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+
+                ALICE'S ADVENTURES IN WONDERLAND
+
+                          Lewis Carroll
+
+               THE MILLENNIUM FULCRUM EDITION 2.9
+
+
+
+
+                            CHAPTER I
+
+                      Down the Rabbit-Hole
+
+
+  Alice was beginning to get very tired of sitting by her sister
+on the bank, and of having nothing to do:  once or twice she had
+peeped into the book her sister was reading, but it had no
+pictures or conversations in it, `and what is the use of a book,'
+thought Alice `without pictures or conversation?'
+
+  So she was considering in her own mind (as well as she could,
+for the hot day made her feel very sleepy and stupid), whether
+the pleasure of making a daisy-chain would be worth the trouble
+of getting up and picking the daisies, when suddenly a White
+Rabbit with pink eyes ran close by her.
+
+  There was nothing so VERY remarkable in that; nor did Alice
+think it so VERY much out of the way to hear the Rabbit say to
+itself, `Oh dear!  Oh dear!  I shall be late!'  (when she thought
+it over afterwards, it occurred to her that she ought to have
+wondered at this, but at the time it all seemed quite natural);
+but when the Rabbit actually TOOK A WATCH OUT OF ITS WAISTCOAT-
+POCKET, and looked at it, and then hurried on, Alice started to
+her feet, for it flashed across her mind that she had never
+before seen a rabbit with either a waistcoat-pocket, or a watch to
+take out of it, and burning with curiosity, she ran across the
+field after it, and fortunately was just in time to see it pop
+down a large rabbit-hole under the hedge.
+
+  In another moment down went Alice after it, never once
+considering how in the world she was to get out again.
+
+  The rabbit-hole went straight on like a tunnel for some way,
+and then dipped suddenly down, so suddenly that Alice had not a
+moment to think about stopping herself before she found herself
+falling down a very deep well.
+
+  Either the well was very deep, or she fell very slowly, for she
+had plenty of time as she went down to look about her and to
+wonder what was going to happen next.  First, she tried to look
+down and make out what she was coming to, but it was too dark to
+see anything; then she looked at the sides of the well, and
+noticed that they were filled with cupboards and book-shelves;
+here and there she saw maps and pictures hung upon pegs.  She
+took down a jar from one of the shelves as she passed; it was
+labelled `ORANGE MARMALADE', but to her great disappointment it
+was empty:  she did not like to drop the jar for fear of killing
+somebody, so managed to put it into one of the cupboards as she
+fell past it.
+
+  `Well!' thought Alice to herself, `after such a fall as this, I
+shall think nothing of tumbling down stairs!  How brave they'll
+all think me at home!  Why, I wouldn't say anything about it,
+even if I fell off the top of the house!' (Which was very likely
+true.)
+
+  Down, down, down.  Would the fall NEVER come to an end!  `I
+wonder how many miles I've fallen by this time?' she said aloud.
+`I must be getting somewhere near the centre of the earth.  Let
+me see:  that would be four thousand miles down, I think--' (for,
+you see, Alice had learnt several things of this sort in her
+lessons in the schoolroom, and though this was not a VERY good
+opportunity for showing off her knowledge, as there was no one to
+listen to her, still it was good practice to say it over) `--yes,
+that's about the right distance--but then I wonder what Latitude
+or Longitude I've got to?'  (Alice had no idea what Latitude was,
+or Longitude either, but thought they were nice grand words to
+say.)
+
+  Presently she began again.  `I wonder if I shall fall right
+THROUGH the earth!  How funny it'll seem to come out among the
+people that walk with their heads downward!  The Antipathies, I
+think--' (she was rather glad there WAS no one listening, this
+time, as it didn't sound at all the right word) `--but I shall
+have to ask them what the name of the country is, you know.
+Please, Ma'am, is this New Zealand or Australia?' (and she tried
+to curtsey as she spoke--fancy CURTSEYING as you're falling
+through the air!  Do you think you could manage it?)  `And what
+an ignorant little girl she'll think me for asking!  No, it'll
+never do to ask:  perhaps I shall see it written up somewhere.'
+
+  Down, down, down.  There was nothing else to do, so Alice soon
+began talking again.  `Dinah'll miss me very much to-night, I
+should think!'  (Dinah was the cat.)  `I hope they'll remember
+her saucer of milk at tea-time.  Dinah my dear!  I wish you were
+down here with me!  There are no mice in the air, I'm afraid, but
+you might catch a bat, and that's very like a mouse, you know.
+But do cats eat bats, I wonder?'  And here Alice began to get
+rather sleepy, and went on saying to herself, in a dreamy sort of
+way, `Do cats eat bats?  Do cats eat bats?' and sometimes, `Do
+bats eat cats?' for, you see, as she couldn't answer either
+question, it didn't much matter which way she put it.  She felt
+that she was dozing off, and had just begun to dream that she
+was walking hand in hand with Dinah, and saying to her very
+earnestly, `Now, Dinah, tell me the truth:  did you ever eat a
+bat?' when suddenly, thump! thump! down she came upon a heap of
+sticks and dry leaves, and the fall was over.
+
+  Alice was not a bit hurt, and she jumped up on to her feet in a
+moment:  she looked up, but it was all dark overhead; before her
+was another long passage, and the White Rabbit was still in
+sight, hurrying down it.  There was not a moment to be lost:
+away went Alice like the wind, and was just in time to hear it
+say, as it turned a corner, `Oh my ears and whiskers, how late
+it's getting!'  She was close behind it when she turned the
+corner, but the Rabbit was no longer to be seen:  she found
+herself in a long, low hall, which was lit up by a row of lamps
+hanging from the roof.
+
+  There were doors all round the hall, but they were all locked;
+and when Alice had been all the way down one side and up the
+other, trying every door, she walked sadly down the middle,
+wondering how she was ever to get out again.
+
+  Suddenly she came upon a little three-legged table, all made of
+solid glass; there was nothing on it except a tiny golden key,
+and Alice's first thought was that it might belong to one of the
+doors of the hall; but, alas! either the locks were too large, or
+the key was too small, but at any rate it would not open any of
+them.  However, on the second time round, she came upon a low
+curtain she had not noticed before, and behind it was a little
+door about fifteen inches high:  she tried the little golden key
+in the lock, and to her great delight it fitted!
+
+  Alice opened the door and found that it led into a small
+passage, not much larger than a rat-hole:  she knelt down and
+looked along the passage into the loveliest garden you ever saw.
+How she longed to get out of that dark hall, and wander about
+among those beds of bright flowers and those cool fountains, but
+she could not even get her head though the doorway; `and even if
+my head would go through,' thought poor Alice, `it would be of
+very little use without my shoulders.  Oh, how I wish
+I could shut up like a telescope!  I think I could, if I only
+know how to begin.'  For, you see, so many out-of-the-way things
+had happened lately, that Alice had begun to think that very few
+things indeed were really impossible.
+
+  There seemed to be no use in waiting by the little door, so she
+went back to the table, half hoping she might find another key on
+it, or at any rate a book of rules for shutting people up like
+telescopes:  this time she found a little bottle on it, (`which
+certainly was not here before,' said Alice,) and round the neck
+of the bottle was a paper label, with the words `DRINK ME'
+beautifully printed on it in large letters.
+
+  It was all very well to say `Drink me,' but the wise little
+Alice was not going to do THAT in a hurry.  `No, I'll look
+first,' she said, `and see whether it's marked "poison" or not';
+for she had read several nice little histories about children who
+had got burnt, and eaten up by wild beasts and other unpleasant
+things, all because they WOULD not remember the simple rules
+their friends had taught them:  such as, that a red-hot poker
+will burn you if you hold it too long; and that if you cut your
+finger VERY deeply with a knife, it usually bleeds; and she had
+never forgotten that, if you drink much from a bottle marked
+`poison,' it is almost certain to disagree with you, sooner or
+later.
+
+  However, this bottle was NOT marked `poison,' so Alice ventured
+to taste it, and finding it very nice, (it had, in fact, a sort
+of mixed flavour of cherry-tart, custard, pine-apple, roast
+turkey, toffee, and hot buttered toast,) she very soon finished
+it off.
+
+     *       *       *       *       *       *       *
+
+         *       *       *       *       *       *
+
+     *       *       *       *       *       *       *
+
+  `What a curious feeling!' said Alice; `I must be shutting up
+like a telescope.'
+
+  And so it was indeed:  she was now only ten inches high, and
+her face brightened up at the thought that she was now the right
+size for going though the little door into that lovely garden.
+First, however, she waited for a few minutes to see if she was
+going to shrink any further:  she felt a little nervous about
+this; `for it might end, you know,' said Alice to herself, `in my
+going out altogether, like a candle.  I wonder what I should be
+like then?'  And she tried to fancy what the flame of a candle is
+like after the candle is blown out, for she could not remember
+ever having seen such a thing.
+
+  After a while, finding that nothing more happened, she decided
+on going into the garden at once; but, alas for poor Alice! when
+she got to the door, she found he had forgotten the little golden
+key, and when she went back to the table for it, she found she
+could not possibly reach it:  she could see it quite plainly
+through the glass, and she tried her best to climb up one of the
+legs of the table, but it was too slippery; and when she had
+tired herself out with trying, the poor little thing sat down and
+cried.
+
+  `Come, there's no use in crying like that!' said Alice to
+herself, rather sharply; `I advise you to leave off this minute!'
+She generally gave herself very good advice, (though she very
+seldom followed it), and sometimes she scolded herself so
+severely as to bring tears into her eyes; and once she remembered
+trying to box her own ears for having cheated herself in a game
+of croquet she was playing against herself, for this curious
+child was very fond of pretending to be two people.  `But it's no
+use now,' thought poor Alice, `to pretend to be two people!  Why,
+there's hardly enough of me left to make ONE respectable
+person!'
+
+  Soon her eye fell on a little glass box that was lying under
+the table:  she opened it, and found in it a very small cake, on
+which the words `EAT ME' were beautifully marked in currants.
+`Well, I'll eat it,' said Alice, `and if it makes me grow larger,
+I can reach the key; and if it makes me grow smaller, I can creep
+under the door; so either way I'll get into the garden, and I
+don't care which happens!'
+
+  She ate a little bit, and said anxiously to herself, `Which
+way?  Which way?', holding her hand on the top of her head to
+feel which way it was growing, and she was quite surprised to
+find that she remained the same size:  to be sure, this generally
+happens when one eats cake, but Alice had got so much into the
+way of expecting nothing but out-of-the-way things to happen,
+that it seemed quite dull and stupid for life to go on in the
+common way.
+
+  So she set to work, and very soon finished off the cake.
+
+     *       *       *       *       *       *       *
+
+         *       *       *       *       *       *
+
+     *       *       *       *       *       *       *
+
+
+
+
+                           CHAPTER II
+
+                        The Pool of Tears
+
+
+  `Curiouser and curiouser!' cried Alice (she was so much
+surprised, that for the moment she quite forgot how to speak good
+English); `now I'm opening out like the largest telescope that
+ever was!  Good-bye, feet!' (for when she looked down at her
+feet, they seemed to be almost out of sight, they were getting so
+far off).  `Oh, my poor little feet, I wonder who will put on
+your shoes and stockings for you now, dears?  I'm sure _I_ shan't
+be able!  I shall be a great deal too far off to trouble myself
+about you:  you must manage the best way you can; --but I must be
+kind to them,' thought Alice, `or perhaps they won't walk the
+way I want to go!  Let me see:  I'll give them a new pair of
+boots every Christmas.'
+
+  And she went on planning to herself how she would manage it.
+`They must go by the carrier,' she thought; `and how funny it'll
+seem, sending presents to one's own feet!  And how odd the
+directions will look!
+
+            ALICE'S RIGHT FOOT, ESQ.
+                HEARTHRUG,
+                    NEAR THE FENDER,
+                        (WITH ALICE'S LOVE).
+
+Oh dear, what nonsense I'm talking!'
+
+  Just then her head struck against the roof of the hall:  in
+fact she was now more than nine feet high, and she at once took
+up the little golden key and hurried off to the garden door.
+
+  Poor Alice!  It was as much as she could do, lying down on one
+side, to look through into the garden with one eye; but to get
+through was more hopeless than ever:  she sat down and began to
+cry again.
+
+  `You ought to be ashamed of yourself,' said Alice, `a great
+girl like you,' (she might well say this), `to go on crying in
+this way!  Stop this moment, I tell you!'  But she went on all
+the same, shedding gallons of tears, until there was a large pool
+all round her, about four inches deep and reaching half down the
+hall.
+
+  After a time she heard a little pattering of feet in the
+distance, and she hastily dried her eyes to see what was coming.
+It was the White Rabbit returning, splendidly dressed, with a
+pair of white kid gloves in one hand and a large fan in the
+other:  he came trotting along in a great hurry, muttering to
+himself as he came, `Oh! the Duchess, the Duchess! Oh! won't she
+be savage if I've kept her waiting!'  Alice felt so desperate
+that she was ready to ask help of any one; so, when the Rabbit
+came near her, she began, in a low, timid voice, `If you please,
+sir--'  The Rabbit started violently, dropped the white kid
+gloves and the fan, and skurried away into the darkness as hard
+as he could go.
+
+  Alice took up the fan and gloves, and, as the hall was very
+hot, she kept fanning herself all the time she went on talking:
+`Dear, dear!  How queer everything is to-day!  And yesterday
+things went on just as usual.  I wonder if I've been changed in
+the night?  Let me think:  was I the same when I got up this
+morning?  I almost think I can remember feeling a little
+different.  But if I'm not the same, the next question is, Who in
+the world am I?  Ah, THAT'S the great puzzle!'  And she began
+thinking over all the children she knew that were of the same age
+as herself, to see if she could have been changed for any of
+them.
+
+  `I'm sure I'm not Ada,' she said, `for her hair goes in such
+long ringlets, and mine doesn't go in ringlets at all; and I'm
+sure I can't be Mabel, for I know all sorts of things, and she,
+oh! she knows such a very little!  Besides, SHE'S she, and I'm I,
+and--oh dear, how puzzling it all is!  I'll try if I know all the
+things I used to know.  Let me see:  four times five is twelve,
+and four times six is thirteen, and four times seven is--oh dear!
+I shall never get to twenty at that rate!  However, the
+Multiplication Table doesn't signify:  let's try Geography.
+London is the capital of Paris, and Paris is the capital of Rome,
+and Rome--no, THAT'S all wrong, I'm certain!  I must have been
+changed for Mabel!  I'll try and say "How doth the little--"'
+and she crossed her hands on her lap as if she were saying lessons,
+and began to repeat it, but her voice sounded hoarse and
+strange, and the words did not come the same as they used to do:--
+
+            `How doth the little crocodile
+              Improve his shining tail,
+            And pour the waters of the Nile
+              On every golden scale!
+
+            `How cheerfully he seems to grin,
+              How neatly spread his claws,
+            And welcome little fishes in
+              With gently smiling jaws!'
+
+  `I'm sure those are not the right words,' said poor Alice, and
+her eyes filled with tears again as she went on, `I must be Mabel
+after all, and I shall have to go and live in that poky little
+house, and have next to no toys to play with, and oh! ever so
+many lessons to learn!  No, I've made up my mind about it; if I'm
+Mabel, I'll stay down here!  It'll be no use their putting their
+heads down and saying "Come up again, dear!"  I shall only look
+up and say "Who am I then?  Tell me that first, and then, if I
+like being that person, I'll come up:  if not, I'll stay down
+here till I'm somebody else"--but, oh dear!' cried Alice, with a
+sudden burst of tears, `I do wish they WOULD put their heads
+down!  I am so VERY tired of being all alone here!'
+
+  As she said this she looked down at her hands, and was
+surprised to see that she had put on one of the Rabbit's little
+white kid gloves while she was talking.  `How CAN I have done
+that?' she thought.  `I must be growing small again.'  She got up
+and went to the table to measure herself by it, and found that,
+as nearly as she could guess, she was now about two feet high,
+and was going on shrinking rapidly:  she soon found out that the
+cause of this was the fan she was holding, and she dropped it
+hastily, just in time to avoid shrinking away altogether.
+
+`That WAS a narrow escape!' said Alice, a good deal frightened at
+the sudden change, but very glad to find herself still in
+existence; `and now for the garden!' and she ran with all speed
+back to the little door:  but, alas! the little door was shut
+again, and the little golden key was lying on the glass table as
+before, `and things are worse than ever,' thought the poor child,
+`for I never was so small as this before, never!  And I declare
+it's too bad, that it is!'
+
+  As she said these words her foot slipped, and in another
+moment, splash! she was up to her chin in salt water.  He first
+idea was that she had somehow fallen into the sea, `and in that
+case I can go back by railway,' she said to herself.  (Alice had
+been to the seaside once in her life, and had come to the general
+conclusion, that wherever you go to on the English coast you find
+a number of bathing machines in the sea, some children digging in
+the sand with wooden spades, then a row of lodging houses, and
+behind them a railway station.)  However, she soon made out that
+she was in the pool of tears which she had wept when she was nine
+feet high.
+
+  `I wish I hadn't cried so much!' said Alice, as she swam about,
+trying to find her way out.  `I shall be punished for it now, I
+suppose, by being drowned in my own tears!  That WILL be a queer
+thing, to be sure!  However, everything is queer to-day.'
+
+  Just then she heard something splashing about in the pool a
+little way off, and she swam nearer to make out what it was:  at
+first she thought it must be a walrus or hippopotamus, but then
+she remembered how small she was now, and she soon made out that
+it was only a mouse that had slipped in like herself.
+
+  `Would it be of any use, now,' thought Alice, `to speak to this
+mouse?  Everything is so out-of-the-way down here, that I should
+think very likely it can talk:  at any rate, there's no harm in
+trying.'  So she began:  `O Mouse, do you know the way out of
+this pool?  I am very tired of swimming about here, O Mouse!'
+(Alice thought this must be the right way of speaking to a mouse:
+she had never done such a thing before, but she remembered having
+seen in her brother's Latin Grammar, `A mouse--of a mouse--to a
+mouse--a mouse--O mouse!'  The Mouse looked at her rather
+inquisitively, and seemed to her to wink with one of its little
+eyes, but it said nothing.
+
+  `Perhaps it doesn't understand English,' thought Alice; `I
+daresay it's a French mouse, come over with William the
+Conqueror.'  (For, with all her knowledge of history, Alice had
+no very clear notion how long ago anything had happened.)  So she
+began again:  `Ou est ma chatte?' which was the first sentence in
+her French lesson-book.  The Mouse gave a sudden leap out of the
+water, and seemed to quiver all over with fright.  `Oh, I beg
+your pardon!' cried Alice hastily, afraid that she had hurt the
+poor animal's feelings.  `I quite forgot you didn't like cats.'
+
+  `Not like cats!' cried the Mouse, in a shrill, passionate
+voice.  `Would YOU like cats if you were me?'
+
+  `Well, perhaps not,' said Alice in a soothing tone:  `don't be
+angry about it.  And yet I wish I could show you our cat Dinah:
+I think you'd take a fancy to cats if you could only see her.
+She is such a dear quiet thing,' Alice went on, half to herself,
+as she swam lazily about in the pool, `and she sits purring so
+nicely by the fire, licking her paws and washing her face--and
+she is such a nice soft thing to nurse--and she's such a capital
+one for catching mice--oh, I beg your pardon!' cried Alice again,
+for this time the Mouse was bristling all over, and she felt
+certain it must be really offended.  `We won't talk about her any
+more if you'd rather not.'
+
+  `We indeed!' cried the Mouse, who was trembling down to the end
+of his tail.  `As if I would talk on such a subject!  Our family
+always HATED cats:  nasty, low, vulgar things!  Don't let me hear
+the name again!'
+
+  `I won't indeed!' said Alice, in a great hurry to change the
+subject of conversation.  `Are you--are you fond--of--of dogs?'
+The Mouse did not answer, so Alice went on eagerly:  `There is
+such a nice little dog near our house I should like to show you!
+A little bright-eyed terrier, you know, with oh, such long curly
+brown hair!  And it'll fetch things when you throw them, and
+it'll sit up and beg for its dinner, and all sorts of things--I
+can't remember half of them--and it belongs to a farmer, you
+know, and he says it's so useful, it's worth a hundred pounds!
+He says it kills all the rats and--oh dear!' cried Alice in a
+sorrowful tone, `I'm afraid I've offended it again!'  For the
+Mouse was swimming away from her as hard as it could go, and
+making quite a commotion in the pool as it went.
+
+  So she called softly after it, `Mouse dear!  Do come back
+again, and we won't talk about cats or dogs either, if you don't
+like them!'  When the Mouse heard this, it turned round and swam
+slowly back to her:  its face was quite pale (with passion, Alice
+thought), and it said in a low trembling voice, `Let us get to
+the shore, and then I'll tell you my history, and you'll
+understand why it is I hate cats and dogs.'
+
+  It was high time to go, for the pool was getting quite crowded
+with the birds and animals that had fallen into it:  there were a
+Duck and a Dodo, a Lory and an Eaglet, and several other curious
+creatures.  Alice led the way, and the whole party swam to the
+shore.
+
+
+
+                           CHAPTER III
+
+                  A Caucus-Race and a Long Tale
+
+
+  They were indeed a queer-looking party that assembled on the
+bank--the birds with draggled feathers, the animals with their
+fur clinging close to them, and all dripping wet, cross, and
+uncomfortable.
+
+  The first question of course was, how to get dry again:  they
+had a consultation about this, and after a few minutes it seemed
+quite natural to Alice to find herself talking familiarly with
+them, as if she had known them all her life.  Indeed, she had
+quite a long argument with the Lory, who at last turned sulky,
+and would only say, `I am older than you, and must know better';
+and this Alice would not allow without knowing how old it was,
+and, as the Lory positively refused to tell its age, there was no
+more to be said.
+
+  At last the Mouse, who seemed to be a person of authority among
+them, called out, `Sit down, all of you, and listen to me!  I'LL
+soon make you dry enough!'  They all sat down at once, in a large
+ring, with the Mouse in the middle.  Alice kept her eyes
+anxiously fixed on it, for she felt sure she would catch a bad
+cold if she did not get dry very soon.
+
+  `Ahem!' said the Mouse with an important air, `are you all ready?
+This is the driest thing I know.  Silence all round, if you please!
+"William the Conqueror, whose cause was favoured by the pope, was
+soon submitted to by the English, who wanted leaders, and had been
+of late much accustomed to usurpation and conquest.  Edwin and
+Morcar, the earls of Mercia and Northumbria--"'
+
+  `Ugh!' said the Lory, with a shiver.
+
+  `I beg your pardon!' said the Mouse, frowning, but very
+politely:  `Did you speak?'
+
+  `Not I!' said the Lory hastily.
+
+  `I thought you did,' said the Mouse.  `--I proceed.  "Edwin and
+Morcar, the earls of Mercia and Northumbria, declared for him:
+and even Stigand, the patriotic archbishop of Canterbury, found
+it advisable--"'
+
+  `Found WHAT?' said the Duck.
+
+  `Found IT,' the Mouse replied rather crossly:  `of course you
+know what "it" means.'
+
+  `I know what "it" means well enough, when I find a thing,' said
+the Duck:  `it's generally a frog or a worm.  The question is,
+what did the archbishop find?'
+
+  The Mouse did not notice this question, but hurriedly went on,
+`"--found it advisable to go with Edgar Atheling to meet William
+and offer him the crown.  William's conduct at first was
+moderate.  But the insolence of his Normans--"  How are you
+getting on now, my dear?' it continued, turning to Alice as it
+spoke.
+
+  `As wet as ever,' said Alice in a melancholy tone:  `it doesn't
+seem to dry me at all.'
+
+  `In that case,' said the Dodo solemnly, rising to its feet, `I
+move that the meeting adjourn, for the immediate adoption of more
+energetic remedies--'
+
+  `Speak English!' said the Eaglet.  `I don't know the meaning of
+half those long words, and, what's more, I don't believe you do
+either!'  And the Eaglet bent down its head to hide a smile:
+some of the other birds tittered audibly.
+
+  `What I was going to say,' said the Dodo in an offended tone,
+`was, that the best thing to get us dry would be a Caucus-race.'
+
+  `What IS a Caucus-race?' said Alice; not that she wanted much
+to know, but the Dodo had paused as if it thought that SOMEBODY
+ought to speak, and no one else seemed inclined to say anything.
+
+  `Why,' said the Dodo, `the best way to explain it is to do it.'
+(And, as you might like to try the thing yourself, some winter
+day, I will tell you how the Dodo managed it.)
+
+  First it marked out a race-course, in a sort of circle, (`the
+exact shape doesn't matter,' it said,) and then all the party
+were placed along the course, here and there.  There was no `One,
+two, three, and away,' but they began running when they liked,
+and left off when they liked, so that it was not easy to know
+when the race was over.  However, when they had been running half
+an hour or so, and were quite dry again, the Dodo suddenly called
+out `The race is over!' and they all crowded round it, panting,
+and asking, `But who has won?'
+
+  This question the Dodo could not answer without a great deal of
+thought, and it sat for a long time with one finger pressed upon
+its forehead (the position in which you usually see Shakespeare,
+in the pictures of him), while the rest waited in silence.  At
+last the Dodo said, `EVERYBODY has won, and all must have
+prizes.'
+
+  `But who is to give the prizes?' quite a chorus of voices
+asked.
+
+  `Why, SHE, of course,' said the Dodo, pointing to Alice with
+one finger; and the whole party at once crowded round her,
+calling out in a confused way, `Prizes! Prizes!'
+
+  Alice had no idea what to do, and in despair she put her hand
+in her pocket, and pulled out a box of comfits, (luckily the salt
+water had not got into it), and handed them round as prizes.
+There was exactly one a-piece all round.
+
+  `But she must have a prize herself, you know,' said the Mouse.
+
+  `Of course,' the Dodo replied very gravely.  `What else have
+you got in your pocket?' he went on, turning to Alice.
+
+  `Only a thimble,' said Alice sadly.
+
+  `Hand it over here,' said the Dodo.
+
+  Then they all crowded round her once more, while the Dodo
+solemnly presented the thimble, saying `We beg your acceptance of
+this elegant thimble'; and, when it had finished this short
+speech, they all cheered.
+
+  Alice thought the whole thing very absurd, but they all looked
+so grave that she did not dare to laugh; and, as she could not
+think of anything to say, she simply bowed, and took the thimble,
+looking as solemn as she could.
+
+  The next thing was to eat the comfits:  this caused some noise
+and confusion, as the large birds complained that they could not
+taste theirs, and the small ones choked and had to be patted on
+the back.  However, it was over at last, and they sat down again
+in a ring, and begged the Mouse to tell them something more.
+
+  `You promised to tell me your history, you know,' said Alice,
+`and why it is you hate--C and D,' she added in a whisper, half
+afraid that it would be offended again.
+
+  `Mine is a long and a sad tale!' said the Mouse, turning to
+Alice, and sighing.
+
+  `It IS a long tail, certainly,' said Alice, looking down with
+wonder at the Mouse's tail; `but why do you call it sad?'  And
+she kept on puzzling about it while the Mouse was speaking, so
+that her idea of the tale was something like this:--
+
+                    `Fury said to a
+                   mouse, That he
+                 met in the
+               house,
+            "Let us
+              both go to
+                law:  I will
+                  prosecute
+                    YOU.  --Come,
+                       I'll take no
+                        denial; We
+                     must have a
+                 trial:  For
+              really this
+           morning I've
+          nothing
+         to do."
+           Said the
+             mouse to the
+               cur, "Such
+                 a trial,
+                   dear Sir,
+                         With
+                     no jury
+                  or judge,
+                would be
+              wasting
+             our
+              breath."
+               "I'll be
+                 judge, I'll
+                   be jury,"
+                         Said
+                    cunning
+                      old Fury:
+                     "I'll
+                      try the
+                         whole
+                          cause,
+                             and
+                        condemn
+                       you
+                      to
+                       death."'
+
+
+  `You are not attending!' said the Mouse to Alice severely.
+`What are you thinking of?'
+
+  `I beg your pardon,' said Alice very humbly:  `you had got to
+the fifth bend, I think?'
+
+  `I had NOT!' cried the Mouse, sharply and very angrily.
+
+  `A knot!' said Alice, always ready to make herself useful, and
+looking anxiously about her.  `Oh, do let me help to undo it!'
+
+  `I shall do nothing of the sort,' said the Mouse, getting up
+and walking away.  `You insult me by talking such nonsense!'
+
+  `I didn't mean it!' pleaded poor Alice.  `But you're so easily
+offended, you know!'
+
+  The Mouse only growled in reply.
+
+  `Please come back and finish your story!' Alice called after
+it; and the others all joined in chorus, `Yes, please do!' but
+the Mouse only shook its head impatiently, and walked a little
+quicker.
+
+  `What a pity it wouldn't stay!' sighed the Lory, as soon as it
+was quite out of sight; and an old Crab took the opportunity of
+saying to her daughter `Ah, my dear!  Let this be a lesson to you
+never to lose YOUR temper!'  `Hold your tongue, Ma!' said the
+young Crab, a little snappishly.  `You're enough to try the
+patience of an oyster!'
+
+  `I wish I had our Dinah here, I know I do!' said Alice aloud,
+addressing nobody in particular.  `She'd soon fetch it back!'
+
+  `And who is Dinah, if I might venture to ask the question?'
+said the Lory.
+
+  Alice replied eagerly, for she was always ready to talk about
+her pet:  `Dinah's our cat.  And she's such a capital one for
+catching mice you can't think!  And oh, I wish you could see her
+after the birds!  Why, she'll eat a little bird as soon as look
+at it!'
+
+  This speech caused a remarkable sensation among the party.
+Some of the birds hurried off at once:  one the old Magpie began
+wrapping itself up very carefully, remarking, `I really must be
+getting home; the night-air doesn't suit my throat!' and a Canary
+called out in a trembling voice to its children, `Come away, my
+dears!  It's high time you were all in bed!'  On various pretexts
+they all moved off, and Alice was soon left alone.
+
+  `I wish I hadn't mentioned Dinah!' she said to herself in a
+melancholy tone.  `Nobody seems to like her, down here, and I'm
+sure she's the best cat in the world!  Oh, my dear Dinah!  I
+wonder if I shall ever see you any more!'  And here poor Alice
+began to cry again, for she felt very lonely and low-spirited.
+In a little while, however, she again heard a little pattering of
+footsteps in the distance, and she looked up eagerly, half hoping
+that the Mouse had changed his mind, and was coming back to
+finish his story.
+
+
+
+                           CHAPTER IV
+
+                The Rabbit Sends in a Little Bill
+
+
+  It was the White Rabbit, trotting slowly back again, and
+looking anxiously about as it went, as if it had lost something;
+and she heard it muttering to itself `The Duchess!  The Duchess!
+Oh my dear paws!  Oh my fur and whiskers!  She'll get me
+executed, as sure as ferrets are ferrets!  Where CAN I have
+dropped them, I wonder?'  Alice guessed in a moment that it was
+looking for the fan and the pair of white kid gloves, and she
+very good-naturedly began hunting about for them, but they were
+nowhere to be seen--everything seemed to have changed since her
+swim in the pool, and the great hall, with the glass table and
+the little door, had vanished completely.
+
+  Very soon the Rabbit noticed Alice, as she went hunting about,
+and called out to her in an angry tone, `Why, Mary Ann, what ARE
+you doing out here?  Run home this moment, and fetch me a pair of
+gloves and a fan!  Quick, now!'  And Alice was so much frightened
+that she ran off at once in the direction it pointed to, without
+trying to explain the mistake it had made.
+
+  `He took me for his housemaid,' she said to herself as she ran.
+`How surprised he'll be when he finds out who I am!  But I'd
+better take him his fan and gloves--that is, if I can find them.'
+As she said this, she came upon a neat little house, on the door
+of which was a bright brass plate with the name `W. RABBIT'
+engraved upon it.  She went in without knocking, and hurried
+upstairs, in great fear lest she should meet the real Mary Ann,
+and be turned out of the house before she had found the fan and
+gloves.
+
+  `How queer it seems,' Alice said to herself, `to be going
+messages for a rabbit!  I suppose Dinah'll be sending me on
+messages next!'  And she began fancying the sort of thing that
+would happen:  `"Miss Alice!  Come here directly, and get ready
+for your walk!" "Coming in a minute, nurse!  But I've got to see
+that the mouse doesn't get out."  Only I don't think,' Alice went
+on, `that they'd let Dinah stop in the house if it began ordering
+people about like that!'
+
+  By this time she had found her way into a tidy little room with
+a table in the window, and on it (as she had hoped) a fan and two
+or three pairs of tiny white kid gloves:  she took up the fan and
+a pair of the gloves, and was just going to leave the room, when
+her eye fell upon a little bottle that stood near the looking-
+glass.  There was no label this time with the words `DRINK ME,'
+but nevertheless she uncorked it and put it to her lips.  `I know
+SOMETHING interesting is sure to happen,' she said to herself,
+`whenever I eat or drink anything; so I'll just see what this
+bottle does.  I do hope it'll make me grow large again, for
+really I'm quite tired of being such a tiny little thing!'
+
+  It did so indeed, and much sooner than she had expected:
+before she had drunk half the bottle, she found her head pressing
+against the ceiling, and had to stoop to save her neck from being
+broken.  She hastily put down the bottle, saying to herself
+`That's quite enough--I hope I shan't grow any more--As it is, I
+can't get out at the door--I do wish I hadn't drunk quite so
+much!'
+
+  Alas! it was too late to wish that!  She went on growing, and
+growing, and very soon had to kneel down on the floor:  in
+another minute there was not even room for this, and she tried
+the effect of lying down with one elbow against the door, and the
+other arm curled round her head.  Still she went on growing, and,
+as a last resource, she put one arm out of the window, and one
+foot up the chimney, and said to herself `Now I can do no more,
+whatever happens.  What WILL become of me?'
+
+  Luckily for Alice, the little magic bottle had now had its full
+effect, and she grew no larger:  still it was very uncomfortable,
+and, as there seemed to be no sort of chance of her ever getting
+out of the room again, no wonder she felt unhappy.
+
+  `It was much pleasanter at home,' thought poor Alice, `when one
+wasn't always growing larger and smaller, and being ordered about
+by mice and rabbits.  I almost wish I hadn't gone down that
+rabbit-hole--and yet--and yet--it's rather curious, you know,
+this sort of life!  I do wonder what CAN have happened to me!
+When I used to read fairy-tales, I fancied that kind of thing
+never happened, and now here I am in the middle of one!  There
+ought to be a book written about me, that there ought!  And when
+I grow up, I'll write one--but I'm grown up now,' she added in a
+sorrowful tone; `at least there's no room to grow up any more
+HERE.'
+
+  `But then,' thought Alice, `shall I NEVER get any older than I
+am now?  That'll be a comfort, one way--never to be an old woman-
+-but then--always to have lessons to learn!  Oh, I shouldn't like
+THAT!'
+
+  `Oh, you foolish Alice!' she answered herself.  `How can you
+learn lessons in here?  Why, there's hardly room for YOU, and no
+room at all for any lesson-books!'
+
+  And so she went on, taking first one side and then the other,
+and making quite a conversation of it altogether; but after a few
+minutes she heard a voice outside, and stopped to listen.
+
+  `Mary Ann!  Mary Ann!' said the voice.  `Fetch me my gloves
+this moment!'  Then came a little pattering of feet on the
+stairs.  Alice knew it was the Rabbit coming to look for her, and
+she trembled till she shook the house, quite forgetting that she
+was now about a thousand times as large as the Rabbit, and had no
+reason to be afraid of it.
+
+  Presently the Rabbit came up to the door, and tried to open it;
+but, as the door opened inwards, and Alice's elbow was pressed
+hard against it, that attempt proved a failure.  Alice heard it
+say to itself `Then I'll go round and get in at the window.'
+
+  `THAT you won't' thought Alice, and, after waiting till she
+fancied she heard the Rabbit just under the window, she suddenly
+spread out her hand, and made a snatch in the air.  She did not
+get hold of anything, but she heard a little shriek and a fall,
+and a crash of broken glass, from which she concluded that it was
+just possible it had fallen into a cucumber-frame, or something
+of the sort.
+
+  Next came an angry voice--the Rabbit's--`Pat! Pat!  Where are
+you?'  And then a voice she had never heard before, `Sure then
+I'm here!  Digging for apples, yer honour!'
+
+  `Digging for apples, indeed!' said the Rabbit angrily.  `Here!
+Come and help me out of THIS!'  (Sounds of more broken glass.)
+
+  `Now tell me, Pat, what's that in the window?'
+
+  `Sure, it's an arm, yer honour!'  (He pronounced it `arrum.')
+
+  `An arm, you goose!   Who ever saw one that size?  Why, it
+fills the whole window!'
+
+  `Sure, it does, yer honour:  but it's an arm for all that.'
+
+  `Well, it's got no business there, at any rate:  go and take it
+away!'
+
+  There was a long silence after this, and Alice could only hear
+whispers now and then; such as, `Sure, I don't like it, yer
+honour, at all, at all!'  `Do as I tell you, you coward!' and at
+last she spread out her hand again, and made another snatch in
+the air.  This time there were TWO little shrieks, and more
+sounds of broken glass.  `What a number of cucumber-frames there
+must be!' thought Alice.  `I wonder what they'll do next!  As for
+pulling me out of the window, I only wish they COULD!  I'm sure I
+don't want to stay in here any longer!'
+
+  She waited for some time without hearing anything more:  at
+last came a rumbling of little cartwheels, and the sound of a
+good many voice all talking together:  she made out the words:
+`Where's the other ladder?--Why, I hadn't to bring but one;
+Bill's got the other--Bill! fetch it here, lad!--Here, put 'em up
+at this corner--No, tie 'em together first--they don't reach half
+high enough yet--Oh! they'll do well enough; don't be particular-
+-Here, Bill! catch hold of this rope--Will the roof bear?--Mind
+that loose slate--Oh, it's coming down!  Heads below!' (a loud
+crash)--`Now, who did that?--It was Bill, I fancy--Who's to go
+down the chimney?--Nay, I shan't! YOU do it!--That I won't,
+then!--Bill's to go down--Here, Bill! the master says you're to
+go down the chimney!'
+
+  `Oh! So Bill's got to come down the chimney, has he?' said
+Alice to herself.  `Shy, they seem to put everything upon Bill!
+I wouldn't be in Bill's place for a good deal:  this fireplace is
+narrow, to be sure; but I THINK I can kick a little!'
+
+  She drew her foot as far down the chimney as she could, and
+waited till she heard a little animal (she couldn't guess of what
+sort it was) scratching and scrambling about in the chimney close
+above her:  then, saying to herself `This is Bill,' she gave one
+sharp kick, and waited to see what would happen next.
+
+  The first thing she heard was a general chorus of `There goes
+Bill!' then the Rabbit's voice along--`Catch him, you by the
+hedge!' then silence, and then another confusion of voices--`Hold
+up his head--Brandy now--Don't choke him--How was it, old fellow?
+What happened to you?  Tell us all about it!'
+
+  Last came a little feeble, squeaking voice, (`That's Bill,'
+thought Alice,) `Well, I hardly know--No more, thank ye; I'm
+better now--but I'm a deal too flustered to tell you--all I know
+is, something comes at me like a Jack-in-the-box, and up I goes
+like a sky-rocket!'
+
+  `So you did, old fellow!' said the others.
+
+  `We must burn the house down!' said the Rabbit's voice; and
+Alice called out as loud as she could, `If you do.  I'll set
+Dinah at you!'
+
+  There was a dead silence instantly, and Alice thought to
+herself, `I wonder what they WILL do next!  If they had any
+sense, they'd take the roof off.'  After a minute or two, they
+began moving about again, and Alice heard the Rabbit say, `A
+barrowful will do, to begin with.'
+
+  `A barrowful of WHAT?' thought Alice; but she had not long to
+doubt, for the next moment a shower of little pebbles came
+rattling in at the window, and some of them hit her in the face.
+`I'll put a stop to this,' she said to herself, and shouted out,
+`You'd better not do that again!' which produced another dead
+silence.
+
+  Alice noticed with some surprise that the pebbles were all
+turning into little cakes as they lay on the floor, and a bright
+idea came into her head.  `If I eat one of these cakes,' she
+thought, `it's sure to make SOME change in my size; and as it
+can't possibly make me larger, it must make me smaller, I
+suppose.'
+
+  So she swallowed one of the cakes, and was delighted to find
+that she began shrinking directly.  As soon as she was small
+enough to get through the door, she ran out of the house, and
+found quite a crowd of little animals and birds waiting outside.
+The poor little Lizard, Bill, was in the middle, being held up by
+two guinea-pigs, who were giving it something out of a bottle.
+They all made a rush at Alice the moment she appeared; but she
+ran off as hard as she could, and soon found herself safe in a
+thick wood.
+
+  `The first thing I've got to do,' said Alice to herself, as she
+wandered about in the wood, `is to grow to my right size again;
+and the second thing is to find my way into that lovely garden.
+I think that will be the best plan.'
+
+  It sounded an excellent plan, no doubt, and very neatly and
+simply arranged; the only difficulty was, that she had not the
+smallest idea how to set about it; and while she was peering
+about anxiously among the trees, a little sharp bark just over
+her head made her look up in a great hurry.
+
+  An enormous puppy was looking down at her with large round
+eyes, and feebly stretching out one paw, trying to touch her.
+`Poor little thing!' said Alice, in a coaxing tone, and she tried
+hard to whistle to it; but she was terribly frightened all the
+time at the thought that it might be hungry, in which case it
+would be very likely to eat her up in spite of all her coaxing.
+
+  Hardly knowing what she did, she picked up a little bit of
+stick, and held it out to the puppy; whereupon the puppy jumped
+into the air off all its feet at once, with a yelp of delight,
+and rushed at the stick, and made believe to worry it; then Alice
+dodged behind a great thistle, to keep herself from being run
+over; and the moment she appeared on the other side, the puppy
+made another rush at the stick, and tumbled head over heels in
+its hurry to get hold of it; then Alice, thinking it was very
+like having a game of play with a cart-horse, and expecting every
+moment to be trampled under its feet, ran round the thistle
+again; then the puppy began a series of short charges at the
+stick, running a very little way forwards each time and a long
+way back, and barking hoarsely all the while, till at last it sat
+down a good way off, panting, with its tongue hanging out of its
+mouth, and its great eyes half shut.
+
+  This seemed to Alice a good opportunity for making her escape;
+so she set off at once, and ran till she was quite tired and out
+of breath, and till the puppy's bark sounded quite faint in the
+distance.
+
+  `And yet what a dear little puppy it was!' said Alice, as she
+leant against a buttercup to rest herself, and fanned herself
+with one of the leaves:  `I should have liked teaching it tricks
+very much, if--if I'd only been the right size to do it!  Oh
+dear!  I'd nearly forgotten that I've got to grow up again!  Let
+me see--how IS it to be managed?  I suppose I ought to eat or
+drink something or other; but the great question is, what?'
+
+  The great question certainly was, what?  Alice looked all round
+her at the flowers and the blades of grass, but she did not see
+anything that looked like the right thing to eat or drink under
+the circumstances.  There was a large mushroom growing near her,
+about the same height as herself; and when she had looked under
+it, and on both sides of it, and behind it, it occurred to her
+that she might as well look and see what was on the top of it.
+
+  She stretched herself up on tiptoe, and peeped over the edge of
+the mushroom, and her eyes immediately met those of a large
+caterpillar, that was sitting on the top with its arms folded,
+quietly smoking a long hookah, and taking not the smallest notice
+of her or of anything else.
+
+
+
+                            CHAPTER V
+
+                    Advice from a Caterpillar
+
+
+  The Caterpillar and Alice looked at each other for some time in
+silence:  at last the Caterpillar took the hookah out of its
+mouth, and addressed her in a languid, sleepy voice.
+
+  `Who are YOU?' said the Caterpillar.
+
+  This was not an encouraging opening for a conversation.  Alice
+replied, rather shyly, `I--I hardly know, sir, just at present--
+at least I know who I WAS when I got up this morning, but I think
+I must have been changed several times since then.'
+
+  `What do you mean by that?' said the Caterpillar sternly.
+`Explain yourself!'
+
+  `I can't explain MYSELF, I'm afraid, sir' said Alice, `because
+I'm not myself, you see.'
+
+  `I don't see,' said the Caterpillar.
+
+  `I'm afraid I can't put it more clearly,' Alice replied very
+politely, `for I can't understand it myself to begin with; and
+being so many different sizes in a day is very confusing.'
+
+  `It isn't,' said the Caterpillar.
+
+  `Well, perhaps you haven't found it so yet,' said Alice; `but
+when you have to turn into a chrysalis--you will some day, you
+know--and then after that into a butterfly, I should think you'll
+feel it a little queer, won't you?'
+
+  `Not a bit,' said the Caterpillar.
+
+  `Well, perhaps your feelings may be different,' said Alice;
+`all I know is, it would feel very queer to ME.'
+
+  `You!' said the Caterpillar contemptuously.  `Who are YOU?'
+
+  Which brought them back again to the beginning of the
+conversation.  Alice felt a little irritated at the Caterpillar's
+making such VERY short remarks, and she drew herself up and said,
+very gravely, `I think, you ought to tell me who YOU are, first.'
+
+  `Why?' said the Caterpillar.
+
+  Here was another puzzling question; and as Alice could not
+think of any good reason, and as the Caterpillar seemed to be in
+a VERY unpleasant state of mind, she turned away.
+
+  `Come back!' the Caterpillar called after her.  `I've something
+important to say!'
+
+  This sounded promising, certainly:  Alice turned and came back
+again.
+
+  `Keep your temper,' said the Caterpillar.
+
+  `Is that all?' said Alice, swallowing down her anger as well as
+she could.
+
+  `No,' said the Caterpillar.
+
+  Alice thought she might as well wait, as she had nothing else
+to do, and perhaps after all it might tell her something worth
+hearing.  For some minutes it puffed away without speaking, but
+at last it unfolded its arms, took the hookah out of its mouth
+again, and said, `So you think you're changed, do you?'
+
+  `I'm afraid I am, sir,' said Alice; `I can't remember things as
+I used--and I don't keep the same size for ten minutes together!'
+
+  `Can't remember WHAT things?' said the Caterpillar.
+
+  `Well, I've tried to say "HOW DOTH THE LITTLE BUSY BEE," but it
+all came different!' Alice replied in a very melancholy voice.
+
+  `Repeat, "YOU ARE OLD, FATHER WILLIAM,"' said the Caterpillar.
+
+  Alice folded her hands, and began:--
+
+    `You are old, Father William,' the young man said,
+      `And your hair has become very white;
+    And yet you incessantly stand on your head--
+      Do you think, at your age, it is right?'
+
+    `In my youth,' Father William replied to his son,
+      `I feared it might injure the brain;
+    But, now that I'm perfectly sure I have none,
+      Why, I do it again and again.'
+
+    `You are old,' said the youth, `as I mentioned before,
+      And have grown most uncommonly fat;
+    Yet you turned a back-somersault in at the door--
+      Pray, what is the reason of that?'
+
+    `In my youth,' said the sage, as he shook his grey locks,
+      `I kept all my limbs very supple
+    By the use of this ointment--one shilling the box--
+      Allow me to sell you a couple?'
+
+    `You are old,' said the youth, `and your jaws are too weak
+      For anything tougher than suet;
+    Yet you finished the goose, with the bones and the beak--
+      Pray how did you manage to do it?'
+
+    `In my youth,' said his father, `I took to the law,
+      And argued each case with my wife;
+    And the muscular strength, which it gave to my jaw,
+      Has lasted the rest of my life.'
+
+    `You are old,' said the youth, `one would hardly suppose
+      That your eye was as steady as ever;
+    Yet you balanced an eel on the end of your nose--
+      What made you so awfully clever?'
+
+    `I have answered three questions, and that is enough,'
+      Said his father; `don't give yourself airs!
+    Do you think I can listen all day to such stuff?
+      Be off, or I'll kick you down stairs!'
+
+
+  `That is not said right,' said the Caterpillar.
+
+  `Not QUITE right, I'm afraid,' said Alice, timidly; `some of the
+words have got altered.'
+
+  `It is wrong from beginning to end,' said the Caterpillar
+decidedly, and there was silence for some minutes.
+
+  The Caterpillar was the first to speak.
+
+  `What size do you want to be?' it asked.
+
+  `Oh, I'm not particular as to size,' Alice hastily replied;
+`only one doesn't like changing so often, you know.'
+
+  `I DON'T know,' said the Caterpillar.
+
+  Alice said nothing:  she had never been so much contradicted in
+her life before, and she felt that she was losing her temper.
+
+  `Are you content now?' said the Caterpillar.
+
+  `Well, I should like to be a LITTLE larger, sir, if you
+wouldn't mind,' said Alice:  `three inches is such a wretched
+height to be.'
+
+  `It is a very good height indeed!' said the Caterpillar
+angrily, rearing itself upright as it spoke (it was exactly three
+inches high).
+
+  `But I'm not used to it!' pleaded poor Alice in a piteous tone.
+And she thought of herself, `I wish the creatures wouldn't be so
+easily offended!'
+
+  `You'll get used to it in time,' said the Caterpillar; and it
+put the hookah into its mouth and began smoking again.
+
+  This time Alice waited patiently until it chose to speak again.
+In a minute or two the Caterpillar took the hookah out of its
+mouth and yawned once or twice, and shook itself.  Then it got
+down off the mushroom, and crawled away in the grass, merely
+remarking as it went, `One side will make you grow taller, and
+the other side will make you grow shorter.'
+
+  `One side of WHAT?  The other side of WHAT?' thought Alice to
+herself.
+
+  `Of the mushroom,' said the Caterpillar, just as if she had
+asked it aloud; and in another moment it was out of sight.
+
+  Alice remained looking thoughtfully at the mushroom for a
+minute, trying to make out which were the two sides of it; and as
+it was perfectly round, she found this a very difficult question.
+However, at last she stretched her arms round it as far as they
+would go, and broke off a bit of the edge with each hand.
+
+  `And now which is which?' she said to herself, and nibbled a
+little of the right-hand bit to try the effect:  the next moment
+she felt a violent blow underneath her chin:  it had struck her
+foot!
+
+  She was a good deal frightened by this very sudden change, but
+she felt that there was no time to be lost, as she was shrinking
+rapidly; so she set to work at once to eat some of the other bit.
+Her chin was pressed so closely against her foot, that there was
+hardly room to open her mouth; but she did it at last, and
+managed to swallow a morsel of the lefthand bit.
+
+
+     *       *       *       *       *       *       *
+
+         *       *       *       *       *       *
+
+     *       *       *       *       *       *       *
+
+  `Come, my head's free at last!' said Alice in a tone of
+delight, which changed into alarm in another moment, when she
+found that her shoulders were nowhere to be found:  all she could
+see, when she looked down, was an immense length of neck, which
+seemed to rise like a stalk out of a sea of green leaves that lay
+far below her.
+
+  `What CAN all that green stuff be?' said Alice.  `And where
+HAVE my shoulders got to?  And oh, my poor hands, how is it I
+can't see you?'  She was moving them about as she spoke, but no
+result seemed to follow, except a little shaking among the
+distant green leaves.
+
+  As there seemed to be no chance of getting her hands up to her
+head, she tried to get her head down to them, and was delighted
+to find that her neck would bend about easily in any direction,
+like a serpent.  She had just succeeded in curving it down into a
+graceful zigzag, and was going to dive in among the leaves, which
+she found to be nothing but the tops of the trees under which she
+had been wandering, when a sharp hiss made her draw back in a
+hurry:  a large pigeon had flown into her face, and was beating
+her violently with its wings.
+
+  `Serpent!' screamed the Pigeon.
