MiB.
Allows the ability to override the default keyframe interval via
advanced output mode as long as that interval is smaller than the
recommended keyframe interval.
Fixes an issue where it was impossible to set a lower keyframe interval
than the recommended keyframe interval.
Before OBS Studio 27, we used our own hard-coded internal encoder IDs on
for the mac-vth264 plugin: vt_h264_hw and vt_h264_sw. As of OBS Studio
27, we changed to using the encoder IDs that Apple's API reports.
Specifically, this behavior occurs due to PR #4105 and commit
6a9f25c8ea.
Unfortunately, this change in encoder IDs failed to take into account
existing user configurations, resulting in users with broken encoder
settings. This change attempts to gracefully upgrade user configurations
to handle the changed encoder IDs.
Fixes#4799.
This shows notifications in the status bar with the following:
- When screenshot is saved
- When replay buffer is saved
- When recording is saved
- When recording is auto remuxed
If the user hasn't specifically set a rate control and left OBS at the
default of CBR, the settings loaded by GetDataFromJsonFile will not have
a rate_control parameter present. This causes the replay buffer to think
the user is in VBR mode and use the wrong settings for determining
maximum buffer size. Fixes#2516.
The vod track in advanced output mode would be overwritten by twitch
soundtrack's vod track. Additionally, simple output mode would overwrite
twitch's soundtrack vod track even when vod track was turned off in
settings.
So instead, if vod track is off, don't clear the secondary encoder
unless it's explicitly our encoder. Additionally, make sure that
advanced output mode's vod track encoder behaves consistently with
simple output mode's vod track so it doesn't get overwritten.
Moves the "Enforce streaming service bitrate" option from simple output
mode to the stream section, renames it to "Ignore streaming service
setting recommendations" (inverting it). When trying to check it, it
will now also display a message box warning the user that it's generally
a not-so-good idea.
Also displays recommended settings for the service.
Adds a VOD track option (specific to Twitch) that allows a user to
specify which audio track to use for their Twitch VODs, which uses a
separate encoder to encode the track. This allows users the ability to
choose what audio goes on their VOD, separately from the live stream.