+
+  `I'm NOT a serpent!' said Alice indignantly.  `Let me alone!'
+
+  `Serpent, I say again!' repeated the Pigeon, but in a more
+subdued tone, and added with a kind of sob, `I've tried every
+way, and nothing seems to suit them!'
+
+  `I haven't the least idea what you're talking about,' said
+Alice.
+
+  `I've tried the roots of trees, and I've tried banks, and I've
+tried hedges,' the Pigeon went on, without attending to her; `but
+those serpents!  There's no pleasing them!'
+
+  Alice was more and more puzzled, but she thought there was no
+use in saying anything more till the Pigeon had finished.
+
+  `As if it wasn't trouble enough hatching the eggs,' said the
+Pigeon; `but I must be on the look-out for serpents night and
+day!  Why, I haven't had a wink of sleep these three weeks!'
+
+  `I'm very sorry you've been annoyed,' said Alice, who was
+beginning to see its meaning.
+
+  `And just as I'd taken the highest tree in the wood,' continued
+the Pigeon, raising its voice to a shriek, `and just as I was
+thinking I should be free of them at last, they must needs come
+wriggling down from the sky!  Ugh, Serpent!'
+
+  `But I'm NOT a serpent, I tell you!' said Alice.  `I'm a--I'm
+a--'
+
+  `Well!  WHAT are you?' said the Pigeon.  `I can see you're
+trying to invent something!'
+
+  `I--I'm a little girl,' said Alice, rather doubtfully, as she
+remembered the number of changes she had gone through that day.
+
+  `A likely story indeed!' said the Pigeon in a tone of the
+deepest contempt.  `I've seen a good many little girls in my
+time, but never ONE with such a neck as that!  No, no!  You're a
+serpent; and there's no use denying it.  I suppose you'll be
+telling me next that you never tasted an egg!'
+
+  `I HAVE tasted eggs, certainly,' said Alice, who was a very
+truthful child; `but little girls eat eggs quite as much as
+serpents do, you know.'
+
+  `I don't believe it,' said the Pigeon; `but if they do, why
+then they're a kind of serpent, that's all I can say.'
+
+  This was such a new idea to Alice, that she was quite silent
+for a minute or two, which gave the Pigeon the opportunity of
+adding, `You're looking for eggs, I know THAT well enough; and
+what does it matter to me whether you're a little girl or a
+serpent?'
+
+  `It matters a good deal to ME,' said Alice hastily; `but I'm
+not looking for eggs, as it happens; and if I was, I shouldn't
+want YOURS:  I don't like them raw.'
+
+  `Well, be off, then!' said the Pigeon in a sulky tone, as it
+settled down again into its nest.  Alice crouched down among the
+trees as well as she could, for her neck kept getting entangled
+among the branches, and every now and then she had to stop and
+untwist it.  After a while she remembered that she still held the
+pieces of mushroom in her hands, and she set to work very
+carefully, nibbling first at one and then at the other, and
+growing sometimes taller and sometimes shorter, until she had
+succeeded in bringing herself down to her usual height.
+
+  It was so long since she had been anything near the right size,
+that it felt quite strange at first; but she got used to it in a
+few minutes, and began talking to herself, as usual.  `Come,
+there's half my plan done now!  How puzzling all these changes
+are!  I'm never sure what I'm going to be, from one minute to
+another!  However, I've got back to my right size:  the next
+thing is, to get into that beautiful garden--how IS that to be
+done, I wonder?'  As she said this, she came suddenly upon an
+open place, with a little house in it about four feet high.
+`Whoever lives there,' thought Alice, `it'll never do to come
+upon them THIS size:  why, I should frighten them out of their
+wits!'  So she began nibbling at the righthand bit again, and did
+not venture to go near the house till she had brought herself
+down to nine inches high.
+
+
+
+                           CHAPTER VI
+
+                         Pig and Pepper
+
+
+  For a minute or two she stood looking at the house, and
+wondering what to do next, when suddenly a footman in livery came
+running out of the wood--(she considered him to be a footman
+because he was in livery:  otherwise, judging by his face only,
+she would have called him a fish)--and rapped loudly at the door
+with his knuckles.  It was opened by another footman in livery,
+with a round face, and large eyes like a frog; and both footmen,
+Alice noticed, had powdered hair that curled all over their
+heads.  She felt very curious to know what it was all about, and
+crept a little way out of the wood to listen.
+
+  The Fish-Footman began by producing from under his arm a great
+letter, nearly as large as himself, and this he handed over to
+the other, saying, in a solemn tone, `For the Duchess.  An
+invitation from the Queen to play croquet.'  The Frog-Footman
+repeated, in the same solemn tone, only changing the order of the
+words a little, `From the Queen.  An invitation for the Duchess
+to play croquet.'
+
+  Then they both bowed low, and their curls got entangled
+together.
+
+  Alice laughed so much at this, that she had to run back into
+the wood for fear of their hearing her; and when she next peeped
+out the Fish-Footman was gone, and the other was sitting on the
+ground near the door, staring stupidly up into the sky.
+
+  Alice went timidly up to the door, and knocked.
+
+  `There's no sort of use in knocking,' said the Footman, `and
+that for two reasons.  First, because I'm on the same side of the
+door as you are; secondly, because they're making such a noise
+inside, no one could possibly hear you.'  And certainly there was
+a most extraordinary noise going on within--a constant howling
+and sneezing, and every now and then a great crash, as if a dish
+or kettle had been broken to pieces.
+
+  `Please, then,' said Alice, `how am I to get in?'
+
+  `There might be some sense in your knocking,' the Footman went
+on without attending to her, `if we had the door between us.  For
+instance, if you were INSIDE, you might knock, and I could let
+you out, you know.'  He was looking up into the sky all the time
+he was speaking, and this Alice thought decidedly uncivil.  `But
+perhaps he can't help it,' she said to herself; `his eyes are so
+VERY nearly at the top of his head.  But at any rate he might
+answer questions.--How am I to get in?' she repeated, aloud.
+
+  `I shall sit here,' the Footman remarked, `till tomorrow--'
+
+  At this moment the door of the house opened, and a large plate
+came skimming out, straight at the Footman's head:  it just
+grazed his nose, and broke to pieces against one of the trees
+behind him.
+
+  `--or next day, maybe,' the Footman continued in the same tone,
+exactly as if nothing had happened.
+
+  `How am I to get in?' asked Alice again, in a louder tone.
+
+  `ARE you to get in at all?' said the Footman.  `That's the
+first question, you know.'
+
+  It was, no doubt:  only Alice did not like to be told so.
+`It's really dreadful,' she muttered to herself, `the way all the
+creatures argue.  It's enough to drive one crazy!'
+
+  The Footman seemed to think this a good opportunity for
+repeating his remark, with variations.  `I shall sit here,' he
+said, `on and off, for days and days.'
+
+  `But what am I to do?' said Alice.
+
+  `Anything you like,' said the Footman, and began whistling.
+
+  `Oh, there's no use in talking to him,' said Alice desperately:
+`he's perfectly idiotic!'  And she opened the door and went in.
+
+  The door led right into a large kitchen, which was full of
+smoke from one end to the other:  the Duchess was sitting on a
+three-legged stool in the middle, nursing a baby; the cook was
+leaning over the fire, stirring a large cauldron which seemed to
+be full of soup.
+
+  `There's certainly too much pepper in that soup!' Alice said to
+herself, as well as she could for sneezing.
+
+  There was certainly too much of it in the air.  Even the
+Duchess sneezed occasionally; and as for the baby, it was
+sneezing and howling alternately without a moment's pause.  The
+only things in the kitchen that did not sneeze, were the cook,
+and a large cat which was sitting on the hearth and grinning from
+ear to ear.
+
+  `Please would you tell me,' said Alice, a little timidly, for
+she was not quite sure whether it was good manners for her to
+speak first, `why your cat grins like that?'
+
+  `It's a Cheshire cat,' said the Duchess, `and that's why.
+Pig!'
+
+  She said the last word with such sudden violence that Alice
+quite jumped; but she saw in another moment that it was addressed
+to the baby, and not to her, so she took courage, and went on
+again:--
+
+  `I didn't know that Cheshire cats always grinned; in fact, I
+didn't know that cats COULD grin.'
+
+  `They all can,' said the Duchess; `and most of 'em do.'
+
+  `I don't know of any that do,' Alice said very politely,
+feeling quite pleased to have got into a conversation.
+
+  `You don't know much,' said the Duchess; `and that's a fact.'
+
+  Alice did not at all like the tone of this remark, and thought
+it would be as well to introduce some other subject of
+conversation.  While she was trying to fix on one, the cook took
+the cauldron of soup off the fire, and at once set to work
+throwing everything within her reach at the Duchess and the baby
+--the fire-irons came first; then followed a shower of saucepans,
+plates, and dishes.  The Duchess took no notice of them even when
+they hit her; and the baby was howling so much already, that it
+was quite impossible to say whether the blows hurt it or not.
+
+  `Oh, PLEASE mind what you're doing!' cried Alice, jumping up
+and down in an agony of terror.  `Oh, there goes his PRECIOUS
+nose'; as an unusually large saucepan flew close by it, and very
+nearly carried it off.
+
+  `If everybody minded their own business,' the Duchess said in a
+hoarse growl, `the world would go round a deal faster than it
+does.'
+
+  `Which would NOT be an advantage,' said Alice, who felt very
+glad to get an opportunity of showing off a little of her
+knowledge.  `Just think of what work it would make with the day
+and night!  You see the earth takes twenty-four hours to turn
+round on its axis--'
+
+  `Talking of axes,' said the Duchess, `chop off her head!'
+
+  Alice glanced rather anxiously at the cook, to see if she meant
+to take the hint; but the cook was busily stirring the soup, and
+seemed not to be listening, so she went on again:  `Twenty-four
+hours, I THINK; or is it twelve?  I--'
+
+  `Oh, don't bother ME,' said the Duchess; `I never could abide
+figures!'  And with that she began nursing her child again,
+singing a sort of lullaby to it as she did so, and giving it a
+violent shake at the end of every line:
+
+        `Speak roughly to your little boy,
+          And beat him when he sneezes:
+        He only does it to annoy,
+          Because he knows it teases.'
+
+                    CHORUS.
+
+    (In which the cook and the baby joined):--
+
+                `Wow! wow! wow!'
+
+  While the Duchess sang the second verse of the song, she kept
+tossing the baby violently up and down, and the poor little thing
+howled so, that Alice could hardly hear the words:--
+
+        `I speak severely to my boy,
+          I beat him when he sneezes;
+        For he can thoroughly enjoy
+          The pepper when he pleases!'
+
+                    CHORUS.
+
+                `Wow! wow! wow!'
+
+  `Here! you may nurse it a bit, if you like!' the Duchess said
+to Alice, flinging the baby at her as she spoke.  `I must go and
+get ready to play croquet with the Queen,' and she hurried out of
+the room.  The cook threw a frying-pan after her as she went out,
+but it just missed her.
+
+  Alice caught the baby with some difficulty, as it was a queer-
+shaped little creature, and held out its arms and legs in all
+directions, `just like a star-fish,' thought Alice.  The poor
+little thing was snorting like a steam-engine when she caught it,
+and kept doubling itself up and straightening itself out again,
+so that altogether, for the first minute or two, it was as much
+as she could do to hold it.
+
+  As soon as she had made out the proper way of nursing it,
+(which was to twist it up into a sort of knot, and then keep
+tight hold of its right ear and left foot, so as to prevent its
+undoing itself,) she carried it out into the open air.  `IF I
+don't take this child away with me,' thought Alice, `they're sure
+to kill it in a day or two:  wouldn't it be murder to leave it
+behind?'  She said the last words out loud, and the little thing
+grunted in reply (it had left off sneezing by this time).  `Don't
+grunt,' said Alice; `that's not at all a proper way of expressing
+yourself.'
+
+  The baby grunted again, and Alice looked very anxiously into
+its face to see what was the matter with it.  There could be no
+doubt that it had a VERY turn-up nose, much more like a snout
+than a real nose; also its eyes were getting extremely small for
+a baby:  altogether Alice did not like the look of the thing at
+all.  `But perhaps it was only sobbing,' she thought, and looked
+into its eyes again, to see if there were any tears.
+
+  No, there were no tears.  `If you're going to turn into a pig,
+my dear,' said Alice, seriously, `I'll have nothing more to do
+with you.  Mind now!'  The poor little thing sobbed again (or
+grunted, it was impossible to say which), and they went on for
+some while in silence.
+
+  Alice was just beginning to think to herself, `Now, what am I
+to do with this creature when I get it home?' when it grunted
+again, so violently, that she looked down into its face in some
+alarm.  This time there could be NO mistake about it:  it was
+neither more nor less than a pig, and she felt that it would be
+quite absurd for her to carry it further.
+
+  So she set the little creature down, and felt quite relieved to
+see it trot away quietly into the wood.  `If it had grown up,'
+she said to herself, `it would have made a dreadfully ugly child:
+but it makes rather a handsome pig, I think.'  And she began
+thinking over other children she knew, who might do very well as
+pigs, and was just saying to herself, `if one only knew the right
+way to change them--' when she was a little startled by seeing
+the Cheshire Cat sitting on a bough of a tree a few yards off.
+
+  The Cat only grinned when it saw Alice.  It looked good-
+natured, she thought:  still it had VERY long claws and a great
+many teeth, so she felt that it ought to be treated with respect.
+
+  `Cheshire Puss,' she began, rather timidly, as she did not at
+all know whether it would like the name:  however, it only
+grinned a little wider.  `Come, it's pleased so far,' thought
+Alice, and she went on.  `Would you tell me, please, which way I
+ought to go from here?'
+
+  `That depends a good deal on where you want to get to,' said
+the Cat.
+
+  `I don't much care where--' said Alice.
+
+  `Then it doesn't matter which way you go,' said the Cat.
+
+  `--so long as I get SOMEWHERE,' Alice added as an explanation.
+
+  `Oh, you're sure to do that,' said the Cat, `if you only walk
+long enough.'
+
+  Alice felt that this could not be denied, so she tried another
+question.  `What sort of people live about here?'
+
+  `In THAT direction,' the Cat said, waving its right paw round,
+`lives a Hatter:  and in THAT direction,' waving the other paw,
+`lives a March Hare.  Visit either you like:  they're both mad.'
+
+  `But I don't want to go among mad people,' Alice remarked.
+
+  `Oh, you can't help that,' said the Cat:  `we're all mad here.
+I'm mad.  You're mad.'
+
+  `How do you know I'm mad?' said Alice.
+
+  `You must be,' said the Cat, `or you wouldn't have come here.'
+
+  Alice didn't think that proved it at all; however, she went on
+`And how do you know that you're mad?'
+
+  `To begin with,' said the Cat, `a dog's not mad.  You grant
+that?'
+
+  `I suppose so,' said Alice.
+
+  `Well, then,' the Cat went on, `you see, a dog growls when it's
+angry, and wags its tail when it's pleased.  Now I growl when I'm
+pleased, and wag my tail when I'm angry.  Therefore I'm mad.'
+
+  `I call it purring, not growling,' said Alice.
+
+  `Call it what you like,' said the Cat.  `Do you play croquet
+with the Queen to-day?'
+
+  `I should like it very much,' said Alice, `but I haven't been
+invited yet.'
+
+  `You'll see me there,' said the Cat, and vanished.
+
+  Alice was not much surprised at this, she was getting so used
+to queer things happening.  While she was looking at the place
+where it had been, it suddenly appeared again.
+
+  `By-the-bye, what became of the baby?' said the Cat.  `I'd
+nearly forgotten to ask.'
+
+  `It turned into a pig,' Alice quietly said, just as if it had
+come back in a natural way.
+
+  `I thought it would,' said the Cat, and vanished again.
+
+  Alice waited a little, half expecting to see it again, but it
+did not appear, and after a minute or two she walked on in the
+direction in which the March Hare was said to live.  `I've seen
+hatters before,' she said to herself; `the March Hare will be
+much the most interesting, and perhaps as this is May it won't be
+raving mad--at least not so mad as it was in March.'  As she said
+this, she looked up, and there was the Cat again, sitting on a
+branch of a tree.
+
+  `Did you say pig, or fig?' said the Cat.
+
+  `I said pig,' replied Alice; `and I wish you wouldn't keep
+appearing and vanishing so suddenly:  you make one quite giddy.'
+
+  `All right,' said the Cat; and this time it vanished quite
+slowly, beginning with the end of the tail, and ending with the
+grin, which remained some time after the rest of it had gone.
+
+  `Well!  I've often seen a cat without a grin,' thought Alice;
+`but a grin without a cat!  It's the most curious thing I ever
+say in my life!'
+
+  She had not gone much farther before she came in sight of the
+house of the March Hare:  she thought it must be the right house,
+because the chimneys were shaped like ears and the roof was
+thatched with fur.  It was so large a house, that she did not
+like to go nearer till she had nibbled some more of the lefthand
+bit of mushroom, and raised herself to about two feet high:  even
+then she walked up towards it rather timidly, saying to herself
+`Suppose it should be raving mad after all!  I almost wish I'd
+gone to see the Hatter instead!'
+
+
+
+                           CHAPTER VII
+
+                         A Mad Tea-Party
+
+
+  There was a table set out under a tree in front of the house,
+and the March Hare and the Hatter were having tea at it:  a
+Dormouse was sitting between them, fast asleep, and the other two
+were using it as a cushion, resting their elbows on it, and the
+talking over its head.  `Very uncomfortable for the Dormouse,'
+thought Alice; `only, as it's asleep, I suppose it doesn't mind.'
+
+  The table was a large one, but the three were all crowded
+together at one corner of it:  `No room!  No room!' they cried
+out when they saw Alice coming.  `There's PLENTY of room!' said
+Alice indignantly, and she sat down in a large arm-chair at one
+end of the table.
+
+  `Have some wine,' the March Hare said in an encouraging tone.
+
+  Alice looked all round the table, but there was nothing on it
+but tea.  `I don't see any wine,' she remarked.
+
+  `There isn't any,' said the March Hare.
+
+  `Then it wasn't very civil of you to offer it,' said Alice
+angrily.
+
+  `It wasn't very civil of you to sit down without being
+invited,' said the March Hare.
+
+  `I didn't know it was YOUR table,' said Alice; `it's laid for a
+great many more than three.'
+
+  `Your hair wants cutting,' said the Hatter.  He had been
+looking at Alice for some time with great curiosity, and this was
+his first speech.
+
+  `You should learn not to make personal remarks,' Alice said
+with some severity; `it's very rude.'
+
+  The Hatter opened his eyes very wide on hearing this; but all
+he SAID was, `Why is a raven like a writing-desk?'
+
+  `Come, we shall have some fun now!' thought Alice.  `I'm glad
+they've begun asking riddles.--I believe I can guess that,' she
+added aloud.
+
+  `Do you mean that you think you can find out the answer to it?'
+said the March Hare.
+
+  `Exactly so,' said Alice.
+
+  `Then you should say what you mean,' the March Hare went on.
+
+  `I do,' Alice hastily replied; `at least--at least I mean what
+I say--that's the same thing, you know.'
+
+  `Not the same thing a bit!' said the Hatter.  `You might just
+as well say that "I see what I eat" is the same thing as "I eat
+what I see"!'
+
+  `You might just as well say,' added the March Hare, `that "I
+like what I get" is the same thing as "I get what I like"!'
+
+  `You might just as well say,' added the Dormouse, who seemed to
+be talking in his sleep, `that "I breathe when I sleep" is the
+same thing as "I sleep when I breathe"!'
+
+  `It IS the same thing with you,' said the Hatter, and here the
+conversation dropped, and the party sat silent for a minute,
+while Alice thought over all she could remember about ravens and
+writing-desks, which wasn't much.
+
+  The Hatter was the first to break the silence.  `What day of
+the month is it?' he said, turning to Alice:  he had taken his
+watch out of his pocket, and was looking at it uneasily, shaking
+it every now and then, and holding it to his ear.
+
+  Alice considered a little, and then said `The fourth.'
+
+  `Two days wrong!' sighed the Hatter.  `I told you butter
+wouldn't suit the works!' he added looking angrily at the March
+Hare.
+
+  `It was the BEST butter,' the March Hare meekly replied.
+
+  `Yes, but some crumbs must have got in as well,' the Hatter
+grumbled:  `you shouldn't have put it in with the bread-knife.'
+
+  The March Hare took the watch and looked at it gloomily:  then
+he dipped it into his cup of tea, and looked at it again:  but he
+could think of nothing better to say than his first remark, `It
+was the BEST butter, you know.'
+
+  Alice had been looking over his shoulder with some curiosity.
+`What a funny watch!' she remarked.  `It tells the day of the
+month, and doesn't tell what o'clock it is!'
+
+  `Why should it?' muttered the Hatter.  `Does YOUR watch tell
+you what year it is?'
+
+  `Of course not,' Alice replied very readily:  `but that's
+because it stays the same year for such a long time together.'
+
+  `Which is just the case with MINE,' said the Hatter.
+
+  Alice felt dreadfully puzzled.  The Hatter's remark seemed to
+have no sort of meaning in it, and yet it was certainly English.
+`I don't quite understand you,' she said, as politely as she
+could.
+
+  `The Dormouse is asleep again,' said the Hatter, and he poured
+a little hot tea upon its nose.
+
+  The Dormouse shook its head impatiently, and said, without
+opening its eyes, `Of course, of course; just what I was going to
+remark myself.'
+
+  `Have you guessed the riddle yet?' the Hatter said, turning to
+Alice again.
+
+  `No, I give it up,' Alice replied:  `what's the answer?'
+
+  `I haven't the slightest idea,' said the Hatter.
+
+  `Nor I,' said the March Hare.
+
+  Alice sighed wearily.  `I think you might do something better
+with the time,' she said, `than waste it in asking riddles that
+have no answers.'
+
+  `If you knew Time as well as I do,' said the Hatter, `you
+wouldn't talk about wasting IT.  It's HIM.'
+
+  `I don't know what you mean,' said Alice.
+
+  `Of course you don't!' the Hatter said, tossing his head
+contemptuously.  `I dare say you never even spoke to Time!'
+
+  `Perhaps not,' Alice cautiously replied:  `but I know I have to
+beat time when I learn music.'
+
+  `Ah! that accounts for it,' said the Hatter.  `He won't stand
+beating.  Now, if you only kept on good terms with him, he'd do
+almost anything you liked with the clock.  For instance, suppose
+it were nine o'clock in the morning, just time to begin lessons:
+you'd only have to whisper a hint to Time, and round goes the
+clock in a twinkling!  Half-past one, time for dinner!'
+
+  (`I only wish it was,' the March Hare said to itself in a
+whisper.)
+
+  `That would be grand, certainly,' said Alice thoughtfully:
+`but then--I shouldn't be hungry for it, you know.'
+
+  `Not at first, perhaps,' said the Hatter:  `but you could keep
+it to half-past one as long as you liked.'
+
+  `Is that the way YOU manage?' Alice asked.
+
+  The Hatter shook his head mournfully.  `Not I!' he replied.
+`We quarrelled last March--just before HE went mad, you know--'
+(pointing with his tea spoon at the March Hare,) `--it was at the
+great concert given by the Queen of Hearts, and I had to sing
+
+            "Twinkle, twinkle, little bat!
+            How I wonder what you're at!"
+
+You know the song, perhaps?'
+
+  `I've heard something like it,' said Alice.
+
+  `It goes on, you know,' the Hatter continued, `in this way:--
+
+            "Up above the world you fly,
+            Like a tea-tray in the sky.
+                    Twinkle, twinkle--"'
+
+Here the Dormouse shook itself, and began singing in its sleep
+`Twinkle, twinkle, twinkle, twinkle--' and went on so long that
+they had to pinch it to make it stop.
+
+  `Well, I'd hardly finished the first verse,' said the Hatter,
+`when the Queen jumped up and bawled out, "He's murdering the
+time!  Off with his head!"'
+
+  `How dreadfully savage!' exclaimed Alice.
+
+  `And ever since that,' the Hatter went on in a mournful tone,
+`he won't do a thing I ask!  It's always six o'clock now.'
+
+  A bright idea came into Alice's head.  `Is that the reason so
+many tea-things are put out here?' she asked.
+
+  `Yes, that's it,' said the Hatter with a sigh:  `it's always
+tea-time, and we've no time to wash the things between whiles.'
+
+  `Then you keep moving round, I suppose?' said Alice.
+
+  `Exactly so,' said the Hatter:  `as the things get used up.'
+
+  `But what happens when you come to the beginning again?' Alice
+ventured to ask.
+
+  `Suppose we change the subject,' the March Hare interrupted,
+yawning.  `I'm getting tired of this.  I vote the young lady
+tells us a story.'
+
+  `I'm afraid I don't know one,' said Alice, rather alarmed at
+the proposal.
+
+  `Then the Dormouse shall!' they both cried.  `Wake up,
+Dormouse!'  And they pinched it on both sides at once.
+
+  The Dormouse slowly opened his eyes.  `I wasn't asleep,' he
+said in a hoarse, feeble voice:  `I heard every word you fellows
+were saying.'
+
+  `Tell us a story!' said the March Hare.
+
+  `Yes, please do!' pleaded Alice.
+
+  `And be quick about it,' added the Hatter, `or you'll be asleep
+again before it's done.'
+
+  `Once upon a time there were three little sisters,' the
+Dormouse began in a great hurry; `and their names were Elsie,
+Lacie, and Tillie; and they lived at the bottom of a well--'
+
+  `What did they live on?' said Alice, who always took a great
+interest in questions of eating and drinking.
+
+  `They lived on treacle,' said the Dormouse, after thinking a
+minute or two.
+
+  `They couldn't have done that, you know,' Alice gently
+remarked; `they'd have been ill.'
+
+  `So they were,' said the Dormouse; `VERY ill.'
+
+  Alice tried to fancy to herself what such an extraordinary ways
+of living would be like, but it puzzled her too much, so she went
+on:  `But why did they live at the bottom of a well?'
+
+  `Take some more tea,' the March Hare said to Alice, very
+earnestly.
+
+  `I've had nothing yet,' Alice replied in an offended tone, `so
+I can't take more.'
+
+  `You mean you can't take LESS,' said the Hatter:  `it's very
+easy to take MORE than nothing.'
+
+  `Nobody asked YOUR opinion,' said Alice.
+
+  `Who's making personal remarks now?' the Hatter asked
+triumphantly.
+
+  Alice did not quite know what to say to this:  so she helped
+herself to some tea and bread-and-butter, and then turned to the
+Dormouse, and repeated her question.  `Why did they live at the
+bottom of a well?'
+
+  The Dormouse again took a minute or two to think about it, and
+then said, `It was a treacle-well.'
+
+  `There's no such thing!'  Alice was beginning very angrily, but
+the Hatter and the March Hare went `Sh! sh!' and the Dormouse
+sulkily remarked, `If you can't be civil, you'd better finish the
+story for yourself.'
+
+  `No, please go on!' Alice said very humbly; `I won't interrupt
+again.  I dare say there may be ONE.'
+
+  `One, indeed!' said the Dormouse indignantly.  However, he
+consented to go on.  `And so these three little sisters--they
+were learning to draw, you know--'
+
+  `What did they draw?' said Alice, quite forgetting her promise.
+
+  `Treacle,' said the Dormouse, without considering at all this
+time.
+
+  `I want a clean cup,' interrupted the Hatter:  `let's all move
+one place on.'
+
+  He moved on as he spoke, and the Dormouse followed him:  the
+March Hare moved into the Dormouse's place, and Alice rather
+unwillingly took the place of the March Hare.  The Hatter was the
+only one who got any advantage from the change:  and Alice was a
+good deal worse off than before, as the March Hare had just upset
+the milk-jug into his plate.
+
+  Alice did not wish to offend the Dormouse again, so she began
+very cautiously:  `But I don't understand.  Where did they draw
+the treacle from?'
+
+  `You can draw water out of a water-well,' said the Hatter; `so
+I should think you could draw treacle out of a treacle-well--eh,
+stupid?'
+
+  `But they were IN the well,' Alice said to the Dormouse, not
+choosing to notice this last remark.
+
+  `Of course they were', said the Dormouse; `--well in.'
+
+  This answer so confused poor Alice, that she let the Dormouse
+go on for some time without interrupting it.
+
+  `They were learning to draw,' the Dormouse went on, yawning and
+rubbing its eyes, for it was getting very sleepy; `and they drew
+all manner of things--everything that begins with an M--'
+
+  `Why with an M?' said Alice.
+
+  `Why not?' said the March Hare.
+
+  Alice was silent.
+
+  The Dormouse had closed its eyes by this time, and was going
+off into a doze; but, on being pinched by the Hatter, it woke up
+again with a little shriek, and went on:  `--that begins with an
+M, such as mouse-traps, and the moon, and memory, and muchness--
+you know you say things are "much of a muchness"--did you ever
+see such a thing as a drawing of a muchness?'
+
+  `Really, now you ask me,' said Alice, very much confused, `I
+don't think--'
+
+  `Then you shouldn't talk,' said the Hatter.
+
+  This piece of rudeness was more than Alice could bear:  she got
+up in great disgust, and walked off; the Dormouse fell asleep
+instantly, and neither of the others took the least notice of her
+going, though she looked back once or twice, half hoping that
+they would call after her:  the last time she saw them, they were
+trying to put the Dormouse into the teapot.
+
+  `At any rate I'll never go THERE again!' said Alice as she
+picked her way through the wood.  `It's the stupidest tea-party I
+ever was at in all my life!'
+
+  Just as she said this, she noticed that one of the trees had a
+door leading right into it.  `That's very curious!' she thought.
+`But everything's curious today.  I think I may as well go in at
+once.'  And in she went.
+
+  Once more she found herself in the long hall, and close to the
+little glass table.  `Now, I'll manage better this time,' she
+said to herself, and began by taking the little golden key, and
+unlocking the door that led into the garden.  Then she went to
+work nibbling at the mushroom (she had kept a piece of it in her
+pocked) till she was about a foot high:  then she walked down the
+little passage:  and THEN--she found herself at last in the
+beautiful garden, among the bright flower-beds and the cool
+fountains.
+
+
+
+                          CHAPTER VIII
+
+                   The Queen's Croquet-Ground
+
+
+  A large rose-tree stood near the entrance of the garden:  the
+roses growing on it were white, but there were three gardeners at
+it, busily painting them red.  Alice thought this a very curious
+thing, and she went nearer to watch them, and just as she came up
+to them she heard one of them say, `Look out now, Five!  Don't go
+splashing paint over me like that!'
+
+  `I couldn't help it,' said Five, in a sulky tone; `Seven jogged
+my elbow.'
+
+  On which Seven looked up and said, `That's right, Five!  Always
+lay the blame on others!'
+
+  `YOU'D better not talk!' said Five.  `I heard the Queen say only
+yesterday you deserved to be beheaded!'
+
+  `What for?' said the one who had spoken first.
+
+  `That's none of YOUR business, Two!' said Seven.
+
+  `Yes, it IS his business!' said Five, `and I'll tell him--it
+was for bringing the cook tulip-roots instead of onions.'
+
+  Seven flung down his brush, and had just begun `Well, of all
+the unjust things--' when his eye chanced to fall upon Alice, as
+she stood watching them, and he checked himself suddenly:  the
+others looked round also, and all of them bowed low.
+
+  `Would you tell me,' said Alice, a little timidly, `why you are
+painting those roses?'
+
+  Five and Seven said nothing, but looked at Two.  Two began in a
+low voice, `Why the fact is, you see, Miss, this here ought to
+have been a RED rose-tree, and we put a white one in by mistake;
+and if the Queen was to find it out, we should all have our heads
+cut off, you know.  So you see, Miss, we're doing our best, afore
+she comes, to--'  At this moment Five, who had been anxiously
+looking across the garden, called out `The Queen!  The Queen!'
+and the three gardeners instantly threw themselves flat upon
+their faces.  There was a sound of many footsteps, and Alice
+looked round, eager to see the Queen.
+
+  First came ten soldiers carrying clubs; these were all shaped
+like the three gardeners, oblong and flat, with their hands and
+feet at the corners:  next the ten courtiers; these were
+ornamented all over with diamonds, and walked two and two, as the
+soldiers did.  After these came the royal children; there were
+ten of them, and the little dears came jumping merrily along hand
+in hand, in couples:  they were all ornamented with hearts.  Next
+came the guests, mostly Kings and Queens, and among them Alice
+recognised the White Rabbit:  it was talking in a hurried nervous
+manner, smiling at everything that was said, and went by without
+noticing her.  Then followed the Knave of Hearts, carrying the
+King's crown on a crimson velvet cushion; and, last of all this
+grand procession, came THE KING AND QUEEN OF HEARTS.
+
+  Alice was rather doubtful whether she ought not to lie down on
+her face like the three gardeners, but she could not remember
+every having heard of such a rule at processions; `and besides,
+what would be the use of a procession,' thought she, `if people
+had all to lie down upon their faces, so that they couldn't see
+it?'  So she stood still where she was, and waited.
+
+  When the procession came opposite to Alice, they all stopped
+and looked at her, and the Queen said severely `Who is this?'
+She said it to the Knave of Hearts, who only bowed and smiled in
+reply.
+
+  `Idiot!' said the Queen, tossing her head impatiently; and,
+turning to Alice, she went on, `What's your name, child?'
+
+  `My name is Alice, so please your Majesty,' said Alice very
+politely; but she added, to herself, `Why, they're only a pack of
+cards, after all.  I needn't be afraid of them!'
+
+  `And who are THESE?' said the Queen, pointing to the three
+gardeners who were lying round the rosetree; for, you see, as
+they were lying on their faces, and the pattern on their backs
+was the same as the rest of the pack, she could not tell whether
+they were gardeners, or soldiers, or courtiers, or three of her
+own children.
+
+  `How should I know?' said Alice, surprised at her own courage.
+`It's no business of MINE.'
+
+  The Queen turned crimson with fury, and, after glaring at her
+for a moment like a wild beast, screamed `Off with her head!
+Off--'
+
+  `Nonsense!' said Alice, very loudly and decidedly, and the
+Queen was silent.
+
+  The King laid his hand upon her arm, and timidly said
+`Consider, my dear:  she is only a child!'
+
+  The Queen turned angrily away from him, and said to the Knave
+`Turn them over!'
+
+  The Knave did so, very carefully, with one foot.
+
+  `Get up!' said the Queen, in a shrill, loud voice, and the
+three gardeners instantly jumped up, and began bowing to the
+King, the Queen, the royal children, and everybody else.
+
+  `Leave off that!' screamed the Queen.  `You make me giddy.'
+And then, turning to the rose-tree, she went on, `What HAVE you
+been doing here?'
+
+  `May it please your Majesty,' said Two, in a very humble tone,
+going down on one knee as he spoke, `we were trying--'
+
+  `I see!' said the Queen, who had meanwhile been examining the
+roses.  `Off with their heads!' and the procession moved on,
+three of the soldiers remaining behind to execute the unfortunate
+gardeners, who ran to Alice for protection.
+
+  `You shan't be beheaded!' said Alice, and she put them into a
+large flower-pot that stood near.  The three soldiers wandered
+about for a minute or two, looking for them, and then quietly
+marched off after the others.
+
+  `Are their heads off?' shouted the Queen.
+
+  `Their heads are gone, if it please your Majesty!' the soldiers
+shouted in reply.
+
+  `That's right!' shouted the Queen.  `Can you play croquet?'
+
+  The soldiers were silent, and looked at Alice, as the question
+was evidently meant for her.
+
+  `Yes!' shouted Alice.
+
+  `Come on, then!' roared the Queen, and Alice joined the
+procession, wondering very much what would happen next.
+
+  `It's--it's a very fine day!' said a timid voice at her side.
+She was walking by the White Rabbit, who was peeping anxiously
+into her face.
+
+  `Very,' said Alice:  `--where's the Duchess?'
+
+  `Hush!  Hush!' said the Rabbit in a low, hurried tone.  He
+looked anxiously over his shoulder as he spoke, and then raised
+himself upon tiptoe, put his mouth close to her ear, and
+whispered `She's under sentence of execution.'
+
+  `What for?' said Alice.
+
+  `Did you say "What a pity!"?' the Rabbit asked.
+
+  `No, I didn't,' said Alice:  `I don't think it's at all a pity.
+I said "What for?"'
+
+  `She boxed the Queen's ears--' the Rabbit began.  Alice gave a
+little scream of laughter.  `Oh, hush!' the Rabbit whispered in a
+frightened tone.  `The Queen will hear you!  You see, she came
+rather late, and the Queen said--'
+
+  `Get to your places!' shouted the Queen in a voice of thunder,
+and people began running about in all directions, tumbling up
+against each other; however, they got settled down in a minute or
+two, and the game began.  Alice thought she had never seen such a
+curious croquet-ground in her life; it was all ridges and
+furrows; the balls were live hedgehogs, the mallets live
+flamingoes, and the soldiers had to double themselves up and to
+stand on their hands and feet, to make the arches.
+
+  The chief difficulty Alice found at first was in managing her
+flamingo:  she succeeded in getting its body tucked away,
+comfortably enough, under her arm, with its legs hanging down,
+but generally, just as she had got its neck nicely straightened
+out, and was going to give the hedgehog a blow with its head, it
+WOULD twist itself round and look up in her face, with such a
+puzzled expression that she could not help bursting out laughing:
+and when she had got its head down, and was going to begin again,
+it was very provoking to find that the hedgehog had unrolled
+itself, and was in the act of crawling away:  besides all this,
+there was generally a ridge or furrow in the way wherever she
+wanted to send the hedgehog to, and, as the doubled-up soldiers
+were always getting up and walking off to other parts of the
+ground, Alice soon came to the conclusion that it was a very
+difficult game indeed.
+
+  The players all played at once without waiting for turns,
+quarrelling all the while, and fighting for the hedgehogs; and in
+a very short time the Queen was in a furious passion, and went
+stamping about, and shouting `Off with his head!' or `Off with
+her head!' about once in a minute.
+
+  Alice began to feel very uneasy:  to be sure, she had not as
+yet had any dispute with the Queen, but she knew that it might
+happen any minute, `and then,' thought she, `what would become of
+me?  They're dreadfully fond of beheading people here; the great
+wonder is, that there's any one left alive!'
+
+  She was looking about for some way of escape, and wondering
+whether she could get away without being seen, when she noticed a
+curious appearance in the air:  it puzzled her very much at
+first, but, after watching it a minute or two, she made it out to
+be a grin, and she said to herself `It's the Cheshire Cat:  now I
+shall have somebody to talk to.'
+
+  `How are you getting on?' said the Cat, as soon as there was
+mouth enough for it to speak with.
+
+  Alice waited till the eyes appeared, and then nodded.  `It's no
+use speaking to it,' she thought, `till its ears have come, or at
+least one of them.'  In another minute the whole head appeared,
+and then Alice put down her flamingo, and began an account of the
+game, feeling very glad she had someone to listen to her.  The
+Cat seemed to think that there was enough of it now in sight, and
+no more of it appeared.
+
+  `I don't think they play at all fairly,' Alice began, in rather
+a complaining tone, `and they all quarrel so dreadfully one can't
+hear oneself speak--and they don't seem to have any rules in
+particular; at least, if there are, nobody attends to them--and
+you've no idea how confusing it is all the things being alive;
+for instance, there's the arch I've got to go through next
+walking about at the other end of the ground--and I should have
+croqueted the Queen's hedgehog just now, only it ran away when it
+saw mine coming!'
+
+  `How do you like the Queen?' said the Cat in a low voice.
+
+  `Not at all,' said Alice:  `she's so extremely--'  Just then
+she noticed that the Queen was close behind her, listening:  so
+she went on, `--likely to win, that it's hardly worth while
+finishing the game.'
+
+  The Queen smiled and passed on.
+
+  `Who ARE you talking to?' said the King, going up to Alice, and
+looking at the Cat's head with great curiosity.
+
+  `It's a friend of mine--a Cheshire Cat,' said Alice:  `allow me
+to introduce it.'
+
+  `I don't like the look of it at all,' said the King:  `however,
+it may kiss my hand if it likes.'
+
+  `I'd rather not,' the Cat remarked.
+
+  `Don't be impertinent,' said the King, `and don't look at me
+like that!'  He got behind Alice as he spoke.
+
+  `A cat may look at a king,' said Alice.  `I've read that in
+some book, but I don't remember where.'
+
+  `Well, it must be removed,' said the King very decidedly, and
+he called the Queen, who was passing at the moment, `My dear!  I
+wish you would have this cat removed!'
+
+  The Queen had only one way of settling all difficulties, great
+or small.  `Off with his head!' she said, without even looking
+round.
+
+  `I'll fetch the executioner myself,' said the King eagerly, and
+he hurried off.
+
+  Alice thought she might as well go back, and see how the game
+was going on, as she heard the Queen's voice in the distance,
+screaming with passion.  She had already heard her sentence three
+of the players to be executed for having missed their turns, and
+she did not like the look of things at all, as the game was in
+such confusion that she never knew whether it was her turn or
+not.  So she went in search of her hedgehog.
+
+  The hedgehog was engaged in a fight with another hedgehog,
+which seemed to Alice an excellent opportunity for croqueting one
+of them with the other:  the only difficulty was, that her
+flamingo was gone across to the other side of the garden, where
+Alice could see it trying in a helpless sort of way to fly up
+into a tree.
+
+  By the time she had caught the flamingo and brought it back,
+the fight was over, and both the hedgehogs were out of sight:
+`but it doesn't matter much,' thought Alice, `as all the arches
+are gone from this side of the ground.'  So she tucked it away
+under her arm, that it might not escape again, and went back for
+a little more conversation with her friend.
+
+  When she got back to the Cheshire Cat, she was surprised to
+find quite a large crowd collected round it:  there was a dispute
+going on between the executioner, the King, and the Queen, who
+were all talking at once, while all the rest were quite silent,
+and looked very uncomfortable.
+
+  The moment Alice appeared, she was appealed to by all three to
+settle the question, and they repeated their arguments to her,
+though, as they all spoke at once, she found it very hard indeed
+to make out exactly what they said.
+
+  The executioner's argument was, that you couldn't cut off a
+head unless there was a body to cut it off from:  that he had
+never had to do such a thing before, and he wasn't going to begin
+at HIS time of life.
+
+  The King's argument was, that anything that had a head could be
+beheaded, and that you weren't to talk nonsense.
+
+  The Queen's argument was, that if something wasn't done about
+it in less than no time she'd have everybody executed, all round.
+(It was this last remark that had made the whole party look so
+grave and anxious.)
+
+  Alice could think of nothing else to say but `It belongs to the
+Duchess:  you'd better ask HER about it.'
+
+  `She's in prison,' the Queen said to the executioner:  `fetch
+her here.'  And the executioner went off like an arrow.
+
+   The Cat's head began fading away the moment he was gone, and,
+by the time he had come back with the Dutchess, it had entirely
+disappeared; so the King and the executioner ran wildly up and
+down looking for it, while the rest of the party went back to the game.
+
+
+
+                           CHAPTER IX
+
+                     The Mock Turtle's Story
+
+
+  `You can't think how glad I am to see you again, you dear old
+thing!' said the Duchess, as she tucked her arm affectionately
+into Alice's, and they walked off together.
+
+  Alice was very glad to find her in such a pleasant temper, and
+thought to herself that perhaps it was only the pepper that had
+made her so savage when they met in the kitchen.
+
+  `When I'M a Duchess,' she said to herself, (not in a very
+hopeful tone though), `I won't have any pepper in my kitchen AT
+ALL.  Soup does very well without--Maybe it's always pepper that
+makes people hot-tempered,' she went on, very much pleased at
+having found out a new kind of rule, `and vinegar that makes them
+sour--and camomile that makes them bitter--and--and barley-sugar
+and such things that make children sweet-tempered.  I only wish
+people knew that:  then they wouldn't be so stingy about it, you
+know--'
+
+  She had quite forgotten the Duchess by this time, and was a
+little startled when she heard her voice close to her ear.
+`You're thinking about something, my dear, and that makes you
+forget to talk.  I can't tell you just now what the moral of that
+is, but I shall remember it in a bit.'
+
+  `Perhaps it hasn't one,' Alice ventured to remark.
+
+  `Tut, tut, child!' said the Duchess.  `Everything's got a
+moral, if only you can find it.'  And she squeezed herself up
+closer to Alice's side as she spoke.
+
+  Alice did not much like keeping so close to her:  first,
+because the Duchess was VERY ugly; and secondly, because she was
+exactly the right height to rest her chin upon Alice's shoulder,
+and it was an uncomfortably sharp chin.  However, she did not
+like to be rude, so she bore it as well as she could.
+
+  `The game's going on rather better now,' she said, by way of
+keeping up the conversation a little.
+
+  `'Tis so,' said the Duchess:  `and the moral of that is--"Oh,
+'tis love, 'tis love, that makes the world go round!"'
+
+  `Somebody said,' Alice whispered, `that it's done by everybody
+minding their own business!'
+
+  `Ah, well!  It means much the same thing,' said the Duchess,
+digging her sharp little chin into Alice's shoulder as she added,
+`and the moral of THAT is--"Take care of the sense, and the
+sounds will take care of themselves."'
+
+  `How fond she is of finding morals in things!' Alice thought to
+herself.
+
+  `I dare say you're wondering why I don't put my arm round your
+waist,' the Duchess said after a pause:  `the reason is, that I'm
+doubtful about the temper of your flamingo.  Shall I try the
+experiment?'
+
+  `HE might bite,' Alice cautiously replied, not feeling at all
+anxious to have the experiment tried.
+
+  `Very true,' said the Duchess:  `flamingoes and mustard both
+bite.  And the moral of that is--"Birds of a feather flock
+together."'
+
+  `Only mustard isn't a bird,' Alice remarked.
+
+  `Right, as usual,' said the Duchess:  `what a clear way you
+have of putting things!'
+
+  `It's a mineral, I THINK,' said Alice.
+
+  `Of course it is,' said the Duchess, who seemed ready to agree
+to everything that Alice said; `there's a large mustard-mine near
+here.  And the moral of that is--"The more there is of mine, the
+less there is of yours."'
+
+  `Oh, I know!' exclaimed Alice, who had not attended to this
+last remark, `it's a vegetable.  It doesn't look like one, but it
+is.'
+
+  `I quite agree with you,' said the Duchess; `and the moral of
+that is--"Be what you would seem to be"--or if you'd like it put
+more simply--"Never imagine yourself not to be otherwise than
+what it might appear to others that what you were or might have
+been was not otherwise than what you had been would have appeared
+to them to be otherwise."'
+
+  `I think I should understand that better,' Alice said very
+politely, `if I had it written down:  but I can't quite follow it
+as you say it.'
+
+  `That's nothing to what I could say if I chose,' the Duchess
+replied, in a pleased tone.
+
+  `Pray don't trouble yourself to say it any longer than that,'
+said Alice.
+
+  `Oh, don't talk about trouble!' said the Duchess.  `I make you
+a present of everything I've said as yet.'
+
+  `A cheap sort of present!' thought Alice.  `I'm glad they don't
+give birthday presents like that!'  But she did not venture to
+say it out loud.
+
+  `Thinking again?' the Duchess asked, with another dig of her
+sharp little chin.
+
+  `I've a right to think,' said Alice sharply, for she was
+beginning to feel a little worried.
+
+  `Just about as much right,' said the Duchess, `as pigs have to
+fly; and the m--'
+
+  But here, to Alice's great surprise, the Duchess's voice died
+away, even in the middle of her favourite word `moral,' and the
+arm that was linked into hers began to tremble.  Alice looked up,
+and there stood the Queen in front of them, with her arms folded,
+frowning like a thunderstorm.
+
+  `A fine day, your Majesty!' the Duchess began in a low, weak
+voice.
+
+  `Now, I give you fair warning,' shouted the Queen, stamping on
+the ground as she spoke; `either you or your head must be off,
+and that in about half no time!  Take your choice!'
+
+  The Duchess took her choice, and was gone in a moment.
+
+  `Let's go on with the game,' the Queen said to Alice; and Alice
+was too much frightened to say a word, but slowly followed her
+back to the croquet-ground.
+
+  The other guests had taken advantage of the Queen's absence,
+and were resting in the shade:  however, the moment they saw her,
+they hurried back to the game, the Queen merely remarking that a
+moment's delay would cost them their lives.
+
+  All the time they were playing the Queen never left off
+quarrelling with the other players, and shouting `Off with his
+head!' or `Off with her head!'  Those whom she sentenced were
+taken into custody by the soldiers, who of course had to leave
+off being arches to do this, so that by the end of half an hour
+or so there were no arches left, and all the players, except the
+King, the Queen, and Alice, were in custody and under sentence of
+execution.
+
+  Then the Queen left off, quite out of breath, and said to
+Alice, `Have you seen the Mock Turtle yet?'
+
+  `No,' said Alice.  `I don't even know what a Mock Turtle is.'
+
+  `It's the thing Mock Turtle Soup is made from,' said the Queen.
+
+  `I never saw one, or heard of one,' said Alice.
+
+  `Come on, then,' said the Queen, `and he shall tell you his
+history,'
+
+  As they walked off together, Alice heard the King say in a low
+voice, to the company generally, `You are all pardoned.'  `Come,
+THAT'S a good thing!' she said to herself, for she had felt quite
+unhappy at the number of executions the Queen had ordered.
+
+  They very soon came upon a Gryphon, lying fast asleep in the
+sun.  (IF you don't know what a Gryphon is, look at the picture.)
+`Up, lazy thing!' said the Queen, `and take this young lady to
+see the Mock Turtle, and to hear his history.  I must go back and
+see after some executions I have ordered'; and she walked off,
+leaving Alice alone with the Gryphon.  Alice did not quite like
+the look of the creature, but on the whole she thought it would
+be quite as safe to stay with it as to go after that savage
+Queen:  so she waited.
+
+  The Gryphon sat up and rubbed its eyes:  then it watched the
+Queen till she was out of sight:  then it chuckled.  `What fun!'
+said the Gryphon, half to itself, half to Alice.
+
+  `What IS the fun?' said Alice.
+
+  `Why, SHE,' said the Gryphon.  `It's all her fancy, that:  they
+never executes nobody, you know.  Come on!'
+
+  `Everybody says "come on!" here,' thought Alice, as she went
+slowly after it:  `I never was so ordered about in all my life,
+never!'
+
+  They had not gone far before they saw the Mock Turtle in the
+distance, sitting sad and lonely on a little ledge of rock, and,
+as they came nearer, Alice could hear him sighing as if his heart
+would break.  She pitied him deeply.  `What is his sorrow?' she
+asked the Gryphon, and the Gryphon answered, very nearly in the
+same words as before, `It's all his fancy, that:  he hasn't got
+no sorrow, you know.  Come on!'
+
+  So they went up to the Mock Turtle, who looked at them with
+large eyes full of tears, but said nothing.
+
+  `This here young lady,' said the Gryphon, `she wants for to
+know your history, she do.'
+
+  `I'll tell it her,' said the Mock Turtle in a deep, hollow
+tone:  `sit down, both of you, and don't speak a word till I've
+finished.'
+
+  So they sat down, and nobody spoke for some minutes.  Alice
+thought to herself, `I don't see how he can EVEN finish, if he
+doesn't begin.'  But she waited patiently.
+
+  `Once,' said the Mock Turtle at last, with a deep sigh, `I was
+a real Turtle.'
+
+  These words were followed by a very long silence, broken only
+by an occasional exclamation of `Hjckrrh!' from the Gryphon, and
+the constant heavy sobbing of the Mock Turtle.  Alice was very
+nearly getting up and saying, `Thank you, sir, for your
+interesting story,' but she could not help thinking there MUST be
+more to come, so she sat still and said nothing.
+
+  `When we were little,' the Mock Turtle went on at last, more
+calmly, though still sobbing a little now and then, `we went to
+school in the sea.  The master was an old Turtle--we used to call
+him Tortoise--'
+
+  `Why did you call him Tortoise, if he wasn't one?' Alice asked.
+
+  `We called him Tortoise because he taught us,' said the Mock
+Turtle angrily:  `really you are very dull!'
+
+  `You ought to be ashamed of yourself for asking such a simple
+question,' added the Gryphon; and then they both sat silent and
+looked at poor Alice, who felt ready to sink into the earth.  At
+last the Gryphon said to the Mock Turtle, `Drive on, old fellow!
+Don't be all day about it!' and he went on in these words:
+
+  `Yes, we went to school in the sea, though you mayn't believe
+it--'
+
+  `I never said I didn't!' interrupted Alice.
+
+  `You did,' said the Mock Turtle.
+
+  `Hold your tongue!' added the Gryphon, before Alice could speak
+again.  The Mock Turtle went on.
+
+  `We had the best of educations--in fact, we went to school
+every day--'
+
+  `I'VE been to a day-school, too,' said Alice; `you needn't be
+so proud as all that.'
+
+  `With extras?' asked the Mock Turtle a little anxiously.
+
+  `Yes,' said Alice, `we learned French and music.'
+
+  `And washing?' said the Mock Turtle.
+
+  `Certainly not!' said Alice indignantly.
+
+  `Ah! then yours wasn't a really good school,' said the Mock
+Turtle in a tone of great relief.  `Now at OURS they had at the
+end of the bill, "French, music, AND WASHING--extra."'
+
+  `You couldn't have wanted it much,' said Alice; `living at the
+bottom of the sea.'
+
+  `I couldn't afford to learn it.' said the Mock Turtle with a
+sigh.  `I only took the regular course.'
+
+  `What was that?' inquired Alice.
+
+  `Reeling and Writhing, of course, to begin with,' the Mock
+Turtle replied; `and then the different branches of Arithmetic--
+Ambition, Distraction, Uglification, and Derision.'
+
+  `I never heard of "Uglification,"' Alice ventured to say.  `What
+is it?'
+
+  The Gryphon lifted up both its paws in surprise.  `What!  Never
+heard of uglifying!' it exclaimed.  `You know what to beautify
+is, I suppose?'
+
+  `Yes,' said Alice doubtfully:  `it means--to--make--anything--
+prettier.'
+
+  `Well, then,' the Gryphon went on, `if you don't know what to
+uglify is, you ARE a simpleton.'
+
+  Alice did not feel encouraged to ask any more questions about
+it, so she turned to the Mock Turtle, and said `What else had you
+to learn?'
+
+  `Well, there was Mystery,' the Mock Turtle replied, counting
+off the subjects on his flappers, `--Mystery, ancient and modern,
+with Seaography:  then Drawling--the Drawling-master was an old
+conger-eel, that used to come once a week:  HE taught us
+Drawling, Stretching, and Fainting in Coils.'
+
+  `What was THAT like?' said Alice.
+
+  `Well, I can't show it you myself,' the Mock Turtle said:  `I'm
+too stiff.  And the Gryphon never learnt it.'
+
+  `Hadn't time,' said the Gryphon:  `I went to the Classics
+master, though.  He was an old crab, HE was.'
+
+  `I never went to him,' the Mock Turtle said with a sigh:  `he
+taught Laughing and Grief, they used to say.'
+
+  `So he did, so he did,' said the Gryphon, sighing in his turn;
+and both creatures hid their faces in their paws.
+
+  `And how many hours a day did you do lessons?' said Alice, in a
+hurry to change the subject.
+
+  `Ten hours the first day,' said the Mock Turtle: `nine the
+next, and so on.'
+
+  `What a curious plan!' exclaimed Alice.
+
+  `That's the reason they're called lessons,' the Gryphon
+remarked:  `because they lessen from day to day.'
+
+  This was quite a new idea to Alice, and she thought it over a
+little before she made her next remark.  `Then the eleventh day
+must have been a holiday?'
+
+  `Of course it was,' said the Mock Turtle.
+
+  `And how did you manage on the twelfth?' Alice went on eagerly.
+
+  `That's enough about lessons,' the Gryphon interrupted in a
+very decided tone:  `tell her something about the games now.'
+
+
+
+                            CHAPTER X
+
+                      The Lobster Quadrille
+
+
+  The Mock Turtle sighed deeply, and drew the back of one flapper
+across his eyes.  He looked at Alice, and tried to speak, but for
+a minute or two sobs choked his voice.  `Same as if he had a bone
+in his throat,' said the Gryphon:  and it set to work shaking him
+and punching him in the back.  At last the Mock Turtle recovered
+his voice, and, with tears running down his cheeks, he went on
+again:--
+
+  `You may not have lived much under the sea--' (`I haven't,'
+said Alice)--`and perhaps you were never even introduced to a lobster--'
+(Alice began to say `I once tasted--' but checked herself hastily,
+and said `No, never') `--so you can have no idea what a delightful
+thing a Lobster Quadrille is!'
+
+  `No, indeed,' said Alice.  `What sort of a dance is it?'
+
+  `Why,' said the Gryphon, `you first form into a line along the
+sea-shore--'
+
+  `Two lines!' cried the Mock Turtle.  `Seals, turtles, salmon,
+and so on; then, when you've cleared all the jelly-fish out of
+the way--'
+
+  `THAT generally takes some time,' interrupted the Gryphon.
+
+  `--you advance twice--'
+
+  `Each with a lobster as a partner!' cried the Gryphon.
+
+  `Of course,' the Mock Turtle said:  `advance twice, set to
+partners--'
+
+  `--change lobsters, and retire in same order,' continued the
+Gryphon.
+
+  `Then, you know,' the Mock Turtle went on, `you throw the--'
+
+  `The lobsters!' shouted the Gryphon, with a bound into the air.
+
+  `--as far out to sea as you can--'
+
+  `Swim after them!' screamed the Gryphon.
+
+  `Turn a somersault in the sea!' cried the Mock Turtle,
+capering wildly about.
+
+  `Back to land again, and that's all the first figure,' said the
+Mock Turtle, suddenly dropping his voice; and the two creatures,
+who had been jumping about like mad things all this time, sat
+down again very sadly and quietly, and looked at Alice.
+
+  `It must be a very pretty dance,' said Alice timidly.
+
+  `Would you like to see a little of it?' said the Mock Turtle.
+
+  `Very much indeed,' said Alice.
+
+  `Come, let's try the first figure!' said the Mock Turtle to the
+Gryphon.  `We can do without lobsters, you know.  Which shall
+sing?'
+
+  `Oh, YOU sing,' said the Gryphon.  `I've forgotten the words.'
+
+  So they began solemnly dancing round and round Alice, every now
+and then treading on her toes when they passed too close, and
+waving their forepaws to mark the time, while the Mock Turtle
+sang this, very slowly and sadly:--
+
+
+`"Will you walk a little faster?" said a whiting to a snail.
+"There's a porpoise close behind us, and he's treading on my
+ tail.
+See how eagerly the lobsters and the turtles all advance!
+They are waiting on the shingle--will you come and join the
+dance?
+
+Will you, won't you, will you, won't you, will you join the
+dance?
+Will you, won't you, will you, won't you, won't you join the
+dance?
+
+
+"You can really have no notion how delightful it will be
+When they take us up and throw us, with the lobsters, out to
+                                                      sea!"
+But the snail replied "Too far, too far!" and gave a look
+                                                       askance--
+Said he thanked the whiting kindly, but he would not join the
+   dance.
+    Would not, could not, would not, could not, would not join
+        the dance.
+    Would not, could not, would not, could not, could not join
+        the dance.
+
+`"What matters it how far we go?" his scaly friend replied.
+"There is another shore, you know, upon the other side.
+The further off from England the nearer is to France--
+Then turn not pale, beloved snail, but come and join the dance.
+
+    Will you, won't you, will you, won't you, will you join the
+         dance?
+    Will you, won't you, will you, won't you, won't you join the
+         dance?"'
+
+
+
+  `Thank you, it's a very interesting dance to watch,' said
+Alice, feeling very glad that it was over at last:  `and I do so
+like that curious song about the whiting!'
+
+  `Oh, as to the whiting,' said the Mock Turtle, `they--you've
+seen them, of course?'
+
+  `Yes,' said Alice, `I've often seen them at dinn--' she
+checked herself hastily.
+
+  `I don't know where Dinn may be,' said the Mock Turtle, `but
+if you've seen them so often, of course you know what they're
+like.'
+
+  `I believe so,' Alice replied thoughtfully.  `They have their
+tails in their mouths--and they're all over crumbs.'
+
+  `You're wrong about the crumbs,' said the Mock Turtle:
+`crumbs would all wash off in the sea.  But they HAVE their tails
+in their mouths; and the reason is--' here the Mock Turtle
+yawned and shut his eyes.--`Tell her about the reason and all
+that,' he said to the Gryphon.
+
+  `The reason is,' said the Gryphon, `that they WOULD go with
+the lobsters to the dance.  So they got thrown out to sea.  So
+they had to fall a long way.  So they got their tails fast in
+their mouths.  So they couldn't get them out again.  That's all.'
+
+  `Thank you,' said Alice, `it's very interesting.  I never knew
+so much about a whiting before.'
+
+  `I can tell you more than that, if you like,' said the
+Gryphon.  `Do you know why it's called a whiting?'
+
+  `I never thought about it,' said Alice.  `Why?'
+
+  `IT DOES THE BOOTS AND SHOES.' the Gryphon replied very
+solemnly.
+
+  Alice was thoroughly puzzled.  `Does the boots and shoes!' she
+repeated in a wondering tone.
+
+  `Why, what are YOUR shoes done with?' said the Gryphon.  `I
+mean, what makes them so shiny?'
+
+  Alice looked down at them, and considered a little before she
+gave her answer.  `They're done with blacking, I believe.'
+
+  `Boots and shoes under the sea,' the Gryphon went on in a deep
+voice, `are done with a whiting.  Now you know.'
+
+  `And what are they made of?' Alice asked in a tone of great
+curiosity.
+
+  `Soles and eels, of course,' the Gryphon replied rather
+impatiently:  `any shrimp could have told you that.'
+
+  `If I'd been the whiting,' said Alice, whose thoughts were
+still running on the song, `I'd have said to the porpoise, "Keep
+back, please:  we don't want YOU with us!"'
+
+  `They were obliged to have him with them,' the Mock Turtle
+said:  `no wise fish would go anywhere without a porpoise.'
+
+  `Wouldn't it really?' said Alice in a tone of great surprise.
+
+  `Of course not,' said the Mock Turtle:  `why, if a fish came
+to ME, and told me he was going a journey, I should say "With
+what porpoise?"'
+
+  `Don't you mean "purpose"?' said Alice.
+
+  `I mean what I say,' the Mock Turtle replied in an offended
+tone.  And the Gryphon added `Come, let's hear some of YOUR
+adventures.'
+
+  `I could tell you my adventures--beginning from this morning,'
+said Alice a little timidly:  `but it's no use going back to
+yesterday, because I was a different person then.'
+
+  `Explain all that,' said the Mock Turtle.
+
+  `No, no!  The adventures first,' said the Gryphon in an
+impatient tone:  `explanations take such a dreadful time.'
+
+  So Alice began telling them her adventures from the time when
+she first saw the White Rabbit.  She was a little nervous about
+it just at first, the two creatures got so close to her, one on
+each side, and opened their eyes and mouths so VERY wide, but she
+gained courage as she went on.  Her listeners were perfectly
+quiet till she got to the part about her repeating `YOU ARE OLD,
+FATHER WILLIAM,' to the Caterpillar, and the words all coming
+different, and then the Mock Turtle drew a long breath, and said
+`That's very curious.'
+
+  `It's all about as curious as it can be,' said the Gryphon.
+
+  `It all came different!' the Mock Turtle repeated
+thoughtfully.  `I should like to hear her try and repeat
+something now.  Tell her to begin.'  He looked at the Gryphon as
+if he thought it had some kind of authority over Alice.
+
+  `Stand up and repeat "'TIS THE VOICE OF THE SLUGGARD,"' said
+the Gryphon.
+
+  `How the creatures order one about, and make one repeat
+lessons!' thought Alice; `I might as well be at school at once.'
+However, she got up, and began to repeat it, but her head was so
+full of the Lobster Quadrille, that she hardly knew what she was
+saying, and the words came very queer indeed:--
+
+    `'Tis the voice of the Lobster; I heard him declare,
+    "You have baked me too brown, I must sugar my hair."
+    As a duck with its eyelids, so he with his nose
+    Trims his belt and his buttons, and turns out his toes.'
+
+              [later editions continued as follows
+    When the sands are all dry, he is gay as a lark,
+    And will talk in contemptuous tones of the Shark,
+    But, when the tide rises and sharks are around,
+    His voice has a timid and tremulous sound.]
+
+  `That's different from what I used to say when I was a child,'
+said the Gryphon.
+
+  `Well, I never heard it before,' said the Mock Turtle; `but it
+sounds uncommon nonsense.'
+
+  Alice said nothing; she had sat down with her face in her
+hands, wondering if anything would EVER happen in a natural way
+again.
+
+  `I should like to have it explained,' said the Mock Turtle.
+
+  `She can't explain it,' said the Gryphon hastily.  `Go on with
+the next verse.'
+
+  `But about his toes?' the Mock Turtle persisted.  `How COULD
+he turn them out with his nose, you know?'
+
+  `It's the first position in dancing.' Alice said; but was
+dreadfully puzzled by the whole thing, and longed to change the
+subject.
+
+  `Go on with the next verse,' the Gryphon repeated impatiently:
+`it begins "I passed by his garden."'
+
+  Alice did not dare to disobey, though she felt sure it would
+all come wrong, and she went on in a trembling voice:--
+
+    `I passed by his garden, and marked, with one eye,
+    How the Owl and the Panther were sharing a pie--'
+
+        [later editions continued as follows
+    The Panther took pie-crust, and gravy, and meat,
+    While the Owl had the dish as its share of the treat.
+    When the pie was all finished, the Owl, as a boon,
+    Was kindly permitted to pocket the spoon:
+    While the Panther received knife and fork with a growl,
+    And concluded the banquet--]
+
+  `What IS the use of repeating all that stuff,' the Mock Turtle
+interrupted, `if you don't explain it as you go on?  It's by far
+the most confusing thing I ever heard!'
+
+  `Yes, I think you'd better leave off,' said the Gryphon:  and
+Alice was only too glad to do so.
+
+  `Shall we try another figure of the Lobster Quadrille?' the
+Gryphon went on.  `Or would you like the Mock Turtle to sing you
+a song?'
+
+  `Oh, a song, please, if the Mock Turtle would be so kind,'
+Alice replied, so eagerly that the Gryphon said, in a rather
+offended tone, `Hm! No accounting for tastes!  Sing her "Turtle
+Soup," will you, old fellow?'
+
+  The Mock Turtle sighed deeply, and began, in a voice sometimes
+choked with sobs, to sing this:--
+
+
+    `Beautiful Soup, so rich and green,
+    Waiting in a hot tureen!
+    Who for such dainties would not stoop?
+    Soup of the evening, beautiful Soup!
+    Soup of the evening, beautiful Soup!
+        Beau--ootiful Soo--oop!
+        Beau--ootiful Soo--oop!
+    Soo--oop of the e--e--evening,
+        Beautiful, beautiful Soup!
+
+    `Beautiful Soup!  Who cares for fish,
+    Game, or any other dish?
+    Who would not give all else for two p
+    ennyworth only of beautiful Soup?
+    Pennyworth only of beautiful Soup?
+        Beau--ootiful Soo--oop!
+        Beau--ootiful Soo--oop!
+    Soo--oop of the e--e--evening,
+        Beautiful, beauti--FUL SOUP!'
+
+  `Chorus again!' cried the Gryphon, and the Mock Turtle had
+just begun to repeat it, when a cry of `The trial's beginning!'
+was heard in the distance.
+
+  `Come on!' cried the Gryphon, and, taking Alice by the hand,
+it hurried off, without waiting for the end of the song.
+
+  `What trial is it?' Alice panted as she ran; but the Gryphon
+only answered `Come on!' and ran the faster, while more and more
+faintly came, carried on the breeze that followed them, the
+melancholy words:--
+
+    `Soo--oop of the e--e--evening,
+        Beautiful, beautiful Soup!'
+
+
+
+                           CHAPTER XI
+
+                      Who Stole the Tarts?
+
+
+  The King and Queen of Hearts were seated on their throne when
+they arrived, with a great crowd assembled about them--all sorts
+of little birds and beasts, as well as the whole pack of cards:
+the Knave was standing before them, in chains, with a soldier on
+each side to guard him; and near the King was the White Rabbit,
+with a trumpet in one hand, and a scroll of parchment in the
+other.  In the very middle of the court was a table, with a large
+dish of tarts upon it:  they looked so good, that it made Alice
+quite hungry to look at them--`I wish they'd get the trial done,'
+she thought, `and hand round the refreshments!'  But there seemed
+to be no chance of this, so she began looking at everything about
+her, to pass away the time.
+
+  Alice had never been in a court of justice before, but she had
+read about them in books, and she was quite pleased to find that
+she knew the name of nearly everything there.  `That's the
+judge,' she said to herself, `because of his great wig.'
+
+  The judge, by the way, was the King; and as he wore his crown
+over the wig, (look at the frontispiece if you want to see how he
+did it,) he did not look at all comfortable, and it was certainly
+not becoming.
+
+  `And that's the jury-box,' thought Alice, `and those twelve
+creatures,' (she was obliged to say `creatures,' you see, because
+some of them were animals, and some were birds,) `I suppose they
+are the jurors.'  She said this last word two or three times over
+to herself, being rather proud of it:  for she thought, and
+rightly too, that very few little girls of her age knew the
+meaning of it at all.  However, `jury-men' would have done just
+as well.
+
+  The twelve jurors were all writing very busily on slates.
+`What are they doing?'  Alice whispered to the Gryphon.  `They
+can't have anything to put down yet, before the trial's begun.'
+
+  `They're putting down their names,' the Gryphon whispered in
+reply, `for fear they should forget them before the end of the
+trial.'
+
+  `Stupid things!' Alice began in a loud, indignant voice, but
+she stopped hastily, for the White Rabbit cried out, `Silence in
+the court!' and the King put on his spectacles and looked
+anxiously round, to make out who was talking.
+
+  Alice could see, as well as if she were looking over their
+shoulders, that all the jurors were writing down `stupid things!'
+on their slates, and she could even make out that one of them
+didn't know how to spell `stupid,' and that he had to ask his
+neighbour to tell him.  `A nice muddle their slates'll be in
+before the trial's over!' thought Alice.
+
+  One of the jurors had a pencil that squeaked.  This of course,
+Alice could not stand, and she went round the court and got
+behind him, and very soon found an opportunity of taking it
+away.  She did it so quickly that the poor little juror (it was
+Bill, the Lizard) could not make out at all what had become of
+it; so, after hunting all about for it, he was obliged to write
+with one finger for the rest of the day; and this was of very
+little use, as it left no mark on the slate.
+
+  `Herald, read the accusation!' said the King.
+
+  On this the White Rabbit blew three blasts on the trumpet, and
+then unrolled the parchment scroll, and read as follows:--
+
+    `The Queen of Hearts, she made some tarts,
+          All on a summer day:
+      The Knave of Hearts, he stole those tarts,
+          And took them quite away!'
+
+  `Consider your verdict,' the King said to the jury.
+
+  `Not yet, not yet!' the Rabbit hastily interrupted.  `There's
+a great deal to come before that!'
+
+  `Call the first witness,' said the King; and the White Rabbit
+blew three blasts on the trumpet, and called out, `First
+witness!'
+
+  The first witness was the Hatter.  He came in with a teacup in
+one hand and a piece of bread-and-butter in the other.  `I beg
+pardon, your Majesty,' he began, `for bringing these in:  but I
+hadn't quite finished my tea when I was sent for.'
+
+  `You ought to have finished,' said the King.  `When did you
+begin?'
+
+  The Hatter looked at the March Hare, who had followed him into
+the court, arm-in-arm with the Dormouse.  `Fourteenth of March, I
+think it was,' he said.
+
+  `Fifteenth,' said the March Hare.
+
+  `Sixteenth,' added the Dormouse.
+
+  `Write that down,' the King said to the jury, and the jury
+eagerly wrote down all three dates on their slates, and then
+added them up, and reduced the answer to shillings and pence.
+
+  `Take off your hat,' the King said to the Hatter.
+
+  `It isn't mine,' said the Hatter.
+
+  `Stolen!' the King exclaimed, turning to the jury, who
+instantly made a memorandum of the fact.
+
+  `I keep them to sell,' the Hatter added as an explanation;
+`I've none of my own.  I'm a hatter.'
+
+  Here the Queen put on her spectacles, and began staring at the
+Hatter, who turned pale and fidgeted.
+
+  `Give your evidence,' said the King; `and don't be nervous, or
+I'll have you executed on the spot.'
+
+  This did not seem to encourage the witness at all:  he kept
+shifting from one foot to the other, looking uneasily at the
+Queen, and in his confusion he bit a large piece out of his
+teacup instead of the bread-and-butter.
+
+  Just at this moment Alice felt a very curious sensation, which
+puzzled her a good deal until she made out what it was:  she was
+beginning to grow larger again, and she thought at first she
+would get up and leave the court; but on second thoughts she
+decided to remain where she was as long as there was room for
+her.
+
+  `I wish you wouldn't squeeze so.' said the Dormouse, who was
+sitting next to her.  `I can hardly breathe.'
+
+  `I can't help it,' said Alice very meekly:  `I'm growing.'
+
+  `You've no right to grow here,' said the Dormouse.
+
+  `Don't talk nonsense,' said Alice more boldly:  `you know
+you're growing too.'
+
+  `Yes, but I grow at a reasonable pace,' said the Dormouse:
+`not in that ridiculous fashion.'  And he got up very sulkily
+and crossed over to the other side of the court.
+
+  All this time the Queen had never left off staring at the
+Hatter, and, just as the Dormouse crossed the court, she said to
+one of the officers of the court, `Bring me the list of the
+singers in the last concert!' on which the wretched Hatter
+trembled so, that he shook both his shoes off.
+
+  `Give your evidence,' the King repeated angrily, `or I'll have
+you executed, whether you're nervous or not.'
+
+  `I'm a poor man, your Majesty,' the Hatter began, in a
+trembling voice, `--and I hadn't begun my tea--not above a week
+or so--and what with the bread-and-butter getting so thin--and
+the twinkling of the tea--'
+
+  `The twinkling of the what?' said the King.
+
+  `It began with the tea,' the Hatter replied.
+
+  `Of course twinkling begins with a T!' said the King sharply.
+`Do you take me for a dunce?  Go on!'
+
+  `I'm a poor man,' the Hatter went on, `and most things
+twinkled after that--only the March Hare said--'
+
+  `I didn't!' the March Hare interrupted in a great hurry.
+
+  `You did!' said the Hatter.
+
+  `I deny it!' said the March Hare.
+
+  `He denies it,' said the King:  `leave out that part.'
+
+  `Well, at any rate, the Dormouse said--' the Hatter went on,
+looking anxiously round to see if he would deny it too:  but the
+Dormouse denied nothing, being fast asleep.
+
+  `After that,' continued the Hatter, `I cut some more bread-
+and-butter--'
+
+  `But what did the Dormouse say?' one of the jury asked.
+
+  `That I can't remember,' said the Hatter.
+
+  `You MUST remember,' remarked the King, `or I'll have you
+executed.'
+
+  The miserable Hatter dropped his teacup and bread-and-butter,
+and went down on one knee.  `I'm a poor man, your Majesty,' he
+began.
+
+  `You're a very poor speaker,' said the King.
+
+  Here one of the guinea-pigs cheered, and was immediately
+suppressed by the officers of the court.  (As that is rather a
+hard word, I will just explain to you how it was done.  They had
+a large canvas bag, which tied up at the mouth with strings:
+into this they slipped the guinea-pig, head first, and then sat
+upon it.)
+
+  `I'm glad I've seen that done,' thought Alice.  `I've so often
+read in the newspapers, at the end of trials, "There was some
+attempts at applause, which was immediately suppressed by the
+officers of the court," and I never understood what it meant
+till now.'
+
+  `If that's all you know about it, you may stand down,'
+continued the King.
+
+  `I can't go no lower,' said the Hatter:  `I'm on the floor, as
+it is.'
+
+  `Then you may SIT down,' the King replied.
+
+  Here the other guinea-pig cheered, and was suppressed.
+
+  `Come, that finished the guinea-pigs!' thought Alice.  `Now we
+shall get on better.'
+
+  `I'd rather finish my tea,' said the Hatter, with an anxious
+look at the Queen, who was reading the list of singers.
+
+  `You may go,' said the King, and the Hatter hurriedly left the
+court, without even waiting to put his shoes on.
+
+  `--and just take his head off outside,' the Queen added to one
+of the officers:  but the Hatter was out of sight before the
+officer could get to the door.
+
+  `Call the next witness!' said the King.
+
+  The next witness was the Duchess's cook.  She carried the
+pepper-box in her hand, and Alice guessed who it was, even before
+she got into the court, by the way the people near the door began
+sneezing all at once.
+
+  `Give your evidence,' said the King.
+
+  `Shan't,' said the cook.
+
+  The King looked anxiously at the White Rabbit, who said in a
+low voice, `Your Majesty must cross-examine THIS witness.'
+
+  `Well, if I must, I must,' the King said, with a melancholy
+air, and, after folding his arms and frowning at the cook till
+his eyes were nearly out of sight, he said in a deep voice, `What
+are tarts made of?'
+
+  `Pepper, mostly,' said the cook.
+
+  `Treacle,' said a sleepy voice behind her.
+
+  `Collar that Dormouse,' the Queen shrieked out.  `Behead that
+Dormouse!  Turn that Dormouse out of court!  Suppress him!  Pinch
+him!  Off with his whiskers!'
+
+  For some minutes the whole court was in confusion, getting the
+Dormouse turned out, and, by the time they had settled down
+again, the cook had disappeared.
+
+  `Never mind!' said the King, with an air of great relief.
+`Call the next witness.'  And he added in an undertone to the
+Queen, `Really, my dear, YOU must cross-examine the next witness.
+It quite makes my forehead ache!'
+
+  Alice watched the White Rabbit as he fumbled over the list,
+feeling very curious to see what the next witness would be like,
+`--for they haven't got much evidence YET,' she said to herself.
+Imagine her surprise, when the White Rabbit read out, at the top
+of his shrill little voice, the name `Alice!'
+
+
+
+                           CHAPTER XII
+
+                        Alice's Evidence
+
+
+  `Here!' cried Alice, quite forgetting in the flurry of the
+moment how large she had grown in the last few minutes, and she
+jumped up in such a hurry that she tipped over the jury-box with
+the edge of her skirt, upsetting all the jurymen on to the heads
+of the crowd below, and there they lay sprawling about, reminding
+her very much of a globe of goldfish she had accidentally upset
+the week before.
+
+  `Oh, I BEG your pardon!' she exclaimed in a tone of great
+dismay, and began picking them up again as quickly as she could,
+for the accident of the goldfish kept running in her head, and
+she had a vague sort of idea that they must be collected at once
+and put back into the jury-box, or they would die.
+
+  `The trial cannot proceed,' said the King in a very grave
+voice, `until all the jurymen are back in their proper places--
+ALL,' he repeated with great emphasis, looking hard at Alice as
+he said do.
+
+  Alice looked at the jury-box, and saw that, in her haste, she
+had put the Lizard in head downwards, and the poor little thing
+was waving its tail about in a melancholy way, being quite unable
+to move.  She soon got it out again, and put it right; `not that
+it signifies much,' she said to herself; `I should think it
+would be QUITE as much use in the trial one way up as the other.'
+
+  As soon as the jury had a little recovered from the shock of
+being upset, and their slates and pencils had been found and
+handed back to them, they set to work very diligently to write
+out a history of the accident, all except the Lizard, who seemed
+too much overcome to do anything but sit with its mouth open,
+gazing up into the roof of the court.
+
+  `What do you know about this business?' the King said to
+Alice.
+
+  `Nothing,' said Alice.
+
+  `Nothing WHATEVER?' persisted the King.
+
+  `Nothing whatever,' said Alice.
+
+  `That's very important,' the King said, turning to the jury.
+They were just beginning to write this down on their slates, when
+the White Rabbit interrupted:  `UNimportant, your Majesty means,
+of course,' he said in a very respectful tone, but frowning and
+making faces at him as he spoke.
+
+  `UNimportant, of course, I meant,' the King hastily said, and
+went on to himself in an undertone, `important--unimportant--
+unimportant--important--' as if he were trying which word
+sounded best.
+
+  Some of the jury wrote it down `important,' and some
+`unimportant.'  Alice could see this, as she was near enough to
+look over their slates; `but it doesn't matter a bit,' she
+thought to herself.
+
+  At this moment the King, who had been for some time busily
+writing in his note-book, cackled out `Silence!' and read out
+from his book, `Rule Forty-two.  ALL PERSONS MORE THAN A MILE
+HIGH TO LEAVE THE COURT.'
+
+  Everybody looked at Alice.
+
+  `I'M not a mile high,' said Alice.
+
+  `You are,' said the King.
+
+  `Nearly two miles high,' added the Queen.
+
+  `Well, I shan't go, at any rate,' said Alice:  `besides,
+that's not a regular rule:  you invented it just now.'
+
+  `It's the oldest rule in the book,' said the King.
+
+  `Then it ought to be Number One,' said Alice.
+
+  The King turned pale, and shut his note-book hastily.
+`Consider your verdict,' he said to the jury, in a low, trembling
+voice.
+
+  `There's more evidence to come yet, please your Majesty,' said
+the White Rabbit, jumping up in a great hurry; `this paper has
+just been picked up.'
+
+  `What's in it?' said the Queen.
+
+  `I haven't opened it yet,' said the White Rabbit, `but it seems
+to be a letter, written by the prisoner to--to somebody.'
+
+  `It must have been that,' said the King, `unless it was
+written to nobody, which isn't usual, you know.'
+
+  `Who is it directed to?' said one of the jurymen.
+
+  `It isn't directed at all,' said the White Rabbit; `in fact,
+there's nothing written on the OUTSIDE.'  He unfolded the paper
+as he spoke, and added `It isn't a letter, after all:  it's a set
+of verses.'
+
+  `Are they in the prisoner's handwriting?' asked another of
+they jurymen.
+
+  `No, they're not,' said the White Rabbit, `and that's the
+queerest thing about it.'  (The jury all looked puzzled.)
+
+  `He must have imitated somebody else's hand,' said the King.
+(The jury all brightened up again.)
+
+  `Please your Majesty,' said the Knave, `I didn't write it, and
+they can't prove I did:  there's no name signed at the end.'
+
+  `If you didn't sign it,' said the King, `that only makes the
+matter worse.  You MUST have meant some mischief, or else you'd
+have signed your name like an honest man.'
+
+  There was a general clapping of hands at this:  it was the
+first really clever thing the King had said that day.
+
+  `That PROVES his guilt,' said the Queen.
+
+  `It proves nothing of the sort!' said Alice.  `Why, you don't
+even know what they're about!'
+
+  `Read them,' said the King.
+
+  The White Rabbit put on his spectacles.  `Where shall I begin,
+please your Majesty?' he asked.
+
+  `Begin at the beginning,' the King said gravely, `and go on
+till you come to the end:  then stop.'
+
+  These were the verses the White Rabbit read:--
+
+        `They told me you had been to her,
+          And mentioned me to him:
+        She gave me a good character,
+          But said I could not swim.
+
+        He sent them word I had not gone
+          (We know it to be true):
+        If she should push the matter on,
+          What would become of you?
+
+        I gave her one, they gave him two,
+          You gave us three or more;
+        They all returned from him to you,
+          Though they were mine before.
+
+        If I or she should chance to be
+          Involved in this affair,
+        He trusts to you to set them free,
+          Exactly as we were.
+
+        My notion was that you had been
+          (Before she had this fit)
+        An obstacle that came between
+          Him, and ourselves, and it.
+
+        Don't let him know she liked them best,
+          For this must ever be
+        A secret, kept from all the rest,
+          Between yourself and me.'
+
+  `That's the most important piece of evidence we've heard yet,'
+said the King, rubbing his hands; `so now let the jury--'
+
+  `If any one of them can explain it,' said Alice, (she had
+grown so large in the last few minutes that she wasn't a bit
+afraid of interrupting him,) `I'll give him sixpence.  _I_ don't
+believe there's an atom of meaning in it.'
+
+  The jury all wrote down on their slates, `SHE doesn't believe
+there's an atom of meaning in it,' but none of them attempted to
+explain the paper.
+
+  `If there's no meaning in it,' said the King, `that saves a
+world of trouble, you know, as we needn't try to find any.  And
+yet I don't know,' he went on, spreading out the verses on his
+knee, and looking at them with one eye; `I seem to see some
+meaning in them, after all.  "--SAID I COULD NOT SWIM--" you
+can't swim, can you?' he added, turning to the Knave.
+
+  The Knave shook his head sadly.  `Do I look like it?' he said.
+(Which he certainly did NOT, being made entirely of cardboard.)
+
+  `All right, so far,' said the King, and he went on muttering
+over the verses to himself:  `"WE KNOW IT TO BE TRUE--" that's
+the jury, of course-- "I GAVE HER ONE, THEY GAVE HIM TWO--" why,
+that must be what he did with the tarts, you know--'
+
+  `But, it goes on "THEY ALL RETURNED FROM HIM TO YOU,"' said
+Alice.
+
+  `Why, there they are!' said the King triumphantly, pointing to
+the tarts on the table.  `Nothing can be clearer than THAT.
+Then again--"BEFORE SHE HAD THIS FIT--"  you never had fits, my
+dear, I think?' he said to the Queen.
+
+  `Never!' said the Queen furiously, throwing an inkstand at the
+Lizard as she spoke.  (The unfortunate little Bill had left off
+writing on his slate with one finger, as he found it made no
+mark; but he now hastily began again, using the ink, that was
+trickling down his face, as long as it lasted.)
+
+  `Then the words don't FIT you,' said the King, looking round
+the court with a smile.  There was a dead silence.
+
+  `It's a pun!' the King added in an offended tone, and
+everybody laughed, `Let the jury consider their verdict,' the
+King said, for about the twentieth time that day.
+
+  `No, no!' said the Queen.  `Sentence first--verdict afterwards.'
+
+  `Stuff and nonsense!' said Alice loudly.  `The idea of having
+the sentence first!'
+
+  `Hold your tongue!' said the Queen, turning purple.
+
+  `I won't!' said Alice.
+
+  `Off with her head!' the Queen shouted at the top of her voice.
+Nobody moved.
+
+  `Who cares for you?' said Alice, (she had grown to her full
+size by this time.)  `You're nothing but a pack of cards!'
+
+  At this the whole pack rose up into the air, and came flying
+down upon her:  she gave a little scream, half of fright and half
+of anger, and tried to beat them off, and found herself lying on
+the bank, with her head in the lap of her sister, who was gently
+brushing away some dead leaves that had fluttered down from the
+trees upon her face.
+
+  `Wake up, Alice dear!' said her sister; `Why, what a long
+sleep you've had!'
+
+  `Oh, I've had such a curious dream!' said Alice, and she told
+her sister, as well as she could remember them, all these strange
+Adventures of hers that you have just been reading about; and
+when she had finished, her sister kissed her, and said, `It WAS a
+curious dream, dear, certainly:  but now run in to your tea; it's
+getting late.'  So Alice got up and ran off, thinking while she
+ran, as well she might, what a wonderful dream it had been.
+
+  But her sister sat still just as she left her, leaning her
+head on her hand, watching the setting sun, and thinking of
+little Alice and all her wonderful Adventures, till she too began
+dreaming after a fashion, and this was her dream:--
+
+  First, she dreamed of little Alice herself, and once again the
+tiny hands were clasped upon her knee, and the bright eager eyes
+were looking up into hers--she could hear the very tones of her
+voice, and see that queer little toss of her head to keep back
+the wandering hair that WOULD always get into her eyes--and
+still as she listened, or seemed to listen, the whole place
+around her became alive the strange creatures of her little
+sister's dream.
+
+  The long grass rustled at her feet as the White Rabbit hurried
+by--the frightened Mouse splashed his way through the
+neighbouring pool--she could hear the rattle of the teacups as
+the March Hare and his friends shared their never-ending meal,
+and the shrill voice of the Queen ordering off her unfortunate
+guests to execution--once more the pig-baby was sneezing on the
+Duchess's knee, while plates and dishes crashed around it--once
+more the shriek of the Gryphon, the squeaking of the Lizard's
+slate-pencil, and the choking of the suppressed guinea-pigs,
+filled the air, mixed up with the distant sobs of the miserable
+Mock Turtle.
+
+  So she sat on, with closed eyes, and half believed herself in
+Wonderland, though she knew she had but to open them again, and
+all would change to dull reality--the grass would be only
+rustling in the wind, and the pool rippling to the waving of the
+reeds--the rattling teacups would change to tinkling sheep-
+bells, and the Queen's shrill cries to the voice of the shepherd
+boy--and the sneeze of the baby, the shriek of the Gryphon, and
+all thy other queer noises, would change (she knew) to the
+confused clamour of the busy farm-yard--while the lowing of the
+cattle in the distance would take the place of the Mock Turtle's
+heavy sobs.
+
+  Lastly, she pictured to herself how this same little sister of
+hers would, in the after-time, be herself a grown woman; and how
+she would keep, through all her riper years, the simple and
+loving heart of her childhood:  and how she would gather about
+her other little children, and make THEIR eyes bright and eager
+with many a strange tale, perhaps even with the dream of
+Wonderland of long ago:  and how she would feel with all their
+simple sorrows, and find a pleasure in all their simple joys,
+remembering her own child-life, and the happy summer days.
+
+                             THE END
+
\ No newline at end of file
diff --git a/test/comp/testdata/asyoulik.txt b/test/comp/testdata/asyoulik.txt
new file mode 100644
index 00000000..ed5e4096
--- /dev/null
+++ b/test/comp/testdata/asyoulik.txt
@@ -0,0 +1,4122 @@
+	AS YOU LIKE IT
+
+
+	DRAMATIS PERSONAE
+
+
+DUKE SENIOR	living in banishment.
+
+DUKE FREDERICK	his brother, an usurper of his dominions.
+
+
+AMIENS	|
+	|  lords attending on the banished duke.
+JAQUES	|
+
+
+LE BEAU	a courtier attending upon Frederick.
+
+CHARLES	wrestler to Frederick.
+
+
+OLIVER		|
+		|
+JAQUES (JAQUES DE BOYS:)  	|  sons of Sir Rowland de Boys.
+		|
+ORLANDO		|
+
+
+ADAM	|
+	|  servants to Oliver.
+DENNIS	|
+
+
+TOUCHSTONE	a clown.
+
+SIR OLIVER MARTEXT	a vicar.
+
+
+CORIN	|
+	|  shepherds.
+SILVIUS	|
+
+
+WILLIAM	a country fellow in love with Audrey.
+
+	A person representing HYMEN. (HYMEN:)
+
+ROSALIND	daughter to the banished duke.
+
+CELIA	daughter to Frederick.
+
+PHEBE	a shepherdess.
+
+AUDREY	a country wench.
+
+	Lords, pages, and attendants, &c.
+	(Forester:)
+	(A Lord:)
+	(First Lord:)
+	(Second Lord:)
+	(First Page:)
+	(Second Page:)
+
+
+SCENE	Oliver's house; Duke Frederick's court; and the
+	Forest of Arden.
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT I
+
+
+
+SCENE I	Orchard of Oliver's house.
+
+
+	[Enter ORLANDO and ADAM]
+
+ORLANDO	As I remember, Adam, it was upon this fashion
+	bequeathed me by will but poor a thousand crowns,
+	and, as thou sayest, charged my brother, on his
+	blessing, to breed me well: and there begins my
+	sadness. My brother Jaques he keeps at school, and
+	report speaks goldenly of his profit: for my part,
+	he keeps me rustically at home, or, to speak more
+	properly, stays me here at home unkept; for call you
+	that keeping for a gentleman of my birth, that
+	differs not from the stalling of an ox? His horses
+	are bred better; for, besides that they are fair
+	with their feeding, they are taught their manage,
+	and to that end riders dearly hired: but I, his
+	brother, gain nothing under him but growth; for the
+	which his animals on his dunghills are as much
+	bound to him as I. Besides this nothing that he so
+	plentifully gives me, the something that nature gave
+	me his countenance seems to take from me: he lets
+	me feed with his hinds, bars me the place of a
+	brother, and, as much as in him lies, mines my
+	gentility with my education. This is it, Adam, that
+	grieves me; and the spirit of my father, which I
+	think is within me, begins to mutiny against this
+	servitude: I will no longer endure it, though yet I
+	know no wise remedy how to avoid it.
+
+ADAM	Yonder comes my master, your brother.
+
+ORLANDO	Go apart, Adam, and thou shalt hear how he will
+	shake me up.
+
+	[Enter OLIVER]
+
+OLIVER	Now, sir! what make you here?
+
+ORLANDO	Nothing: I am not taught to make any thing.
+
+OLIVER	What mar you then, sir?
+
+ORLANDO	Marry, sir, I am helping you to mar that which God
+	made, a poor unworthy brother of yours, with idleness.
+
+OLIVER	Marry, sir, be better employed, and be naught awhile.
+
+ORLANDO	Shall I keep your hogs and eat husks with them?
+	What prodigal portion have I spent, that I should
+	come to such penury?
+
+OLIVER	Know you where your are, sir?
+
+ORLANDO	O, sir, very well; here in your orchard.
+
+OLIVER	Know you before whom, sir?
+
+ORLANDO	Ay, better than him I am before knows me. I know
+	you are my eldest brother; and, in the gentle
+	condition of blood, you should so know me. The
+	courtesy of nations allows you my better, in that
+	you are the first-born; but the same tradition
+	takes not away my blood, were there twenty brothers
+	betwixt us: I have as much of my father in me as
+	you; albeit, I confess, your coming before me is
+	nearer to his reverence.
+
+OLIVER	What, boy!
+
+ORLANDO	Come, come, elder brother, you are too young in this.
+
+OLIVER	Wilt thou lay hands on me, villain?
+
+ORLANDO	I am no villain; I am the youngest son of Sir
+	Rowland de Boys; he was my father, and he is thrice
+	a villain that says such a father begot villains.
+	Wert thou not my brother, I would not take this hand
+	from thy throat till this other had pulled out thy
+	tongue for saying so: thou hast railed on thyself.
+
+ADAM	Sweet masters, be patient: for your father's
+	remembrance, be at accord.
+
+OLIVER	Let me go, I say.
+
+ORLANDO	I will not, till I please: you shall hear me. My
+	father charged you in his will to give me good
+	education: you have trained me like a peasant,
+	obscuring and hiding from me all gentleman-like
+	qualities. The spirit of my father grows strong in
+	me, and I will no longer endure it: therefore allow
+	me such exercises as may become a gentleman, or
+	give me the poor allottery my father left me by
+	testament; with that I will go buy my fortunes.
+
+OLIVER	And what wilt thou do? beg, when that is spent?
+	Well, sir, get you in: I will not long be troubled
+	with you; you shall have some part of your will: I
+	pray you, leave me.
+
+ORLANDO	I will no further offend you than becomes me for my good.
+
+OLIVER	Get you with him, you old dog.
+
+ADAM	Is 'old dog' my reward? Most true, I have lost my
+	teeth in your service. God be with my old master!
+	he would not have spoke such a word.
+
+	[Exeunt ORLANDO and ADAM]
+
+OLIVER	Is it even so? begin you to grow upon me? I will
+	physic your rankness, and yet give no thousand
+	crowns neither. Holla, Dennis!
+
+	[Enter DENNIS]
+
+DENNIS	Calls your worship?
+
+OLIVER	Was not Charles, the duke's wrestler, here to speak with me?
+
+DENNIS	So please you, he is here at the door and importunes
+	access to you.
+
+OLIVER	Call him in.
+
+	[Exit DENNIS]
+
+	'Twill be a good way; and to-morrow the wrestling is.
+
+	[Enter CHARLES]
+
+CHARLES	Good morrow to your worship.
+
+OLIVER	Good Monsieur Charles, what's the new news at the
+	new court?
+
+CHARLES	There's no news at the court, sir, but the old news:
+	that is, the old duke is banished by his younger
+	brother the new duke; and three or four loving lords
+	have put themselves into voluntary exile with him,
+	whose lands and revenues enrich the new duke;
+	therefore he gives them good leave to wander.
+
+OLIVER	Can you tell if Rosalind, the duke's daughter, be
+	banished with her father?
+
+CHARLES	O, no; for the duke's daughter, her cousin, so loves
+	her, being ever from their cradles bred together,
+	that she would have followed her exile, or have died
+	to stay behind her. She is at the court, and no
+	less beloved of her uncle than his own daughter; and
+	never two ladies loved as they do.
+
+OLIVER	Where will the old duke live?
+
+CHARLES	They say he is already in the forest of Arden, and
+	a many merry men with him; and there they live like
+	the old Robin Hood of England: they say many young
+	gentlemen flock to him every day, and fleet the time
+	carelessly, as they did in the golden world.
+
+OLIVER	What, you wrestle to-morrow before the new duke?
+
+CHARLES	Marry, do I, sir; and I came to acquaint you with a
+	matter. I am given, sir, secretly to understand
+	that your younger brother Orlando hath a disposition
+	to come in disguised against me to try a fall.
+	To-morrow, sir, I wrestle for my credit; and he that
+	escapes me without some broken limb shall acquit him
+	well. Your brother is but young and tender; and,
+	for your love, I would be loath to foil him, as I
+	must, for my own honour, if he come in: therefore,
+	out of my love to you, I came hither to acquaint you
+	withal, that either you might stay him from his
+	intendment or brook such disgrace well as he shall
+	run into, in that it is a thing of his own search
+	and altogether against my will.
+
+OLIVER	Charles, I thank thee for thy love to me, which
+	thou shalt find I will most kindly requite. I had
+	myself notice of my brother's purpose herein and
+	have by underhand means laboured to dissuade him from
+	it, but he is resolute. I'll tell thee, Charles:
+	it is the stubbornest young fellow of France, full
+	of ambition, an envious emulator of every man's
+	good parts, a secret and villanous contriver against
+	me his natural brother: therefore use thy
+	discretion; I had as lief thou didst break his neck
+	as his finger. And thou wert best look to't; for if
+	thou dost him any slight disgrace or if he do not
+	mightily grace himself on thee, he will practise
+	against thee by poison, entrap thee by some
+	treacherous device and never leave thee till he
+	hath ta'en thy life by some indirect means or other;
+	for, I assure thee, and almost with tears I speak
+	it, there is not one so young and so villanous this
+	day living. I speak but brotherly of him; but
+	should I anatomize him to thee as he is, I must
+	blush and weep and thou must look pale and wonder.
+
+CHARLES	I am heartily glad I came hither to you. If he come
+	to-morrow, I'll give him his payment: if ever he go
+	alone again, I'll never wrestle for prize more: and
+	so God keep your worship!
+
+OLIVER	Farewell, good Charles.
+
+	[Exit CHARLES]
+
+	Now will I stir this gamester: I hope I shall see
+	an end of him; for my soul, yet I know not why,
+	hates nothing more than he. Yet he's gentle, never
+	schooled and yet learned, full of noble device, of
+	all sorts enchantingly beloved, and indeed so much
+	in the heart of the world, and especially of my own
+	people, who best know him, that I am altogether
+	misprised: but it shall not be so long; this
+	wrestler shall clear all: nothing remains but that
+	I kindle the boy thither; which now I'll go about.
+
+	[Exit]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT I
+
+
+
+SCENE II	Lawn before the Duke's palace.
+
+
+	[Enter CELIA and ROSALIND]
+
+CELIA	I pray thee, Rosalind, sweet my coz, be merry.
+
+ROSALIND	Dear Celia, I show more mirth than I am mistress of;
+	and would you yet I were merrier? Unless you could
+	teach me to forget a banished father, you must not
+	learn me how to remember any extraordinary pleasure.
+
+CELIA	Herein I see thou lovest me not with the full weight
+	that I love thee. If my uncle, thy banished father,
+	had banished thy uncle, the duke my father, so thou
+	hadst been still with me, I could have taught my
+	love to take thy father for mine: so wouldst thou,
+	if the truth of thy love to me were so righteously
+	tempered as mine is to thee.
+
+ROSALIND	Well, I will forget the condition of my estate, to
+	rejoice in yours.
+
+CELIA	You know my father hath no child but I, nor none is
+	like to have: and, truly, when he dies, thou shalt
+	be his heir, for what he hath taken away from thy
+	father perforce, I will render thee again in
+	affection; by mine honour, I will; and when I break
+	that oath, let me turn monster: therefore, my
+	sweet Rose, my dear Rose, be merry.
+
+ROSALIND	From henceforth I will, coz, and devise sports. Let
+	me see; what think you of falling in love?
+
+CELIA	Marry, I prithee, do, to make sport withal: but
+	love no man in good earnest; nor no further in sport
+	neither than with safety of a pure blush thou mayst
+	in honour come off again.
+
+ROSALIND	What shall be our sport, then?
+
+CELIA	Let us sit and mock the good housewife Fortune from
+	her wheel, that her gifts may henceforth be bestowed equally.
+
+ROSALIND	I would we could do so, for her benefits are
+	mightily misplaced, and the bountiful blind woman
+	doth most mistake in her gifts to women.
+
+CELIA	'Tis true; for those that she makes fair she scarce
+	makes honest, and those that she makes honest she
+	makes very ill-favouredly.
+
+ROSALIND	Nay, now thou goest from Fortune's office to
+	Nature's: Fortune reigns in gifts of the world,
+	not in the lineaments of Nature.
+
+	[Enter TOUCHSTONE]
+
+CELIA	No? when Nature hath made a fair creature, may she
+	not by Fortune fall into the fire? Though Nature
+	hath given us wit to flout at Fortune, hath not
+	Fortune sent in this fool to cut off the argument?
+
+ROSALIND	Indeed, there is Fortune too hard for Nature, when
+	Fortune makes Nature's natural the cutter-off of
+	Nature's wit.
+
+CELIA	Peradventure this is not Fortune's work neither, but
+	Nature's; who perceiveth our natural wits too dull
+	to reason of such goddesses and hath sent this
+	natural for our whetstone; for always the dulness of
+	the fool is the whetstone of the wits. How now,
+	wit! whither wander you?
+
+TOUCHSTONE	Mistress, you must come away to your father.
+
+CELIA	Were you made the messenger?
+
+TOUCHSTONE	No, by mine honour, but I was bid to come for you.
+
+ROSALIND	Where learned you that oath, fool?
+
+TOUCHSTONE	Of a certain knight that swore by his honour they
+	were good pancakes and swore by his honour the
+	mustard was naught: now I'll stand to it, the
+	pancakes were naught and the mustard was good, and
+	yet was not the knight forsworn.
+
+CELIA	How prove you that, in the great heap of your
+	knowledge?
+
+ROSALIND	Ay, marry, now unmuzzle your wisdom.
+
+TOUCHSTONE	Stand you both forth now: stroke your chins, and
+	swear by your beards that I am a knave.
+
+CELIA	By our beards, if we had them, thou art.
+
+TOUCHSTONE	By my knavery, if I had it, then I were; but if you
+	swear by that that is not, you are not forsworn: no
+	more was this knight swearing by his honour, for he
+	never had any; or if he had, he had sworn it away
+	before ever he saw those pancakes or that mustard.
+
+CELIA	Prithee, who is't that thou meanest?
+
+TOUCHSTONE	One that old Frederick, your father, loves.
+
+CELIA	My father's love is enough to honour him: enough!
+	speak no more of him; you'll be whipped for taxation
+	one of these days.
+
+TOUCHSTONE	The more pity, that fools may not speak wisely what
+	wise men do foolishly.
+
+CELIA	By my troth, thou sayest true; for since the little
+	wit that fools have was silenced, the little foolery
+	that wise men have makes a great show. Here comes
+	Monsieur Le Beau.
+
+ROSALIND	With his mouth full of news.
+
+CELIA	Which he will put on us, as pigeons feed their young.
+
+ROSALIND	Then shall we be news-crammed.
+
+CELIA	All the better; we shall be the more marketable.
+
+	[Enter LE BEAU]
+
+	Bon jour, Monsieur Le Beau: what's the news?
+
+LE BEAU	Fair princess, you have lost much good sport.
+
+CELIA	Sport! of what colour?
+
+LE BEAU	What colour, madam! how shall I answer you?
+
+ROSALIND	As wit and fortune will.
+
+TOUCHSTONE	Or as the Destinies decree.
+
+CELIA	Well said: that was laid on with a trowel.
+
+TOUCHSTONE	Nay, if I keep not my rank,--
+
+ROSALIND	Thou losest thy old smell.
+
+LE BEAU	You amaze me, ladies: I would have told you of good
+	wrestling, which you have lost the sight of.
+
+ROSALIND	You tell us the manner of the wrestling.
+
+LE BEAU	I will tell you the beginning; and, if it please
+	your ladyships, you may see the end; for the best is
+	yet to do; and here, where you are, they are coming
+	to perform it.
+
+CELIA	Well, the beginning, that is dead and buried.
+
+LE BEAU	There comes an old man and his three sons,--
+
+CELIA	I could match this beginning with an old tale.
+
+LE BEAU	Three proper young men, of excellent growth and presence.
+
+ROSALIND	With bills on their necks, 'Be it known unto all men
+	by these presents.'
+
+LE BEAU	The eldest of the three wrestled with Charles, the
+	duke's wrestler; which Charles in a moment threw him
+	and broke three of his ribs, that there is little
+	hope of life in him: so he served the second, and
+	so the third. Yonder they lie; the poor old man,
+	their father, making such pitiful dole over them
+	that all the beholders take his part with weeping.
+
+ROSALIND	Alas!
+
+TOUCHSTONE	But what is the sport, monsieur, that the ladies
+	have lost?
+
+LE BEAU	Why, this that I speak of.
+
+TOUCHSTONE	Thus men may grow wiser every day: it is the first
+	time that ever I heard breaking of ribs was sport
+	for ladies.
+
+CELIA	Or I, I promise thee.
+
+ROSALIND	But is there any else longs to see this broken music
+	in his sides? is there yet another dotes upon
+	rib-breaking? Shall we see this wrestling, cousin?
+
+LE BEAU	You must, if you stay here; for here is the place
+	appointed for the wrestling, and they are ready to
+	perform it.
+
+CELIA	Yonder, sure, they are coming: let us now stay and see it.
+
+	[Flourish. Enter DUKE FREDERICK, Lords, ORLANDO,
+	CHARLES, and Attendants]
+
+DUKE FREDERICK	Come on: since the youth will not be entreated, his
+	own peril on his forwardness.
+
+ROSALIND	Is yonder the man?
+
+LE BEAU	Even he, madam.
+
+CELIA	Alas, he is too young! yet he looks successfully.
+
+DUKE FREDERICK	How now, daughter and cousin! are you crept hither
+	to see the wrestling?
+
+ROSALIND	Ay, my liege, so please you give us leave.
+
+DUKE FREDERICK	You will take little delight in it, I can tell you;
+	there is such odds in the man. In pity of the
+	challenger's youth I would fain dissuade him, but he
+	will not be entreated. Speak to him, ladies; see if
+	you can move him.
+
+CELIA	Call him hither, good Monsieur Le Beau.
+
+DUKE FREDERICK	Do so: I'll not be by.
+
+LE BEAU	Monsieur the challenger, the princesses call for you.
+
+ORLANDO	I attend them with all respect and duty.
+
+ROSALIND	Young man, have you challenged Charles the wrestler?
+
+ORLANDO	No, fair princess; he is the general challenger: I
+	come but in, as others do, to try with him the
+	strength of my youth.
+
+CELIA	Young gentleman, your spirits are too bold for your
+	years. You have seen cruel proof of this man's
+	strength: if you saw yourself with your eyes or
+	knew yourself with your judgment, the fear of your
+	adventure would counsel you to a more equal
+	enterprise. We pray you, for your own sake, to
+	embrace your own safety and give over this attempt.
+
+ROSALIND	Do, young sir; your reputation shall not therefore
+	be misprised: we will make it our suit to the duke
+	that the wrestling might not go forward.
+
+ORLANDO	I beseech you, punish me not with your hard
+	thoughts; wherein I confess me much guilty, to deny
+	so fair and excellent ladies any thing. But let
+	your fair eyes and gentle wishes go with me to my
+	trial: wherein if I be foiled, there is but one
+	shamed that was never gracious; if killed, but one
+	dead that was willing to be so: I shall do my
+	friends no wrong, for I have none to lament me, the
+	world no injury, for in it I have nothing; only in
+	the world I fill up a place, which may be better
+	supplied when I have made it empty.
+
+ROSALIND	The little strength that I have, I would it were with you.
+
+CELIA	And mine, to eke out hers.
+
+ROSALIND	Fare you well: pray heaven I be deceived in you!
+
+CELIA	Your heart's desires be with you!
+
+CHARLES	Come, where is this young gallant that is so
+	desirous to lie with his mother earth?
+
+ORLANDO	Ready, sir; but his will hath in it a more modest working.
+
+DUKE FREDERICK	You shall try but one fall.
+
+CHARLES	No, I warrant your grace, you shall not entreat him
+	to a second, that have so mightily persuaded him
+	from a first.
+
+ORLANDO	An you mean to mock me after, you should not have
+	mocked me before: but come your ways.
+
+ROSALIND	Now Hercules be thy speed, young man!
+
+CELIA	I would I were invisible, to catch the strong
+	fellow by the leg.
+
+	[They wrestle]
+
+ROSALIND	O excellent young man!
+
+CELIA	If I had a thunderbolt in mine eye, I can tell who
+	should down.
+
+	[Shout. CHARLES is thrown]
+
+DUKE FREDERICK	No more, no more.
+
+ORLANDO	Yes, I beseech your grace: I am not yet well breathed.
+
+DUKE FREDERICK	How dost thou, Charles?
+
+LE BEAU	He cannot speak, my lord.
+
+DUKE FREDERICK	Bear him away. What is thy name, young man?
+
+ORLANDO	Orlando, my liege; the youngest son of Sir Rowland de Boys.
+
+DUKE FREDERICK	I would thou hadst been son to some man else:
+	The world esteem'd thy father honourable,
+	But I did find him still mine enemy:
+	Thou shouldst have better pleased me with this deed,
+	Hadst thou descended from another house.
+	But fare thee well; thou art a gallant youth:
+	I would thou hadst told me of another father.
+
+	[Exeunt DUKE FREDERICK, train, and LE BEAU]
+
+CELIA	Were I my father, coz, would I do this?
+
+ORLANDO	I am more proud to be Sir Rowland's son,
+	His youngest son; and would not change that calling,
+	To be adopted heir to Frederick.
+
+ROSALIND	My father loved Sir Rowland as his soul,
+	And all the world was of my father's mind:
+	Had I before known this young man his son,
+	I should have given him tears unto entreaties,
+	Ere he should thus have ventured.
+
+CELIA	Gentle cousin,
+	Let us go thank him and encourage him:
+	My father's rough and envious disposition
+	Sticks me at heart. Sir, you have well deserved:
+	If you do keep your promises in love
+	But justly, as you have exceeded all promise,
+	Your mistress shall be happy.
+
+ROSALIND	Gentleman,
+
+	[Giving him a chain from her neck]
+
+	Wear this for me, one out of suits with fortune,
+	That could give more, but that her hand lacks means.
+	Shall we go, coz?
+
+CELIA	                  Ay. Fare you well, fair gentleman.
+
+ORLANDO	Can I not say, I thank you? My better parts
+	Are all thrown down, and that which here stands up
+	Is but a quintain, a mere lifeless block.
+
+ROSALIND	He calls us back: my pride fell with my fortunes;
+	I'll ask him what he would. Did you call, sir?
+	Sir, you have wrestled well and overthrown
+	More than your enemies.
+
+CELIA	Will you go, coz?
+
+ROSALIND	Have with you. Fare you well.
+
+	[Exeunt ROSALIND and CELIA]
+
+ORLANDO	What passion hangs these weights upon my tongue?
+	I cannot speak to her, yet she urged conference.
+	O poor Orlando, thou art overthrown!
+	Or Charles or something weaker masters thee.
+
+	[Re-enter LE BEAU]
+
+LE BEAU	Good sir, I do in friendship counsel you
+	To leave this place. Albeit you have deserved
+	High commendation, true applause and love,
+	Yet such is now the duke's condition
+	That he misconstrues all that you have done.
+	The duke is humorous; what he is indeed,
+	More suits you to conceive than I to speak of.
+
+ORLANDO	I thank you, sir: and, pray you, tell me this:
+	Which of the two was daughter of the duke
+	That here was at the wrestling?
+
+LE BEAU	Neither his daughter, if we judge by manners;
+	But yet indeed the lesser is his daughter
+	The other is daughter to the banish'd duke,
+	And here detain'd by her usurping uncle,
+	To keep his daughter company; whose loves
+	Are dearer than the natural bond of sisters.
+	But I can tell you that of late this duke
+	Hath ta'en displeasure 'gainst his gentle niece,
+	Grounded upon no other argument
+	But that the people praise her for her virtues
+	And pity her for her good father's sake;
+	And, on my life, his malice 'gainst the lady
+	Will suddenly break forth. Sir, fare you well:
+	Hereafter, in a better world than this,
+	I shall desire more love and knowledge of you.
+
+ORLANDO	I rest much bounden to you: fare you well.
+
+	[Exit LE BEAU]
+
+	Thus must I from the smoke into the smother;
+	From tyrant duke unto a tyrant brother:
+	But heavenly Rosalind!
+
+	[Exit]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT I
+
+
+
+SCENE III	A room in the palace.
+
+
+	[Enter CELIA and ROSALIND]
+
+CELIA	Why, cousin! why, Rosalind! Cupid have mercy! not a word?
+
+ROSALIND	Not one to throw at a dog.
+
+CELIA	No, thy words are too precious to be cast away upon
+	curs; throw some of them at me; come, lame me with reasons.
+
+ROSALIND	Then there were two cousins laid up; when the one
+	should be lamed with reasons and the other mad
+	without any.
+
+CELIA	But is all this for your father?
+
+ROSALIND	No, some of it is for my child's father. O, how
+	full of briers is this working-day world!
+
+CELIA	They are but burs, cousin, thrown upon thee in
+	holiday foolery: if we walk not in the trodden
+	paths our very petticoats will catch them.
+
+ROSALIND	I could shake them off my coat: these burs are in my heart.
+
+CELIA	Hem them away.
+
+ROSALIND	I would try, if I could cry 'hem' and have him.
+
+CELIA	Come, come, wrestle with thy affections.
+
+ROSALIND	O, they take the part of a better wrestler than myself!
+
+CELIA	O, a good wish upon you! you will try in time, in
+	despite of a fall. But, turning these jests out of
+	service, let us talk in good earnest: is it
+	possible, on such a sudden, you should fall into so
+	strong a liking with old Sir Rowland's youngest son?
+
+ROSALIND	The duke my father loved his father dearly.
+
+CELIA	Doth it therefore ensue that you should love his son
+	dearly? By this kind of chase, I should hate him,
+	for my father hated his father dearly; yet I hate
+	not Orlando.
+
+ROSALIND	No, faith, hate him not, for my sake.
+
+CELIA	Why should I not? doth he not deserve well?
+
+ROSALIND	Let me love him for that, and do you love him
+	because I do. Look, here comes the duke.
+
+CELIA	With his eyes full of anger.
+
+	[Enter DUKE FREDERICK, with Lords]
+
+DUKE FREDERICK	Mistress, dispatch you with your safest haste
+	And get you from our court.
+
+ROSALIND	Me, uncle?
+
+DUKE FREDERICK	You, cousin
+	Within these ten days if that thou be'st found
+	So near our public court as twenty miles,
+	Thou diest for it.
+
+ROSALIND	                  I do beseech your grace,
+	Let me the knowledge of my fault bear with me:
+	If with myself I hold intelligence
+	Or have acquaintance with mine own desires,
+	If that I do not dream or be not frantic,--
+	As I do trust I am not--then, dear uncle,
+	Never so much as in a thought unborn
+	Did I offend your highness.
+
+DUKE FREDERICK	Thus do all traitors:
+	If their purgation did consist in words,
+	They are as innocent as grace itself:
+	Let it suffice thee that I trust thee not.
+
+ROSALIND	Yet your mistrust cannot make me a traitor:
+	Tell me whereon the likelihood depends.
+
+DUKE FREDERICK	Thou art thy father's daughter; there's enough.
+
+ROSALIND	So was I when your highness took his dukedom;
+	So was I when your highness banish'd him:
+	Treason is not inherited, my lord;
+	Or, if we did derive it from our friends,
+	What's that to me? my father was no traitor:
+	Then, good my liege, mistake me not so much
+	To think my poverty is treacherous.
+
+CELIA	Dear sovereign, hear me speak.
+
+DUKE FREDERICK	Ay, Celia; we stay'd her for your sake,
+	Else had she with her father ranged along.
+
+CELIA	I did not then entreat to have her stay;
+	It was your pleasure and your own remorse:
+	I was too young that time to value her;
+	But now I know her: if she be a traitor,
+	Why so am I; we still have slept together,
+	Rose at an instant, learn'd, play'd, eat together,
+	And wheresoever we went, like Juno's swans,
+	Still we went coupled and inseparable.
+
+DUKE FREDERICK	She is too subtle for thee; and her smoothness,
+	Her very silence and her patience
+	Speak to the people, and they pity her.
+	Thou art a fool: she robs thee of thy name;
+	And thou wilt show more bright and seem more virtuous
+	When she is gone. Then open not thy lips:
+	Firm and irrevocable is my doom
+	Which I have pass'd upon her; she is banish'd.
+
+CELIA	Pronounce that sentence then on me, my liege:
+	I cannot live out of her company.
+
+DUKE FREDERICK	You are a fool. You, niece, provide yourself:
+	If you outstay the time, upon mine honour,
+	And in the greatness of my word, you die.
+
+	[Exeunt DUKE FREDERICK and Lords]
+
+CELIA	O my poor Rosalind, whither wilt thou go?
+	Wilt thou change fathers? I will give thee mine.
+	I charge thee, be not thou more grieved than I am.
+
+ROSALIND	I have more cause.
+
+CELIA	                  Thou hast not, cousin;
+	Prithee be cheerful: know'st thou not, the duke
+	Hath banish'd me, his daughter?
+
+ROSALIND	That he hath not.
+
+CELIA	No, hath not? Rosalind lacks then the love
+	Which teacheth thee that thou and I am one:
+	Shall we be sunder'd? shall we part, sweet girl?
+	No: let my father seek another heir.
+	Therefore devise with me how we may fly,
+	Whither to go and what to bear with us;
+	And do not seek to take your change upon you,
+	To bear your griefs yourself and leave me out;
+	For, by this heaven, now at our sorrows pale,
+	Say what thou canst, I'll go along with thee.
+
+ROSALIND	Why, whither shall we go?
+
+CELIA	To seek my uncle in the forest of Arden.
+
+ROSALIND	Alas, what danger will it be to us,
+	Maids as we are, to travel forth so far!
+	Beauty provoketh thieves sooner than gold.
+
+CELIA	I'll put myself in poor and mean attire
+	And with a kind of umber smirch my face;
+	The like do you: so shall we pass along
+	And never stir assailants.
+
+ROSALIND	Were it not better,
+	Because that I am more than common tall,
+	That I did suit me all points like a man?
+	A gallant curtle-axe upon my thigh,
+	A boar-spear in my hand; and--in my heart
+	Lie there what hidden woman's fear there will--
+	We'll have a swashing and a martial outside,
+	As many other mannish cowards have
+	That do outface it with their semblances.
+
+CELIA	What shall I call thee when thou art a man?
+
+ROSALIND	I'll have no worse a name than Jove's own page;
+	And therefore look you call me Ganymede.
+	But what will you be call'd?
+
+CELIA	Something that hath a reference to my state
+	No longer Celia, but Aliena.
+
+ROSALIND	But, cousin, what if we assay'd to steal
+	The clownish fool out of your father's court?
+	Would he not be a comfort to our travel?
+
+CELIA	He'll go along o'er the wide world with me;
+	Leave me alone to woo him. Let's away,
+	And get our jewels and our wealth together,
+	Devise the fittest time and safest way
+	To hide us from pursuit that will be made
+	After my flight. Now go we in content
+	To liberty and not to banishment.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE I	The Forest of Arden.
+
+
+	[Enter DUKE SENIOR, AMIENS, and two or three Lords,
+	like foresters]
+
+DUKE SENIOR	Now, my co-mates and brothers in exile,
+	Hath not old custom made this life more sweet
+	Than that of painted pomp? Are not these woods
+	More free from peril than the envious court?
+	Here feel we but the penalty of Adam,
+	The seasons' difference, as the icy fang
+	And churlish chiding of the winter's wind,
+	Which, when it bites and blows upon my body,
+	Even till I shrink with cold, I smile and say
+	'This is no flattery: these are counsellors
+	That feelingly persuade me what I am.'
+	Sweet are the uses of adversity,
+	Which, like the toad, ugly and venomous,
+	Wears yet a precious jewel in his head;
+	And this our life exempt from public haunt
+	Finds tongues in trees, books in the running brooks,
+	Sermons in stones and good in every thing.
+	I would not change it.
+
+AMIENS	Happy is your grace,
+	That can translate the stubbornness of fortune
+	Into so quiet and so sweet a style.
+
+DUKE SENIOR	Come, shall we go and kill us venison?
+	And yet it irks me the poor dappled fools,
+	Being native burghers of this desert city,
+	Should in their own confines with forked heads
+	Have their round haunches gored.
+
+First Lord	Indeed, my lord,
+	The melancholy Jaques grieves at that,
+	And, in that kind, swears you do more usurp
+	Than doth your brother that hath banish'd you.
+	To-day my Lord of Amiens and myself
+	Did steal behind him as he lay along
+	Under an oak whose antique root peeps out
+	Upon the brook that brawls along this wood:
+	To the which place a poor sequester'd stag,
+	That from the hunter's aim had ta'en a hurt,
+	Did come to languish, and indeed, my lord,
+	The wretched animal heaved forth such groans
+	That their discharge did stretch his leathern coat
+	Almost to bursting, and the big round tears
+	Coursed one another down his innocent nose
+	In piteous chase; and thus the hairy fool
+	Much marked of the melancholy Jaques,
+	Stood on the extremest verge of the swift brook,
+	Augmenting it with tears.
+
+DUKE SENIOR	But what said Jaques?
+	Did he not moralize this spectacle?
+
+First Lord	O, yes, into a thousand similes.
+	First, for his weeping into the needless stream;
+	'Poor deer,' quoth he, 'thou makest a testament
+	As worldlings do, giving thy sum of more
+	To that which had too much:' then, being there alone,
+	Left and abandon'd of his velvet friends,
+	''Tis right:' quoth he; 'thus misery doth part
+	The flux of company:' anon a careless herd,
+	Full of the pasture, jumps along by him
+	And never stays to greet him; 'Ay' quoth Jaques,
+	'Sweep on, you fat and greasy citizens;
+	'Tis just the fashion: wherefore do you look
+	Upon that poor and broken bankrupt there?'
+	Thus most invectively he pierceth through
+	The body of the country, city, court,
+	Yea, and of this our life, swearing that we
+	Are mere usurpers, tyrants and what's worse,
+	To fright the animals and to kill them up
+	In their assign'd and native dwelling-place.
+
+DUKE SENIOR	And did you leave him in this contemplation?
+
+Second Lord	We did, my lord, weeping and commenting
+	Upon the sobbing deer.
+
+DUKE SENIOR	Show me the place:
+	I love to cope him in these sullen fits,
+	For then he's full of matter.
+
+First Lord	I'll bring you to him straight.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE II	A room in the palace.
+
+
+	[Enter DUKE FREDERICK, with Lords]
+
+DUKE FREDERICK	Can it be possible that no man saw them?
+	It cannot be: some villains of my court
+	Are of consent and sufferance in this.
+
+First Lord	I cannot hear of any that did see her.
+	The ladies, her attendants of her chamber,
+	Saw her abed, and in the morning early
+	They found the bed untreasured of their mistress.
+
+Second Lord	My lord, the roynish clown, at whom so oft
+	Your grace was wont to laugh, is also missing.
+	Hisperia, the princess' gentlewoman,
+	Confesses that she secretly o'erheard
+	Your daughter and her cousin much commend
+	The parts and graces of the wrestler
+	That did but lately foil the sinewy Charles;
+	And she believes, wherever they are gone,
+	That youth is surely in their company.
+
+DUKE FREDERICK	Send to his brother; fetch that gallant hither;
+	If he be absent, bring his brother to me;
+	I'll make him find him: do this suddenly,
+	And let not search and inquisition quail
+	To bring again these foolish runaways.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE III	Before OLIVER'S house.
+
+
+	[Enter ORLANDO and ADAM, meeting]
+
+ORLANDO	Who's there?
+
+ADAM	What, my young master? O, my gentle master!
+	O my sweet master! O you memory
+	Of old Sir Rowland! why, what make you here?
+	Why are you virtuous? why do people love you?
+	And wherefore are you gentle, strong and valiant?
+	Why would you be so fond to overcome
+	The bonny priser of the humorous duke?
+	Your praise is come too swiftly home before you.
+	Know you not, master, to some kind of men
+	Their graces serve them but as enemies?
+	No more do yours: your virtues, gentle master,
+	Are sanctified and holy traitors to you.
+	O, what a world is this, when what is comely
+	Envenoms him that bears it!
+
+ORLANDO	Why, what's the matter?
+
+ADAM	O unhappy youth!
+	Come not within these doors; within this roof
+	The enemy of all your graces lives:
+	Your brother--no, no brother; yet the son--
+	Yet not the son, I will not call him son
+	Of him I was about to call his father--
+	Hath heard your praises, and this night he means
+	To burn the lodging where you use to lie
+	And you within it: if he fail of that,
+	He will have other means to cut you off.
+	I overheard him and his practises.
+	This is no place; this house is but a butchery:
+	Abhor it, fear it, do not enter it.
+
+ORLANDO	Why, whither, Adam, wouldst thou have me go?
+
+ADAM	No matter whither, so you come not here.
+
+ORLANDO	What, wouldst thou have me go and beg my food?
+	Or with a base and boisterous sword enforce
+	A thievish living on the common road?
+	This I must do, or know not what to do:
+	Yet this I will not do, do how I can;
+	I rather will subject me to the malice
+	Of a diverted blood and bloody brother.
+
+ADAM	But do not so. I have five hundred crowns,
+	The thrifty hire I saved under your father,
+	Which I did store to be my foster-nurse
+	When service should in my old limbs lie lame
+	And unregarded age in corners thrown:
+	Take that, and He that doth the ravens feed,
+	Yea, providently caters for the sparrow,
+	Be comfort to my age! Here is the gold;
+	And all this I give you. Let me be your servant:
+	Though I look old, yet I am strong and lusty;
+	For in my youth I never did apply
+	Hot and rebellious liquors in my blood,
+	Nor did not with unbashful forehead woo
+	The means of weakness and debility;
+	Therefore my age is as a lusty winter,
+	Frosty, but kindly: let me go with you;
+	I'll do the service of a younger man
+	In all your business and necessities.
+
+ORLANDO	O good old man, how well in thee appears
+	The constant service of the antique world,
+	When service sweat for duty, not for meed!
+	Thou art not for the fashion of these times,
+	Where none will sweat but for promotion,
+	And having that, do choke their service up
+	Even with the having: it is not so with thee.
+	But, poor old man, thou prunest a rotten tree,
+	That cannot so much as a blossom yield
+	In lieu of all thy pains and husbandry
+	But come thy ways; well go along together,
+	And ere we have thy youthful wages spent,
+	We'll light upon some settled low content.
+
+ADAM	Master, go on, and I will follow thee,
+	To the last gasp, with truth and loyalty.
+	From seventeen years till now almost fourscore
+	Here lived I, but now live here no more.
+	At seventeen years many their fortunes seek;
+	But at fourscore it is too late a week:
+	Yet fortune cannot recompense me better
+	Than to die well and not my master's debtor.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE IV	The Forest of Arden.
+
+
+	[Enter ROSALIND for Ganymede, CELIA for Aliena,
+	and TOUCHSTONE]
+
+ROSALIND	O Jupiter, how weary are my spirits!
+
+TOUCHSTONE	I care not for my spirits, if my legs were not weary.
+
+ROSALIND	I could find in my heart to disgrace my man's
+	apparel and to cry like a woman; but I must comfort
+	the weaker vessel, as doublet and hose ought to show
+	itself courageous to petticoat: therefore courage,
+	good Aliena!
+
+CELIA	I pray you, bear with me; I cannot go no further.
+
+TOUCHSTONE	For my part, I had rather bear with you than bear
+	you; yet I should bear no cross if I did bear you,
+	for I think you have no money in your purse.
+
+ROSALIND	Well, this is the forest of Arden.
+
+TOUCHSTONE	Ay, now am I in Arden; the more fool I; when I was
+	at home, I was in a better place: but travellers
+	must be content.
+
+ROSALIND	Ay, be so, good Touchstone.
+
+	[Enter CORIN and SILVIUS]
+
+	Look you, who comes here; a young man and an old in
+	solemn talk.
+
+CORIN	That is the way to make her scorn you still.
+
+SILVIUS	O Corin, that thou knew'st how I do love her!
+
+CORIN	I partly guess; for I have loved ere now.
+
+SILVIUS	No, Corin, being old, thou canst not guess,
+	Though in thy youth thou wast as true a lover
+	As ever sigh'd upon a midnight pillow:
+	But if thy love were ever like to mine--
+	As sure I think did never man love so--
+	How many actions most ridiculous
+	Hast thou been drawn to by thy fantasy?
+
+CORIN	Into a thousand that I have forgotten.
+
+SILVIUS	O, thou didst then ne'er love so heartily!
+	If thou remember'st not the slightest folly
+	That ever love did make thee run into,
+	Thou hast not loved:
+	Or if thou hast not sat as I do now,
+	Wearying thy hearer in thy mistress' praise,
+	Thou hast not loved:
+	Or if thou hast not broke from company
+	Abruptly, as my passion now makes me,
+	Thou hast not loved.
+	O Phebe, Phebe, Phebe!
+
+	[Exit]
+
+ROSALIND	Alas, poor shepherd! searching of thy wound,
+	I have by hard adventure found mine own.
+
+TOUCHSTONE	And I mine. I remember, when I was in love I broke
+	my sword upon a stone and bid him take that for
+	coming a-night to Jane Smile; and I remember the
+	kissing of her batlet and the cow's dugs that her
+	pretty chopt hands had milked; and I remember the
+	wooing of a peascod instead of her, from whom I took
+	two cods and, giving her them again, said with
+	weeping tears 'Wear these for my sake.' We that are
+	true lovers run into strange capers; but as all is
+	mortal in nature, so is all nature in love mortal in folly.
+
+ROSALIND	Thou speakest wiser than thou art ware of.
+
+TOUCHSTONE	Nay, I shall ne'er be ware of mine own wit till I
+	break my shins against it.
+
+ROSALIND	Jove, Jove! this shepherd's passion
+	Is much upon my fashion.
+
+TOUCHSTONE	And mine; but it grows something stale with me.
+
+CELIA	I pray you, one of you question yond man
+	If he for gold will give us any food:
+	I faint almost to death.
+
+TOUCHSTONE	Holla, you clown!
+
+ROSALIND	Peace, fool: he's not thy kinsman.
+
+CORIN	Who calls?
+
+TOUCHSTONE	Your betters, sir.
+
+CORIN	                  Else are they very wretched.
+
+ROSALIND	Peace, I say. Good even to you, friend.
+
+CORIN	And to you, gentle sir, and to you all.
+
+ROSALIND	I prithee, shepherd, if that love or gold
+	Can in this desert place buy entertainment,
+	Bring us where we may rest ourselves and feed:
+	Here's a young maid with travel much oppress'd
+	And faints for succor.
+
+CORIN	Fair sir, I pity her
+	And wish, for her sake more than for mine own,
+	My fortunes were more able to relieve her;
+	But I am shepherd to another man
+	And do not shear the fleeces that I graze:
+	My master is of churlish disposition
+	And little recks to find the way to heaven
+	By doing deeds of hospitality:
+	Besides, his cote, his flocks and bounds of feed
+	Are now on sale, and at our sheepcote now,
+	By reason of his absence, there is nothing
+	That you will feed on; but what is, come see.
+	And in my voice most welcome shall you be.
+
+ROSALIND	What is he that shall buy his flock and pasture?
+
+CORIN	That young swain that you saw here but erewhile,
+	That little cares for buying any thing.
+
+ROSALIND	I pray thee, if it stand with honesty,
+	Buy thou the cottage, pasture and the flock,
+	And thou shalt have to pay for it of us.
+
+CELIA	And we will mend thy wages. I like this place.
+	And willingly could waste my time in it.
+
+CORIN	Assuredly the thing is to be sold:
+	Go with me: if you like upon report
+	The soil, the profit and this kind of life,
+	I will your very faithful feeder be
+	And buy it with your gold right suddenly.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE V	The Forest.
+
+
+	[Enter AMIENS, JAQUES, and others]
+
+	SONG.
+AMIENS	Under the greenwood tree
+	Who loves to lie with me,
+	And turn his merry note
+	Unto the sweet bird's throat,
+	Come hither, come hither, come hither:
+	Here shall he see No enemy
+	But winter and rough weather.
+
+JAQUES	More, more, I prithee, more.
+
+AMIENS	It will make you melancholy, Monsieur Jaques.
+
+JAQUES	I thank it. More, I prithee, more. I can suck
+	melancholy out of a song, as a weasel sucks eggs.
+	More, I prithee, more.
+
+AMIENS	My voice is ragged: I know I cannot please you.
+
+JAQUES	I do not desire you to please me; I do desire you to
+	sing. Come, more; another stanzo: call you 'em stanzos?
+
+AMIENS	What you will, Monsieur Jaques.
+
+JAQUES	Nay, I care not for their names; they owe me
+	nothing. Will you sing?
+
+AMIENS	More at your request than to please myself.
+
+JAQUES	Well then, if ever I thank any man, I'll thank you;
+	but that they call compliment is like the encounter
+	of two dog-apes, and when a man thanks me heartily,
+	methinks I have given him a penny and he renders me
+	the beggarly thanks. Come, sing; and you that will
+	not, hold your tongues.
+
+AMIENS	Well, I'll end the song. Sirs, cover the while; the
+	duke will drink under this tree. He hath been all
+	this day to look you.
+
+JAQUES	And I have been all this day to avoid him. He is
+	too disputable for my company: I think of as many
+	matters as he, but I give heaven thanks and make no
+	boast of them. Come, warble, come.
+
+	SONG.
+	Who doth ambition shun
+
+	[All together here]
+
+	And loves to live i' the sun,
+	Seeking the food he eats
+	And pleased with what he gets,
+	Come hither, come hither, come hither:
+	Here shall he see No enemy
+	But winter and rough weather.
+
+JAQUES	I'll give you a verse to this note that I made
+	yesterday in despite of my invention.
+
+AMIENS	And I'll sing it.
+
+JAQUES	Thus it goes:--
+
+	If it do come to pass
+	That any man turn ass,
+	Leaving his wealth and ease,
+	A stubborn will to please,
+	Ducdame, ducdame, ducdame:
+	Here shall he see
+	Gross fools as he,
+	An if he will come to me.
+
+AMIENS	What's that 'ducdame'?
+
+JAQUES	'Tis a Greek invocation, to call fools into a
+	circle. I'll go sleep, if I can; if I cannot, I'll
+	rail against all the first-born of Egypt.
+
+AMIENS	And I'll go seek the duke: his banquet is prepared.
+
+	[Exeunt severally]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE VI	The forest.
+
+
+	[Enter ORLANDO and ADAM]
+
+ADAM	Dear master, I can go no further. O, I die for food!
+	Here lie I down, and measure out my grave. Farewell,
+	kind master.
+
+ORLANDO	Why, how now, Adam! no greater heart in thee? Live
+	a little; comfort a little; cheer thyself a little.
+	If this uncouth forest yield any thing savage, I
+	will either be food for it or bring it for food to
+	thee. Thy conceit is nearer death than thy powers.
+	For my sake be comfortable; hold death awhile at
+	the arm's end: I will here be with thee presently;
+	and if I bring thee not something to eat, I will
+	give thee leave to die: but if thou diest before I
+	come, thou art a mocker of my labour. Well said!
+	thou lookest cheerly, and I'll be with thee quickly.
+	Yet thou liest in the bleak air: come, I will bear
+	thee to some shelter; and thou shalt not die for
+	lack of a dinner, if there live any thing in this
+	desert. Cheerly, good Adam!
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT II
+
+
+
+SCENE VII	The forest.
+
+
+	[A table set out. Enter DUKE SENIOR, AMIENS, and
+	Lords like outlaws]
+
+DUKE SENIOR	I think he be transform'd into a beast;
+	For I can no where find him like a man.
+
+First Lord	My lord, he is but even now gone hence:
+	Here was he merry, hearing of a song.
+
+DUKE SENIOR	If he, compact of jars, grow musical,
+	We shall have shortly discord in the spheres.
+	Go, seek him: tell him I would speak with him.
+
+	[Enter JAQUES]
+
+First Lord	He saves my labour by his own approach.
+
+DUKE SENIOR	Why, how now, monsieur! what a life is this,
+	That your poor friends must woo your company?
+	What, you look merrily!
+
+JAQUES	A fool, a fool! I met a fool i' the forest,
+	A motley fool; a miserable world!
+	As I do live by food, I met a fool
+	Who laid him down and bask'd him in the sun,
+	And rail'd on Lady Fortune in good terms,
+	In good set terms and yet a motley fool.
+	'Good morrow, fool,' quoth I. 'No, sir,' quoth he,
+	'Call me not fool till heaven hath sent me fortune:'
+	And then he drew a dial from his poke,
+	And, looking on it with lack-lustre eye,
+	Says very wisely, 'It is ten o'clock:
+	Thus we may see,' quoth he, 'how the world wags:
+	'Tis but an hour ago since it was nine,
+	And after one hour more 'twill be eleven;
+	And so, from hour to hour, we ripe and ripe,
+	And then, from hour to hour, we rot and rot;
+	And thereby hangs a tale.' When I did hear
+	The motley fool thus moral on the time,
+	My lungs began to crow like chanticleer,
+	That fools should be so deep-contemplative,
+	And I did laugh sans intermission
+	An hour by his dial. O noble fool!
+	A worthy fool! Motley's the only wear.
+
+DUKE SENIOR	What fool is this?
+
+JAQUES	O worthy fool! One that hath been a courtier,
+	And says, if ladies be but young and fair,
+	They have the gift to know it: and in his brain,
+	Which is as dry as the remainder biscuit
+	After a voyage, he hath strange places cramm'd
+	With observation, the which he vents
+	In mangled forms. O that I were a fool!
+	I am ambitious for a motley coat.
+
+DUKE SENIOR	Thou shalt have one.
+
+JAQUES	It is my only suit;
+	Provided that you weed your better judgments
+	Of all opinion that grows rank in them
+	That I am wise. I must have liberty
+	Withal, as large a charter as the wind,
+	To blow on whom I please; for so fools have;
+	And they that are most galled with my folly,
+	They most must laugh. And why, sir, must they so?
+	The 'why' is plain as way to parish church:
+	He that a fool doth very wisely hit
+	Doth very foolishly, although he smart,
+	Not to seem senseless of the bob: if not,
+	The wise man's folly is anatomized
+	Even by the squandering glances of the fool.
+	Invest me in my motley; give me leave
+	To speak my mind, and I will through and through
+	Cleanse the foul body of the infected world,
+	If they will patiently receive my medicine.
+
+DUKE SENIOR	Fie on thee! I can tell what thou wouldst do.
+
+JAQUES	What, for a counter, would I do but good?
+
+DUKE SENIOR	Most mischievous foul sin, in chiding sin:
+	For thou thyself hast been a libertine,
+	As sensual as the brutish sting itself;
+	And all the embossed sores and headed evils,
+	That thou with licence of free foot hast caught,
+	Wouldst thou disgorge into the general world.
+
+JAQUES	Why, who cries out on pride,
+	That can therein tax any private party?
+	Doth it not flow as hugely as the sea,
+	Till that the weary very means do ebb?
+	What woman in the city do I name,
+	When that I say the city-woman bears
+	The cost of princes on unworthy shoulders?
+	Who can come in and say that I mean her,
+	When such a one as she such is her neighbour?
+	Or what is he of basest function
+	That says his bravery is not of my cost,
+	Thinking that I mean him, but therein suits
+	His folly to the mettle of my speech?
+	There then; how then? what then? Let me see wherein
+	My tongue hath wrong'd him: if it do him right,
+	Then he hath wrong'd himself; if he be free,
+	Why then my taxing like a wild-goose flies,
+	Unclaim'd of any man. But who comes here?
+
+	[Enter ORLANDO, with his sword drawn]
+
+ORLANDO	Forbear, and eat no more.
+
+JAQUES	Why, I have eat none yet.
+
+ORLANDO	Nor shalt not, till necessity be served.
+
+JAQUES	Of what kind should this cock come of?
+
+DUKE SENIOR	Art thou thus bolden'd, man, by thy distress,
+	Or else a rude despiser of good manners,
+	That in civility thou seem'st so empty?
+
+ORLANDO	You touch'd my vein at first: the thorny point
+	Of bare distress hath ta'en from me the show
+	Of smooth civility: yet am I inland bred
+	And know some nurture. But forbear, I say:
+	He dies that touches any of this fruit
+	Till I and my affairs are answered.
+
+JAQUES	An you will not be answered with reason, I must die.
+
+DUKE SENIOR	What would you have? Your gentleness shall force
+	More than your force move us to gentleness.
+
+ORLANDO	I almost die for food; and let me have it.
+
+DUKE SENIOR	Sit down and feed, and welcome to our table.
+
+ORLANDO	Speak you so gently? Pardon me, I pray you:
+	I thought that all things had been savage here;
+	And therefore put I on the countenance
+	Of stern commandment. But whate'er you are
+	That in this desert inaccessible,
+	Under the shade of melancholy boughs,
+	Lose and neglect the creeping hours of time
+	If ever you have look'd on better days,
+	If ever been where bells have knoll'd to church,
+	If ever sat at any good man's feast,
+	If ever from your eyelids wiped a tear
+	And know what 'tis to pity and be pitied,
+	Let gentleness my strong enforcement be:
+	In the which hope I blush, and hide my sword.
+
+DUKE SENIOR	True is it that we have seen better days,
+	And have with holy bell been knoll'd to church
+	And sat at good men's feasts and wiped our eyes
+	Of drops that sacred pity hath engender'd:
+	And therefore sit you down in gentleness
+	And take upon command what help we have
+	That to your wanting may be minister'd.
+
+ORLANDO	Then but forbear your food a little while,
+	Whiles, like a doe, I go to find my fawn
+	And give it food. There is an old poor man,
+	Who after me hath many a weary step
+	Limp'd in pure love: till he be first sufficed,
+	Oppress'd with two weak evils, age and hunger,
+	I will not touch a bit.
+
+DUKE SENIOR	Go find him out,
+	And we will nothing waste till you return.
+
+ORLANDO	I thank ye; and be blest for your good comfort!
+
+	[Exit]
+
+DUKE SENIOR	Thou seest we are not all alone unhappy:
+	This wide and universal theatre
+	Presents more woeful pageants than the scene
+	Wherein we play in.
+
+JAQUES	All the world's a stage,
+	And all the men and women merely players:
+	They have their exits and their entrances;
+	And one man in his time plays many parts,
+	His acts being seven ages. At first the infant,
+	Mewling and puking in the nurse's arms.
+	And then the whining school-boy, with his satchel
+	And shining morning face, creeping like snail
+	Unwillingly to school. And then the lover,
+	Sighing like furnace, with a woeful ballad
+	Made to his mistress' eyebrow. Then a soldier,
+	Full of strange oaths and bearded like the pard,
+	Jealous in honour, sudden and quick in quarrel,
+	Seeking the bubble reputation
+	Even in the cannon's mouth. And then the justice,
+	In fair round belly with good capon lined,
+	With eyes severe and beard of formal cut,
+	Full of wise saws and modern instances;
+	And so he plays his part. The sixth age shifts
+	Into the lean and slipper'd pantaloon,
+	With spectacles on nose and pouch on side,
+	His youthful hose, well saved, a world too wide
+	For his shrunk shank; and his big manly voice,
+	Turning again toward childish treble, pipes
+	And whistles in his sound. Last scene of all,
+	That ends this strange eventful history,
+	Is second childishness and mere oblivion,
+	Sans teeth, sans eyes, sans taste, sans everything.
+
+	[Re-enter ORLANDO, with ADAM]
+
+DUKE SENIOR	Welcome. Set down your venerable burthen,
+	And let him feed.
+
+ORLANDO	I thank you most for him.
+
+ADAM	So had you need:
+	I scarce can speak to thank you for myself.
+
+DUKE SENIOR	Welcome; fall to: I will not trouble you
+	As yet, to question you about your fortunes.
+	Give us some music; and, good cousin, sing.
+
+	SONG.
+AMIENS	Blow, blow, thou winter wind.
+	Thou art not so unkind
+	As man's ingratitude;
+	Thy tooth is not so keen,
+	Because thou art not seen,
+	Although thy breath be rude.
+	Heigh-ho! sing, heigh-ho! unto the green holly:
+	Most friendship is feigning, most loving mere folly:
+	Then, heigh-ho, the holly!
+	This life is most jolly.
+	Freeze, freeze, thou bitter sky,
+	That dost not bite so nigh
+	As benefits forgot:
+	Though thou the waters warp,
+	Thy sting is not so sharp
+	As friend remember'd not.
+	Heigh-ho! sing, &c.
+
+DUKE SENIOR	If that you were the good Sir Rowland's son,
+	As you have whisper'd faithfully you were,
+	And as mine eye doth his effigies witness
+	Most truly limn'd and living in your face,
+	Be truly welcome hither: I am the duke
+	That loved your father: the residue of your fortune,
+	Go to my cave and tell me. Good old man,
+	Thou art right welcome as thy master is.
+	Support him by the arm. Give me your hand,
+	And let me all your fortunes understand.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT III
+
+
+
+SCENE I	A room in the palace.
+
+
+	[Enter DUKE FREDERICK, Lords, and OLIVER]
+
+DUKE FREDERICK	Not see him since? Sir, sir, that cannot be:
+	But were I not the better part made mercy,
+	I should not seek an absent argument
+	Of my revenge, thou present. But look to it:
+	Find out thy brother, wheresoe'er he is;
+	Seek him with candle; bring him dead or living
+	Within this twelvemonth, or turn thou no more
+	To seek a living in our territory.
+	Thy lands and all things that thou dost call thine
+	Worth seizure do we seize into our hands,
+	Till thou canst quit thee by thy brothers mouth
+	Of what we think against thee.
+
+OLIVER	O that your highness knew my heart in this!
+	I never loved my brother in my life.
+
+DUKE FREDERICK	More villain thou. Well, push him out of doors;
+	And let my officers of such a nature
+	Make an extent upon his house and lands:
+	Do this expediently and turn him going.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT III
+
+
+
+SCENE II	The forest.
+
+
+	[Enter ORLANDO, with a paper]
+
+ORLANDO	Hang there, my verse, in witness of my love:
+	And thou, thrice-crowned queen of night, survey
+	With thy chaste eye, from thy pale sphere above,
+	Thy huntress' name that my full life doth sway.
+	O Rosalind! these trees shall be my books
+	And in their barks my thoughts I'll character;
+	That every eye which in this forest looks
+	Shall see thy virtue witness'd every where.
+	Run, run, Orlando; carve on every tree
+	The fair, the chaste and unexpressive she.
+
+	[Exit]
+
+	[Enter CORIN and TOUCHSTONE]
+
+CORIN	And how like you this shepherd's life, Master Touchstone?
+
+TOUCHSTONE	Truly, shepherd, in respect of itself, it is a good
+	life, but in respect that it is a shepherd's life,
+	it is naught. In respect that it is solitary, I
+	like it very well; but in respect that it is
+	private, it is a very vile life. Now, in respect it
+	is in the fields, it pleaseth me well; but in
+	respect it is not in the court, it is tedious. As
+	is it a spare life, look you, it fits my humour well;
+	but as there is no more plenty in it, it goes much
+	against my stomach. Hast any philosophy in thee, shepherd?
+
+CORIN	No more but that I know the more one sickens the
+	worse at ease he is; and that he that wants money,
+	means and content is without three good friends;
+	that the property of rain is to wet and fire to
+	burn; that good pasture makes fat sheep, and that a
+	great cause of the night is lack of the sun; that
+	he that hath learned no wit by nature nor art may
+	complain of good breeding or comes of a very dull kindred.
+
+TOUCHSTONE	Such a one is a natural philosopher. Wast ever in
+	court, shepherd?
+
+CORIN	No, truly.
+
+TOUCHSTONE	Then thou art damned.
+
+CORIN	Nay, I hope.
+
+TOUCHSTONE	Truly, thou art damned like an ill-roasted egg, all
+	on one side.
+
+CORIN	For not being at court? Your reason.
+
+TOUCHSTONE	Why, if thou never wast at court, thou never sawest
+	good manners; if thou never sawest good manners,
+	then thy manners must be wicked; and wickedness is
+	sin, and sin is damnation. Thou art in a parlous
+	state, shepherd.
+
+CORIN	Not a whit, Touchstone: those that are good manners
+	at the court are as ridiculous in the country as the
+	behavior of the country is most mockable at the
+	court. You told me you salute not at the court, but
+	you kiss your hands: that courtesy would be
+	uncleanly, if courtiers were shepherds.
+
+TOUCHSTONE	Instance, briefly; come, instance.
+
+CORIN	Why, we are still handling our ewes, and their
+	fells, you know, are greasy.
+
+TOUCHSTONE	Why, do not your courtier's hands sweat? and is not
+	the grease of a mutton as wholesome as the sweat of
+	a man? Shallow, shallow. A better instance, I say; come.
+
+CORIN	Besides, our hands are hard.
+
+TOUCHSTONE	Your lips will feel them the sooner. Shallow again.
+	A more sounder instance, come.
+
+CORIN	And they are often tarred over with the surgery of
+	our sheep: and would you have us kiss tar? The
+	courtier's hands are perfumed with civet.
+
+TOUCHSTONE	Most shallow man! thou worms-meat, in respect of a
+	good piece of flesh indeed! Learn of the wise, and
+	perpend: civet is of a baser birth than tar, the
+	very uncleanly flux of a cat. Mend the instance, shepherd.
+
+CORIN	You have too courtly a wit for me: I'll rest.
+
+TOUCHSTONE	Wilt thou rest damned? God help thee, shallow man!
+	God make incision in thee! thou art raw.
+
+CORIN	Sir, I am a true labourer: I earn that I eat, get
+	that I wear, owe no man hate, envy no man's
+	happiness, glad of other men's good, content with my
+	harm, and the greatest of my pride is to see my ewes
+	graze and my lambs suck.
+
+TOUCHSTONE	That is another simple sin in you, to bring the ewes
+	and the rams together and to offer to get your
+	living by the copulation of cattle; to be bawd to a
+	bell-wether, and to betray a she-lamb of a
+	twelvemonth to a crooked-pated, old, cuckoldly ram,
+	out of all reasonable match. If thou beest not
+	damned for this, the devil himself will have no
+	shepherds; I cannot see else how thou shouldst
+	'scape.
+
+CORIN	Here comes young Master Ganymede, my new mistress's brother.
+
+	[Enter ROSALIND, with a paper, reading]
+
+ROSALIND	     From the east to western Ind,
+	No jewel is like Rosalind.
+	Her worth, being mounted on the wind,
+	Through all the world bears Rosalind.
+	All the pictures fairest lined
+	Are but black to Rosalind.
+	Let no fair be kept in mind
+	But the fair of Rosalind.
+
+TOUCHSTONE	I'll rhyme you so eight years together, dinners and
+	suppers and sleeping-hours excepted: it is the
+	right butter-women's rank to market.
+
+ROSALIND	Out, fool!
+
+TOUCHSTONE	For a taste:
+	If a hart do lack a hind,
+	Let him seek out Rosalind.
+	If the cat will after kind,
+	So be sure will Rosalind.
+	Winter garments must be lined,
+	So must slender Rosalind.
+	They that reap must sheaf and bind;
+	Then to cart with Rosalind.
+	Sweetest nut hath sourest rind,
+	Such a nut is Rosalind.
+	He that sweetest rose will find
+	Must find love's prick and Rosalind.
+	This is the very false gallop of verses: why do you
+	infect yourself with them?
+
+ROSALIND	Peace, you dull fool! I found them on a tree.
+
+TOUCHSTONE	Truly, the tree yields bad fruit.
+
+ROSALIND	I'll graff it with you, and then I shall graff it
+	with a medlar: then it will be the earliest fruit
+	i' the country; for you'll be rotten ere you be half
+	ripe, and that's the right virtue of the medlar.
+
+TOUCHSTONE	You have said; but whether wisely or no, let the
+	forest judge.
+
+	[Enter CELIA, with a writing]
+
+ROSALIND	Peace! Here comes my sister, reading: stand aside.
+
+CELIA	[Reads]
+
+	Why should this a desert be?
+	For it is unpeopled? No:
+	Tongues I'll hang on every tree,
+	That shall civil sayings show:
+	Some, how brief the life of man
+	Runs his erring pilgrimage,
+	That the stretching of a span
+	Buckles in his sum of age;
+	Some, of violated vows
+	'Twixt the souls of friend and friend:
+	But upon the fairest boughs,
+	Or at every sentence end,
+	Will I Rosalinda write,
+	Teaching all that read to know
+	The quintessence of every sprite
+	Heaven would in little show.
+	Therefore Heaven Nature charged
+	That one body should be fill'd
+	With all graces wide-enlarged:
+	Nature presently distill'd
+	Helen's cheek, but not her heart,
+	Cleopatra's majesty,
+	Atalanta's better part,
+	Sad Lucretia's modesty.
+	Thus Rosalind of many parts
+	By heavenly synod was devised,
+	Of many faces, eyes and hearts,
+	To have the touches dearest prized.
+	Heaven would that she these gifts should have,
+	And I to live and die her slave.
+
+ROSALIND	O most gentle pulpiter! what tedious homily of love
+	have you wearied your parishioners withal, and never
+	cried 'Have patience, good people!'
+
+CELIA	How now! back, friends! Shepherd, go off a little.
+	Go with him, sirrah.
+
+TOUCHSTONE	Come, shepherd, let us make an honourable retreat;
+	though not with bag and baggage, yet with scrip and scrippage.
+
+	[Exeunt CORIN and TOUCHSTONE]
+
+CELIA	Didst thou hear these verses?
+
+ROSALIND	O, yes, I heard them all, and more too; for some of
+	them had in them more feet than the verses would bear.
+
+CELIA	That's no matter: the feet might bear the verses.
+
+ROSALIND	Ay, but the feet were lame and could not bear
+	themselves without the verse and therefore stood
+	lamely in the verse.
+
+CELIA	But didst thou hear without wondering how thy name
+	should be hanged and carved upon these trees?
+
+ROSALIND	I was seven of the nine days out of the wonder
+	before you came; for look here what I found on a
+	palm-tree. I was never so be-rhymed since
+	Pythagoras' time, that I was an Irish rat, which I
+	can hardly remember.
+
+CELIA	Trow you who hath done this?
+
+ROSALIND	Is it a man?
+
+CELIA	And a chain, that you once wore, about his neck.
+	Change you colour?
+
+ROSALIND	I prithee, who?
+
+CELIA	O Lord, Lord! it is a hard matter for friends to
+	meet; but mountains may be removed with earthquakes
+	and so encounter.
+
+ROSALIND	Nay, but who is it?
+
+CELIA	Is it possible?
+
+ROSALIND	Nay, I prithee now with most petitionary vehemence,
+	tell me who it is.
+
+CELIA	O wonderful, wonderful, and most wonderful
+	wonderful! and yet again wonderful, and after that,
+	out of all hooping!
+
+ROSALIND	Good my complexion! dost thou think, though I am
+	caparisoned like a man, I have a doublet and hose in
+	my disposition? One inch of delay more is a
+	South-sea of discovery; I prithee, tell me who is it
+	quickly, and speak apace. I would thou couldst
+	stammer, that thou mightst pour this concealed man
+	out of thy mouth, as wine comes out of a narrow-
+	mouthed bottle, either too much at once, or none at
+	all. I prithee, take the cork out of thy mouth that
+	may drink thy tidings.
+
+CELIA	So you may put a man in your belly.
+
+ROSALIND	Is he of God's making? What manner of man? Is his
+	head worth a hat, or his chin worth a beard?
+
+CELIA	Nay, he hath but a little beard.
+
+ROSALIND	Why, God will send more, if the man will be
+	thankful: let me stay the growth of his beard, if
+	thou delay me not the knowledge of his chin.
+
+CELIA	It is young Orlando, that tripped up the wrestler's
+	heels and your heart both in an instant.
+
+ROSALIND	Nay, but the devil take mocking: speak, sad brow and
+	true maid.
+
+CELIA	I' faith, coz, 'tis he.
+
+ROSALIND	Orlando?
+
+CELIA	Orlando.
+
+ROSALIND	Alas the day! what shall I do with my doublet and
+	hose? What did he when thou sawest him? What said
+	he? How looked he? Wherein went he? What makes
+	him here? Did he ask for me? Where remains he?
+	How parted he with thee? and when shalt thou see
+	him again? Answer me in one word.
+
+CELIA	You must borrow me Gargantua's mouth first: 'tis a
+	word too great for any mouth of this age's size. To
+	say ay and no to these particulars is more than to
+	answer in a catechism.
+
+ROSALIND	But doth he know that I am in this forest and in
+	man's apparel? Looks he as freshly as he did the
+	day he wrestled?
+
+CELIA	It is as easy to count atomies as to resolve the
+	propositions of a lover; but take a taste of my
+	finding him, and relish it with good observance.
+	I found him under a tree, like a dropped acorn.
+
+ROSALIND	It may well be called Jove's tree, when it drops
+	forth such fruit.
+
+CELIA	Give me audience, good madam.
+
+ROSALIND	Proceed.
+
+CELIA	There lay he, stretched along, like a wounded knight.
+
+ROSALIND	Though it be pity to see such a sight, it well
+	becomes the ground.
+
+CELIA	Cry 'holla' to thy tongue, I prithee; it curvets
+	unseasonably. He was furnished like a hunter.
+
+ROSALIND	O, ominous! he comes to kill my heart.
+
+CELIA	I would sing my song without a burden: thou bringest
+	me out of tune.
+
+ROSALIND	Do you not know I am a woman? when I think, I must
+	speak. Sweet, say on.
+
+CELIA	You bring me out. Soft! comes he not here?
+
+	[Enter ORLANDO and JAQUES]
+
+ROSALIND	'Tis he: slink by, and note him.
+
+JAQUES	I thank you for your company; but, good faith, I had
+	as lief have been myself alone.
+
+ORLANDO	And so had I; but yet, for fashion sake, I thank you
+	too for your society.
+
+JAQUES	God be wi' you: let's meet as little as we can.
+
+ORLANDO	I do desire we may be better strangers.
+
+JAQUES	I pray you, mar no more trees with writing
+	love-songs in their barks.
+
+ORLANDO	I pray you, mar no more of my verses with reading
+	them ill-favouredly.
+
+JAQUES	Rosalind is your love's name?
+
+ORLANDO	Yes, just.
+
+JAQUES	I do not like her name.
+
+ORLANDO	There was no thought of pleasing you when she was
+	christened.
+
+JAQUES	What stature is she of?
+
+ORLANDO	Just as high as my heart.
+
+JAQUES	You are full of pretty answers. Have you not been
+	acquainted with goldsmiths' wives, and conned them
+	out of rings?
+
+ORLANDO	Not so; but I answer you right painted cloth, from
+	whence you have studied your questions.
+
+JAQUES	You have a nimble wit: I think 'twas made of
+	Atalanta's heels. Will you sit down with me? and
+	we two will rail against our mistress the world and
+	all our misery.
+
+ORLANDO	I will chide no breather in the world but myself,
+	against whom I know most faults.
+
+JAQUES	The worst fault you have is to be in love.
+
+ORLANDO	'Tis a fault I will not change for your best virtue.
+	I am weary of you.
+
+JAQUES	By my troth, I was seeking for a fool when I found
+	you.
+
+ORLANDO	He is drowned in the brook: look but in, and you
+	shall see him.
+
+JAQUES	There I shall see mine own figure.
+
+ORLANDO	Which I take to be either a fool or a cipher.
+
+JAQUES	I'll tarry no longer with you: farewell, good
+	Signior Love.
+
+ORLANDO	I am glad of your departure: adieu, good Monsieur
+	Melancholy.
+
+	[Exit JAQUES]
+
+ROSALIND	[Aside to CELIA]  I will speak to him, like a saucy
+	lackey and under that habit play the knave with him.
+	Do you hear, forester?
+
+ORLANDO	Very well: what would you?
+
+ROSALIND	I pray you, what is't o'clock?
+
+ORLANDO	You should ask me what time o' day: there's no clock
+	in the forest.
+
+ROSALIND	Then there is no true lover in the forest; else
+	sighing every minute and groaning every hour would
+	detect the lazy foot of Time as well as a clock.
+
+ORLANDO	And why not the swift foot of Time? had not that
+	been as proper?
+
+ROSALIND	By no means, sir: Time travels in divers paces with
+	divers persons. I'll tell you who Time ambles
+	withal, who Time trots withal, who Time gallops
+	withal and who he stands still withal.
+
+ORLANDO	I prithee, who doth he trot withal?
+
+ROSALIND	Marry, he trots hard with a young maid between the
+	contract of her marriage and the day it is
+	solemnized: if the interim be but a se'nnight,
+	Time's pace is so hard that it seems the length of
+	seven year.
+
+ORLANDO	Who ambles Time withal?
+
+ROSALIND	With a priest that lacks Latin and a rich man that
+	hath not the gout, for the one sleeps easily because
+	he cannot study, and the other lives merrily because
+	he feels no pain, the one lacking the burden of lean
+	and wasteful learning, the other knowing no burden
+	of heavy tedious penury; these Time ambles withal.
+
+ORLANDO	Who doth he gallop withal?
+
+ROSALIND	With a thief to the gallows, for though he go as
+	softly as foot can fall, he thinks himself too soon there.
+
+ORLANDO	Who stays it still withal?
+
+ROSALIND	With lawyers in the vacation, for they sleep between
+	term and term and then they perceive not how Time moves.
+
+ORLANDO	Where dwell you, pretty youth?
+
+ROSALIND	With this shepherdess, my sister; here in the
+	skirts of the forest, like fringe upon a petticoat.
+
+ORLANDO	Are you native of this place?
+
+ROSALIND	As the cony that you see dwell where she is kindled.
+
+ORLANDO	Your accent is something finer than you could
+	purchase in so removed a dwelling.
+
+ROSALIND	I have been told so of many: but indeed an old
+	religious uncle of mine taught me to speak, who was
+	in his youth an inland man; one that knew courtship
+	too well, for there he fell in love. I have heard
+	him read many lectures against it, and I thank God
+	I am not a woman, to be touched with so many
+	giddy offences as he hath generally taxed their
+	whole sex withal.
+
+ORLANDO	Can you remember any of the principal evils that he
+	laid to the charge of women?
+
+ROSALIND	There were none principal; they were all like one
+	another as half-pence are, every one fault seeming
+	monstrous till his fellow fault came to match it.
+
+ORLANDO	I prithee, recount some of them.
+
+ROSALIND	No, I will not cast away my physic but on those that
+	are sick. There is a man haunts the forest, that
+	abuses our young plants with carving 'Rosalind' on
+	their barks; hangs odes upon hawthorns and elegies
+	on brambles, all, forsooth, deifying the name of
+	Rosalind: if I could meet that fancy-monger I would
+	give him some good counsel, for he seems to have the
+	quotidian of love upon him.
+
+ORLANDO	I am he that is so love-shaked: I pray you tell me
+	your remedy.
+
+ROSALIND	There is none of my uncle's marks upon you: he
+	taught me how to know a man in love; in which cage
+	of rushes I am sure you are not prisoner.
+
+ORLANDO	What were his marks?
+
+ROSALIND	A lean cheek, which you have not, a blue eye and
+	sunken, which you have not, an unquestionable
+	spirit, which you have not, a beard neglected,
+	which you have not; but I pardon you for that, for
+	simply your having in beard is a younger brother's
+	revenue: then your hose should be ungartered, your
+	bonnet unbanded, your sleeve unbuttoned, your shoe
+	untied and every thing about you demonstrating a
+	careless desolation; but you are no such man; you
+	are rather point-device in your accoutrements as
+	loving yourself than seeming the lover of any other.
+
+ORLANDO	Fair youth, I would I could make thee believe I love.
+
+ROSALIND	Me believe it! you may as soon make her that you
+	love believe it; which, I warrant, she is apter to
+	do than to confess she does: that is one of the
+	points in the which women still give the lie to
+	their consciences. But, in good sooth, are you he
+	that hangs the verses on the trees, wherein Rosalind
+	is so admired?
+
+ORLANDO	I swear to thee, youth, by the white hand of
+	Rosalind, I am that he, that unfortunate he.
+
+ROSALIND	But are you so much in love as your rhymes speak?
+
+ORLANDO	Neither rhyme nor reason can express how much.
+
+ROSALIND	Love is merely a madness, and, I tell you, deserves
+	as well a dark house and a whip as madmen do: and
+	the reason why they are not so punished and cured
+	is, that the lunacy is so ordinary that the whippers
+	are in love too. Yet I profess curing it by counsel.
+
+ORLANDO	Did you ever cure any so?
+
+ROSALIND	Yes, one, and in this manner. He was to imagine me
+	his love, his mistress; and I set him every day to
+	woo me: at which time would I, being but a moonish
+	youth, grieve, be effeminate, changeable, longing
+	and liking, proud, fantastical, apish, shallow,
+	inconstant, full of tears, full of smiles, for every
+	passion something and for no passion truly any
+	thing, as boys and women are for the most part
+	cattle of this colour; would now like him, now loathe
+	him; then entertain him, then forswear him; now weep
+	for him, then spit at him; that I drave my suitor
+	from his mad humour of love to a living humour of
+	madness; which was, to forswear the full stream of
+	the world, and to live in a nook merely monastic.
+	And thus I cured him; and this way will I take upon
+	me to wash your liver as clean as a sound sheep's
+	heart, that there shall not be one spot of love in't.
+
+ORLANDO	I would not be cured, youth.
+
+ROSALIND	I would cure you, if you would but call me Rosalind
+	and come every day to my cote and woo me.
+
+ORLANDO	Now, by the faith of my love, I will: tell me
+	where it is.
+
+ROSALIND	Go with me to it and I'll show it you and by the way
+	you shall tell me where in the forest you live.
+	Will you go?
+
+ORLANDO	With all my heart, good youth.
+
+ROSALIND	Nay you must call me Rosalind. Come, sister, will you go?
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT III
+
+
+
+SCENE III	The forest.
+
+
+	[Enter TOUCHSTONE and AUDREY; JAQUES behind]
+
+TOUCHSTONE	Come apace, good Audrey: I will fetch up your
+	goats, Audrey. And how, Audrey? am I the man yet?
+	doth my simple feature content you?
+
+AUDREY	Your features! Lord warrant us! what features!
+
+TOUCHSTONE	I am here with thee and thy goats, as the most
+	capricious poet, honest Ovid, was among the Goths.
+
+JAQUES	[Aside]  O knowledge ill-inhabited, worse than Jove
+	in a thatched house!
+
+TOUCHSTONE	When a man's verses cannot be understood, nor a
+	man's good wit seconded with the forward child
+	Understanding, it strikes a man more dead than a
+	great reckoning in a little room. Truly, I would
+	the gods had made thee poetical.
+
+AUDREY	I do not know what 'poetical' is: is it honest in
+	deed and word? is it a true thing?
+
+TOUCHSTONE	No, truly; for the truest poetry is the most
+	feigning; and lovers are given to poetry, and what
+	they swear in poetry may be said as lovers they do feign.
+
+AUDREY	Do you wish then that the gods had made me poetical?
+
+TOUCHSTONE	I do, truly; for thou swearest to me thou art
+	honest: now, if thou wert a poet, I might have some
+	hope thou didst feign.
+
+AUDREY	Would you not have me honest?
+
+TOUCHSTONE	No, truly, unless thou wert hard-favoured; for
+	honesty coupled to beauty is to have honey a sauce to sugar.
+
+JAQUES	[Aside]  A material fool!
+
+AUDREY	 Well, I am not fair; and therefore I pray the gods
+	make me honest.
+
+TOUCHSTONE	Truly, and to cast away honesty upon a foul slut
+	were to put good meat into an unclean dish.
+
+AUDREY	I am not a slut, though I thank the gods I am foul.
+
+TOUCHSTONE	Well, praised be the gods for thy foulness!
+	sluttishness may come hereafter. But be it as it may
+	be, I will marry thee, and to that end I have been
+	with Sir Oliver Martext, the vicar of the next
+	village, who hath promised to meet me in this place
+	of the forest and to couple us.
+
+JAQUES	[Aside]  I would fain see this meeting.
+
+AUDREY	Well, the gods give us joy!
+
+TOUCHSTONE	Amen. A man may, if he were of a fearful heart,
+	stagger in this attempt; for here we have no temple
+	but the wood, no assembly but horn-beasts. But what
+	though? Courage! As horns are odious, they are
+	necessary. It is said, 'many a man knows no end of
+	his goods:' right; many a man has good horns, and
+	knows no end of them. Well, that is the dowry of
+	his wife; 'tis none of his own getting. Horns?
+	Even so. Poor men alone? No, no; the noblest deer
+	hath them as huge as the rascal. Is the single man
+	therefore blessed? No: as a walled town is more
+	worthier than a village, so is the forehead of a
+	married man more honourable than the bare brow of a
+	bachelor; and by how much defence is better than no
+	skill, by so much is a horn more precious than to
+	want. Here comes Sir Oliver.
+
+	[Enter SIR OLIVER MARTEXT]
+
+	Sir Oliver Martext, you are well met: will you
+	dispatch us here under this tree, or shall we go
+	with you to your chapel?
+
+SIR OLIVER MARTEXT	Is there none here to give the woman?
+
+TOUCHSTONE	I will not take her on gift of any man.
+
+SIR OLIVER MARTEXT	Truly, she must be given, or the marriage is not lawful.
+
+JAQUES	[Advancing]
+
+	Proceed, proceed	I'll give her.
+
+TOUCHSTONE	Good even, good Master What-ye-call't: how do you,
+	sir? You are very well met: God 'ild you for your
+	last company: I am very glad to see you: even a
+	toy in hand here, sir: nay, pray be covered.
+
+JAQUES	Will you be married, motley?
+
+TOUCHSTONE	As the ox hath his bow, sir, the horse his curb and
+	the falcon her bells, so man hath his desires; and
+	as pigeons bill, so wedlock would be nibbling.
+
+JAQUES	And will you, being a man of your breeding, be
+	married under a bush like a beggar? Get you to
+	church, and have a good priest that can tell you
+	what marriage is: this fellow will but join you
+	together as they join wainscot; then one of you will
+	prove a shrunk panel and, like green timber, warp, warp.
+
+TOUCHSTONE	[Aside]  I am not in the mind but I were better to be
+	married of him than of another: for he is not like
+	to marry me well; and not being well married, it
+	will be a good excuse for me hereafter to leave my wife.
+
+JAQUES	Go thou with me, and let me counsel thee.
+
+TOUCHSTONE	'Come, sweet Audrey:
+	We must be married, or we must live in bawdry.
+	Farewell, good Master Oliver: not,--
+	O sweet Oliver,
+	O brave Oliver,
+	Leave me not behind thee: but,--
+	Wind away,
+	Begone, I say,
+	I will not to wedding with thee.
+
+	[Exeunt JAQUES, TOUCHSTONE and AUDREY]
+
+SIR OLIVER MARTEXT	'Tis no matter: ne'er a fantastical knave of them
+	all shall flout me out of my calling.
+
+	[Exit]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT III
+
+
+
+SCENE IV	The forest.
+
+
+	[Enter ROSALIND and CELIA]
+
+ROSALIND	Never talk to me; I will weep.
+
+CELIA	Do, I prithee; but yet have the grace to consider
+	that tears do not become a man.
+
+ROSALIND	But have I not cause to weep?
+
+CELIA	As good cause as one would desire; therefore weep.
+
+ROSALIND	His very hair is of the dissembling colour.
+
+CELIA	Something browner than Judas's marry, his kisses are
+	Judas's own children.
+
+ROSALIND	I' faith, his hair is of a good colour.
+
+CELIA	An excellent colour: your chestnut was ever the only colour.
+
+ROSALIND	And his kissing is as full of sanctity as the touch
+	of holy bread.
+
+CELIA	He hath bought a pair of cast lips of Diana: a nun
+	of winter's sisterhood kisses not more religiously;
+	the very ice of chastity is in them.
+
+ROSALIND	But why did he swear he would come this morning, and
+	comes not?
+
+CELIA	Nay, certainly, there is no truth in him.
+
+ROSALIND	Do you think so?
+
+CELIA	Yes; I think he is not a pick-purse nor a
+	horse-stealer, but for his verity in love, I do
+	think him as concave as a covered goblet or a
+	worm-eaten nut.
+
+ROSALIND	Not true in love?
+
+CELIA	Yes, when he is in; but I think he is not in.
+
+ROSALIND	You have heard him swear downright he was.
+
+CELIA	'Was' is not 'is:' besides, the oath of a lover is
+	no stronger than the word of a tapster; they are
+	both the confirmer of false reckonings. He attends
+	here in the forest on the duke your father.
+
+ROSALIND	I met the duke yesterday and had much question with
+	him: he asked me of what parentage I was; I told
+	him, of as good as he; so he laughed and let me go.
+	But what talk we of fathers, when there is such a
+	man as Orlando?
+
+CELIA	O, that's a brave man! he writes brave verses,
+	speaks brave words, swears brave oaths and breaks
+	them bravely, quite traverse, athwart the heart of
+	his lover; as a puisny tilter, that spurs his horse
+	but on one side, breaks his staff like a noble
+	goose: but all's brave that youth mounts and folly
+	guides. Who comes here?
+
+	[Enter CORIN]
+
+CORIN	Mistress and master, you have oft inquired
+	After the shepherd that complain'd of love,
+	Who you saw sitting by me on the turf,
+	Praising the proud disdainful shepherdess
+	That was his mistress.
+
+CELIA	Well, and what of him?
+
+CORIN	If you will see a pageant truly play'd,
+	Between the pale complexion of true love
+	And the red glow of scorn and proud disdain,
+	Go hence a little and I shall conduct you,
+	If you will mark it.
+
+ROSALIND	O, come, let us remove:
+	The sight of lovers feedeth those in love.
+	Bring us to this sight, and you shall say
+	I'll prove a busy actor in their play.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT III
+
+
+
+SCENE V	Another part of the forest.
+
+
+	[Enter SILVIUS and PHEBE]
+
+SILVIUS	Sweet Phebe, do not scorn me; do not, Phebe;
+	Say that you love me not, but say not so
+	In bitterness. The common executioner,
+	Whose heart the accustom'd sight of death makes hard,
+	Falls not the axe upon the humbled neck
+	But first begs pardon: will you sterner be
+	Than he that dies and lives by bloody drops?
+
+	[Enter ROSALIND, CELIA, and CORIN, behind]
+
+PHEBE	I would not be thy executioner:
+	I fly thee, for I would not injure thee.
+	Thou tell'st me there is murder in mine eye:
+	'Tis pretty, sure, and very probable,
+	That eyes, that are the frail'st and softest things,
+	Who shut their coward gates on atomies,
+	Should be call'd tyrants, butchers, murderers!
+	Now I do frown on thee with all my heart;
+	And if mine eyes can wound, now let them kill thee:
+	Now counterfeit to swoon; why now fall down;
+	Or if thou canst not, O, for shame, for shame,
+	Lie not, to say mine eyes are murderers!
+	Now show the wound mine eye hath made in thee:
+	Scratch thee but with a pin, and there remains
+	Some scar of it; lean but upon a rush,
+	The cicatrice and capable impressure
+	Thy palm some moment keeps; but now mine eyes,
+	Which I have darted at thee, hurt thee not,
+	Nor, I am sure, there is no force in eyes
+	That can do hurt.
+
+SILVIUS	                  O dear Phebe,
+	If ever,--as that ever may be near,--
+	You meet in some fresh cheek the power of fancy,
+	Then shall you know the wounds invisible
+	That love's keen arrows make.
+
+PHEBE	But till that time
+	Come not thou near me: and when that time comes,
+	Afflict me with thy mocks, pity me not;
+	As till that time I shall not pity thee.
+
+ROSALIND	And why, I pray you? Who might be your mother,
+	That you insult, exult, and all at once,
+	Over the wretched? What though you have no beauty,--
+	As, by my faith, I see no more in you
+	Than without candle may go dark to bed--
+	Must you be therefore proud and pitiless?
+	Why, what means this? Why do you look on me?
+	I see no more in you than in the ordinary
+	Of nature's sale-work. 'Od's my little life,
+	I think she means to tangle my eyes too!
+	No, faith, proud mistress, hope not after it:
+	'Tis not your inky brows, your black silk hair,
+	Your bugle eyeballs, nor your cheek of cream,
+	That can entame my spirits to your worship.
+	You foolish shepherd, wherefore do you follow her,
+	Like foggy south puffing with wind and rain?
+	You are a thousand times a properer man
+	Than she a woman: 'tis such fools as you
+	That makes the world full of ill-favour'd children:
+	'Tis not her glass, but you, that flatters her;
+	And out of you she sees herself more proper
+	Than any of her lineaments can show her.
+	But, mistress, know yourself: down on your knees,
+	And thank heaven, fasting, for a good man's love:
+	For I must tell you friendly in your ear,
+	Sell when you can: you are not for all markets:
+	Cry the man mercy; love him; take his offer:
+	Foul is most foul, being foul to be a scoffer.
+	So take her to thee, shepherd: fare you well.
+
+PHEBE	Sweet youth, I pray you, chide a year together:
+	I had rather hear you chide than this man woo.
+
+ROSALIND	He's fallen in love with your foulness and she'll
+	fall in love with my anger. If it be so, as fast as
+	she answers thee with frowning looks, I'll sauce her
+	with bitter words. Why look you so upon me?
+
+PHEBE	For no ill will I bear you.
+
+ROSALIND	I pray you, do not fall in love with me,
+	For I am falser than vows made in wine:
+	Besides, I like you not. If you will know my house,
+	'Tis at the tuft of olives here hard by.
+	Will you go, sister? Shepherd, ply her hard.
+	Come, sister. Shepherdess, look on him better,
+	And be not proud: though all the world could see,
+	None could be so abused in sight as he.
+	Come, to our flock.
+
+	[Exeunt ROSALIND, CELIA and CORIN]
+
+PHEBE	Dead Shepherd, now I find thy saw of might,
+	'Who ever loved that loved not at first sight?'
+
+SILVIUS	Sweet Phebe,--
+
+PHEBE	                  Ha, what say'st thou, Silvius?
+
+SILVIUS	Sweet Phebe, pity me.
+
+PHEBE	Why, I am sorry for thee, gentle Silvius.
+
+SILVIUS	Wherever sorrow is, relief would be:
+	If you do sorrow at my grief in love,
+	By giving love your sorrow and my grief
+	Were both extermined.
+
+PHEBE	Thou hast my love: is not that neighbourly?
+
+SILVIUS	I would have you.
+
+PHEBE	                  Why, that were covetousness.
+	Silvius, the time was that I hated thee,
+	And yet it is not that I bear thee love;
+	But since that thou canst talk of love so well,
+	Thy company, which erst was irksome to me,
+	I will endure, and I'll employ thee too:
+	But do not look for further recompense
+	Than thine own gladness that thou art employ'd.
+
+SILVIUS	So holy and so perfect is my love,
+	And I in such a poverty of grace,
+	That I shall think it a most plenteous crop
+	To glean the broken ears after the man
+	That the main harvest reaps: loose now and then
+	A scatter'd smile, and that I'll live upon.
+
+PHEBE	Know'st now the youth that spoke to me erewhile?
+
+SILVIUS	Not very well, but I have met him oft;
+	And he hath bought the cottage and the bounds
+	That the old carlot once was master of.
+
+PHEBE	Think not I love him, though I ask for him:
+	'Tis but a peevish boy; yet he talks well;
+	But what care I for words? yet words do well
+	When he that speaks them pleases those that hear.
+	It is a pretty youth: not very pretty:
+	But, sure, he's proud, and yet his pride becomes him:
+	He'll make a proper man: the best thing in him
+	Is his complexion; and faster than his tongue
+	Did make offence his eye did heal it up.
+	He is not very tall; yet for his years he's tall:
+	His leg is but so so; and yet 'tis well:
+	There was a pretty redness in his lip,
+	A little riper and more lusty red
+	Than that mix'd in his cheek; 'twas just the difference
+	Between the constant red and mingled damask.
+	There be some women, Silvius, had they mark'd him
+	In parcels as I did, would have gone near
+	To fall in love with him; but, for my part,
+	I love him not nor hate him not; and yet
+	I have more cause to hate him than to love him:
+	For what had he to do to chide at me?
+	He said mine eyes were black and my hair black:
+	And, now I am remember'd, scorn'd at me:
+	I marvel why I answer'd not again:
+	But that's all one; omittance is no quittance.
+	I'll write to him a very taunting letter,
+	And thou shalt bear it: wilt thou, Silvius?
+
+SILVIUS	Phebe, with all my heart.
+
+PHEBE	I'll write it straight;
+	The matter's in my head and in my heart:
+	I will be bitter with him and passing short.
+	Go with me, Silvius.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT IV
+
+
+
+SCENE I	The forest.
+
+
+	[Enter ROSALIND, CELIA, and JAQUES]
+
+JAQUES	I prithee, pretty youth, let me be better acquainted
+	with thee.
+
+ROSALIND	They say you are a melancholy fellow.
+
+JAQUES	I am so; I do love it better than laughing.
+
+ROSALIND	Those that are in extremity of either are abominable
+	fellows and betray themselves to every modern
+	censure worse than drunkards.
+
+JAQUES	Why, 'tis good to be sad and say nothing.
+
+ROSALIND	Why then, 'tis good to be a post.
+
+JAQUES	I have neither the scholar's melancholy, which is
+	emulation, nor the musician's, which is fantastical,
+	nor the courtier's, which is proud, nor the
+	soldier's, which is ambitious, nor the lawyer's,
+	which is politic, nor the lady's, which is nice, nor
+	the lover's, which is all these: but it is a
+	melancholy of mine own, compounded of many simples,
+	extracted from many objects, and indeed the sundry's
+	contemplation of my travels, in which my often
+	rumination wraps me m a most humorous sadness.
+
+ROSALIND	A traveller! By my faith, you have great reason to
+	be sad: I fear you have sold your own lands to see
+	other men's; then, to have seen much and to have
+	nothing, is to have rich eyes and poor hands.
+
+JAQUES	Yes, I have gained my experience.
+
+ROSALIND	And your experience makes you sad: I had rather have
+	a fool to make me merry than experience to make me
+	sad; and to travel for it too!
+
+	[Enter ORLANDO]
+
+ORLANDO	Good day and happiness, dear Rosalind!
+
+JAQUES	Nay, then, God be wi' you, an you talk in blank verse.
+
+	[Exit]
+
+ROSALIND	Farewell, Monsieur Traveller: look you lisp and
+	wear strange suits, disable all the benefits of your
+	own country, be out of love with your nativity and
+	almost chide God for making you that countenance you
+	are, or I will scarce think you have swam in a
+	gondola. Why, how now, Orlando! where have you been
+	all this while? You a lover! An you serve me such
+	another trick, never come in my sight more.
+
+ORLANDO	My fair Rosalind, I come within an hour of my promise.
+
+ROSALIND	Break an hour's promise in love! He that will
+	divide a minute into a thousand parts and break but
+	a part of the thousandth part of a minute in the
+	affairs of love, it may be said of him that Cupid
+	hath clapped him o' the shoulder, but I'll warrant
+	him heart-whole.
+
+ORLANDO	Pardon me, dear Rosalind.
+
+ROSALIND	Nay, an you be so tardy, come no more in my sight: I
+	had as lief be wooed of a snail.
+
+ORLANDO	Of a snail?
+
+ROSALIND	Ay, of a snail; for though he comes slowly, he
+	carries his house on his head; a better jointure,
+	I think, than you make a woman: besides he brings
+	his destiny with him.
+
+ORLANDO	What's that?
+
+ROSALIND	Why, horns, which such as you are fain to be
+	beholding to your wives for: but he comes armed in
+	his fortune and prevents the slander of his wife.
+
+ORLANDO	Virtue is no horn-maker; and my Rosalind is virtuous.
+
+ROSALIND	And I am your Rosalind.
+
+CELIA	It pleases him to call you so; but he hath a
+	Rosalind of a better leer than you.
+
+ROSALIND	Come, woo me, woo me, for now I am in a holiday
+	humour and like enough to consent. What would you
+	say to me now, an I were your very very Rosalind?
+
+ORLANDO	I would kiss before I spoke.
+
+ROSALIND	Nay, you were better speak first, and when you were
+	gravelled for lack of matter, you might take
+	occasion to kiss. Very good orators, when they are
+	out, they will spit; and for lovers lacking--God
+	warn us!--matter, the cleanliest shift is to kiss.
+
+ORLANDO	How if the kiss be denied?
+
+ROSALIND	Then she puts you to entreaty, and there begins new matter.
+
+ORLANDO	Who could be out, being before his beloved mistress?
+
+ROSALIND	Marry, that should you, if I were your mistress, or
+	I should think my honesty ranker than my wit.
+
+ORLANDO	What, of my suit?
+
+ROSALIND	Not out of your apparel, and yet out of your suit.
+	Am not I your Rosalind?
+
+ORLANDO	I take some joy to say you are, because I would be
+	talking of her.
+
+ROSALIND	Well in her person I say I will not have you.
+
+ORLANDO	Then in mine own person I die.
+
+ROSALIND	No, faith, die by attorney. The poor world is
+	almost six thousand years old, and in all this time
+	there was not any man died in his own person,
+	videlicit, in a love-cause. Troilus had his brains
+	dashed out with a Grecian club; yet he did what he
+	could to die before, and he is one of the patterns
+	of love. Leander, he would have lived many a fair
+	year, though Hero had turned nun, if it had not been
+	for a hot midsummer night; for, good youth, he went
+	but forth to wash him in the Hellespont and being
+	taken with the cramp was drowned and the foolish
+	coroners of that age found it was 'Hero of Sestos.'
+	But these are all lies: men have died from time to
+	time and worms have eaten them, but not for love.
+
+ORLANDO	I would not have my right Rosalind of this mind,
+	for, I protest, her frown might kill me.
+
+ROSALIND	By this hand, it will not kill a fly. But come, now
+	I will be your Rosalind in a more coming-on
+	disposition, and ask me what you will. I will grant
+	it.
+
+ORLANDO	Then love me, Rosalind.
+
+ROSALIND	Yes, faith, will I, Fridays and Saturdays and all.
+
+ORLANDO	And wilt thou have me?
+
+ROSALIND	Ay, and twenty such.
+
+ORLANDO	What sayest thou?
+
+ROSALIND	Are you not good?
+
+ORLANDO	I hope so.
+
+ROSALIND	Why then, can one desire too much of a good thing?
+	Come, sister, you shall be the priest and marry us.
+	Give me your hand, Orlando. What do you say, sister?
+
+ORLANDO	Pray thee, marry us.
+
+CELIA	I cannot say the words.
+
+ROSALIND	You must begin, 'Will you, Orlando--'
+
+CELIA	Go to. Will you, Orlando, have to wife this Rosalind?
+
+ORLANDO	I will.
+
+ROSALIND	Ay, but when?
+
+ORLANDO	Why now; as fast as she can marry us.
+
+ROSALIND	Then you must say 'I take thee, Rosalind, for wife.'
+
+ORLANDO	I take thee, Rosalind, for wife.
+
+ROSALIND	I might ask you for your commission; but I do take
+	thee, Orlando, for my husband: there's a girl goes
+	before the priest; and certainly a woman's thought
+	runs before her actions.
+
+ORLANDO	So do all thoughts; they are winged.
+
+ROSALIND	Now tell me how long you would have her after you
+	have possessed her.
+
+ORLANDO	For ever and a day.
+
+ROSALIND	Say 'a day,' without the 'ever.' No, no, Orlando;
+	men are April when they woo, December when they wed:
+	maids are May when they are maids, but the sky
+	changes when they are wives. I will be more jealous
+	of thee than a Barbary cock-pigeon over his hen,
+	more clamorous than a parrot against rain, more
+	new-fangled than an ape, more giddy in my desires
+	than a monkey: I will weep for nothing, like Diana
+	in the fountain, and I will do that when you are
+	disposed to be merry; I will laugh like a hyen, and
+	that when thou art inclined to sleep.
+
+ORLANDO	But will my Rosalind do so?
+
+ROSALIND	By my life, she will do as I do.
+
+ORLANDO	O, but she is wise.
+
+ROSALIND	Or else she could not have the wit to do this: the
+	wiser, the waywarder: make the doors upon a woman's
+	wit and it will out at the casement; shut that and
+	'twill out at the key-hole; stop that, 'twill fly
+	with the smoke out at the chimney.
+
+ORLANDO	A man that had a wife with such a wit, he might say
+	'Wit, whither wilt?'
+
+ROSALIND	Nay, you might keep that cheque for it till you met
+	your wife's wit going to your neighbour's bed.
+
+ORLANDO	And what wit could wit have to excuse that?
+
+ROSALIND	Marry, to say she came to seek you there. You shall
+	never take her without her answer, unless you take
+	her without her tongue. O, that woman that cannot
+	make her fault her husband's occasion, let her
+	never nurse her child herself, for she will breed
+	it like a fool!
+
+ORLANDO	For these two hours, Rosalind, I will leave thee.
+
+ROSALIND	Alas! dear love, I cannot lack thee two hours.
+
+ORLANDO	I must attend the duke at dinner: by two o'clock I
+	will be with thee again.
+
+ROSALIND	Ay, go your ways, go your ways; I knew what you
+	would prove: my friends told me as much, and I
+	thought no less: that flattering tongue of yours
+	won me: 'tis but one cast away, and so, come,
+	death! Two o'clock is your hour?
+
+ORLANDO	Ay, sweet Rosalind.
+
+ROSALIND	By my troth, and in good earnest, and so God mend
+	me, and by all pretty oaths that are not dangerous,
+	if you break one jot of your promise or come one
+	minute behind your hour, I will think you the most
+	pathetical break-promise and the most hollow lover
+	and the most unworthy of her you call Rosalind that
+	may be chosen out of the gross band of the
+	unfaithful: therefore beware my censure and keep
+	your promise.
+
+ORLANDO	With no less religion than if thou wert indeed my
+	Rosalind: so adieu.
+
+ROSALIND	Well, Time is the old justice that examines all such
+	offenders, and let Time try: adieu.
+
+	[Exit ORLANDO]
+
+CELIA	You have simply misused our sex in your love-prate:
+	we must have your doublet and hose plucked over your
+	head, and show the world what the bird hath done to
+	her own nest.
+
+ROSALIND	O coz, coz, coz, my pretty little coz, that thou
+	didst know how many fathom deep I am in love! But
+	it cannot be sounded: my affection hath an unknown
+	bottom, like the bay of Portugal.
+
+CELIA	Or rather, bottomless, that as fast as you pour
+	affection in, it runs out.
+
+ROSALIND	No, that same wicked bastard of Venus that was begot
+	of thought, conceived of spleen and born of madness,
+	that blind rascally boy that abuses every one's eyes
+	because his own are out, let him be judge how deep I
+	am in love. I'll tell thee, Aliena, I cannot be out
+	of the sight of Orlando: I'll go find a shadow and
+	sigh till he come.
+
+CELIA	And I'll sleep.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT IV
+
+
+
+SCENE II	The forest.
+
+
+	[Enter JAQUES, Lords, and Foresters]
+
+JAQUES	Which is he that killed the deer?
+
+A Lord	Sir, it was I.
+
+JAQUES	Let's present him to the duke, like a Roman
+	conqueror; and it would do well to set the deer's
+	horns upon his head, for a branch of victory. Have
+	you no song, forester, for this purpose?
+
+Forester	Yes, sir.
+
+JAQUES	Sing it: 'tis no matter how it be in tune, so it
+	make noise enough.
+
+	SONG.
+Forester	What shall he have that kill'd the deer?
+	His leather skin and horns to wear.
+	Then sing him home;
+
+	[The rest shall bear this burden]
+
+	Take thou no scorn to wear the horn;
+	It was a crest ere thou wast born:
+	Thy father's father wore it,
+	And thy father bore it:
+	The horn, the horn, the lusty horn
+	Is not a thing to laugh to scorn.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT IV
+
+
+
+SCENE III	The forest.
+
+
+	[Enter ROSALIND and CELIA]
+
+ROSALIND	How say you now? Is it not past two o'clock? and
+	here much Orlando!
+
+CELIA	I warrant you, with pure love and troubled brain, he
+	hath ta'en his bow and arrows and is gone forth to
+	sleep. Look, who comes here.
+
+	[Enter SILVIUS]
+
+SILVIUS	My errand is to you, fair youth;
+	My gentle Phebe bid me give you this:
+	I know not the contents; but, as I guess
+	By the stern brow and waspish action
+	Which she did use as she was writing of it,
+	It bears an angry tenor: pardon me:
+	I am but as a guiltless messenger.
+
+ROSALIND	Patience herself would startle at this letter
+	And play the swaggerer; bear this, bear all:
+	She says I am not fair, that I lack manners;
+	She calls me proud, and that she could not love me,
+	Were man as rare as phoenix. 'Od's my will!
+	Her love is not the hare that I do hunt:
+	Why writes she so to me? Well, shepherd, well,
+	This is a letter of your own device.
+
+SILVIUS	No, I protest, I know not the contents:
+	Phebe did write it.
+
+ROSALIND	Come, come, you are a fool
+	And turn'd into the extremity of love.
+	I saw her hand: she has a leathern hand.
+	A freestone-colour'd hand; I verily did think
+	That her old gloves were on, but 'twas her hands:
+	She has a huswife's hand; but that's no matter:
+	I say she never did invent this letter;
+	This is a man's invention and his hand.
+
+SILVIUS	Sure, it is hers.
+
+ROSALIND	Why, 'tis a boisterous and a cruel style.
+	A style for-challengers; why, she defies me,
+	Like Turk to Christian: women's gentle brain
+	Could not drop forth such giant-rude invention
+	Such Ethiope words, blacker in their effect
+	Than in their countenance. Will you hear the letter?
+
+SILVIUS	So please you, for I never heard it yet;
+	Yet heard too much of Phebe's cruelty.
+
+ROSALIND	She Phebes me: mark how the tyrant writes.
+
+	[Reads]
+
+	Art thou god to shepherd turn'd,
+	That a maiden's heart hath burn'd?
+	Can a woman rail thus?
+
+SILVIUS	Call you this railing?
+
+ROSALIND	[Reads]
+
+	Why, thy godhead laid apart,
+	Warr'st thou with a woman's heart?
+	Did you ever hear such railing?
+	Whiles the eye of man did woo me,
+	That could do no vengeance to me.
+	Meaning me a beast.
+	If the scorn of your bright eyne
+	Have power to raise such love in mine,
+	Alack, in me what strange effect
+	Would they work in mild aspect!
+	Whiles you chid me, I did love;
+	How then might your prayers move!
+	He that brings this love to thee
+	Little knows this love in me:
+	And by him seal up thy mind;
+	Whether that thy youth and kind
+	Will the faithful offer take
+	Of me and all that I can make;
+	Or else by him my love deny,
+	And then I'll study how to die.
+
+SILVIUS	Call you this chiding?
+
+CELIA	Alas, poor shepherd!
+
+ROSALIND	Do you pity him? no, he deserves no pity. Wilt
+	thou love such a woman? What, to make thee an
+	instrument and play false strains upon thee! not to
+	be endured! Well, go your way to her, for I see
+	love hath made thee a tame snake, and say this to
+	her: that if she love me, I charge her to love
+	thee; if she will not, I will never have her unless
+	thou entreat for her. If you be a true lover,
+	hence, and not a word; for here comes more company.
+
+	[Exit SILVIUS]
+
+	[Enter OLIVER]
+
+OLIVER	Good morrow, fair ones: pray you, if you know,
+	Where in the purlieus of this forest stands
+	A sheep-cote fenced about with olive trees?
+
+CELIA	West of this place, down in the neighbour bottom:
+	The rank of osiers by the murmuring stream
+	Left on your right hand brings you to the place.
+	But at this hour the house doth keep itself;
+	There's none within.
+
+OLIVER	If that an eye may profit by a tongue,
+	Then should I know you by description;
+	Such garments and such years: 'The boy is fair,
+	Of female favour, and bestows himself
+	Like a ripe sister: the woman low
+	And browner than her brother.' Are not you
+	The owner of the house I did inquire for?
+
+CELIA	It is no boast, being ask'd, to say we are.
+
+OLIVER	Orlando doth commend him to you both,
+	And to that youth he calls his Rosalind
+	He sends this bloody napkin. Are you he?
+
+ROSALIND	I am: what must we understand by this?
+
+OLIVER	Some of my shame; if you will know of me
+	What man I am, and how, and why, and where
+	This handkercher was stain'd.
+
+CELIA	I pray you, tell it.
+
+OLIVER	When last the young Orlando parted from you
+	He left a promise to return again
+	Within an hour, and pacing through the forest,
+	Chewing the food of sweet and bitter fancy,
+	Lo, what befell! he threw his eye aside,
+	And mark what object did present itself:
+	Under an oak, whose boughs were moss'd with age
+	And high top bald with dry antiquity,
+	A wretched ragged man, o'ergrown with hair,
+	Lay sleeping on his back: about his neck
+	A green and gilded snake had wreathed itself,
+	Who with her head nimble in threats approach'd
+	The opening of his mouth; but suddenly,
+	Seeing Orlando, it unlink'd itself,
+	And with indented glides did slip away
+	Into a bush: under which bush's shade
+	A lioness, with udders all drawn dry,
+	Lay couching, head on ground, with catlike watch,
+	When that the sleeping man should stir; for 'tis
+	The royal disposition of that beast
+	To prey on nothing that doth seem as dead:
+	This seen, Orlando did approach the man
+	And found it was his brother, his elder brother.
+
+CELIA	O, I have heard him speak of that same brother;
+	And he did render him the most unnatural
+	That lived amongst men.
+
+OLIVER	And well he might so do,
+	For well I know he was unnatural.
+
+ROSALIND	But, to Orlando: did he leave him there,
+	Food to the suck'd and hungry lioness?
+
+OLIVER	Twice did he turn his back and purposed so;
+	But kindness, nobler ever than revenge,
+	And nature, stronger than his just occasion,
+	Made him give battle to the lioness,
+	Who quickly fell before him: in which hurtling
+	From miserable slumber I awaked.
+
+CELIA	Are you his brother?
+
+ROSALIND	Wast you he rescued?
+
+CELIA	Was't you that did so oft contrive to kill him?
+
+OLIVER	'Twas I; but 'tis not I	I do not shame
+	To tell you what I was, since my conversion
+	So sweetly tastes, being the thing I am.
+
+ROSALIND	But, for the bloody napkin?
+
+OLIVER	By and by.
+	When from the first to last betwixt us two
+	Tears our recountments had most kindly bathed,
+	As how I came into that desert place:--
+	In brief, he led me to the gentle duke,
+	Who gave me fresh array and entertainment,
+	Committing me unto my brother's love;
+	Who led me instantly unto his cave,
+	There stripp'd himself, and here upon his arm
+	The lioness had torn some flesh away,
+	Which all this while had bled; and now he fainted
+	And cried, in fainting, upon Rosalind.
+	Brief, I recover'd him, bound up his wound;
+	And, after some small space, being strong at heart,
+	He sent me hither, stranger as I am,
+	To tell this story, that you might excuse
+	His broken promise, and to give this napkin
+	Dyed in his blood unto the shepherd youth
+	That he in sport doth call his Rosalind.
+
+	[ROSALIND swoons]
+
+CELIA	Why, how now, Ganymede! sweet Ganymede!
+
+OLIVER	Many will swoon when they do look on blood.
+
+CELIA	There is more in it. Cousin Ganymede!
+
+OLIVER	Look, he recovers.
+
+ROSALIND	I would I were at home.
+
+CELIA	We'll lead you thither.
+	I pray you, will you take him by the arm?
+
+OLIVER	Be of good cheer, youth: you a man! you lack a
+	man's heart.
+
+ROSALIND	I do so, I confess it. Ah, sirrah, a body would
+	think this was well counterfeited! I pray you, tell
+	your brother how well I counterfeited. Heigh-ho!
+
+OLIVER	This was not counterfeit: there is too great
+	testimony in your complexion that it was a passion
+	of earnest.
+
+ROSALIND	Counterfeit, I assure you.
+
+OLIVER	Well then, take a good heart and counterfeit to be a man.
+
+ROSALIND	So I do: but, i' faith, I should have been a woman by right.
+
+CELIA	Come, you look paler and paler: pray you, draw
+	homewards. Good sir, go with us.
+
+OLIVER	That will I, for I must bear answer back
+	How you excuse my brother, Rosalind.
+
+ROSALIND	I shall devise something: but, I pray you, commend
+	my counterfeiting to him. Will you go?
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT V
+
+
+
+SCENE I	The forest.
+
+
+	[Enter TOUCHSTONE and AUDREY]
+
+TOUCHSTONE	We shall find a time, Audrey; patience, gentle Audrey.
+
+AUDREY	Faith, the priest was good enough, for all the old
+	gentleman's saying.
+
+TOUCHSTONE	A most wicked Sir Oliver, Audrey, a most vile
+	Martext. But, Audrey, there is a youth here in the
+	forest lays claim to you.
+
+AUDREY	Ay, I know who 'tis; he hath no interest in me in
+	the world: here comes the man you mean.
+
+TOUCHSTONE	It is meat and drink to me to see a clown: by my
+	troth, we that have good wits have much to answer
+	for; we shall be flouting; we cannot hold.
+
+	[Enter WILLIAM]
+
+WILLIAM	Good even, Audrey.
+
+AUDREY	God ye good even, William.
+
+WILLIAM	And good even to you, sir.
+
+TOUCHSTONE	Good even, gentle friend. Cover thy head, cover thy
+	head; nay, prithee, be covered. How old are you, friend?
+
+WILLIAM	Five and twenty, sir.
+
+TOUCHSTONE	A ripe age. Is thy name William?
+
+WILLIAM	William, sir.
+
+TOUCHSTONE	A fair name. Wast born i' the forest here?
+
+WILLIAM	Ay, sir, I thank God.
+
+TOUCHSTONE	'Thank God;' a good answer. Art rich?
+
+WILLIAM	Faith, sir, so so.
+
+TOUCHSTONE	'So so' is good, very good, very excellent good; and
+	yet it is not; it is but so so. Art thou wise?
+
+WILLIAM	Ay, sir, I have a pretty wit.
+
+TOUCHSTONE	Why, thou sayest well. I do now remember a saying,
+	'The fool doth think he is wise, but the wise man
+	knows himself to be a fool.' The heathen
+	philosopher, when he had a desire to eat a grape,
+	would open his lips when he put it into his mouth;
+	meaning thereby that grapes were made to eat and
+	lips to open. You do love this maid?
+
+WILLIAM	I do, sir.
+
+TOUCHSTONE	Give me your hand. Art thou learned?
+
+WILLIAM	No, sir.
+
+TOUCHSTONE	Then learn this of me: to have, is to have; for it
+	is a figure in rhetoric that drink, being poured out
+	of a cup into a glass, by filling the one doth empty
+	the other; for all your writers do consent that ipse
+	is he: now, you are not ipse, for I am he.
+
+WILLIAM	Which he, sir?
+
+TOUCHSTONE	He, sir, that must marry this woman. Therefore, you
+	clown, abandon,--which is in the vulgar leave,--the
+	society,--which in the boorish is company,--of this
+	female,--which in the common is woman; which
+	together is, abandon the society of this female, or,
+	clown, thou perishest; or, to thy better
+	understanding, diest; or, to wit I kill thee, make
+	thee away, translate thy life into death, thy
+	liberty into bondage: I will deal in poison with
+	thee, or in bastinado, or in steel; I will bandy
+	with thee in faction; I will o'errun thee with
+	policy; I will kill thee a hundred and fifty ways:
+	therefore tremble and depart.
+
+AUDREY	Do, good William.
+
+WILLIAM	God rest you merry, sir.
+
+	[Exit]
+
+	[Enter CORIN]
+
+CORIN	Our master and mistress seeks you; come, away, away!
+
+TOUCHSTONE	Trip, Audrey! trip, Audrey! I attend, I attend.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT V
+
+
+
+SCENE II	The forest.
+
+
+	[Enter ORLANDO and OLIVER]
+
+ORLANDO	Is't possible that on so little acquaintance you
+	should like her? that but seeing you should love
+	her? and loving woo? and, wooing, she should
+	grant? and will you persever to enjoy her?
+
+OLIVER	Neither call the giddiness of it in question, the
+	poverty of her, the small acquaintance, my sudden
+	wooing, nor her sudden consenting; but say with me,
+	I love Aliena; say with her that she loves me;
+	consent with both that we may enjoy each other: it
+	shall be to your good; for my father's house and all
+	the revenue that was old Sir Rowland's will I
+	estate upon you, and here live and die a shepherd.
+
+ORLANDO	You have my consent. Let your wedding be to-morrow:
+	thither will I invite the duke and all's contented
+	followers. Go you and prepare Aliena; for look
+	you, here comes my Rosalind.
+
+	[Enter ROSALIND]
+
+ROSALIND	God save you, brother.
+
+OLIVER	And you, fair sister.
+
+	[Exit]
+
+ROSALIND	O, my dear Orlando, how it grieves me to see thee
+	wear thy heart in a scarf!
+
+ORLANDO	It is my arm.
+
+ROSALIND	I thought thy heart had been wounded with the claws
+	of a lion.
+
+ORLANDO	Wounded it is, but with the eyes of a lady.
+
+ROSALIND	Did your brother tell you how I counterfeited to
+	swoon when he showed me your handkerchief?
+
+ORLANDO	Ay, and greater wonders than that.
+
+ROSALIND	O, I know where you are: nay, 'tis true: there was
+	never any thing so sudden but the fight of two rams
+	and Caesar's thrasonical brag of 'I came, saw, and
+	overcame:' for your brother and my sister no sooner
+	met but they looked, no sooner looked but they
+	loved, no sooner loved but they sighed, no sooner
+	sighed but they asked one another the reason, no
+	sooner knew the reason but they sought the remedy;
+	and in these degrees have they made a pair of stairs
+	to marriage which they will climb incontinent, or
+	else be incontinent before marriage: they are in
+	the very wrath of love and they will together; clubs
+	cannot part them.
+
+ORLANDO	They shall be married to-morrow, and I will bid the
+	duke to the nuptial. But, O, how bitter a thing it
+	is to look into happiness through another man's
+	eyes! By so much the more shall I to-morrow be at
+	the height of heart-heaviness, by how much I shall
+	think my brother happy in having what he wishes for.
+
+ROSALIND	Why then, to-morrow I cannot serve your turn for Rosalind?
+
+ORLANDO	I can live no longer by thinking.
+
+ROSALIND	I will weary you then no longer with idle talking.
+	Know of me then, for now I speak to some purpose,
+	that I know you are a gentleman of good conceit: I
+	speak not this that you should bear a good opinion
+	of my knowledge, insomuch I say I know you are;
+	neither do I labour for a greater esteem than may in
+	some little measure draw a belief from you, to do
+	yourself good and not to grace me. Believe then, if
+	you please, that I can do strange things: I have,
+	since I was three year old, conversed with a
+	magician, most profound in his art and yet not
+	damnable. If you do love Rosalind so near the heart
+	as your gesture cries it out, when your brother
+	marries Aliena, shall you marry her: I know into
+	what straits of fortune she is driven; and it is
+	not impossible to me, if it appear not inconvenient
+	to you, to set her before your eyes tomorrow human
+	as she is and without any danger.
+
+ORLANDO	Speakest thou in sober meanings?
+
+ROSALIND	By my life, I do; which I tender dearly, though I
+	say I am a magician. Therefore, put you in your
+	best array: bid your friends; for if you will be
+	married to-morrow, you shall, and to Rosalind, if you will.
+
+	[Enter SILVIUS and PHEBE]
+
+	Look, here comes a lover of mine and a lover of hers.
+
+PHEBE	Youth, you have done me much ungentleness,
+	To show the letter that I writ to you.
+
+ROSALIND	I care not if I have: it is my study
+	To seem despiteful and ungentle to you:
+	You are there followed by a faithful shepherd;
+	Look upon him, love him; he worships you.
+
+PHEBE	Good shepherd, tell this youth what 'tis to love.
+
+SILVIUS	It is to be all made of sighs and tears;
+	And so am I for Phebe.
+
+PHEBE	And I for Ganymede.
+
+ORLANDO	And I for Rosalind.
+
+ROSALIND	And I for no woman.
+
+SILVIUS	It is to be all made of faith and service;
+	And so am I for Phebe.
+
+PHEBE	And I for Ganymede.
+
+ORLANDO	And I for Rosalind.
+
+ROSALIND	And I for no woman.
+
+SILVIUS	It is to be all made of fantasy,
+	All made of passion and all made of wishes,
+	All adoration, duty, and observance,
+	All humbleness, all patience and impatience,
+	All purity, all trial, all observance;
+	And so am I for Phebe.
+
+PHEBE	And so am I for Ganymede.
+
+ORLANDO	And so am I for Rosalind.
+
+ROSALIND	And so am I for no woman.
+
+PHEBE	If this be so, why blame you me to love you?
+
+SILVIUS	If this be so, why blame you me to love you?
+
+ORLANDO	If this be so, why blame you me to love you?
+
+ROSALIND	Who do you speak to, 'Why blame you me to love you?'
+
+ORLANDO	To her that is not here, nor doth not hear.
+
+ROSALIND	Pray you, no more of this; 'tis like the howling
+	of Irish wolves against the moon.
+
+	[To SILVIUS]
+
+	I will help you, if I can:
+
+	[To PHEBE]
+
+	I would love you, if I could. To-morrow meet me all together.
+
+	[To PHEBE]
+
+	I will marry you, if ever I marry woman, and I'll be
+	married to-morrow:
+
+	[To ORLANDO]
+
+	I will satisfy you, if ever I satisfied man, and you
+	shall be married to-morrow:
+
+	[To SILVIUS]
+
+	I will content you, if what pleases you contents
+	you, and you shall be married to-morrow.
+
+	[To ORLANDO]
+
+	As you love Rosalind, meet:
+
+	[To SILVIUS]
+
+	as you love Phebe, meet: and as I love no woman,
+	I'll meet. So fare you well: I have left you commands.
+
+SILVIUS	I'll not fail, if I live.
+
+PHEBE	Nor I.
+
+ORLANDO	Nor I.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT V
+
+
+
+SCENE III	The forest.
+
+
+	[Enter TOUCHSTONE and AUDREY]
+
+TOUCHSTONE	To-morrow is the joyful day, Audrey; to-morrow will
+	we be married.
+
+AUDREY	I do desire it with all my heart; and I hope it is
+	no dishonest desire to desire to be a woman of the
+	world. Here comes two of the banished duke's pages.
+
+	[Enter two Pages]
+
+First Page	Well met, honest gentleman.
+
+TOUCHSTONE	By my troth, well met. Come, sit, sit, and a song.
+
+Second Page	We are for you: sit i' the middle.
+
+First Page	Shall we clap into't roundly, without hawking or
+	spitting or saying we are hoarse, which are the only
+	prologues to a bad voice?
+
+Second Page	I'faith, i'faith; and both in a tune, like two
+	gipsies on a horse.
+
+	SONG.
+	It was a lover and his lass,
+	With a hey, and a ho, and a hey nonino,
+	That o'er the green corn-field did pass
+	In the spring time, the only pretty ring time,
+	When birds do sing, hey ding a ding, ding:
+	Sweet lovers love the spring.
+
+	Between the acres of the rye,
+	With a hey, and a ho, and a hey nonino
+	These pretty country folks would lie,
+	In spring time, &c.
+
+	This carol they began that hour,
+	With a hey, and a ho, and a hey nonino,
+	How that a life was but a flower
+	In spring time, &c.
+
+	And therefore take the present time,
+	With a hey, and a ho, and a hey nonino;
+	For love is crowned with the prime
+	In spring time, &c.
+
+TOUCHSTONE	Truly, young gentlemen, though there was no great
+	matter in the ditty, yet the note was very
+	untuneable.
+
+First Page	You are deceived, sir: we kept time, we lost not our time.
+
+TOUCHSTONE	By my troth, yes; I count it but time lost to hear
+	such a foolish song. God be wi' you; and God mend
+	your voices! Come, Audrey.
+
+	[Exeunt]
+
+
+
+
+	AS YOU LIKE IT
+
+
+ACT V
+
+
+
+SCENE IV	The forest.
+
+
+	[Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER,
+	and CELIA]
+
+DUKE SENIOR	Dost thou believe, Orlando, that the boy
+	Can do all this that he hath promised?
+
+ORLANDO	I sometimes do believe, and sometimes do not;
+	As those that fear they hope, and know they fear.
+
+	[Enter ROSALIND, SILVIUS, and PHEBE]
+
+ROSALIND	Patience once more, whiles our compact is urged:
+	You say, if I bring in your Rosalind,
+	You will bestow her on Orlando here?
+
+DUKE SENIOR	That would I, had I kingdoms to give with her.
+
+ROSALIND	And you say, you will have her, when I bring her?
+
+ORLANDO	That would I, were I of all kingdoms king.
+
+ROSALIND	You say, you'll marry me, if I be willing?
+
+PHEBE	That will I, should I die the hour after.
+
+ROSALIND	But if you do refuse to marry me,
+	You'll give yourself to this most faithful shepherd?
+
+PHEBE	So is the bargain.
+
+ROSALIND	You say, that you'll have Phebe, if she will?
+
+SILVIUS	Though to have her and death were both one thing.
+
+ROSALIND	I have promised to make all this matter even.
+	Keep you your word, O duke, to give your daughter;
+	You yours, Orlando, to receive his daughter:
+	Keep your word, Phebe, that you'll marry me,
+	Or else refusing me, to wed this shepherd:
+	Keep your word, Silvius, that you'll marry her.
+	If she refuse me: and from hence I go,
+	To make these doubts all even.
+
+	[Exeunt ROSALIND and CELIA]
+
+DUKE SENIOR	I do remember in this shepherd boy
+	Some lively touches of my daughter's favour.
+
+ORLANDO	My lord, the first time that I ever saw him
+	Methought he was a brother to your daughter:
+	But, my good lord, this boy is forest-born,
+	And hath been tutor'd in the rudiments
+	Of many desperate studies by his uncle,
+	Whom he reports to be a great magician,
+	Obscured in the circle of this forest.
+
+	[Enter TOUCHSTONE and AUDREY]
+
+JAQUES	There is, sure, another flood toward, and these
+	couples are coming to the ark. Here comes a pair of
+	very strange beasts, which in all tongues are called fools.
+
+TOUCHSTONE	Salutation and greeting to you all!
+
+JAQUES	Good my lord, bid him welcome: this is the
+	motley-minded gentleman that I have so often met in
+	the forest: he hath been a courtier, he swears.
+
+TOUCHSTONE	If any man doubt that, let him put me to my
+	purgation. I have trod a measure; I have flattered
+	a lady; I have been politic with my friend, smooth
+	with mine enemy; I have undone three tailors; I have
+	had four quarrels, and like to have fought one.
+
+JAQUES	And how was that ta'en up?
+
+TOUCHSTONE	Faith, we met, and found the quarrel was upon the
+	seventh cause.
+
+JAQUES	How seventh cause? Good my lord, like this fellow.
+
+DUKE SENIOR	I like him very well.
+
+TOUCHSTONE	God 'ild you, sir; I desire you of the like. I
+	press in here, sir, amongst the rest of the country
+	copulatives, to swear and to forswear: according as
+	marriage binds and blood breaks: a poor virgin,
+	sir, an ill-favoured thing, sir, but mine own; a poor
+	humour of mine, sir, to take that that no man else
+	will: rich honesty dwells like a miser, sir, in a
+	poor house; as your pearl in your foul oyster.
+
+DUKE SENIOR	By my faith, he is very swift and sententious.
+
+TOUCHSTONE	According to the fool's bolt, sir, and such dulcet diseases.
+
+JAQUES	But, for the seventh cause; how did you find the
+	quarrel on the seventh cause?
+
+TOUCHSTONE	Upon a lie seven times removed:--bear your body more
+	seeming, Audrey:--as thus, sir. I did dislike the
+	cut of a certain courtier's beard: he sent me word,
+	if I said his beard was not cut well, he was in the
+	mind it was: this is called the Retort Courteous.
+	If I sent him word again 'it was not well cut,' he
+	would send me word, he cut it to please himself:
+	this is called the Quip Modest. If again 'it was
+	not well cut,' he disabled my judgment: this is
+	called the Reply Churlish. If again 'it was not
+	well cut,' he would answer, I spake not true: this
+	is called the Reproof Valiant. If again 'it was not
+	well cut,' he would say I lied: this is called the
+	Counter-cheque Quarrelsome: and so to the Lie
+	Circumstantial and the Lie Direct.
+
+JAQUES	And how oft did you say his beard was not well cut?
+
+TOUCHSTONE	I durst go no further than the Lie Circumstantial,
+	nor he durst not give me the Lie Direct; and so we
+	measured swords and parted.
+
+JAQUES	Can you nominate in order now the degrees of the lie?
+
+TOUCHSTONE	O sir, we quarrel in print, by the book; as you have
+	books for good manners: I will name you the degrees.
+	The first, the Retort Courteous; the second, the
+	Quip Modest; the third, the Reply Churlish; the
+	fourth, the Reproof Valiant; the fifth, the
+	Countercheque Quarrelsome; the sixth, the Lie with
+	Circumstance; the seventh, the Lie Direct. All
+	these you may avoid but the Lie Direct; and you may
+	avoid that too, with an If. I knew when seven
+	justices could not take up a quarrel, but when the
+	parties were met themselves, one of them thought but
+	of an If, as, 'If you said so, then I said so;' and
+	they shook hands and swore brothers. Your If is the
+	only peacemaker; much virtue in If.
+
+JAQUES	Is not this a rare fellow, my lord? he's as good at
+	any thing and yet a fool.
+
+DUKE SENIOR	He uses his folly like a stalking-horse and under
+	the presentation of that he shoots his wit.
+
+	[Enter HYMEN, ROSALIND, and CELIA]
+
+	[Still Music]
+
+HYMEN	        Then is there mirth in heaven,
+	When earthly things made even
+	Atone together.
+	Good duke, receive thy daughter
+	Hymen from heaven brought her,
+	Yea, brought her hither,
+	That thou mightst join her hand with his
+	Whose heart within his bosom is.
+
+ROSALIND	[To DUKE SENIOR]  To you I give myself, for I am yours.
+
+	[To ORLANDO]
+
+	To you I give myself, for I am yours.
+
+DUKE SENIOR	If there be truth in sight, you are my daughter.
+
+ORLANDO	If there be truth in sight, you are my Rosalind.
+
+PHEBE	If sight and shape be true,
+	Why then, my love adieu!
+
+ROSALIND	I'll have no father, if you be not he:
+	I'll have no husband, if you be not he:
+	Nor ne'er wed woman, if you be not she.
+
+HYMEN	        Peace, ho! I bar confusion:
+	'Tis I must make conclusion
+	Of these most strange events:
+	Here's eight that must take hands
+	To join in Hymen's bands,
+	If truth holds true contents.
+	You and you no cross shall part:
+	You and you are heart in heart
+	You to his love must accord,
+	Or have a woman to your lord:
+	You and you are sure together,
+	As the winter to foul weather.
+	Whiles a wedlock-hymn we sing,
+	Feed yourselves with questioning;
+	That reason wonder may diminish,
+	How thus we met, and these things finish.
+
+	SONG.
+	Wedding is great Juno's crown:
+	O blessed bond of board and bed!
+	'Tis Hymen peoples every town;
+	High wedlock then be honoured:
+	Honour, high honour and renown,
+	To Hymen, god of every town!
+
+DUKE SENIOR	O my dear niece, welcome thou art to me!
+	Even daughter, welcome, in no less degree.
+
+PHEBE	I will not eat my word, now thou art mine;
+	Thy faith my fancy to thee doth combine.
+
+	[Enter JAQUES DE BOYS]
+
+JAQUES DE BOYS	Let me have audience for a word or two:
+	I am the second son of old Sir Rowland,
+	That bring these tidings to this fair assembly.
+	Duke Frederick, hearing how that every day
+	Men of great worth resorted to this forest,
+	Address'd a mighty power; which were on foot,
+	In his own conduct, purposely to take
+	His brother here and put him to the sword:
+	And to the skirts of this wild wood he came;
+	Where meeting with an old religious man,
+	After some question with him, was converted
+	Both from his enterprise and from the world,
+	His crown bequeathing to his banish'd brother,
+	And all their lands restored to them again
+	That were with him exiled. This to be true,
+	I do engage my life.
+
+DUKE SENIOR	Welcome, young man;
+	Thou offer'st fairly to thy brothers' wedding:
+	To one his lands withheld, and to the other
+	A land itself at large, a potent dukedom.
+	First, in this forest, let us do those ends
+	That here were well begun and well begot:
+	And after, every of this happy number
+	That have endured shrewd days and nights with us
+	Shall share the good of our returned fortune,
+	According to the measure of their states.
+	Meantime, forget this new-fall'n dignity
+	And fall into our rustic revelry.
+	Play, music! And you, brides and bridegrooms all,
+	With measure heap'd in joy, to the measures fall.
+
+JAQUES	Sir, by your patience. If I heard you rightly,
+	The duke hath put on a religious life
+	And thrown into neglect the pompous court?
+
+JAQUES DE BOYS	He hath.
+
+JAQUES	To him will I : out of these convertites
+	There is much matter to be heard and learn'd.
+
+	[To DUKE SENIOR]
+
+	You to your former honour I bequeath;
+	Your patience and your virtue well deserves it:
+
+	[To ORLANDO]
+
+	You to a love that your true faith doth merit:
+
+	[To OLIVER]
+
+	You to your land and love and great allies:
+
+	[To SILVIUS]
+
+	You to a long and well-deserved bed:
+
+	[To TOUCHSTONE]
+
+	And you to wrangling; for thy loving voyage
+	Is but for two months victuall'd. So, to your pleasures:
+	I am for other than for dancing measures.
+
+DUKE SENIOR	Stay, Jaques, stay.
+
+JAQUES	To see no pastime I	what you would have
+	I'll stay to know at your abandon'd cave.
+
+	[Exit]
+
+DUKE SENIOR	Proceed, proceed: we will begin these rites,
+	As we do trust they'll end, in true delights.
+
+	[A dance]
+
+
+
+
+	AS YOU LIKE IT
+
+	EPILOGUE
+
+
+ROSALIND	It is not the fashion to see the lady the epilogue;
+	but it is no more unhandsome than to see the lord
+	the prologue. If it be true that good wine needs
+	no bush, 'tis true that a good play needs no
+	epilogue; yet to good wine they do use good bushes,
+	and good plays prove the better by the help of good
+	epilogues. What a case am I in then, that am
+	neither a good epilogue nor cannot insinuate with
+	you in the behalf of a good play! I am not
+	furnished like a beggar, therefore to beg will not
+	become me: my way is to conjure you; and I'll begin
+	with the women. I charge you, O women, for the love
+	you bear to men, to like as much of this play as
+	please you: and I charge you, O men, for the love
+	you bear to women--as I perceive by your simpering,
+	none of you hates them--that between you and the
+	women the play may please. If I were a woman I
+	would kiss as many of you as had beards that pleased
+	me, complexions that liked me and breaths that I
+	defied not: and, I am sure, as many as have good
+	beards or good faces or sweet breaths will, for my
+	kind offer, when I make curtsy, bid me farewell.
+
+	[Exeunt]
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+<head>
+<title>Compression Pointers</title>
+<META HTTP-EQUIV="Keywords" CONTENT="compression, compression, compression">
+</head>
+<body>
+<BODY BGCOLOR=#FFFFFF>
+
+<center>
+<H1> Compression Pointers </h1>
+
+
+
+</center>
+
+<p>
+<a href="#Resources">Compression resources</a>, <a href="#Conferences">conferences</a>, and some <a href="#Research">research
+groups and companies</a>, are listed towards the end of this page. <p>
+
+Use this <a href="form.html">handy form</a> to add something to this page, or to simply say you liked this page<i> <img src="new.gif">
+<p>
+
+</i>
+
+
+
+<p>
+
+<h2>What's New?</h2><p>
+
+
+<a href="http://www.teaser.fr/~jlgailly/">Jean-loup Gailly</a> -- <i>Mr. gzip,
+PNG, CCR (1996-06-10)</i>
+<img src="new.gif">
+<br>
+
+<a href="http://www.creative.net/~tristan/MPEG">MPEG Pointers and Resources</a>
+<img src="new.gif">
+<br>
+
+<a href="http://www-isl.stanford.edu/~gray/">Robert M. Gray</a> -- <i>Signal
+compression, VQ, image quality evaluation (1996-04-22)</i><img src="new.gif">
+<br>
+
+<a href="http://www-isl.stanford.edu/~gray/compression.html">Compression and
+Classification Group</a> -- <i>ISL,EE,Stanford (1996-04-22)</i><img src="new.gif">
+<br>
+
+<a href="http://www-isl.stanford.edu/~gray/iii.html">Signal Processing
+and the International Information Infrastructure</a> -- <i>Web sites (1996-04-22)</i> <img src="new.gif">
+<br>
+
+<a href="http://www.cs.sc.edu:80/~valenta/">Valenta, Vladimir</a> -- <i>(1996-04-22)</i>
+<br>
+
+
+<a href="http://patpwww.epfl.ch:80/~jordan/Subjects/Parallel/parallel.html">Jordan, Frederic</a> -- <i>Parallel Image Compression (1996-04-12)</i> <img src="new.gif">
+<br>
+<a href="http://www.garlic.com/biz/eotek">Electro-Optical Technologies, Inc.</a> -- <i>Consultant (1996-04-12)</i> <img src="new.gif">
+<br>
+<a href="http://quicktime.apple.com">quicktime.apple.com</a> -- <i>Quicktime site (1996-03-11)</i> <img src="new.gif">
+<br>
+<a href="http://www.chips.ibm.com/products/aldc/index.html">IBM Hardware</a> -- <i>Compression chips (1996-03-11)</i> <img src="new.gif">
+<br>
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+<!---
+
+<img src="new.gif"><i>Do you have, or know of, a research position where an image compression guru with a Ph.D. would feel at
+home?  Let me know if you do...<a
+href="mailto:singlis@cs.waikato.ac.nz"><b>send me some email!</b></a>, or <a
+href="http://www.cs.waikato.ac.nz/~singlis/cv.html"><b>check out my
+c.v.</b>
+</a>
+</i>
+
+-->
+
+<p>
+
+
+<p>
+
+
+<h2><i>People</i></h2>
+<h2>A</h2>
+
+<a href="http://quest.jpl.nasa.gov/Mark.Adler/">Adler, Mark</a> -- <i>Info-ZIP; Zip, UnZip, gzip and zlib co-author; PNG group</i>
+<p>
+
+<h2>B</h2>
+
+<a href="http://www.eese.qut.edu.au/~mbaker/">Baker, Matthew</a> -- <i>Region based video compression</i>
+<p>
+<a href="http://www.eecs.wsu.edu/~bamberg/">Bamberger, Roberto H.</a>
+<p>
+<a href="http://sutherland.eese.qut.edu.au/~dbell">Bell, Daniel</a> -- <i>Region based image compression</i>
+<p>
+<a href="http://www.cosc.canterbury.ac.nz/~tim">Bell, Tim</a> -- <i>compression, computer science for children, and computers and music.</i>
+<p>
+<a href="http://www.polytechnique.fr/poly/~bellard/">Bellard, Fabrice</a> -- <i>Author of LZEXE</I>
+<p>
+<a href="http://www.cevis.uni-bremen.de/~willy/">Berghorn, Willy </a>
+<p>
+<a href="http://www.best.com/~bhaskara">Bhaskaran, Vasudev</a> -- <i>Image and Video compression</i>
+<p>
+<a href="http://wwwvms.utexas.edu/~cbloom/index.html">Bloom, Charles</a> -- <i>text compression, LZ methods, PPM methods...</i>
+<p>
+<a href="http://www.ime.usp.br/~rbrito">Brito, Roger</a> -- <i>Arithmetic Coding, LZW, Text Compression</i>
+<p>
+<a href="http://www.engineering.usu.edu/ece/faculty/scottb.html">Budge, Scott E.</a> -- <i>medical/lossy image compression</i>
+<p>
+<a href="http://www.elec.uow.edu.au/people/staff/burnett/biography.html">Burnett, Ian</a> -- <i>Speech coding, prototype waveform techniques</I> <img src="new.gif">
+<p>
+
+
+<h2>C</h2>
+
+<a href="http://gabor.eecs.berkeley.edu/~wychan/">Chan, Christopher</a> -- <i>universal lossy source coding, adaptive VQ</i>
+<p>
+<a href="http://www.compsci.com/~chao">Chao, Hong-yang</a> -- <I>Lightning strike image compressor </i>
+<p>
+<a href="http://monet.uwaterloo.ca:80/schao/">Chao, Stewart</a>
+<p>
+<a href="http://diana.ecs.soton.ac.uk/~pjc94r/">Cherriman, Peter</a>
+<p>
+<a href="http://www-video.eecs.berkeley.edu/erl/sccheung.html">Cheung, S.C.</a> -- <i>Scalable video compression algorithms (18th Feb 1996)</i> <img src="new.gif">
+<p>
+
+<a href="http://etro.vub.ac.be/chchrist.html">Christopoulos, Charilaos</a> -- <i> Image and Video compression </i>
+<p>
+<a href="http://sipi.usc.edu/~chrysafi/">Chrysafis, Christos</a>
+<p>
+<a href="http://www.ee.gatech.edu/research/DSP/students/wchung/index.html">Chung, Wilson C.</a> -- <i>R-D image and video coding, subband/wavelet, filter banks</i>
+<p>
+<a href="mailto:aclark@hayes.com">Clark, Alan</a> -- <i>primary contact for V.42bis. Developed BTLZ variant of LZW</i>
+<p>
+<a href="http://www.cs.waikato.ac.nz/cs/Staff/jgc.html">Cleary, John</a> -- <i>PPM, PPM*, K*</i>
+<p>
+<a href="http://www.cs.brandeis.edu/dept/faculty/cohn/">Cohn, Martin</a>
+<p>
+
+<a href="http://plg.uwaterloo.ca/~gvcormac">Cormack, Gordon V.</a> -- <I>DMC</i>
+<p>
+<a href="http://www.ee.duke.edu/~cec/index.html">Cramer, Chris</a> -- <i>neural network image compression</i>
+<p>
+
+<h2>D</h2>
+<a href="http://www.cs.dartmouth.edu/~jmd/">Danskin, John</a> -- <i>Protocol compression, document compression (9th Feb 1996)</i>
+<p>
+<a href="http://www.cs.dartmouth.edu/~gdavis">Davis, Geoff</a> -- <i>wavelets, image compression, medical</i>
+<p>
+<a href="http://www-mddsp.enel.ucalgary.ca/People/adilger/">Dilger, Andreas</a> -- <i>fractal block coding of video sequences</i>
+<p>
+
+
+<h2>E</h2>
+<a href="http://info.cipic.ucdavis.edu/~estes/index.html">Estes, Robert</a>
+<p>
+
+
+
+<h2>F</h2>
+<a href="http://inls.ucsd.edu/y/Fractals/">Fisher, Yuval</a> -- <i>Fractal Image Compression</i>
+<p>
+<a href="http://www.wmin.ac.uk/~ajoec1/homepage.html">Ford, Adrian</a> -- <i>Subjective and Objective Compression quality (5th Mar 1996)</i> <img src="new.gif">
+<p>
+
+<h2>G</h2>
+<a href="http://www.teaser.fr/~jlgailly/">Jean-loup Gailly</a> --
+<i>Mr. gzip, PNG, CCR (1996-06-10)</i>
+<p>
+
+<a href="http://www.ece.ucsb.edu/faculty/gersho/default.html">Gersho, Allen</a> -- <i>Vector Quantisation, Image Compression</i>
+<p>
+<a href="http://life.anu.edu.au/ci/vol1/goertzel.html">Goertzel, Ben</a>
+<p>
+<a href="http://info.lut.ac.uk/departments/el/research/sys/compression.html">Gooch, Mark</a> -- <i>High Performance Hardware Compression (7th Feb 1996)</i>
+<p>
+<a href="http://robotics.eecs.berkeley.edu/~vkgoyal/">Goyal, Vivek</a> -- <i>overcomplete representations, adaptive transform coding, VQ</i>
+<p>
+<a href="http://www-isl.stanford.edu/~gray/">Robert M. Gray</a> -- <i>Signal
+compression, VQ, image quality evaluation</i><img src="new.gif">
+<p>
+
+<h2>H</h2>
+<a href="http://cork.informatik.uni-wuerzburg.de/mitarbeiter/ulli">Hafner, Ullrich</a> -- <i>WFA image compression</i>
+<p>
+<a href="http://www.ics.uci.edu/~dan/">Hirschberg, Dan</a> -- <i>algorithm theory, compression</i>
+<p>
+<a href="http://wolfpack.larc.nasa.gov/holland.html">Holland, Scott</a>
+<p>
+<a href="http://www.csc.uvic.ca/home/nigelh/nigelh.html">Horspool, R. Nigel</a> -- <i>text compression, ECG compression</i>
+
+<h2>I</h2>
+<a href="http://www.cs.waikato.ac.nz/~singlis">Inglis, Stuart</a> -- <i>image compression, OCR, lossy/lossless document compression</I>
+<p>
+
+<h2>J</h2>
+<a href="http://www.cs.uiowa.edu/~jones/compress/index.html">Jones, Douglas</a> -- <i>splay-tree based compression and encryption</i>
+<p>
+<a href="http://info.lut.ac.uk/departments/el/research/sys/compression.html">Jones, Simon</a> -- <i>Lossless compression, High Performance Hardware (7th Feb 1996) </i>
+<p>
+<a href="http://patpwww.epfl.ch:80/~jordan/Subjects/Parallel/parallel.html">Jordan, Frederic</a> -- <i>Parallel Image Compression (12th April 1996)</i> <img src="new.gif">
+<p>
+<a href="mailto:robjung@world.std.com">Jung, Robert K.</a> -- <i><a href="http://www.info.fundp.ac.be/~fta/arj.html">ARJ</a> </i>
+<p>
+<a href="http://www.cs.tu-berlin.de/~jutta/toast.html">jutta</a>
+<p>
+
+
+
+<h2>K</h2>
+<a href="http://links.uwaterloo.ca">Kominek, John</a> -- <I>Fractal and spline based compression</i>
+<p>
+<a href="http://info.lut.ac.uk/departments/el/research/sys/elmk3.html">Kjelso, Morten</a> -- <i>Main memory compression, High performance hardware</i>
+<p>
+<a href="http://wwwcip.informatik.uni-erlangen.de/user/mskuhn">Kuhn, Markus</a> -- <i>JBIG implementation</i> <img src="new.gif">
+<p>
+<a href="http://sipi.usc.edu/faculty/Kuo.html">Kuo, C.-C. Jay</a>
+<p>
+<a href="http://kaarna.cc.jyu.fi:80/~kuru/">Kuru, Esa</a>
+<p>
+<a href="http://www.prz.tu-berlin.de:80/~teo/">Kyfonidis, Theodoros</a>
+<p>
+
+<h2>L</h2>
+<a href="http://www.icsi.berkeley.edu/~lampart/">Lamparter, Bernd</a>
+<p>
+<a href="http://www.cse.ucsc.edu/cgi-bin/faculty?langdon">Langdon, Glen</a>
+<p>
+<a href="http://www.dna.lth.se/~jesper/">Larsson, Jesper</a> -- <i>algorithms and data structures, text compression</i> <img src="new.gif">
+<p>
+
+
+<h2>M</h2>
+<a href="http://glimpse.cs.arizona.edu:1994/udi.html">Manber, Udi</a>
+<p>
+<a href="http://www.elec.rma.ac.be/~jma/compression.html">Mangen, Jean-Michel</a> -- <i>image compression, wavelets, satellite</I>
+<p>
+<a href="http://www.cs.mu.oz.au/~alistair">Moffat, Alistair</a> -- <i>text and index compression, coding methods, information retrieval, document databases</i>
+<p>
+<a href="http://deskfish.cs.titech.ac.jp/squish/squish_index.html">Montgomery, Christopher</a> -- <i>OggSquish, audio compression</i>
+<p>
+<a href="mailto:umueller@amiga.physik.unizh.ch">Mueller, Urban Dominik</a> -- <i>XPK system</I>
+<p>
+<h2>N</h2>
+<a href="ftp://ai.toronto.edu/pub/radford/www/index.html">Neal, Radford</a>
+<p>
+<a href="http://www.cs.waikato.ac.nz/~cgn">Nevill-Manning, Craig</a>
+<p>
+<a href="http://phoenix.bath.ac.uk/jez/jez.html">Nicholls, Jeremy</a>
+<p>
+<a href="http://www.acti.com/matt/">Noah, Matt</a> -- <i>speech, ATC, ACELP and IMBE</i>
+<p>
+<a href="http://www.eecs.wsu.edu/~vnuri/">Nuri, Veyis</a> -- <i>wavelets, data compression, DSP (speech & image)</I>
+
+<h2>O</h2>
+<a href="ftp://replicant.csci.unt.edu/pub/oleg/README.html">Oleg</a> -- <i>Lots of code</i>
+<p>
+<a href="http://sipi.usc.edu/faculty/Ortega/Ortega.html">Ortega, Antonio</a> -- <i>Video compression, Packet video, Adaptive quantization</i>
+<p>
+<a href="http://www.cs.dartmouth.edu:80/~cowen/">Owen, Charles</a>
+<p>
+
+<h2>P</h2>
+<a
+href="http://www-mddsp.enel.ucalgary.ca/People/provine/compression.html">Provine,
+Joseph</a> -- <i>Model based coding</i>
+<p>
+
+<h2>R</h2>
+<a href="http://monet.uwaterloo.ca/~john/btpc.html">Robinson, John</a> -- <i>Binary Tree Predictive Coding</i>
+<p>
+<a href="http://quest.jpl.nasa.gov/Info-ZIP/people/greg/">Roelofs, Greg</a> -- <i>Info-ZIP; primary UnZip author; PNG group</i>
+<p>
+<a href="http://www.ece.ucsb.edu/faculty/rose/default.html">Rose, Kenneth</a>
+<p>
+<a href="http://www.nettuno.it/fiera/telvox/telvox.htm">Russo, Roberto Maria</a> -- <I>Multiplatform Data Compression</i>
+<p>
+
+<h2>S</h2>
+<a href="http://harc.edu:80/~schmidt/">Schmidt, Bill</a>
+<p>
+<a href="http://koa.ifa.hawaii.edu/~shaw/shaw.html">Shaw, Sandy C.</a>
+<p>
+<a href="http://www.comm.toronto.edu/~kamran/kamran.html">Sharifi, Kamran</a> -- <i>Video over ATM networks</i>
+<p>
+<a href="http://calypso.unl.edu/~sunil/">Shende, Sunil M.</a>
+<p>
+<a href="http://viewprint2.berkeley.edu/KleinLab/Amnon/Amnon.html">Silverstein, D. Amnon</a>
+<p>
+<a href="http://www-plateau.cs.berkeley.edu/people/smoot">Smoot, Steve</a> -- <i>MPEG</i>
+<p>
+<a href="http://www.cs.brandeis.edu/dept/faculty/storer/">Storer, James A.</a>
+<p>
+<a href="http://rice.ecs.soton.ac.uk/index.html">Streit, Jurgen</a> -- <i>Low bitrate coding</i>
+<p>
+<a href="http://www_nt.e-technik.uni-rostock.de/~ts/index.html">Strutz, Tilo</a> -- <i>Wavelet image compressor, demonstration execs</i> <img src="new.gif">
+<p>
+
+
+<h2>T</h2>
+<a href="http://zaphod.csci.unt.edu:80/~srt/">Tate, Steve</a>
+<p>
+<a href="http://www.cs.waikato.ac.nz/~wjt">Teahan, Bill</a> -- <i>PPM, PPM*, master of the Calgary Corpus</i>
+<p>
+<a href="http://lightning.eee.strath.ac.uk/~duncan/">Thomson, Duncan</a> -- <i>ECG compression with ANNs</i>
+<p>
+<a href="http://outside.gsfc.nasa.gov/GRSS/">Tilton, James C.</a>
+<p>
+<a href="http://www.uni-karlsruhe.de/~un55/">Tomczyk, Marek</a>
+<p>
+<a href="http://munkora.cs.mu.oz.au/~aht">Turpin, Andrew</a> -- <i>Prefix Codes</i>
+<p>
+
+<h2>V</h2>
+<a href="http://gabor.eecs.berkeley.edu/~martin/">Vetterli, Martin</a> -- <i>wavelets, subband coding, video compression, computational complexity</i>
+<p>
+<a href="http://www.cs.duke.edu/~jsv/HomePage.html">Vitter, Jeff</a>
+<p>
+<a href="http://www.eee.strath.ac.uk/~stathis/home.html">Voukelatos, Stathis</a>
+<p>
+<a href="http://www.xs4all.nl/~aipnl">de Vries, Nico</a> -- <i>AIP-NL, UltraCompressor II development</i> <img src="new.gif">
+<p>
+
+<h2>W</h2>
+
+<a href="http://ipcl.ee.queensu.ca/wareham/wareham.html">Wareham, Paul</a> -- <i>Region-oriented video coding</I>
+<p>
+<a href="mailto://Wegs59@aol.com">Wegener, Al</a> -- <i>DSP, lossless audio compression and AC-2</i>
+<p>
+<a href="http://www-dsp.rice.edu:80/~weid/">Wei, Dong</a> -- <i>Wavelet compression</i>
+<p>
+<a href="http://www.rocksoft.com/~ross">Williams, Ross</a>
+<p>
+<a href="http://www.cs.waikato.ac.nz/~ihw">Witten, Ian</a> -- <i>PPM, mg, arithmetic coding</i>
+<p>
+<a href="http://www.sees.bangor.ac.uk/~gerry/sp_summary.html">Wolff, Gerry</a>
+<p>
+<a href="http://sipi.usc.edu/~wwoo/">Woo, Woon-Tack</a> -- <i>stereo image and video compression (12th Feb 1996)</i>
+<p>
+<a href="http://www.csd.uwo.ca/faculty/wu/">Wu, Xiaolin</a> -- <i>CALIC</i>
+<P>
+
+
+<h2>Z</h2>
+<a href="http://www.cs.rmit.edu.au/~jz">Zobel, Justin</a> -- <i>index compression, database compression</i>
+<p>
+
+<br>
+<br>
+
+
+<a name="Conferences">
+
+<h2><i>Conferences</i></h2>
+<a href="http://www.cs.brandeis.edu:80/~dcc/index.html"><b>Data Compression Conference (DCC), Snowbird, Utah, USA.</b></a><br>
+<p>
+
+<a name="Resources">
+
+<h2><i>Resources</i></h2>
+<dt>
+<i><b>Where to get answers...</b></i>
+<dd>
+<dd><a href="http://info.itu.ch/">International Telecommunication Union (ITU)</a> -- <i>standards documents (CCITT)</i>
+<br>
+<dd><a href="http://www.cis.ohio-state.edu/hypertext/faq/usenet/compression-faq/top.html">comp.compression -- Frequently Asked Questions</a> -- <i>Come here 1st!</i>
+<dd>
+<a href="http://www.cis.ohio-state.edu/hypertext/faq/usenet/jpeg-faq/faq.html">JPEG - Frequently Asked Questions</a>
+<dd>
+<a href="http://www.crs4.it/HTML/LUIGI/MPEG/mpegfaq.html">MPEG - Frequently Asked Questions</a>
+<dd>
+<a href="ftp://rtfm.mit.edu:/pub/usenet/news.answers/standards-faq">Standards - Frequenty Asked Questions</a>
+<dd>
+<a href="news:comp.compression.research">usenet newsgroup: comp.compression.research</a>
+<br>
+<dd>
+<a href="http://www.mi.net/act/act.html">Archive Compression Test</a> -- <i>Summary of all archivers</i>
+<br>
+<dd>
+<a href="http://dip1.ee.uct.ac.za/fractal.bib.html">Fractal compression bibliography</a> -- <i>bibtex file</i>
+<br>
+<dd>
+<a href="http://goethe.ira.uka.de/edu/proseminar.html">LZ/Complexity Seminars</a> -- <i>(in German)</i>
+<br>
+<dd>
+<a href="http://www.cs.waikato.ac.nz/~singlis/ratios.html">Comparitive Compression Ratios</a> -- <i>Sofar...B&W, Gray Scale, Text Compression</i>
+<br>
+<dd>
+<a href="http://www.cs.ucl.ac.uk/mice/mpeggloss.html">VCN (Video, Compression, Networking)
+Glossary</a>
+<br>
+<dd>
+<a href="http://www.cs.waikato.ac.nz/~nzdl/">Digital Library -- search for compression</a>
+<br>
+</dt>
+
+<br>
+<dt>
+<i><b>Reports/Ph.D. Theses</b></i>
+<dd>
+<a href="http://www.cs.brown.edu/publications/techreports/reports/CS-93-28.html">Paul Howards Ph.D. thesis</a><br>
+<dd><i>The Design and Analysis of Efficient Lossless Data Compression Systems</i>
+<br>
+</dt>
+
+
+
+<br>
+<dt>
+<i><b>Source code</b></i>
+<dd>
+<a href="ftp://munnari.oz.au/pub/arith_coder">Arithmetic coding routines</a>
+<dd><i>&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp(from Moffat, Neal and Witten, Proc. DCC, April 1995)</i>
+<br>
+<dd>
+<a href="ftp://ftp.cpsc.ucalgary.ca/pub/projects/ar.cod">CACM Arithmetic coding package</a>
+<dd><i>&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp(Witten, Neal and Cleary, CACM 30:520-541, June 1987)</i>
+<br>
+<dd>
+<a href="ftp://nic.funet.fi/pub/graphics/misc/test-images/jbig.tar.gz">JBIG Source code</a> <i>Includes a Q-coder</i>
+<br>
+<dd><a href="http://wwwcip.informatik.uni-erlangen.de/user/mskuhn">Markus Kuhn's JBIG implementation</a>
+<br>
+<dd>
+<a href="ftp://media-lab.media.mit.edu/pub/k-arith-code/">k-arithmetic coder</a>
+<br>
+<dd>
+<a href="ftp://garbo.uwasa.fi/pc/programming/lds_11.zip">Lossless Data Compression toolkit 1.1</a>
+<br>
+<dd>
+<a href="http://www.cs.uiowa.edu/~jones/compress/index.html">Splay Trees Code</a> -- <i>by Douglas W. Jones</i>
+<br>
+<dd><a href="ftp://ftp.cl.cam.ac.uk/users/djw3">Block compression code</a> -- <i>Excellent text compressor</i>
+<br>
+
+</dt>
+
+<br>
+<dt>
+<i><b>Test Files</b></i>
+<dd>
+<a href="ftp://nic.funet.fi/pub/graphics/misc/test-images/">Test Images</a> -- <i>CCITT images (pbm), Lena etc. (Sun raster)</i>
+<br>
+<dd>
+Stockholm test images -- <i>You have to buy a CDROM, thats all I know! :-(</i>
+<dd>&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp mail me at <a href="mailto:singlis@cs.waikato.ac.nz">singlis@cs.waikato.ac.nz</a> if you know anything about them.
+<br>
+<dd>
+<a href="ftp://ftp.cpsc.ucalgary.ca/pub/projects/text.compression.corpus/">Calgary Text Compression Corpus</a><i> (Text Compression, Bell, Cleary and Witten, 1990)</i>
+<br>
+</dt>
+
+<br>
+
+<a name="Research">
+
+
+<h2><i>Research Projects, Standards & Companies</i></h2>
+
+<p>
+<dt>
+<i><b>Research/Free software Groups</b></i>
+<dd><a href="http://www-isl.stanford.edu/~gray/compression.html">Compression and
+Classification Group</a> -- <i>ISL,EE,Stanford (22th April 1996)</i><img src="new.gif">
+
+<dd><a href="http://www.bonzi.com">Voice email</a> -- <i>Lossless audio compression (18th Feb 1996)</i>
+
+
+<dd><a href="http://www.garlic.com/biz/eotek">Electro-Optical Technologies, Inc.</a> -- <i>Consultant (12th April 1996)</i> <img src="new.gif">
+
+<dd><a href="http://quicktime.apple.com">quicktime.apple.com</a> -- <i>Quicktime site (11th Mar 1996)</i>
+
+<dd><a href="http://www.atinternet.fr/image/">IMAGE etc.</a> -- <i>Commercial image compression software (Fractals/Wavelets) (29th Feb 1996)</i> <img src="new.gif">
+
+<dd><a href="http://re7alpha.epm.ornl.gov/CcmDemo/">NCAR CCM Compression and Visualisation</a> -- <i>(18th Feb 1996)</i> <img src="new.gif">
+<br>
+<dd><a href="http://ipl.rpi.edu/SPIHT/">SPIHT</a> -- <I>Wavelet Natural Image Compressor (12th Feb 1996)</i> <img src="new.gif">
+<br>
+<dd><a href="http://info.lut.ac.uk/departments/el/research/sys/compression.html">Real-Time Lossless Compression Systems</a> -- <i>Loughborough University</i> <img src="new.gif">
+<br>
+<dd><a href="http://saigon.ece.wisc.edu/~waveweb/QMF.html">Web site for Multirate Signal Processing</a> -- <i>University of Wisconsin, Madison</i>
+<br>
+<dd><a href="http://quest.jpl.nasa.gov/Info-ZIP/">Info-ZIP</a> -- <i>free,
+portable Zip and UnZip utilities</i>
+<br>
+<dd><a href="http://cesdis.gsfc.nasa.gov/">CEDIS</a> -- <i>NASA, Maryland, Image/data compression</i>
+<br>
+<dd><a href="http://www.c3.lanl.gov/~brislawn/ftp.html">CIC-3 Image Compression</a> -- <i>FBI Fingerprints</i>
+<br>
+<dd><a href="http://rainbow.ece.ucsb.edu/scl.html">Signal Compression Lab at UCSB</a>
+<br>
+<dd><a href="http://isdl.ee.washington.edu/COMPRESSION/homepage.html">University of
+Washington compression lab</a> -- <I>VQ, Wavelets, Shlomo</i>
+<br>
+</dt>
+
+
+<p>
+<dt>
+<i><b>Snippets</b></i>
+<dd><a href="http://www-isl.stanford.edu/~gray/iii.html">Signal Processing
+and the International Information Infrastructure</a> -- <i>Web sites (22th April 1996)</i> <img src="new.gif">
+<dd><a href="http://www.scu.edu.au/ausweb95/papers/management/vanzyl/">Increasing Web bandwith</a> -- <i>comparing GIF, JPEG, Fractal compression</i>
+<br>
+<dd><a href="http://www.yahoo.com/Art/Computer_Generated/Fractals">Fractal Links on Yahoo</a>
+<br>
+<dd><a href="http://www.ddj.com/old/ddjw001d.htm">Digital Speech Compression GSM 06.10 RPE-LTP</a> -- <i>DDJ</i>
+<br>
+<dd><a href="http://www.crc.ricoh.com/CREW/">CREW</a> -- <i>Continuous tone loss(y/less) wavelet compression</i>
+<br>
+<dd><a href="ftp://ftp.csd.uwo.ca/pub/from_wu/">CALIC -- Context-based adaptive lossless image compressor</a>
+<br>
+<dd><a href="http://www-plateau.cs.berkeley.edu/mpeg/index.html">Berkeley MPEG</a> -- <i>MPEG tools</i>
+<br>
+<dd><a href="http://www.creative.net/~tristan/MPEG">MPEG Pointers and Resources</a>
+<BR>
+</dt>
+
+
+
+
+
+<p>
+<dt>
+<i><b>Wavelets</b></i>
+<dd>
+<a href="http://www.cis.upenn.edu/~eero/epic.html">
+     EPIC (Efficient Pyramid Image Coder)</a> -- <i>by Eero Simoncelli</i>
+<br>
+<dd>
+<a href="mailto://72234.2617@compuserve.com">Tucker, Michael</a> -- <i>FASTWAVE, audio/image compression</i>
+<br>
+<dd>
+<a href="http://www.harc.edu">HARC</a> -- <i>Lossy Wavelet Compression technology</i>
+<br>
+<dd>
+<a href="http://gabor.eecs.berkeley.edu/">UC Berkeley Wavelet Group</a>
+<br>
+<dd>
+<a href="http://www.c3.lanl.gov/~cjhamil/Wavelets/main.html">Khoros Wavetlet and Compression Toolbox</a>
+<br>
+<dd>
+<a href="http://arabigo.math.scarolina.edu:80/~wavelet/">The Wavelet Digest</a>
+<br>
+<dd>
+<a href="http://jazz.rice.edu/publications.html">Rice DSP Publications Archive</a> -- <i>Wavelets, Time Frequency/Scale</i>
+<br>
+</dt>
+
+<p>
+<dt>
+<i><b>Fractals</b></i>
+<dd>
+<a href="http://inls.ucsd.edu/y/Fractals/">Fractal Image Compression</a> -- <i>Software, Pointers, Conferences</i>
+<br>
+<dd>
+<a href="http://www.fractal.com/">Fractal Design Corporation</a>
+<br>
+<dd>
+<a href="http://www.webcom.com/~verrando/university/ifs.html">New Fractal Image Compression program</a>
+<br>
+</dt>
+
+<p>
+<dt>
+<i><b>Companies</b></i>
+<dd><a href="http://www.chips.ibm.com/products/aldc/index.html">IBM Hardware</a> -- <i>Compression chips (11th Mar 1996)</i> <img src="new.gif">
+
+<dd><a href="http://www.summus.com">Summus Wavelet Technology</a> -- <i>Wavelet image and video compressors (11th Mar 1996)</i> <img src="new.gif">
+<dd><a href="http://www.mitsubishi.co.jp/jp/fractal/fractal.html">Fractal Image Compression</a> -- <I>Mitsubishi (18th Feb 1996)</i> <img src="new.gif">
+
+<dd><a href="http://www.terran-int.com/">Terran Interactive</a> -- <i>Video compression for the Mac (1st Feb 1996)</i> <img src="new.gif">
+<br>
+
+<dd><a href="http://darvision.kaist.ac.kr/dvmpeg.html">DV Mpeg</a> -- <i>Windows drivers (18th Feb 1996)</I> <img src="new.gif">
+<br>
+
+<dd><a href="http://www.crawford.com/cs/welcome.html">Crawford Compression Services</a> -- <i>MPEG post-production (18th Feb 1996)</i> <img src="new.gif">
+<br>
+
+<dd><a href="http://www.shore.net/~ict">Intelligent Compression Technologies</a> <i>(18th Feb 1996)</i> <img src="new.gif">
+<br>
+
+<dd><a href="http://www.jpg.com">Pegasus Imaging</a> -- <i>Compression software/dev. kits (12th Feb 1996)</i> <img src="new.gif">
+<br>
+<dd><a href="http://www.aladdinsys.com/">Aladdin Systems</a> -- <i>StuffIt compression products</i>
+<br>
+<dd><a href="http://www.stac.com/">Stac Electronics</a>
+<br>
+<dd><a href="http://www.ccinet.ab.ca/dcp.html">DCP Research</a> -- <i>Hardware solutions</i>
+<br>
+<dd><a href="http://www.aware.com/product_info/compression_overview.html">Aware Inc.</a> -- <i>Specialised compression company</i>
+<br>
+<dd><a href="http://www.inria.fr/rodeo/ivs.html">IVS - INRIA Videoconferencing System</a>
+<br>
+<dd><a href="http://sp25.ianus.cineca.it/telvox/telvoxen.htm">Telvox Teleinformatica</a> -- <i>Multiplatform Data Compressor</i>
+<br>
+<dd><a href="http://www.compression.com">Compression Technologies,
+Inc</a> -- <i>Canada</i>
+<br>
+<dd><a href="http://www.optivision.com/">Optivision</a> -- <i>MPEG</i>
+<br>
+<dd><a href="http://www.pkware.com/">PKWARE</a> -- <i>Makers of PKZIP</i>
+<br>
+<dd><a href="http://www.infoanalytic.com/tayson/index.html">Multimedia Imaging Services</a>
+<br>
+</dt>
+
+<p>
+<dt>
+<i><b>Audio compression</b></i>
+<dd><a href="http://www.iis.fhg.de/departs/amm/index.html"> Fraunhofer Institut f�r Integrierte Schaltungen</a>
+<br>
+<dd><a href="http://svr-www.eng.cam.ac.uk/~ajr/speechCoding.html">Shorten</a>
+<br>
+<dd><a href="http://www.ddj.com/old/ddjw001d.htm">digital speech compression</a>
+<br>
+<dd><a href="http://www.cs.tu-berlin.de/~phade/audiowww.html">Audio compression references</a>
+<br>
+<dd><a href="http://www.fourmilab.ch/speakfree/windows/doc/compress.html">SpeakFreely - compression</a>
+<br>
+<dd><a href="http://www.fourmilab.ch/speakfree/windows/speak_freely.html#contents">SpeakFreely - Contents</a>
+<br>
diff --git a/test/comp/testdata/fields.c b/test/comp/testdata/fields.c
new file mode 100644
index 00000000..63cdc030
--- /dev/null
+++ b/test/comp/testdata/fields.c
@@ -0,0 +1,431 @@
+#ifndef lint
+static char Rcs_Id[] =
+    "$Id: fields.c,v 1.7 1994/01/06 05:26:37 geoff Exp $";
+#endif
+
+/*
+ * $Log: fields.c,v $
+ * Revision 1.7  1994/01/06  05:26:37  geoff
+ * Get rid of all references to System V string routines, for portability
+ * (sigh).
+ *
+ * Revision 1.6  1994/01/05  20:13:43  geoff
+ * Add the maxf parameter
+ *
+ * Revision 1.5  1994/01/04  02:40:21  geoff
+ * Make the increments settable (field_line_inc and field_field_inc).
+ * Add support for the FLD_NOSHRINK flag.
+ *
+ * Revision 1.4  1993/09/27  17:48:02  geoff
+ * Fix some lint complaints and some parenthesization errors.
+ *
+ * Revision 1.3  1993/09/09  01:11:11  geoff
+ * Add a return value to fieldwrite.  Add support for backquotes and for
+ * unstripped backslashes.
+ *
+ * Revision 1.2  1993/08/26  00:02:50  geoff
+ * Fix a stupid null-pointer bug
+ *
+ * Revision 1.1  1993/08/25  21:32:05  geoff
+ * Initial revision
+ *
+ */
+
+#include <stdio.h>
+#include "config.h"
+#include "fields.h"
+
+field_t *	fieldread P ((FILE * file, char * delims,
+				  int flags, int maxf));
+				/* Read a line with fields from a file */
+field_t *	fieldmake P ((char * line, int allocated, char * delims,
+				  int flags, int maxf));
+				/* Make a field structure from a line */
+static field_t * fieldparse P ((field_t * fieldp, char * line, char * delims,
+				  int flags, int maxf));
+				/* Parse the fields in a line */
+static int	fieldbackch P ((char * str, char ** out, int strip));
+				/* Process backslash sequences */
+int		fieldwrite P ((FILE * file, field_t * fieldp, int delim));
+				/* Write a line with fields to a file */
+void		fieldfree P ((field_t * fieldp));
+				/* Free a field returned by fieldread */
+
+unsigned int	field_field_inc = 20; /* Increment to increase # fields by */
+unsigned int	field_line_inc = 512; /* Incr to increase line length by */
+
+#ifndef USG
+#define strchr	index
+#endif /* USG */
+
+extern void	free ();
+extern char *	malloc ();
+extern char *	realloc ();
+extern char *	strchr ();
+extern int	strlen ();
+
+/*
+ * Read one line of the given file into a buffer, break it up into
+ * fields, and return them to the caller.  The field_t structure
+ * returned must eventually be freed with fieldfree.
+ */
+field_t * fieldread (file, delims, flags, maxf)
+    FILE *		file;	/* File to read lines from */
+    char *		delims;	/* Characters to use for field delimiters */
+    int			flags;	/* Option flags;  see fields.h */
+    int			maxf;	/* Maximum number of fields to parse */
+    {
+    register char *	linebuf; /* Buffer to hold the line read in */
+    int			linemax; /* Maximum line buffer size */
+    int			linesize; /* Current line buffer size */
+
+    linebuf = (char *) malloc (field_line_inc);
+    if (linebuf == NULL)
+	return NULL;
+    linemax = field_line_inc;
+    linesize = 0;
+    /*
+     * Read in the line.
+     */
+    while (fgets (&linebuf[linesize], linemax - linesize, file)
+      != NULL)
+	{
+	linesize += strlen (&linebuf[linesize]);
+	if (linebuf[linesize - 1] == '\n')
+	    break;
+	else
+	    {
+	    linemax += field_line_inc;
+	    linebuf = (char *) realloc (linebuf, linemax);
+	    if (linebuf == NULL)
+		return NULL;
+	    }
+	}
+    if (linesize == 0)
+	{
+	free (linebuf);
+	return NULL;
+	}
+    return fieldmake (linebuf, 1, delims, flags, maxf);
+    }
+
+field_t * fieldmake (line, allocated, delims, flags, maxf)
+    char *		line;	/* Line to make into a field structure */
+    int			allocated; /* NZ if line allocated with malloc */
+    char *		delims;	/* Characters to use for field delimiters */
+    int			flags;	/* Option flags;  see fields.h */
+    int			maxf;	/* Maximum number of fields to parse */
+    {
+    register field_t *	fieldp;	/* Structure describing the fields */
+    int			linesize; /* Current line buffer size */
+
+    fieldp = (field_t *) malloc (sizeof (field_t));
+    if (fieldp == NULL)
+	return NULL;
+    fieldp->nfields = 0;
+    fieldp->linebuf = allocated ? line : NULL;
+    fieldp->fields = NULL;
+    fieldp->hadnl = 0;
+    linesize = strlen (line);
+    if (line[linesize - 1] == '\n')
+	{
+	line[--linesize] = '\0';
+	fieldp->hadnl = 1;
+	}
+    /*
+     * Shrink the line buffer if necessary.
+     */
+    if (allocated  &&  (flags & FLD_NOSHRINK) == 0)
+	{
+	line = fieldp->linebuf =
+	  (char *) realloc (fieldp->linebuf, linesize + 1);
+	if (fieldp->linebuf == NULL)
+	    {
+	    fieldfree (fieldp);
+	    return NULL;
+	    }
+	}
+    return fieldparse (fieldp, line, delims, flags, maxf);
+    }
+
+static field_t * fieldparse (fieldp, line, delims, flags, maxf)
+    register field_t *	fieldp;	/* Field structure to parse into */
+    register char *	line;	/* Line to be parsed */
+    char *		delims;	/* Characters to use for field delimiters */
+    int			flags;	/* Option flags;  see fields.h */
+    int			maxf;	/* Maximum number of fields to parse */
+    {
+    int			fieldmax; /* Max size of fields array */
+    char *		lineout; /* Where to store xlated char in line */
+    char		quote;	/* Quote character in use */
+
+    fieldp->nfields = 0;
+    fieldmax =
+      (maxf != 0  &&  maxf < field_field_inc) ? maxf + 2 : field_field_inc;
+    fieldp->fields = (char **) malloc (fieldmax * sizeof (char *));
+    if (fieldp->fields == NULL)
+	{
+	fieldfree (fieldp);
+	return NULL;
+	}
+    if ((flags
+	& (FLD_SHQUOTES | FLD_SNGLQUOTES | FLD_BACKQUOTES | FLD_DBLQUOTES))
+      == FLD_SHQUOTES)
+	flags |= FLD_SNGLQUOTES | FLD_BACKQUOTES | FLD_DBLQUOTES;
+    while (1)
+	{
+	if (flags & FLD_RUNS)
+	    {
+	    while (*line != '\0'  &&  strchr (delims, *line) != NULL)
+		line++;			/* Skip runs of delimiters */
+	    if (*line == '\0')
+		break;
+	    }
+	fieldp->fields[fieldp->nfields] = lineout = line;
+	/*
+	 * Skip to the next delimiter.  At the end of skipping, "line" will
+	 * point to either a delimiter or a null byte.
+	 */
+	if (flags
+	  & (FLD_SHQUOTES | FLD_SNGLQUOTES | FLD_BACKQUOTES
+	    | FLD_DBLQUOTES | FLD_BACKSLASH))
+	    {
+	    while (*line != '\0')
+		{
+		if (strchr (delims, *line) != NULL)
+		    break;
+		else if (((flags & FLD_SNGLQUOTES)  &&  *line == '\'')
+		  ||  ((flags & FLD_BACKQUOTES)  &&  *line == '`')
+		  ||  ((flags & FLD_DBLQUOTES)  &&  *line == '"'))
+		    {
+		    if ((flags & FLD_SHQUOTES) == 0
+		      &&  line != fieldp->fields[fieldp->nfields])
+			quote = '\0';
+		    else
+			quote = *line;
+		    }
+		else
+		    quote = '\0';
+		if (quote == '\0')
+		    {
+		    if (*line == '\\'  &&  (flags & FLD_BACKSLASH))
+			{
+			line++;
+			if (*line == '\0')
+			    break;
+			line += fieldbackch (line, &lineout,
+			  flags & FLD_STRIPQUOTES);
+			}
+		    else
+			*lineout++ = *line++;
+		    }
+		else
+		    {
+		    /* Process quoted string */
+		    if ((flags & FLD_STRIPQUOTES) == 0)
+			*lineout++ = quote;
+		    ++line;
+		    while (*line != '\0')
+			{
+			if (*line == quote)
+			    {
+			    if ((flags & FLD_STRIPQUOTES) == 0)
+				*lineout++ = quote;
+			    line++;		/* Go on past quote */
+			    if ((flags & FLD_SHQUOTES) == 0)
+				{
+				while (*line != '\0'
+				  &&  strchr (delims, *line) == NULL)
+				    line++;	/* Skip to delimiter */
+				}
+			    break;
+			    }
+			else if (*line == '\\')
+			    {
+			    if (flags & FLD_BACKSLASH)
+				{
+				line++;
+				if (*line == '\0')
+				    break;
+				else
+				    line += fieldbackch (line, &lineout,
+				      flags & FLD_STRIPQUOTES);
+				}
+			    else
+				{
+				*lineout++ = '\\';
+				if (*++line == '\0')
+				    break;
+				*lineout++ = *line;
+				}
+			    }
+			else
+			    *lineout++ = *line++;
+			}
+		    }
+		}
+	    }
+	else
+	    {
+	    while (*line != '\0'  &&  strchr (delims, *line) == NULL)
+		line++;			/* Skip to delimiter */
+	    lineout = line;
+	    }
+	fieldp->nfields++;
+	if (*line++ == '\0')
+	    break;
+	if (maxf != 0  &&  fieldp->nfields > maxf)
+	    break;
+	*lineout = '\0';
+	if (fieldp->nfields >= fieldmax)
+	    {
+	    fieldmax += field_field_inc;
+	    fieldp->fields =
+	      (char **) realloc (fieldp->fields, fieldmax * sizeof (char *));
+	    if (fieldp->fields == NULL)
+		{
+		fieldfree (fieldp);
+		return NULL;
+		}
+	    }
+	}
+    /*
+     * Shrink the field pointers and return the field structure.
+     */
+    if ((flags & FLD_NOSHRINK) == 0  &&  fieldp->nfields >= fieldmax)
+	{
+	fieldp->fields = (char **) realloc (fieldp->fields,
+	  (fieldp->nfields + 1) * sizeof (char *));
+	if (fieldp->fields == NULL)
+	    {
+	    fieldfree (fieldp);
+	    return NULL;
+	    }
+	}
+    fieldp->fields[fieldp->nfields] = NULL;
+    return fieldp;
+    }
+
+static int fieldbackch (str, out, strip)
+    register char *	str;		/* First char of backslash sequence */
+    register char **	out;		/* Where to store result */
+    int			strip;		/* NZ to convert the sequence */
+    {
+    register int	ch;		/* Character being developed */
+    char *		origstr;	/* Original value of str */
+
+    if (!strip)
+	{
+	*(*out)++ = '\\';
+	if (*str != 'x'  &&  *str != 'X'  &&  (*str < '0'  ||  *str > '7'))
+	    {
+	    *(*out)++ = *str;
+	    return *str != '\0';
+	    }
+	}
+    switch (*str)
+	{
+	case '\0':
+	    *(*out)++ = '\0';
+	    return 0;
+	case 'a':
+	    *(*out)++ = '\007';
+	    return 1;
+	case 'b':
+	    *(*out)++ = '\b';
+	    return 1;
+	case 'f':
+	    *(*out)++ = '\f';
+	    return 1;
+	case 'n':
+	    *(*out)++ = '\n';
+	    return 1;
+	case 'r':
+	    *(*out)++ = '\r';
+	    return 1;
+	case 'v':
+	    *(*out)++ = '\v';
+	    return 1;
+	case 'X':
+	case 'x':
+	    /* Hexadecimal sequence */
+	    origstr = str++;
+	    ch = 0;
+	    if (*str >= '0'  &&  *str <= '9')
+		ch = *str++ - '0';
+	    else if (*str >= 'a'  &&  *str <= 'f')
+		ch = *str++ - 'a' + 0xa;
+	    else if (*str >= 'A'  &&  *str <= 'F')
+		ch = *str++ - 'A' + 0xa;
+	    if (*str >= '0'  &&  *str <= '9')
+		ch = (ch << 4) | (*str++ - '0');
+	    else if (*str >= 'a'  &&  *str <= 'f')
+		ch = (ch << 4) | (*str++ - 'a' + 0xa);
+	    else if (*str >= 'A'  &&  *str <= 'F')
+		ch = (ch << 4) | (*str++ - 'A' + 0xa);
+	    break;
+	case '0':
+	case '1':
+	case '2':
+	case '3':
+	case '4':
+	case '5':
+	case '6':
+	case '7':
+	    /* Octal sequence */
+	    origstr = str;
+	    ch = *str++ - '0';
+	    if (*str >= '0'  &&  *str <= '7')
+		ch = (ch << 3) | (*str++ - '0');
+	    if (*str >= '0'  &&  *str <= '7')
+		ch = (ch << 3) | (*str++ - '0');
+	    break;
+	default:
+	    *(*out)++ = *str;
+	    return 1;
+	}
+    if (strip)
+	{
+	*(*out)++ = ch;
+	return str - origstr;
+	}
+    else
+	{
+	for (ch = 0;  origstr < str;  ch++)
+	    *(*out)++ = *origstr++;
+	return ch;
+	}
+    }
+
+int fieldwrite (file, fieldp, delim)
+    FILE *		file;	/* File to write to */
+    register field_t *	fieldp;	/* Field structure to write */
+    int			delim;	/* Delimiter to place between fields */
+    {
+    int			error;	/* NZ if an error occurs */
+    register int	fieldno; /* Number of field being written */
+
+    error = 0;
+    for (fieldno = 0;  fieldno < fieldp->nfields;  fieldno++)
+	{
+	if (fieldno != 0)
+	    error |= putc (delim, file) == EOF;
+	error |= fputs (fieldp->fields[fieldno], file) == EOF;
+	}
+    if (fieldp->hadnl)
+	error |= putc ('\n', file) == EOF;
+    return error;
+    }
+
+void fieldfree (fieldp)
+    register field_t *	fieldp;	/* Field structure to free */
+    {
+
+    if (fieldp == NULL)
+	return;
+    if (fieldp->linebuf != NULL)
+	free ((char *) fieldp->linebuf);
+    if (fieldp->fields != NULL)
+	free ((char *) fieldp->fields);
+    free ((char *) fieldp);
+    }
diff --git a/test/comp/testdata/geo.protodata b/test/comp/testdata/geo.protodata
new file mode 100644
index 00000000..c4e3e0d8
Binary files /dev/null and b/test/comp/testdata/geo.protodata differ
diff --git a/test/comp/testdata/grammar.lsp b/test/comp/testdata/grammar.lsp
new file mode 100644
index 00000000..1ba8bc70
--- /dev/null
+++ b/test/comp/testdata/grammar.lsp
@@ -0,0 +1,94 @@
+;;; -*- Mode: Lisp; Syntax: Common-Lisp; -*-
+
+(define-language
+  :grammar
+  '(((S $any) -> (S1 $any))
+    ((S (Compound $s1 $s2)) -> (S1 $s1) (Conjunction) (S1 $s2))
+
+    ((S1 (Statement $v)) -> (NP $subj) (VP $subj $tense $v))
+    ((S1 (Acknowledge $a)) -> (Acknowledge $a))
+    ((S1 (Command $v)) -> (VP Self present $v))
+    ((S1 (Question $v)) -> (Aux $tense) (NP $subj) (VP $subj $tense $v))
+    ((S1 (Question $v)) -> (Be $tense) (NP $subj) (Be-Arg $subj $tense $v))
+
+    ((Be-Arg $subj $tense (Occur $tense (loc $subj $loc))) ->
+     (Loc-Adjunct $tense (loc $subj $loc)))
+
+    ((VP $subj $tense (Occur $tense $v)) -> (VP1 $subj $tense $v))
+    ((VP $subj $tense (Occur $tense $v)) -> (Aux $tense)(VP1 $subj present $v))
+
+    ((VP1 $subj $tense $v) -> (VP2 $subj $tense $v) (Adjunct? $v))
+
+    ((VP2 $subj $tense ($rel $subj $loc)) ->
+     (Verb/in $rel $tense))
+    ((VP2 $subj $tense ($rel $subj $loc $obj)) ->
+     (Verb/tr $rel $tense) (NP $obj))
+    ((VP2 $subj $tense ($rel $subj $loc $obj $obj2)) ->
+     (Verb/di $rel $tense) (NP $obj) (NP $obj2))
+    ((VP2 $subj $tense (loc $subj $loc)) ->
+     (Be $tense) (Loc-Adjunct $tense (loc $subj $loc)))
+
+    ((NP $n) -> (Pronoun $n))
+    ((NP $n) -> (Article) (Noun $n))
+    ((NP $n) -> (Noun $n))
+    ((NP ($x $y)) -> (Number $x) (Number $y))
+
+    ((PP ($prep $n)) -> (Prep $prep) (NP $n))
+    ((Adjunct? $v) ->)
+    ((Adjunct? $v) -> (Loc-Adjunct $tense $v))
+    #+Allegro ((Loc-Adjunct $tense ($rel $subj $loc @rest)) -> (PP $loc))
+    #+Allegro ((Loc-Adjunct $tense ($rel $subj $loc @rest)) -> (Adjunct $loc))
+    #+Lucid ((Loc-Adjunct $tense ($rel $subj $loc . $rest)) -> (PP $loc))
+    #+Lucid ((Loc-Adjunct $tense ($rel $subj $loc . $rest)) -> (Adjunct $loc))
+
+    )
+  :lexicon
+  '(
+    ((Acknowledge $a) -> (yes true) (no false) (maybe unknown) (huh unparsed))
+    ((Adjunct $loc) -> here there (nearby near) near left right up down)
+    ((Article) -> a an the)
+    ((Aux $tense) -> (will future) (did past) (do $finite))
+    ((Be $tense) -> (am present) (are present) (is present) (be $finite)
+     (was past) (were past))
+    ((Conjunction) -> and --)
+    ((Noun $n) -> gold Wumpus pit breeze stench glitter nothing)
+    ((Number $n) -> 0 1 2 3 4 5 6 7 8 9)
+    ((Prep $prep) -> in at to near)
+    ((Pronoun $n) -> (you self) (me master) (I master))
+
+    ((Verb/in $rel $tense) -> (go move $finite) (went move past)
+     (move move $finite) (move move past) (shoot shoot $finite))
+    ((Verb/tr $rel $tense) -> (move carry $finite) (moved carry past)
+     (carry carry $finite) (carry carried past)
+     (grab grab $finite) (grab grabbed past) (get grab $finite)
+     (got grab past) (release release $finite) (release release past)
+     (drop release $finite) (dropped release past) (shoot shoot-at $finite)
+     (shot shoot-at past) (kill shoot-at $finite) (killed shoot-at past)
+     (smell perceive $finite) (feel perceive $finite) (felt perceive past))
+    ((Verb/di $rel $tense) -> (bring bring $finite) (brought bring past)
+     (get bring $finite) (got bring past))
+    ))
+
+(defparameter *sentences*
+  '((I will shoot the wumpus at 4 4)
+    (yes)
+    (You went right -- I will go left)
+    (carry the gold)
+    (yes and no)
+    (did you bring me the gold)
+    (a breeze is here -- I am near 5 3)
+    (a stench is in 3 5)
+    (a pit is nearby)
+    (is the wumpus near)
+    (Did you go to 3 8)
+    (Yes -- Nothing is there)
+    (Shoot -- Shoot left)
+    (Kill the wumpus -- shoot up)))
+
+(defun ss (&optional (sentences *sentences*))
+  "Run some test sentences, and count how many were not parsed."
+  (count-if-not
+   #'(lambda (s)
+       (format t "~2&>>> ~(~{~a ~}~)~%" s)
+       (write (second (parse s)) :pretty t))
+   *sentences*))
diff --git a/test/comp/testdata/house.jpg b/test/comp/testdata/house.jpg
new file mode 100644
index 00000000..6b3aae8c
Binary files /dev/null and b/test/comp/testdata/house.jpg differ
diff --git a/test/comp/testdata/html b/test/comp/testdata/html
new file mode 100644
index 00000000..ef768ccd
--- /dev/null
+++ b/test/comp/testdata/html
@@ -0,0 +1 @@
+  content:             @ 1099872000000000: 'HTTP/1.1 200 OK\r\nX-Google-Crawl-Date: Mon, 08 Nov 2004 17:22:09 GMT\r\nContent-Type: text/html\r\nConnection: close\r\nX-Powered-By: PHP/4.3.8\r\nServer: Apache/1.3.31 (Unix) mod_gzip/1.3.19.1a PHP/4.3.8\r\nDate: Mon, 08 Nov 2004 17:19:07 GMT\r\n\r\n        <!DOCTYPE HTML PUBLIC \"-//W3C//DTD HTML 4.01 Transitional//EN\" \"http://www.w3.org/TR/html4/loose.dtd\">\r\n<html>\r\n<head>\r\n<meta http-equiv=\"Content-Type\" content=\"text/html; charset=ISO-8859-1\">\r\n<BASE target=\"_top\">\r\n\n<TITLE>Micro Achat : Ordinateurs, PDA -  Toute l\'informatique avec 01Informatique, L\'Ordinateur Individuel, Micro Hebdo, D\351cision Informatique et 01R\351seaux</TITLE>\r\n<META NAME=\"Description\" CONTENT=\"Micro Achat : Ordinateurs, PDA\">\r\n<META NAME=\"Keywords\" CONTENT=\"Micro Achat : Ordinateurs, PDA -  Toute l\'informatique avec 01Informatique, L\'Ordinateur Individuel, Micro Hebdo, D\351cision Informatique et 01R\351seaux\">\r\n<LINK REL=\"STYLESHEET\" TYPE=\"text/css\" HREF=\"http://www.01net.com/styles/01net.css\">\r\n<LINK REL=\"STYLESHEET\" TYPE=\"text/css\" HREF=\"http://www.01net.com/styles/tableau_autre.css\">\r\n<STYLE type=text/css>\r\nA{TEXT-DECORATION: none;color:#000000;}\r\nA:visited{TEXT-DECORATION: none;color:#000000;}\r\n</STYLE>\r\n<SCRIPT LANGUAGE=\"JavaScript1.1\">\r\nvar sameAsBigDay = new Date();\r\nvar ord = (sameAsBigDay.getTime());\r\nvar pubsMotsCles = \"\";\r\nvar exc;\r\nvar lienhautdepage = \"\";\r\nvar etatmessage = false;\r\nvar enchainement = false;\r\nsas_tmstp=Math.round(Math.random()*10000000000);\r\nfunction SmartAdServer(sas_pageid,sas_formatid,sas_master,sas_target) {\r\n if ((sas_master!=\'M\')&&(sas_master!=\'S\')) {sas_master=\'S\'};\r\n document.write(\'<SCR\'+\'IPT SRC=\"http://www.smartadserver.com/call/pubj/\' + sas_pageid + \'/\' + sas_formatid + \'/\'+sas_master + \'/\' + sas_tmstp + \'/\' + escape(sas_target) + \'?\"></SCR\'+\'IPT>\');\r\n}\r\n</SCRIPT>\r\n<SCRIPT LANGUAGE=\"JAVASCRIPT\" SRC=\"http://www.01net.com/js/exc.js\"></SCRIPT>\r\n<script language=\"javascript\" src=\"http://telecharger.01net.com/shopping/js/headservicesV4.js\"></script>\r\n<noscript>\r\n<a href=\"http://cinema.01net.com\">T\351l\351charger des bandes-annonces, des teasers, des extraits et des making of de vos films cin\351ma pr\351f\351r\351s</a>,\r\n<a href=\"http://www.01net.com/BusinessTechnologies/\">Portail leader de l\'information sur les nouvelles technologies - Actualites et enquetes sur l\'informatique et les NTIC (nouvelles technologies de l\'information et la communication). Exemples de sujets : e-business, telecoms, CRM, VPN, 3G, DSL, fournisseurs d\'acces, Linux, piratage, securite informatique, progiciel...</a><br>\r\n<a href=\"http://www.01net.com/securite_informatique.html\">s\351curit\351 informatique</a>,\r\n<a href=\"http://www.01net.com/strategies_ntic.html\">strat\351gies NTIC</a>,\r\n<a href=\"http://www.01net.com/piratage_informatique.html\">piratage informatique</a>,\r\n<a href=\"http://www.01net.com/technologie_dsl.html\">technologie DSL</a>,\r\n<a href=\"http://www.01net.com/solutions_vpn.html\">solutions VPN</a>,\r\n<a href=\"http://www.01net.com/strategie_e-business.html\">strat\351gies</a>,\r\n<a href=\"http://www.01net.com/outils_crm.html\">outils CRM</a>,\r\n<a href=\"http://www.01net.com/logiciel_linux.html\">logiciel Linux</a>,\r\n<a href=\"http://www.01net.com/fournisseur_d_acces.html\">fournisseur d\'acc\350s</a>,\r\n<a href=\"http://www.01net.com/progiciel.html\">progiciel</a>,\r\n<a 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href=\"http://codec.telecharger.01net.com/windows/Multimedia/encodeurs_et_decodeurs/\">codec encodeur d\351codeur</a>,\r\n<a href=\"http://software.telecharger.01net.com/\">software</a>,\r\n<a href=\"http://logiciels.telecharger.01net.com/\">logiciels</a>,\r\n<a href=\"http://gratuit.telecharger.01net.com/\">gratuit</a>,\r\n<a href=\"http://p2p.telecharger.01net.com/windows/Internet/partage/\">p2p peer to peer partage de fichiers</a>,\r\n<a href=\"http://securite.telecharger.01net.com/windows/Utilitaire/cryptage_et_securite/\">s\351curit\351</a>,\r\n<a href=\"http://compression-decompression.telecharger.01net.com/windows/Utilitaire/compression_et_decompression/\">compression et d\351compression</a>,\r\n<a href=\"http://divx.telecharger.01net.com/\">divx</a>,\r\n<a href=\"http://utilitaire.telecharger.01net.com/windows/Utilitaire/\">utilitaire</a>,\r\n<a href=\"http://jeux.telecharger.01net.com/windows/Jeux/\">jeux</a>,\r\n<a 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href=\"http://telephone_portable.telecharger.01net.com/mobile/\">t\351l\351phone portable</a>,\r\n<a href=\"http://telephone_mobile.telecharger.01net.com/mobile/\">t\351l\351phone mobile</a>\r\n</noscript>\r\n</head>\r\n</head>\r\n<body bgcolor=\"#FFFFFF\" text=\"#000000\" link=\"#000000\" marginwidth=0 marginheight=0 topmargin=0 leftmargin=0>\r\n<!-- + ZONE TETE -->\r\n<!-- ********** DEBUT MODELE INTERNE TETES MHA-tetev4 //-->\r\n<table width=100% height=66 cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td height=8 colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=8></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td valign=bottom><a href=\"http://microachat.01net.com\"><img src=\"http://www.01net.com/img/v4/logos_tete/tet_gauche-mha.gif\" border=0></a></td>\r\n\t\t<td valign=bottom bgcolor=#FFFFFF bbackground=\"http://www.01net.com/img/v4/tet_droite.gif\" width=100% style=\"background-image:url(/img/v4/tet_droite-mha.gif);background-position:bottom;background-repeat:repeat-x\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=66 align=left hspace=0 vspace=0></td>\r\n\t</tr>\r\n</table>\r\n<table width=100% cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td valign=top background=\"http://www.01net.com/img/v4/fond_date-mha.gif\" height=18 width=500><img src=\"http://www.01net.com/img/dot.gif\" width=500 height=1><br><img src=\"http://www.01net.com/img/dot.gif\" width=19 height=1><font face=\"Arial\" size=1 color=#666666 style=\"font-size: 11px;\"><b>Derni\350re mise \340 jour de cette page : lundi 8 novembre 2004&nbsp;&nbsp;|&nbsp;&nbsp;16:45</b></font></td>\r\n\t\t<td width=100% background=\"http://www.01net.com/img/v4/fond_date2-mha.gif\" height=18></td>\r\n\t</tr>\r\n</table>\r\n<!-- ********** FIN MODELE INTERNE TETES MHA-tetev4 //--> <!-- - ZONE TETE -->\r\n<!-- ***************************************************************************************************************************************************************************************************************************** //-->\r\n<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n<!-- DEBUT PARTIE PUB //-->\r\n\t<tr>\r\n<td align=center valign=middle colspan=2 background=\"http://www.01net.com/img/v4/fond_bann.gif\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br>\r\n<!-- + ZONE Z0 -->\r\n<SCRIPT LANGUAGE=\"JAVASCRIPT\">\r\nvar fa = \"\";\r\nvar fab = document.URL.toString();\r\nif (fab.indexOf(\"?fa\") != -1 || fab.indexOf(\"&fa\") != -1)\r\n{\r\nfa = \";!category=fai\";\r\n}\r\nvar etatmessage = false;\r\nvar enchainement = false;\r\n</SCRIPT>\r\n<SCRIPT LANGUAGE=\"JavaScript1.1\">\r\nsas_pageid=\'167/3872\';\r\nsas_formatid=95;\t\t\t// Format : Banner/Scope 468x60\r\nsas_master=\'M\';\t\t\t// Master : M=master or S=slave\r\nsas_target=exc + \'rubrique\';\t\t\t// Targeting\r\nSmartAdServer(sas_pageid,sas_formatid,sas_master,sas_target);\r\n</SCRIPT>\r\n <!-- - ZONE Z0 --></td>\r\n\t\t<td valign=top width=23 background=\"http://www.01net.com/img/v4/sep_verticale.gif\" ><img src=\"http://www.01net.com/img/dot.gif\" width=23 height=1><br></td>\r\n<td valign=top width=100% bgcolor=\"ffffff\" rowspan=3><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=125><br>\r\n<!-- +ZONE_Dn -->\r\n<!-- + ZONE D0 -->\r\n<!-- DEBUT MA_ColD -->\r\n<div style=\"background-color : #ffffff; width : 150px; padding-left : 5px; padding-right : 5px; font-family : Arial, Helvetica;\">\n\t\t\t\t\t<table style=\"border-spacing : 0; width : 146px; margin-top : 0px;\" cellspacing=\"0\">\n\t\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-produitsrecherches.gif\" alt=\"\" /></th></tr>\n\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Imagerie&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/12537-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/imagerie/moniteurs-lcd/l1720b/\">LG L1720B</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">332.89 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4043-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/veriton-7600g/\">Acer Veriton 7600G</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">705 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1903-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sn95g5/\">Shuttle SN95G5</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">375 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1259-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/cartes-meres/a7n8x-e-deluxe/\">Asus A7N8X-E Deluxe</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">91.99 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4687-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/ventilateur/sp-94/\">Thermalright SP-94</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">49 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr></table>\n\t\t\t\t<table style=\"border-spacing : 0px 1px; width : 146px; margin-top : 15px;\" cellspacing=\"0\">\n\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-revendeurmisajour.gif\" alt=\"\" /></th></tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">1 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Rhone-Alpes/Ain/pc-look\" style=\"color : #000000; text-decoration : none;\">PC Look</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">2 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Nord-Pas-de-Calais/Pas-de-Calais/atelier-informatique\" style=\"color : #000000; text-decoration : none;\">Atelier Informatique</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">3 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Val-de-Marne/zanax-multimedia\" style=\"color : #000000; text-decoration : none;\">Zanax Multim\351dia</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">4 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Hauts-de-Seine/misteroops\" style=\"color : #000000; text-decoration : none;\">MISTEROOPS</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">5 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/168-golden-avenue\" style=\"color : #000000; text-decoration : none;\">168 Golden Avenue</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">6 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-Saint-Denis/microchoix\" style=\"color : #000000; text-decoration : none;\">microchoix</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">7 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/e-soph\" style=\"color : #000000; text-decoration : none;\">e-Soph</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">8 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/13/pc-price-club\" style=\"color : #000000; text-decoration : none;\">PC Price Club</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">9 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-et-Marne/pc-77\" style=\"color : #000000; text-decoration : none;\">PC 77</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">10 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Alsace/Bas-Rhin/web-in-informatique\" style=\"color : #000000; text-decoration : none;\">Web In Informatique</a></td>\n\t\t\t\t</tr></table>\n\t\t\t\t</div>\n\t\t\t\t<br>\r\n<!-- FIN MA_ColD --> <!-- - ZONE D0 -->\r\n<!-- + ZONE D1 -->\r\n<!-- - ZONE D1 -->\r\n<!-- + ZONE D2 -->\r\n<!-- - ZONE D2 -->\r\n<!-- -ZONE_Dn -->\r\n</td>\r\n\t</tr>\r\n<!-- FIN PARTIE PUB //-->\r\n\t<tr>\r\n\t\t<td valign=top width=193 height=100% background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n\t\t<!-- contenu colonne de gauche //-->\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0  background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<!-- +ZONE_Gn -->\r\n<!-- + ZONE G0 -->\r\n<tr><!-- ********** DEBUT MHA_MenusChainesV4 //-->\r\n<td valign=top>\n<table border=0 cellpadding=0 cellspacing=0 width=193 bgcolor=#FFFFFF>\n<tr>\n<td background=\"/img/v4/menus/motifgauche_menus.gif\" width=20 rowspan=2><img src=\"/img/dot.gif\" width=20 height=20></td>\n<td width=173 colspan=2 bgcolor=#FFFFFF><img src=\"/img/dot.gif\" width=173 height=20></td>\n</tr>\n<tr>\n<td valign=top width=159>\n\n<a href=\"http://www.01net.com\"><img src=\"/img/v4/menus/mha/home01net-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com\"><img src=\"/img/v4/menus/mha/home-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4317.html\"><img src=\"/img/v4/menus/mha/ordinateurs-2.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4318.html\"><img src=\"/img/v4/menus/mha/composants-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4319.html\"><img src=\"/img/v4/menus/mha/stockage-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4320.html\"><img src=\"/img/v4/menus/mha/image-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4321.html\"><img src=\"/img/v4/menus/mha/peripheriques-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4322.html\"><img src=\"/img/v4/menus/mha/reseaux-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4323.html\"><img src=\"/img/v4/menus/mha/accessoires-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/guide-produits/\"><img src=\"/img/v4/menus/mha/comparateur-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/annuaire/\"><img src=\"/img/v4/menus/mha/annuaire-1.gif\" width=159 border=0></a><br></td>\n<td width=14><img src=\"/img/dot.gif\" width=14 height=14></td>\n</tr>\n<tr>\n<td colspan=3><img src=\"/img/v4/menus/bas_menus.gif\" width=193 height=31></td>\n</tr>\n</table></td><!-- ********** FIN MHA_MenusChainesV4 //--> </tr><!-- - ZONE G0 -->\r\n<!-- + ZONE G1 -->\r\n<tr><!-- DEBUT MODELE RUBRIQUE V4ColGaucheMHA //-->\r\n<!-- ********** DEBUT BLOC DernieresNewsTC //-->\r\n<td valign=top>\r\n<!-- DEBUT RECHERCHE MHA -->\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top background=\"http://microachat.01net.com/img/v4/fond_rech_mha.gif\" height=98 style=\"background-repeat:no-repeat;\"><form method=\"get\" name=\"chercher\" action=\"http://www.01net.com/aiguillage_recherche/1,6138,,00.html\"><img src=\"http://microachat.01net.com/img/dot.gif\" width=193 height=17><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"text\" name=\"fullText\" style=\"width:130px;font:12px;\"><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=6><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><select name=\"sousArbo\" style=\"width:130px;font:12px;\">\r\n\t\t\t<option value=\"mha\">dans Micro Achat\r\n\t\t\t<option value=\"cmp\">les prix\r\n\t\t\t<option value=\"ann\">les revendeurs\r\n\t\t\t<option value=\"2641\">tout 01net.\r\n\t\t\t<option value=\"emploi\">les offres d\'emploi\r\n\t\t\t<option value=\"telecharger\"> telecharger.com\r\n\t\t\t<option value=\"web\">le web\r\n\t\t\t</select><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://microachat.01net.com/img/v4/ok_bloc_recher_mha.gif\" border=\"0\"></form>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10 vspace=0>\r\n<!-- FIN RECHERCHE MHA -->\r\n      <!-- modele TCFilColgTitV4 //-->\r\n    <table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/ban/Ban_v4_DernieresNews01net.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/256059.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">CD et DVD bient\364t insensibles aux rayures<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255796.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">OpenOffice gagne son service<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255731.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">La messagerie en cinq minutes selon Ipswitch<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top colspan=2><A HREF=\"http://www.01net.com/actus/\" style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\">> toutes les news<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/crochet_bleuhaut_155.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20> <!-- ********** FIN BLOC DernieresNewsTC //-->\r\n<!-- ********** DEBUT BLOC  NL_MHA //-->\r\n<SCRIPT language=\"javascript\" src=\"http://www.01net.com/js/lib.js\"></SCRIPT>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"formgen\" method=\"get\" action=\"http://microachat.01net.com/outils/newsletter_MicroAchat.html\" onSubmit=\"return validateForm(this)\">\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/ban/Ban_V4_Newslett.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=153>\r\n\t\t<table width=153 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefinefd_ffffff.gif\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Recevez chaque jour l\'actualit\351 des produits et des promos<br></font>\r\n\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"email\" size=\"14\" style=\"width:130px;font:12px;\" value=\"entrez votre e-mail\" onFocus=\"javascript:document.formgen.email.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://www.01net.com/img/v4/ok_bloc_recher.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/v4/base_newsletters.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n<SCRIPT language=\"Javascript\">\r\ndocument.formgen.email.validator= \'notNullEmailPat\';\r\ndocument.formgen.email.nomvalidator= \'E-mail\';\r\n</SCRIPT>\r\n<!-- ********** FIN BLOC NL_MHA //-->\r\n</td>\r\n</tr>\r\n<tr>\r\n<!-- ********** DEBUT BLOC Actus ActusUneV4 //-->\r\n<td valign=top background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/ban/Ban_v4_LaUne.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/entreprise/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Entreprise</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://www.01net.com/article/255737.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Quand le billet papier s\'envole vers la d\351mat\351rialisation</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255737.html\"><img src=\"http://www.01net.com/img/MEA_v4/billet_virtuel-65.jpg\" border=0></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/pratique/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Trucs et astuces</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255698.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">D\351pannez Windows XP</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255698.html\"><img src=\"http://www.01net.com/img/MEA_v4/depannez_XP-65.jpg\" border=0 ></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t</tr>\r\n\t\t    <tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/conso/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Conso</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255524.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Vos photos sur papier imprimante ou labo ?<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t<!-- exemple de lien avec pseudorub pour produits et tests -->\r\n\t\t<!-- <a href=\"/outils/PseudoRub.php?base=test-comp&rub=1730&pseudo=test-comp20041005\"> -->\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/produits/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Produits &amp; Tests</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255782.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">5 programmes d\222encodage vid\351o gratuits<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n</td>\r\n<!-- ********** FIN BLOC Actus ActusUneV4 //-->    </tr>\r\n<tr>\r\n<td>\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top><a href=\"mailto:s.cohen@micro-achat.fr\"><img border=0 src=\"http://www.01net.com/img/v4/espace-revendeurs.gif\"></td>\r\n\t</tr>\r\n</table>\r\n<br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20></td>\r\n<!-- FIN MODELE RUBRIQUE V4ColGaucheMHA //-->  </tr><!-- - ZONE G1 -->\r\n<!-- + ZONE G2 -->\r\n<!-- - ZONE G2 -->\r\n<!-- + ZONE G3 -->\r\n<!-- - ZONE G3 -->\r\n<!-- + ZONE G4 -->\r\n<!-- - ZONE G4 -->\r\n<!-- + ZONE G5 -->\r\n<!-- - ZONE G5 -->\r\n<!-- + ZONE G6 -->\r\n<!-- - ZONE G6 -->\r\n<!-- + ZONE G7 -->\r\n<!-- - ZONE G7 -->\r\n<!-- + ZONE G8 -->\r\n<!-- - ZONE G8 -->\r\n<!-- + ZONE G9 -->\r\n<!-- - ZONE G9 -->\r\n<!-- + ZONE GA -->\r\n<!-- - ZONE GA -->\r\n<!-- + ZONE GB -->\r\n<!-- - ZONE GB -->\r\n<!-- + ZONE GC -->\r\n<!-- - ZONE GC -->\r\n<!-- + ZONE GD -->\r\n<!-- - ZONE GD -->\r\n<!-- + ZONE GE -->\r\n<!-- - ZONE GE -->\r\n<!-- + ZONE GF -->\r\n<!-- - ZONE GF -->\r\n<!-- -ZONE_Gn -->\r\n\t\t</table>\r\n\t\t<!-- fin contenu colonne de gauche //-->\r\n\t\t</td>\r\n<!-- ***************************************************************** DEBUT VENTRE*********************************************************************************************************************************************** //-->\r\n<!-- DEBUT WORK -->\r\n\t\t<td valign=top width=625 bgcolor=#ffffff><img src=\"http://www.01net.com/img/dot.gif\" width=625 height=1><br>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_hn -->\r\n<!-- + ZONE h0 -->\r\n<!-- MA_ban_int -->\r\n<td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=\"18\"><br>\r\n<!-- pour ordipda -->\r\n<table width=\"625\" cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"/img/v4/MA/Ban_MA_ordis.gif\"></td>\r\n\t</tr>\r\n</table>\r\n\t</td>\r\n<!-- /MA_ban_int -->     <!-- - ZONE h0 -->\r\n<!-- + ZONE h1 -->\r\n<!-- - ZONE h1 -->\r\n<!-- + ZONE h2 -->\r\n<!-- - ZONE h2 -->\r\n<!-- -ZONE_hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Hn -->\r\n<!-- + ZONE H0 -->\r\n<!-- Ma_int_Leader -->\r\n    <td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=320>\r\n<tr>\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Un nouvel ultra portable r\351alis\351 par Nec</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67509.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Le Versa S940 a un format r\351duit, mais ses performances sont \340 la hauteur.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1663&#160;\200</font>\r\n</td>\r\n<td width=17 background=\"/img/v4/MA/v4-fond-sep-mea-leader.gif\"><img src=\"/img/dot.gif\" width=17 height=1></td>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Asus pr\351sente trois petits nouveaux dans la gamme A3N</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67168.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Ces trois portables Centrino int\350grent, entre autres, une webcam et un contr\364leur Wi-Fi.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1346&#160;\200</font>\r\n</td>\r\n<td width=15><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t\t</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_int_Leader -->    <!-- - ZONE H0 -->\r\n<!-- + ZONE H1 -->\r\n<!-- - ZONE H1 -->\r\n<!-- + ZONE H2 -->\r\n<!-- MA_BP_MP -->\r\n<td valign=\"top\" width=\"100%\">\r\n\t<table width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\">\r\n\t<tr>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_BonPlan -->\r\n<td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=1 cellspacing=0 width=145 bgcolor=#CC0000>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">BON PLAN</a></font></td>\r\n</tr>\r\n<tr>\r\n<td  width=145>\r\n<div style=\"padding:5px;padding-left:5px;padding-fight:5px;margin:0px;margin-left:1px;margin-right:1px;background-color:#FFFFFF;\">\r\n<img src=\"/img/microachat/logo_shuttle_SB83G5.gif\" border=0><br>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:12px;\">Les derni\350res technologies INTEL dans un nouveau design pour ce shuttle haut de gamme, pour un prix abordable.<br></font>\r\n<center><a href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sb83g5/?fabriquant=1&page=1&tri=titre\"><img src=\"/img/microachat/mea_shuttle_SB83G5.gif\" border=0 vspace=5></a><br></center>\r\n<center>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:13px;\"><b>\340 partir de</b><br>\r\n<div style=\"border:solid 2px #CC0000;width:100px;background-color:#FFCC00;\"><b>415 \200</b></div>\r\n</center>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">publicit\351</a></font></td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_BonPlan -->  \t</td>\r\n\t<td width=\"15\"><img src=\"/img/dot.gif\" width=\"15\"></td>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_MeillPrixAct //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=145 height=1><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=18><br>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"prix\" action=\"http://www.micro-achat.01net.com/guide-produits/recherche.php\" method=\"post\">\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/ban/Ban_v4_MeillPrix_MA.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=143>\r\n\t\t<table width=143 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=6><img src=\"http://www.01net.com/img/dot.gif\" width=6 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"http://www.01net.com/img/ban/Ban_MA_trouv_ordi.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Desktops</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/portables/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Portables</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Mini-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/pda---tablets-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Pda / Tablets-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/apple/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Apple</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/gps/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">GPS</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20><br>\r\n\t\t\t\t\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"width:130px;font:12px;\" value=\"     recherche directe\" onFocus=\"javascript:document.prix.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/v4/MA/base_meillPrix.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_MeillPrixAct //-->  \t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n<!-- /MA_BP_MP -->  <!-- - ZONE H2 -->\r\n<!-- -ZONE_Hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Tn -->\r\n<!-- + ZONE T0 -->\r\n    <td valign=\"top\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n<tr>\r\n<td width=305><img src=\"http://www.01net.com/img/ban/Ban_v4_DernNews_MA.gif\"><br><img src=\"http://www.01net.com/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n</tr>\r\n<tr>\r\n<td bgcolor=\"#FEF9E0\">\r\n\t<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255149.html\" style=\"color:#000000;text-decoration:none;\">Toshiba consacre deux gammes de machines au multim\351dia</a></b><br>\r\n\t<font color=\"#000000\">Equipement haut de gamme et Windows Media Center sont au menu de ces portables \340 vocation multim\351dia.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Ordinateur&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254686.html\" style=\"color:#000000;text-decoration:none;\">Arriv\351e d\'un Power Mac G5 d\'entr\351e de gamme</a></b><br>\r\n\t<font color=\"#000000\">La firme \340 la pomme propose une station de travail \351volutive et relativement abordable.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>PC&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254549.html\" style=\"color:#000000;text-decoration:none;\">Alienware propose deux machines au look \351trange</a></b><br>\r\n\t<font color=\"#000000\">Aurora et Area 51 sont deux gammes d\'ordinateurs enti\350rement configurables.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254501.html\" style=\"color:#000000;text-decoration:none;\">Trois nouveaux iBook G4 chez Apple</a></b><br>\r\n\t<font color=\"#000000\">Chez Apple, les portables gagnent en vitesse et communiquent sans fil en standard.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t\t<tr>\r\n\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td align=\"right\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4365.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les news</font></a>\r\n\t\t\t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n</td> <!-- - ZONE T0 -->\r\n<!-- + ZONE T1 -->\r\n<!-- Ma_derpromo  -->\r\n    <td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=13><br>\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td bgcolor=\"#ffffff\"><img src=\"/img/v4/MA/v4-lespromos-mha.gif\"><br><img src=\"/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n</tr>\r\n</table>\r\n<!-- DEBUT MODELE D\'AFFICHAGE POUR LES n PREMIERS ARTICLES //-->\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255806.html\" class=\"nodeco\"><img src=\"/images/67462.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255806.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Asus A3N15-C Pro</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable autonome et puissant gr\342ce \340 la technologie Intel Centrino.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1170&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255688.html\" class=\"nodeco\"><img src=\"/images/67381.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255688.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Soltek EQ3702A Miroir</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Ce mini PC est une solution int\351ressante pour les utilisateurs poss\351dant d\351j\340 un \351cran.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>559&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255513.html\" class=\"nodeco\"><img src=\"/images/67319.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255513.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>IBM ThinkPad R51</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable complet et pourtant relativement l\351ger.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1299&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t\t<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n</tr>\r\n<tr>\r\n<td background=\"/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"/img/dot.gif\" height=1></td>\r\n</tr>\r\n<tr>\r\n<td align=\"right\" valign=\"top\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4366.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les promos</font></a>\r\n\t\t</td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_derpromo  -->   <!-- - ZONE T1 -->\r\n<!-- + ZONE T2 -->\r\n<!-- - ZONE T2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE T3 -->\r\n<!-- DEBUT MicroAchat MA_PubG -->\r\n<td valign=top align=center>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45590/[timestamp]?\" target=_blank><img src=\"/img/microachat/Bandeau_FX6021.jpg\" border=0></a></td>\r\n\t\t<td><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_PubG -->  <!-- - ZONE T3 -->\r\n<!-- + ZONE T4 -->\r\n<!-- DEBUT MicroAchat MA_PubD -->\r\n<td valign=top align=center>\r\n<table border=0 width=305 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45591/[timestamp]?\" target=_blank><img src=\"/img/microachat/twc_305x125.jpg\" border=0></a></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN  MicroAchat MA_PubD --> <!-- - ZONE T4 -->\r\n<!-- + ZONE T5 -->\r\n<!-- - ZONE T5 -->\r\n<!-- -ZONE_Tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n<!-- +ZONE_gn -->\r\n<!-- + ZONE g0 -->\r\n<!-- - ZONE g0 -->\r\n<!-- + ZONE g1 -->\r\n<!-- - ZONE g1 -->\r\n<!-- + ZONE g2 -->\r\n<!-- - ZONE g2 -->\r\n<!-- + ZONE g3 -->\r\n<!-- - ZONE g3 -->\r\n<!-- + ZONE g4 -->\r\n<!-- - ZONE g4 -->\r\n<!-- + ZONE g5 -->\r\n<!-- - ZONE g5 -->\r\n<!-- + ZONE g6 -->\r\n<!-- - ZONE g6 -->\r\n<!-- + ZONE g7 -->\r\n<!-- - ZONE g7 -->\r\n<!-- + ZONE g8 -->\r\n<!-- - ZONE g8 -->\r\n<!-- + ZONE g9 -->\r\n<!-- - ZONE g9 -->\r\n<!-- -ZONE_gn -->\r\n\t\t\t</table>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t\t\t<tr>\r\n<!-- +ZONE_Mn -->\r\n<!-- + ZONE M0 -->\r\n<!-- modele Ma_GuideAch //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_GuideAchat_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<center>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67088.jpg.res_121-111.jpg\" border=0 hspace=0 vspace=0></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n</center>\r\n<div style=\"padding:5px;\">\r\n<a href=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\"><b>Les graveurs de DVD</b><br></font></a>\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Quel graveur choisir&#160;? Quel type de format&#160;? Quelle vitesse&#160;? Double couche ou simple couche&#160;? Voici tout ce qu\'il faut savoir pour faire le bon choix.</font></div>\r\n\t\t\t\t\t\t</div>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M0 -->\r\n<!-- + ZONE M1 -->\r\n<!-- modele Ma_DirectLab //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_DirectLab_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255744.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Kodak EasyShare Printer Dock Plus&#160;:</b>\r\n\t\t\t\t\t\tvos photos 10&#160;x&#160;15&#160;cm en 60&#160;secondes</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255780.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>3DMark05&#160;:</b>\r\n\t\t\t\t\t\tun labo 3D \340 domicile</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255691.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>DVDInfoPro 2.6</b>\r\n\t\t\t\t\t\treconna\356t CD et DVD</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255722.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Scaleo PA D3008, de Fujitsu-Siemens&#160;:</b>\r\n\t\t\t\t\t\tune impression d\'inachev\351</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255514.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Carbon 5&#160;Go&#160;: 2&#160;500&#160;chansons dans le creux de la main</font></a></div>\r\n\t\t\t</div></td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M1 -->\r\n<!-- + ZONE M2 -->\r\n<!-- DEBUT MicroAchat MA_AnnTelec -->\r\n<td valign=top>\r\n<script type=\"text/javascript\">\r\nfunction regionChange()\r\n{\r\ndocument.selection.departement.options.length=0;\r\nswitch(document.selection.region.value)\r\n\t{\r\n\t\tcase \"aucun\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Nord-Pas-de-Calais\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pas-de-Calais\", \"Pas-de-Calais\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nord\", \"Nord\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Haute-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure\", \"Eure\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Maritime\", \"Seine-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Basse-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Manche\", \"Manche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Calvados\", \"Calvados\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Orne\", \"Orne\");\r\n\t\tbreak;\r\n\t\tcase \"Picardie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Somme\", \"Somme\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Oise\", \"Oise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aisne\", \"Aisne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bretagne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Finistere\", \"Finistere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cotes-dArmor\", \"Cotes-dArmor\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Morbihan\", \"Morbihan\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ille-et-Vilaine\", \"Ille-et-Vilaine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Pays-de-Loire\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire-Atlantique\", \"Loire-Atlantique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vendee\", \"Vendee\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Maine-et-Loire\", \"Maine-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayenne\", \"Mayenne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Sarthe\", \"Sarthe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Centre\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure-et-Loir\", \"Eure-et-Loir\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loiret\", \"Loiret\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loir-et-Cher\", \"Loir-et-Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre-et-Loire\", \"Indre-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre\", \"Indre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cher\", \"Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Ile-de-France\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-dOise\", \"Val-dOise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yvelines\", \"Yvelines\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Essonne\", \"Essonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-et-Marne\", \"Seine-et-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hauts-de-Seine\", \"Hauts-de-Seine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Saint-Denis\", \"Seine-Saint-Denis\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-de-Marne\", \"Val-de-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Paris\", \"Paris\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Champagnes-Ardennes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardennes\", \"Ardennes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Marne\", \"Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aube\", \"Aube\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Marne\", \"Haute-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Lorraine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vosges\", \"Vosges\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meurthe-et-Moselle\", \"Meurthe-et-Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meuse\", \"Meuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Moselle\", \"Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Alsace\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bas-Rhin\", \"Bas-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haut-Rhin\", \"Haut-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Franche-Compte\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Jura\", \"Jura\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Doubs\", \"Doubs\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Saone\", \"Haute-Saone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Territoire-de-Belfort\", \"Territoire-de-Belfort\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bourgogne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yonne\", \"Yonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nievre\", \"Nievre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cote-dOr\", \"Cote-dOr\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Saone-et-Loire\", \"Saone-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Poitou-Charentes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Deux-Sevres\", \"Deux-Sevres\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente-Maritime\", \"Charente-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente\", \"Charente\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vienne\", \"Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Limousin\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Vienne\", \"Haute-Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Correze\", \"Correze\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Creuse\", \"Creuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Auvergne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Allier\", \"Allier\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Puy-de-Dome\", \"Puy-de-Dome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cantal\", \"Cantal\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Loire\", \"Haute-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Rhone-Alpes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire\", \"Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Rhone\", \"Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ain\", \"Ain\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardeche\", \"Ardeche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Drome\", \"Drome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Isere\", \"Isere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Savoie\", \"Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Savoie\", \"Haute-Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Aquitaine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gironde\", \"Gironde\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Landes\", \"Landes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Atlantiques\", \"Pyrenees-Atlantiques\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot-et-Garonne\", \"Lot-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Dordogne\", \"Dordogne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Midi-Pyrenees\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot\", \"Lot\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn-et-Garonne\", \"Tarn-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gers\", \"Gers\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Pyrenees\", \"Hautes-Pyrenees\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Garonne\", \"Haute-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ariege\", \"Ariege\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn\", \"Tarn\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aveyron\", \"Aveyron\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Languedoc-Roussillon\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Orientales\", \"Pyrenees-Orientales\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aude\", \"Aude\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Herault\", \"Herault\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gard\", \"Gard\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lozere\", \"Lozere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Provence-Alpes-Cote-dazur\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bouches-du-Rhone\", \"Bouches-du-Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vaucluse\", \"Vaucluse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-de-haute-Provence\", \"Alpes-de-haute-Provence\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Alpes\", \"Hautes-Alpes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Var\", \"Var\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-Maritimes\", \"Alpes-Maritimes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Corse\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Corse-du-Sud\", \"Corse-du-Sud\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Corse\", \"Haute-Corse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"DomTom\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guadeloupe\", \"Guadeloupe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guyane\", \"Guyane\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"La-Reunion\", \"La-Reunion\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Martinique\", \"Martinique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayotte\", \"Mayotte\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"St-Pierre-et-Miquelon\", \"St-Pierre-et-Miquelon\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t}\r\n}\r\nfunction deptChange()\r\n{\r\nif (document.selection.departement.value == \'Paris\')\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'inline\';\r\nelse\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'none\';\r\n}\r\n</script>\r\n<table width=305 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td valign=top>\r\n\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_AnnuaiRev_MA.gif\" vspace=1></td>\r\n\t\t\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr><form action=\"http://micro-achat.01net.com/annuaire/recherche.php\" method=\"post\" name=\"selection\">\r\n\t\t\t\t<td bgcolor=#FFFFDD>\r\n\t\t\t\t<div style=\"border:solid 1px #FFCC00;width:100%\"><div style=\"padding:2px;\"><img src=\"http://www.01net.com/img/v4/MA/carte_revend.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Choisir une r\351gion</b><br></font>\r\n<select name=\"region\" onChange=\"regionChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n<option value=\"Nord-Pas-de-Calais\">Nord-Pas-de-Calais</option>\r\n<option value=\"Haute-Normandie\">Haute-Normandie</option>\r\n<option value=\"Basse-Normandie\">Basse-Normandie</option>\r\n<option value=\"Picardie\">Picardie</option>\r\n<option value=\"Bretagne\">Bretagne</option>\r\n<option value=\"Pays-de-Loire\">Pays-de-Loire</option>\r\n<option value=\"Centre\">Centre</option>\r\n<option value=\"Ile-de-France\">Ile-de-France</option>\r\n<option value=\"Champagnes-Ardennes\">Champagne ardennes</option>\r\n<option value=\"Lorraine\">Lorraine</option>\r\n<option value=\"Alsace\">Alsace</option>\r\n<option value=\"Franche-Compte\">Franche-Compte</option>\r\n<option value=\"Bourgogne\">Bourgogne</option>\r\n<option value=\"Poitou-Charentes\">Poitou-Charentes</option>\r\n<option value=\"Limousin\">Limousin</option>\r\n<option value=\"Auvergne\">Auvergne</option>\r\n<option value=\"Rhone-Alpes\">Rhone-Alpes</option>\r\n<option value=\"Aquitaine\">Aquitaine</option>\r\n<option value=\"Midi-Pyrenees\">Midi-Pyrenees</option>\r\n<option value=\"Languedoc-Roussillon\">Languedoc roussillon</option>\r\n<option value=\"Provence-Alpes-Cote-dazur\">PACA</option>\r\n<option value=\"Corse\">Corse</option>\r\n<option value=\"DomTom\">DomTom</option>\r\n</select>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un d\351partement</b><br></font>\r\n<select name=\"departement\" onChange=\"deptChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n</select>\r\n<div id=\"arrondissement\" style=\"display : none;\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un arrondissement</b><br></font>\r\n<select name=\"arrondissement\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"0\">-------------</option>\r\n<option value=\"1\">I</option>\r\n<option value=\"2\">II</option>\r\n<option value=\"3\">III</option>\r\n<option value=\"4\">IV</option>\r\n<option value=\"5\">V</option>\r\n<option value=\"6\">VI</option>\r\n<option value=\"7\">VII</option>\r\n<option value=\"8\">VIII</option>\r\n<option value=\"9\">IX</option>\r\n<option value=\"10\">X</option>\r\n<option value=\"11\">XI</option>\r\n<option value=\"12\">XII</option>\r\n<option value=\"13\">XIII</option>\r\n<option value=\"14\">XIV</option>\r\n<option value=\"15\">XV</option>\r\n<option value=\"16\">XVI</option>\r\n<option value=\"17\">XVII</option>\r\n<option value=\"18\">XVIII</option>\r\n<option value=\"19\">XIX</option>\r\n<option value=\"20\">XX</option>\r\n</select>\r\n</div>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche directe</b><br></font>\r\n\t\t\t\t<font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\"><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>rechercher une ville<br><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>et/ou une boutique<br></font>\r\n\t\t\t\t<input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;width:130px;\" value=\"\" onFocus=\"javascript:document.selection.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=3><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1>&nbsp;<input type=\"image\" src=\"http://www.01net.com/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\">\r\n\t\t\t\t<table height=23 width=135 cellspacing=0 cellpadding=0 border=0 bgcolor=#FFEE77>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td bgcolor=#FFEE77 valign=middle align=center><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://micro-achat.01net.com/annuaire/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche avanc\351e</b></font></a></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t</div>\r\n\t\t\t\t</div>\r\n\t\t\t\t</td>\r\n\t\t\t</tr></form>\r\n\t\t</table>\r\n\t\t</td>\r\n<!-- DEBUT MicroAchat MA_Telecharg //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/v4/MA/Ban_v4_MA_telec.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#DFECF6\">\r\n\t\t\t<tr>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"></td>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Bureautique\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Bureautique</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Traducteur, organiseur...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Multimedia\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Multim\351dia</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Photo, audio, vid\351o...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Utilitaire\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Utilitaires</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Antivirus, pilotes, gravure...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Personnaliser\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Personnaliser son PC</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Ecrans de veille, th\350mes...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Programmation\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>D\351veloppement</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Cr\351ation de logiciels, BDD...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Jeux\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Jeux</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Action, simulation...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Internet\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Internet</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Utilitaires, email, FTP...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Loisirs\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Loisirs</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Humour, culture...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_Telecharg //-->  \t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_AnnTelec --> <!-- - ZONE M2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE M3 -->\r\n<!-- - ZONE M3 -->\r\n<!-- + ZONE M4 -->\r\n<!-- - ZONE M4 -->\r\n<!-- + ZONE M5 -->\r\n<!-- - 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\ No newline at end of file
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@@ -0,0 +1 @@
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style=\"background-image:url(/img/v4/tet_droite-mha.gif);background-position:bottom;background-repeat:repeat-x\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=66 align=left hspace=0 vspace=0></td>\r\n\t</tr>\r\n</table>\r\n<table width=100% cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td valign=top background=\"http://www.01net.com/img/v4/fond_date-mha.gif\" height=18 width=500><img src=\"http://www.01net.com/img/dot.gif\" width=500 height=1><br><img src=\"http://www.01net.com/img/dot.gif\" width=19 height=1><font face=\"Arial\" size=1 color=#666666 style=\"font-size: 11px;\"><b>Derni\350re mise \340 jour de cette page : lundi 8 novembre 2004&nbsp;&nbsp;|&nbsp;&nbsp;16:45</b></font></td>\r\n\t\t<td width=100% background=\"http://www.01net.com/img/v4/fond_date2-mha.gif\" height=18></td>\r\n\t</tr>\r\n</table>\r\n<!-- ********** FIN MODELE INTERNE TETES MHA-tetev4 //--> <!-- - ZONE TETE -->\r\n<!-- 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background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Imagerie&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/12537-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/imagerie/moniteurs-lcd/l1720b/\">LG L1720B</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">332.89 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4043-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/veriton-7600g/\">Acer Veriton 7600G</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">705 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1903-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sn95g5/\">Shuttle SN95G5</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">375 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1259-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/cartes-meres/a7n8x-e-deluxe/\">Asus A7N8X-E Deluxe</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">91.99 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4687-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/ventilateur/sp-94/\">Thermalright SP-94</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">49 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr></table>\n\t\t\t\t<table style=\"border-spacing : 0px 1px; width : 146px; margin-top : 15px;\" cellspacing=\"0\">\n\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-revendeurmisajour.gif\" alt=\"\" /></th></tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">1 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Rhone-Alpes/Ain/pc-look\" style=\"color : #000000; text-decoration : none;\">PC Look</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">2 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Nord-Pas-de-Calais/Pas-de-Calais/atelier-informatique\" style=\"color : #000000; text-decoration : none;\">Atelier Informatique</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">3 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Val-de-Marne/zanax-multimedia\" style=\"color : #000000; text-decoration : none;\">Zanax Multim\351dia</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">4 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Hauts-de-Seine/misteroops\" style=\"color : #000000; text-decoration : none;\">MISTEROOPS</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">5 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/168-golden-avenue\" style=\"color : #000000; text-decoration : none;\">168 Golden Avenue</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">6 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-Saint-Denis/microchoix\" style=\"color : #000000; text-decoration : none;\">microchoix</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">7 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/e-soph\" style=\"color : #000000; text-decoration : none;\">e-Soph</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">8 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/13/pc-price-club\" style=\"color : #000000; text-decoration : none;\">PC Price Club</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">9 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-et-Marne/pc-77\" style=\"color : #000000; text-decoration : none;\">PC 77</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">10 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Alsace/Bas-Rhin/web-in-informatique\" style=\"color : #000000; text-decoration : none;\">Web In Informatique</a></td>\n\t\t\t\t</tr></table>\n\t\t\t\t</div>\n\t\t\t\t<br>\r\n<!-- FIN MA_ColD --> <!-- - ZONE D0 -->\r\n<!-- + ZONE D1 -->\r\n<!-- - ZONE D1 -->\r\n<!-- + ZONE D2 -->\r\n<!-- - ZONE D2 -->\r\n<!-- -ZONE_Dn -->\r\n</td>\r\n\t</tr>\r\n<!-- FIN PARTIE PUB //-->\r\n\t<tr>\r\n\t\t<td valign=top width=193 height=100% background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n\t\t<!-- contenu colonne de gauche //-->\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0  background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<!-- +ZONE_Gn -->\r\n<!-- + ZONE G0 -->\r\n<tr><!-- ********** DEBUT MHA_MenusChainesV4 //-->\r\n<td valign=top>\n<table border=0 cellpadding=0 cellspacing=0 width=193 bgcolor=#FFFFFF>\n<tr>\n<td background=\"/img/v4/menus/motifgauche_menus.gif\" width=20 rowspan=2><img src=\"/img/dot.gif\" width=20 height=20></td>\n<td width=173 colspan=2 bgcolor=#FFFFFF><img src=\"/img/dot.gif\" width=173 height=20></td>\n</tr>\n<tr>\n<td valign=top width=159>\n\n<a href=\"http://www.01net.com\"><img src=\"/img/v4/menus/mha/home01net-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com\"><img src=\"/img/v4/menus/mha/home-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4317.html\"><img src=\"/img/v4/menus/mha/ordinateurs-2.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4318.html\"><img src=\"/img/v4/menus/mha/composants-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4319.html\"><img src=\"/img/v4/menus/mha/stockage-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4320.html\"><img src=\"/img/v4/menus/mha/image-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4321.html\"><img src=\"/img/v4/menus/mha/peripheriques-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4322.html\"><img src=\"/img/v4/menus/mha/reseaux-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4323.html\"><img src=\"/img/v4/menus/mha/accessoires-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/guide-produits/\"><img src=\"/img/v4/menus/mha/comparateur-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/annuaire/\"><img src=\"/img/v4/menus/mha/annuaire-1.gif\" width=159 border=0></a><br></td>\n<td width=14><img src=\"/img/dot.gif\" width=14 height=14></td>\n</tr>\n<tr>\n<td colspan=3><img src=\"/img/v4/menus/bas_menus.gif\" width=193 height=31></td>\n</tr>\n</table></td><!-- ********** FIN MHA_MenusChainesV4 //--> </tr><!-- - ZONE G0 -->\r\n<!-- + ZONE G1 -->\r\n<tr><!-- DEBUT MODELE RUBRIQUE V4ColGaucheMHA //-->\r\n<!-- ********** DEBUT BLOC DernieresNewsTC //-->\r\n<td valign=top>\r\n<!-- DEBUT RECHERCHE MHA -->\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top background=\"http://microachat.01net.com/img/v4/fond_rech_mha.gif\" height=98 style=\"background-repeat:no-repeat;\"><form method=\"get\" name=\"chercher\" action=\"http://www.01net.com/aiguillage_recherche/1,6138,,00.html\"><img src=\"http://microachat.01net.com/img/dot.gif\" width=193 height=17><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"text\" name=\"fullText\" style=\"width:130px;font:12px;\"><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=6><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><select name=\"sousArbo\" style=\"width:130px;font:12px;\">\r\n\t\t\t<option value=\"mha\">dans Micro Achat\r\n\t\t\t<option value=\"cmp\">les prix\r\n\t\t\t<option value=\"ann\">les revendeurs\r\n\t\t\t<option value=\"2641\">tout 01net.\r\n\t\t\t<option value=\"emploi\">les offres d\'emploi\r\n\t\t\t<option value=\"telecharger\"> telecharger.com\r\n\t\t\t<option value=\"web\">le web\r\n\t\t\t</select><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://microachat.01net.com/img/v4/ok_bloc_recher_mha.gif\" border=\"0\"></form>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10 vspace=0>\r\n<!-- FIN RECHERCHE MHA -->\r\n      <!-- modele TCFilColgTitV4 //-->\r\n    <table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/ban/Ban_v4_DernieresNews01net.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/256059.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">CD et DVD bient\364t insensibles aux rayures<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255796.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">OpenOffice gagne son service<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255731.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">La messagerie en cinq minutes selon Ipswitch<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top colspan=2><A HREF=\"http://www.01net.com/actus/\" style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\">> toutes les news<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/crochet_bleuhaut_155.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20> <!-- ********** FIN BLOC DernieresNewsTC //-->\r\n<!-- ********** DEBUT BLOC  NL_MHA //-->\r\n<SCRIPT language=\"javascript\" src=\"http://www.01net.com/js/lib.js\"></SCRIPT>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"formgen\" method=\"get\" action=\"http://microachat.01net.com/outils/newsletter_MicroAchat.html\" onSubmit=\"return validateForm(this)\">\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/ban/Ban_V4_Newslett.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=153>\r\n\t\t<table width=153 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefinefd_ffffff.gif\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Recevez chaque jour l\'actualit\351 des produits et des promos<br></font>\r\n\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"email\" size=\"14\" style=\"width:130px;font:12px;\" value=\"entrez votre e-mail\" onFocus=\"javascript:document.formgen.email.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://www.01net.com/img/v4/ok_bloc_recher.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/v4/base_newsletters.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n<SCRIPT language=\"Javascript\">\r\ndocument.formgen.email.validator= \'notNullEmailPat\';\r\ndocument.formgen.email.nomvalidator= \'E-mail\';\r\n</SCRIPT>\r\n<!-- ********** FIN BLOC NL_MHA //-->\r\n</td>\r\n</tr>\r\n<tr>\r\n<!-- ********** DEBUT BLOC Actus ActusUneV4 //-->\r\n<td valign=top background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/ban/Ban_v4_LaUne.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/entreprise/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Entreprise</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://www.01net.com/article/255737.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Quand le billet papier s\'envole vers la d\351mat\351rialisation</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255737.html\"><img src=\"http://www.01net.com/img/MEA_v4/billet_virtuel-65.jpg\" border=0></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/pratique/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Trucs et astuces</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255698.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">D\351pannez Windows XP</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255698.html\"><img src=\"http://www.01net.com/img/MEA_v4/depannez_XP-65.jpg\" border=0 ></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t</tr>\r\n\t\t    <tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/conso/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Conso</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255524.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Vos photos sur papier imprimante ou labo ?<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t<!-- exemple de lien avec pseudorub pour produits et tests -->\r\n\t\t<!-- <a href=\"/outils/PseudoRub.php?base=test-comp&rub=1730&pseudo=test-comp20041005\"> -->\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/produits/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Produits &amp; Tests</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255782.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">5 programmes d\222encodage vid\351o gratuits<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n</td>\r\n<!-- ********** FIN BLOC Actus ActusUneV4 //-->    </tr>\r\n<tr>\r\n<td>\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top><a href=\"mailto:s.cohen@micro-achat.fr\"><img border=0 src=\"http://www.01net.com/img/v4/espace-revendeurs.gif\"></td>\r\n\t</tr>\r\n</table>\r\n<br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20></td>\r\n<!-- FIN MODELE RUBRIQUE V4ColGaucheMHA //-->  </tr><!-- - ZONE G1 -->\r\n<!-- + ZONE G2 -->\r\n<!-- - ZONE G2 -->\r\n<!-- + ZONE G3 -->\r\n<!-- - ZONE G3 -->\r\n<!-- + ZONE G4 -->\r\n<!-- - ZONE G4 -->\r\n<!-- + ZONE G5 -->\r\n<!-- - ZONE G5 -->\r\n<!-- + ZONE G6 -->\r\n<!-- - ZONE G6 -->\r\n<!-- + ZONE G7 -->\r\n<!-- - ZONE G7 -->\r\n<!-- + ZONE G8 -->\r\n<!-- - ZONE G8 -->\r\n<!-- + ZONE G9 -->\r\n<!-- - ZONE G9 -->\r\n<!-- + ZONE GA -->\r\n<!-- - ZONE GA -->\r\n<!-- + ZONE GB -->\r\n<!-- - ZONE GB -->\r\n<!-- + ZONE GC -->\r\n<!-- - ZONE GC -->\r\n<!-- + ZONE GD -->\r\n<!-- - ZONE GD -->\r\n<!-- + ZONE GE -->\r\n<!-- - ZONE GE -->\r\n<!-- + ZONE GF -->\r\n<!-- - ZONE GF -->\r\n<!-- -ZONE_Gn -->\r\n\t\t</table>\r\n\t\t<!-- fin contenu colonne de gauche //-->\r\n\t\t</td>\r\n<!-- ***************************************************************** DEBUT VENTRE*********************************************************************************************************************************************** //-->\r\n<!-- DEBUT WORK -->\r\n\t\t<td valign=top width=625 bgcolor=#ffffff><img src=\"http://www.01net.com/img/dot.gif\" width=625 height=1><br>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_hn -->\r\n<!-- + ZONE h0 -->\r\n<!-- MA_ban_int -->\r\n<td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=\"18\"><br>\r\n<!-- pour ordipda -->\r\n<table width=\"625\" cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"/img/v4/MA/Ban_MA_ordis.gif\"></td>\r\n\t</tr>\r\n</table>\r\n\t</td>\r\n<!-- /MA_ban_int -->     <!-- - ZONE h0 -->\r\n<!-- + ZONE h1 -->\r\n<!-- - ZONE h1 -->\r\n<!-- + ZONE h2 -->\r\n<!-- - ZONE h2 -->\r\n<!-- -ZONE_hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Hn -->\r\n<!-- + ZONE H0 -->\r\n<!-- Ma_int_Leader -->\r\n    <td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=320>\r\n<tr>\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Un nouvel ultra portable r\351alis\351 par Nec</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67509.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Le Versa S940 a un format r\351duit, mais ses performances sont \340 la hauteur.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1663&#160;\200</font>\r\n</td>\r\n<td width=17 background=\"/img/v4/MA/v4-fond-sep-mea-leader.gif\"><img src=\"/img/dot.gif\" width=17 height=1></td>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Asus pr\351sente trois petits nouveaux dans la gamme A3N</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67168.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Ces trois portables Centrino int\350grent, entre autres, une webcam et un contr\364leur Wi-Fi.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1346&#160;\200</font>\r\n</td>\r\n<td width=15><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t\t</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_int_Leader -->    <!-- - ZONE H0 -->\r\n<!-- + ZONE H1 -->\r\n<!-- - ZONE H1 -->\r\n<!-- + ZONE H2 -->\r\n<!-- MA_BP_MP -->\r\n<td valign=\"top\" width=\"100%\">\r\n\t<table width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\">\r\n\t<tr>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_BonPlan -->\r\n<td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=1 cellspacing=0 width=145 bgcolor=#CC0000>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">BON PLAN</a></font></td>\r\n</tr>\r\n<tr>\r\n<td  width=145>\r\n<div style=\"padding:5px;padding-left:5px;padding-fight:5px;margin:0px;margin-left:1px;margin-right:1px;background-color:#FFFFFF;\">\r\n<img src=\"/img/microachat/logo_shuttle_SB83G5.gif\" border=0><br>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:12px;\">Les derni\350res technologies INTEL dans un nouveau design pour ce shuttle haut de gamme, pour un prix abordable.<br></font>\r\n<center><a href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sb83g5/?fabriquant=1&page=1&tri=titre\"><img src=\"/img/microachat/mea_shuttle_SB83G5.gif\" border=0 vspace=5></a><br></center>\r\n<center>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:13px;\"><b>\340 partir de</b><br>\r\n<div style=\"border:solid 2px #CC0000;width:100px;background-color:#FFCC00;\"><b>415 \200</b></div>\r\n</center>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">publicit\351</a></font></td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_BonPlan -->  \t</td>\r\n\t<td width=\"15\"><img src=\"/img/dot.gif\" width=\"15\"></td>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_MeillPrixAct //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=145 height=1><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=18><br>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"prix\" action=\"http://www.micro-achat.01net.com/guide-produits/recherche.php\" method=\"post\">\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/ban/Ban_v4_MeillPrix_MA.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=143>\r\n\t\t<table width=143 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=6><img src=\"http://www.01net.com/img/dot.gif\" width=6 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"http://www.01net.com/img/ban/Ban_MA_trouv_ordi.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Desktops</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/portables/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Portables</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Mini-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/pda---tablets-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Pda / Tablets-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/apple/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Apple</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/gps/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">GPS</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20><br>\r\n\t\t\t\t\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"width:130px;font:12px;\" value=\"     recherche directe\" onFocus=\"javascript:document.prix.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/v4/MA/base_meillPrix.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_MeillPrixAct //-->  \t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n<!-- /MA_BP_MP -->  <!-- - ZONE H2 -->\r\n<!-- -ZONE_Hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Tn -->\r\n<!-- + ZONE T0 -->\r\n    <td valign=\"top\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n<tr>\r\n<td width=305><img src=\"http://www.01net.com/img/ban/Ban_v4_DernNews_MA.gif\"><br><img src=\"http://www.01net.com/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n</tr>\r\n<tr>\r\n<td bgcolor=\"#FEF9E0\">\r\n\t<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255149.html\" style=\"color:#000000;text-decoration:none;\">Toshiba consacre deux gammes de machines au multim\351dia</a></b><br>\r\n\t<font color=\"#000000\">Equipement haut de gamme et Windows Media Center sont au menu de ces portables \340 vocation multim\351dia.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Ordinateur&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254686.html\" style=\"color:#000000;text-decoration:none;\">Arriv\351e d\'un Power Mac G5 d\'entr\351e de gamme</a></b><br>\r\n\t<font color=\"#000000\">La firme \340 la pomme propose une station de travail \351volutive et relativement abordable.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>PC&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254549.html\" style=\"color:#000000;text-decoration:none;\">Alienware propose deux machines au look \351trange</a></b><br>\r\n\t<font color=\"#000000\">Aurora et Area 51 sont deux gammes d\'ordinateurs enti\350rement configurables.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254501.html\" style=\"color:#000000;text-decoration:none;\">Trois nouveaux iBook G4 chez Apple</a></b><br>\r\n\t<font color=\"#000000\">Chez Apple, les portables gagnent en vitesse et communiquent sans fil en standard.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t\t<tr>\r\n\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td align=\"right\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4365.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les news</font></a>\r\n\t\t\t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n</td> <!-- - ZONE T0 -->\r\n<!-- + ZONE T1 -->\r\n<!-- Ma_derpromo  -->\r\n    <td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=13><br>\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td bgcolor=\"#ffffff\"><img src=\"/img/v4/MA/v4-lespromos-mha.gif\"><br><img src=\"/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n</tr>\r\n</table>\r\n<!-- DEBUT MODELE D\'AFFICHAGE POUR LES n PREMIERS ARTICLES //-->\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255806.html\" class=\"nodeco\"><img src=\"/images/67462.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255806.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Asus A3N15-C Pro</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable autonome et puissant gr\342ce \340 la technologie Intel Centrino.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1170&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255688.html\" class=\"nodeco\"><img src=\"/images/67381.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255688.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Soltek EQ3702A Miroir</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Ce mini PC est une solution int\351ressante pour les utilisateurs poss\351dant d\351j\340 un \351cran.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>559&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255513.html\" class=\"nodeco\"><img src=\"/images/67319.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255513.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>IBM ThinkPad R51</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable complet et pourtant relativement l\351ger.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1299&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t\t<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n</tr>\r\n<tr>\r\n<td background=\"/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"/img/dot.gif\" height=1></td>\r\n</tr>\r\n<tr>\r\n<td align=\"right\" valign=\"top\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4366.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les promos</font></a>\r\n\t\t</td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_derpromo  -->   <!-- - ZONE T1 -->\r\n<!-- + ZONE T2 -->\r\n<!-- - ZONE T2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE T3 -->\r\n<!-- DEBUT MicroAchat MA_PubG -->\r\n<td valign=top align=center>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45590/[timestamp]?\" target=_blank><img src=\"/img/microachat/Bandeau_FX6021.jpg\" border=0></a></td>\r\n\t\t<td><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_PubG -->  <!-- - ZONE T3 -->\r\n<!-- + ZONE T4 -->\r\n<!-- DEBUT MicroAchat MA_PubD -->\r\n<td valign=top align=center>\r\n<table border=0 width=305 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45591/[timestamp]?\" target=_blank><img src=\"/img/microachat/twc_305x125.jpg\" border=0></a></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN  MicroAchat MA_PubD --> <!-- - ZONE T4 -->\r\n<!-- + ZONE T5 -->\r\n<!-- - ZONE T5 -->\r\n<!-- -ZONE_Tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n<!-- +ZONE_gn -->\r\n<!-- + ZONE g0 -->\r\n<!-- - ZONE g0 -->\r\n<!-- + ZONE g1 -->\r\n<!-- - ZONE g1 -->\r\n<!-- + ZONE g2 -->\r\n<!-- - ZONE g2 -->\r\n<!-- + ZONE g3 -->\r\n<!-- - ZONE g3 -->\r\n<!-- + ZONE g4 -->\r\n<!-- - ZONE g4 -->\r\n<!-- + ZONE g5 -->\r\n<!-- - ZONE g5 -->\r\n<!-- + ZONE g6 -->\r\n<!-- - ZONE g6 -->\r\n<!-- + ZONE g7 -->\r\n<!-- - ZONE g7 -->\r\n<!-- + ZONE g8 -->\r\n<!-- - ZONE g8 -->\r\n<!-- + ZONE g9 -->\r\n<!-- - ZONE g9 -->\r\n<!-- -ZONE_gn -->\r\n\t\t\t</table>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t\t\t<tr>\r\n<!-- +ZONE_Mn -->\r\n<!-- + ZONE M0 -->\r\n<!-- modele Ma_GuideAch //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_GuideAchat_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<center>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67088.jpg.res_121-111.jpg\" border=0 hspace=0 vspace=0></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n</center>\r\n<div style=\"padding:5px;\">\r\n<a href=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\"><b>Les graveurs de DVD</b><br></font></a>\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Quel graveur choisir&#160;? Quel type de format&#160;? Quelle vitesse&#160;? Double couche ou simple couche&#160;? Voici tout ce qu\'il faut savoir pour faire le bon choix.</font></div>\r\n\t\t\t\t\t\t</div>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M0 -->\r\n<!-- + ZONE M1 -->\r\n<!-- modele Ma_DirectLab //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_DirectLab_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255744.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Kodak EasyShare Printer Dock Plus&#160;:</b>\r\n\t\t\t\t\t\tvos photos 10&#160;x&#160;15&#160;cm en 60&#160;secondes</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255780.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>3DMark05&#160;:</b>\r\n\t\t\t\t\t\tun labo 3D \340 domicile</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255691.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>DVDInfoPro 2.6</b>\r\n\t\t\t\t\t\treconna\356t CD et DVD</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255722.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Scaleo PA D3008, de Fujitsu-Siemens&#160;:</b>\r\n\t\t\t\t\t\tune impression d\'inachev\351</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255514.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Carbon 5&#160;Go&#160;: 2&#160;500&#160;chansons dans le creux de la main</font></a></div>\r\n\t\t\t</div></td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M1 -->\r\n<!-- + ZONE M2 -->\r\n<!-- DEBUT MicroAchat MA_AnnTelec -->\r\n<td valign=top>\r\n<script type=\"text/javascript\">\r\nfunction regionChange()\r\n{\r\ndocument.selection.departement.options.length=0;\r\nswitch(document.selection.region.value)\r\n\t{\r\n\t\tcase \"aucun\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Nord-Pas-de-Calais\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pas-de-Calais\", \"Pas-de-Calais\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nord\", \"Nord\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Haute-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure\", \"Eure\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Maritime\", \"Seine-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Basse-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Manche\", \"Manche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Calvados\", \"Calvados\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Orne\", \"Orne\");\r\n\t\tbreak;\r\n\t\tcase \"Picardie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Somme\", \"Somme\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Oise\", \"Oise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aisne\", \"Aisne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bretagne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Finistere\", \"Finistere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cotes-dArmor\", \"Cotes-dArmor\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Morbihan\", \"Morbihan\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ille-et-Vilaine\", \"Ille-et-Vilaine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Pays-de-Loire\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire-Atlantique\", \"Loire-Atlantique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vendee\", \"Vendee\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Maine-et-Loire\", \"Maine-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayenne\", \"Mayenne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Sarthe\", \"Sarthe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Centre\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure-et-Loir\", \"Eure-et-Loir\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loiret\", \"Loiret\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loir-et-Cher\", \"Loir-et-Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre-et-Loire\", \"Indre-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre\", \"Indre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cher\", \"Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Ile-de-France\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-dOise\", \"Val-dOise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yvelines\", \"Yvelines\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Essonne\", \"Essonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-et-Marne\", \"Seine-et-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hauts-de-Seine\", \"Hauts-de-Seine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Saint-Denis\", \"Seine-Saint-Denis\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-de-Marne\", \"Val-de-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Paris\", \"Paris\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Champagnes-Ardennes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardennes\", \"Ardennes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Marne\", \"Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aube\", \"Aube\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Marne\", \"Haute-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Lorraine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vosges\", \"Vosges\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meurthe-et-Moselle\", \"Meurthe-et-Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meuse\", \"Meuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Moselle\", \"Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Alsace\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bas-Rhin\", \"Bas-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haut-Rhin\", \"Haut-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Franche-Compte\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Jura\", \"Jura\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Doubs\", \"Doubs\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Saone\", \"Haute-Saone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Territoire-de-Belfort\", \"Territoire-de-Belfort\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bourgogne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yonne\", \"Yonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nievre\", \"Nievre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cote-dOr\", \"Cote-dOr\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Saone-et-Loire\", \"Saone-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Poitou-Charentes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Deux-Sevres\", \"Deux-Sevres\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente-Maritime\", \"Charente-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente\", \"Charente\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vienne\", \"Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Limousin\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Vienne\", \"Haute-Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Correze\", \"Correze\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Creuse\", \"Creuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Auvergne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Allier\", \"Allier\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Puy-de-Dome\", \"Puy-de-Dome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cantal\", \"Cantal\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Loire\", \"Haute-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Rhone-Alpes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire\", \"Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Rhone\", \"Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ain\", \"Ain\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardeche\", \"Ardeche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Drome\", \"Drome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Isere\", \"Isere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Savoie\", \"Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Savoie\", \"Haute-Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Aquitaine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gironde\", \"Gironde\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Landes\", \"Landes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Atlantiques\", \"Pyrenees-Atlantiques\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot-et-Garonne\", \"Lot-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Dordogne\", \"Dordogne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Midi-Pyrenees\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot\", \"Lot\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn-et-Garonne\", \"Tarn-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gers\", \"Gers\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Pyrenees\", \"Hautes-Pyrenees\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Garonne\", \"Haute-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ariege\", \"Ariege\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn\", \"Tarn\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aveyron\", \"Aveyron\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Languedoc-Roussillon\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Orientales\", \"Pyrenees-Orientales\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aude\", \"Aude\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Herault\", \"Herault\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gard\", \"Gard\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lozere\", \"Lozere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Provence-Alpes-Cote-dazur\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bouches-du-Rhone\", \"Bouches-du-Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vaucluse\", \"Vaucluse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-de-haute-Provence\", \"Alpes-de-haute-Provence\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Alpes\", \"Hautes-Alpes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Var\", \"Var\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-Maritimes\", \"Alpes-Maritimes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Corse\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Corse-du-Sud\", \"Corse-du-Sud\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Corse\", \"Haute-Corse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"DomTom\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guadeloupe\", \"Guadeloupe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guyane\", \"Guyane\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"La-Reunion\", \"La-Reunion\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Martinique\", \"Martinique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayotte\", \"Mayotte\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"St-Pierre-et-Miquelon\", \"St-Pierre-et-Miquelon\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t}\r\n}\r\nfunction deptChange()\r\n{\r\nif (document.selection.departement.value == \'Paris\')\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'inline\';\r\nelse\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'none\';\r\n}\r\n</script>\r\n<table width=305 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td valign=top>\r\n\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_AnnuaiRev_MA.gif\" vspace=1></td>\r\n\t\t\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr><form action=\"http://micro-achat.01net.com/annuaire/recherche.php\" method=\"post\" name=\"selection\">\r\n\t\t\t\t<td bgcolor=#FFFFDD>\r\n\t\t\t\t<div style=\"border:solid 1px #FFCC00;width:100%\"><div style=\"padding:2px;\"><img src=\"http://www.01net.com/img/v4/MA/carte_revend.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Choisir une r\351gion</b><br></font>\r\n<select name=\"region\" onChange=\"regionChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n<option value=\"Nord-Pas-de-Calais\">Nord-Pas-de-Calais</option>\r\n<option value=\"Haute-Normandie\">Haute-Normandie</option>\r\n<option value=\"Basse-Normandie\">Basse-Normandie</option>\r\n<option value=\"Picardie\">Picardie</option>\r\n<option value=\"Bretagne\">Bretagne</option>\r\n<option value=\"Pays-de-Loire\">Pays-de-Loire</option>\r\n<option value=\"Centre\">Centre</option>\r\n<option value=\"Ile-de-France\">Ile-de-France</option>\r\n<option value=\"Champagnes-Ardennes\">Champagne ardennes</option>\r\n<option value=\"Lorraine\">Lorraine</option>\r\n<option value=\"Alsace\">Alsace</option>\r\n<option value=\"Franche-Compte\">Franche-Compte</option>\r\n<option value=\"Bourgogne\">Bourgogne</option>\r\n<option value=\"Poitou-Charentes\">Poitou-Charentes</option>\r\n<option value=\"Limousin\">Limousin</option>\r\n<option value=\"Auvergne\">Auvergne</option>\r\n<option value=\"Rhone-Alpes\">Rhone-Alpes</option>\r\n<option value=\"Aquitaine\">Aquitaine</option>\r\n<option value=\"Midi-Pyrenees\">Midi-Pyrenees</option>\r\n<option value=\"Languedoc-Roussillon\">Languedoc roussillon</option>\r\n<option value=\"Provence-Alpes-Cote-dazur\">PACA</option>\r\n<option value=\"Corse\">Corse</option>\r\n<option value=\"DomTom\">DomTom</option>\r\n</select>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un d\351partement</b><br></font>\r\n<select name=\"departement\" onChange=\"deptChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n</select>\r\n<div id=\"arrondissement\" style=\"display : none;\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un arrondissement</b><br></font>\r\n<select name=\"arrondissement\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"0\">-------------</option>\r\n<option value=\"1\">I</option>\r\n<option value=\"2\">II</option>\r\n<option value=\"3\">III</option>\r\n<option value=\"4\">IV</option>\r\n<option value=\"5\">V</option>\r\n<option value=\"6\">VI</option>\r\n<option value=\"7\">VII</option>\r\n<option value=\"8\">VIII</option>\r\n<option value=\"9\">IX</option>\r\n<option value=\"10\">X</option>\r\n<option value=\"11\">XI</option>\r\n<option value=\"12\">XII</option>\r\n<option value=\"13\">XIII</option>\r\n<option value=\"14\">XIV</option>\r\n<option value=\"15\">XV</option>\r\n<option value=\"16\">XVI</option>\r\n<option value=\"17\">XVII</option>\r\n<option value=\"18\">XVIII</option>\r\n<option value=\"19\">XIX</option>\r\n<option value=\"20\">XX</option>\r\n</select>\r\n</div>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche directe</b><br></font>\r\n\t\t\t\t<font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\"><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>rechercher une ville<br><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>et/ou une boutique<br></font>\r\n\t\t\t\t<input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;width:130px;\" value=\"\" onFocus=\"javascript:document.selection.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=3><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1>&nbsp;<input type=\"image\" src=\"http://www.01net.com/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\">\r\n\t\t\t\t<table height=23 width=135 cellspacing=0 cellpadding=0 border=0 bgcolor=#FFEE77>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td bgcolor=#FFEE77 valign=middle align=center><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://micro-achat.01net.com/annuaire/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche avanc\351e</b></font></a></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t</div>\r\n\t\t\t\t</div>\r\n\t\t\t\t</td>\r\n\t\t\t</tr></form>\r\n\t\t</table>\r\n\t\t</td>\r\n<!-- DEBUT MicroAchat MA_Telecharg //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/v4/MA/Ban_v4_MA_telec.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#DFECF6\">\r\n\t\t\t<tr>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"></td>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Bureautique\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Bureautique</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Traducteur, organiseur...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Multimedia\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Multim\351dia</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Photo, audio, vid\351o...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Utilitaire\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Utilitaires</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Antivirus, pilotes, gravure...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Personnaliser\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 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style=\"background-image:url(/img/v4/tet_droite-mha.gif);background-position:bottom;background-repeat:repeat-x\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=66 align=left hspace=0 vspace=0></td>\r\n\t</tr>\r\n</table>\r\n<table width=100% cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td valign=top background=\"http://www.01net.com/img/v4/fond_date-mha.gif\" height=18 width=500><img src=\"http://www.01net.com/img/dot.gif\" width=500 height=1><br><img src=\"http://www.01net.com/img/dot.gif\" width=19 height=1><font face=\"Arial\" size=1 color=#666666 style=\"font-size: 11px;\"><b>Derni\350re mise \340 jour de cette page : lundi 8 novembre 2004&nbsp;&nbsp;|&nbsp;&nbsp;16:45</b></font></td>\r\n\t\t<td width=100% background=\"http://www.01net.com/img/v4/fond_date2-mha.gif\" height=18></td>\r\n\t</tr>\r\n</table>\r\n<!-- ********** FIN MODELE INTERNE TETES MHA-tetev4 //--> <!-- - ZONE TETE -->\r\n<!-- 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background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Imagerie&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/12537-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/imagerie/moniteurs-lcd/l1720b/\">LG L1720B</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">332.89 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4043-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/veriton-7600g/\">Acer Veriton 7600G</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">705 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1903-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sn95g5/\">Shuttle SN95G5</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">375 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style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">91.99 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4687-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/ventilateur/sp-94/\">Thermalright SP-94</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">49 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr></table>\n\t\t\t\t<table style=\"border-spacing : 0px 1px; width : 146px; margin-top : 15px;\" cellspacing=\"0\">\n\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-revendeurmisajour.gif\" alt=\"\" /></th></tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">1 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Rhone-Alpes/Ain/pc-look\" style=\"color : #000000; text-decoration : none;\">PC Look</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">2 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Nord-Pas-de-Calais/Pas-de-Calais/atelier-informatique\" style=\"color : #000000; text-decoration : none;\">Atelier Informatique</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">3 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Val-de-Marne/zanax-multimedia\" style=\"color : #000000; text-decoration : none;\">Zanax Multim\351dia</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">4 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Hauts-de-Seine/misteroops\" style=\"color : #000000; text-decoration : none;\">MISTEROOPS</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">5 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/168-golden-avenue\" style=\"color : #000000; text-decoration : none;\">168 Golden Avenue</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">6 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-Saint-Denis/microchoix\" style=\"color : #000000; text-decoration : none;\">microchoix</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">7 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/e-soph\" style=\"color : #000000; text-decoration : none;\">e-Soph</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">8 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/13/pc-price-club\" style=\"color : #000000; text-decoration : none;\">PC Price Club</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">9 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-et-Marne/pc-77\" style=\"color : #000000; text-decoration : none;\">PC 77</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">10 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Alsace/Bas-Rhin/web-in-informatique\" style=\"color : #000000; text-decoration : none;\">Web In Informatique</a></td>\n\t\t\t\t</tr></table>\n\t\t\t\t</div>\n\t\t\t\t<br>\r\n<!-- FIN MA_ColD --> <!-- - ZONE D0 -->\r\n<!-- + ZONE D1 -->\r\n<!-- - ZONE D1 -->\r\n<!-- + ZONE D2 -->\r\n<!-- - ZONE D2 -->\r\n<!-- -ZONE_Dn -->\r\n</td>\r\n\t</tr>\r\n<!-- FIN PARTIE PUB //-->\r\n\t<tr>\r\n\t\t<td valign=top width=193 height=100% background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n\t\t<!-- contenu colonne de gauche //-->\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0  background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<!-- +ZONE_Gn -->\r\n<!-- + ZONE G0 -->\r\n<tr><!-- ********** DEBUT MHA_MenusChainesV4 //-->\r\n<td valign=top>\n<table border=0 cellpadding=0 cellspacing=0 width=193 bgcolor=#FFFFFF>\n<tr>\n<td background=\"/img/v4/menus/motifgauche_menus.gif\" width=20 rowspan=2><img src=\"/img/dot.gif\" width=20 height=20></td>\n<td width=173 colspan=2 bgcolor=#FFFFFF><img src=\"/img/dot.gif\" width=173 height=20></td>\n</tr>\n<tr>\n<td valign=top width=159>\n\n<a href=\"http://www.01net.com\"><img src=\"/img/v4/menus/mha/home01net-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com\"><img src=\"/img/v4/menus/mha/home-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4317.html\"><img src=\"/img/v4/menus/mha/ordinateurs-2.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4318.html\"><img src=\"/img/v4/menus/mha/composants-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4319.html\"><img src=\"/img/v4/menus/mha/stockage-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4320.html\"><img src=\"/img/v4/menus/mha/image-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4321.html\"><img src=\"/img/v4/menus/mha/peripheriques-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4322.html\"><img src=\"/img/v4/menus/mha/reseaux-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4323.html\"><img src=\"/img/v4/menus/mha/accessoires-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/guide-produits/\"><img src=\"/img/v4/menus/mha/comparateur-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/annuaire/\"><img src=\"/img/v4/menus/mha/annuaire-1.gif\" width=159 border=0></a><br></td>\n<td width=14><img src=\"/img/dot.gif\" width=14 height=14></td>\n</tr>\n<tr>\n<td colspan=3><img src=\"/img/v4/menus/bas_menus.gif\" width=193 height=31></td>\n</tr>\n</table></td><!-- ********** FIN MHA_MenusChainesV4 //--> </tr><!-- - ZONE G0 -->\r\n<!-- + ZONE G1 -->\r\n<tr><!-- DEBUT MODELE RUBRIQUE V4ColGaucheMHA //-->\r\n<!-- ********** DEBUT BLOC DernieresNewsTC //-->\r\n<td valign=top>\r\n<!-- DEBUT RECHERCHE MHA -->\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top background=\"http://microachat.01net.com/img/v4/fond_rech_mha.gif\" height=98 style=\"background-repeat:no-repeat;\"><form method=\"get\" name=\"chercher\" action=\"http://www.01net.com/aiguillage_recherche/1,6138,,00.html\"><img src=\"http://microachat.01net.com/img/dot.gif\" width=193 height=17><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"text\" name=\"fullText\" style=\"width:130px;font:12px;\"><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=6><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><select name=\"sousArbo\" style=\"width:130px;font:12px;\">\r\n\t\t\t<option value=\"mha\">dans Micro Achat\r\n\t\t\t<option value=\"cmp\">les prix\r\n\t\t\t<option value=\"ann\">les revendeurs\r\n\t\t\t<option value=\"2641\">tout 01net.\r\n\t\t\t<option value=\"emploi\">les offres d\'emploi\r\n\t\t\t<option value=\"telecharger\"> telecharger.com\r\n\t\t\t<option value=\"web\">le web\r\n\t\t\t</select><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://microachat.01net.com/img/v4/ok_bloc_recher_mha.gif\" border=\"0\"></form>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10 vspace=0>\r\n<!-- FIN RECHERCHE MHA -->\r\n      <!-- modele TCFilColgTitV4 //-->\r\n    <table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/ban/Ban_v4_DernieresNews01net.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/256059.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">CD et DVD bient\364t insensibles aux rayures<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255796.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">OpenOffice gagne son service<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255731.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">La messagerie en cinq minutes selon Ipswitch<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top colspan=2><A HREF=\"http://www.01net.com/actus/\" style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\">> toutes les news<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/crochet_bleuhaut_155.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20> <!-- ********** FIN BLOC DernieresNewsTC //-->\r\n<!-- ********** DEBUT BLOC  NL_MHA //-->\r\n<SCRIPT language=\"javascript\" src=\"http://www.01net.com/js/lib.js\"></SCRIPT>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"formgen\" method=\"get\" action=\"http://microachat.01net.com/outils/newsletter_MicroAchat.html\" onSubmit=\"return validateForm(this)\">\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/ban/Ban_V4_Newslett.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=153>\r\n\t\t<table width=153 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefinefd_ffffff.gif\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Recevez chaque jour l\'actualit\351 des produits et des promos<br></font>\r\n\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"email\" size=\"14\" style=\"width:130px;font:12px;\" value=\"entrez votre e-mail\" onFocus=\"javascript:document.formgen.email.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://www.01net.com/img/v4/ok_bloc_recher.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/v4/base_newsletters.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n<SCRIPT language=\"Javascript\">\r\ndocument.formgen.email.validator= \'notNullEmailPat\';\r\ndocument.formgen.email.nomvalidator= \'E-mail\';\r\n</SCRIPT>\r\n<!-- ********** FIN BLOC NL_MHA //-->\r\n</td>\r\n</tr>\r\n<tr>\r\n<!-- ********** DEBUT BLOC Actus ActusUneV4 //-->\r\n<td valign=top background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/ban/Ban_v4_LaUne.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/entreprise/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Entreprise</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://www.01net.com/article/255737.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Quand le billet papier s\'envole vers la d\351mat\351rialisation</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255737.html\"><img src=\"http://www.01net.com/img/MEA_v4/billet_virtuel-65.jpg\" border=0></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/pratique/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Trucs et astuces</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255698.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">D\351pannez Windows XP</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255698.html\"><img src=\"http://www.01net.com/img/MEA_v4/depannez_XP-65.jpg\" border=0 ></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t</tr>\r\n\t\t    <tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/conso/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Conso</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255524.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Vos photos sur papier imprimante ou labo ?<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t<!-- exemple de lien avec pseudorub pour produits et tests -->\r\n\t\t<!-- <a href=\"/outils/PseudoRub.php?base=test-comp&rub=1730&pseudo=test-comp20041005\"> -->\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/produits/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Produits &amp; Tests</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255782.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">5 programmes d\222encodage vid\351o gratuits<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n</td>\r\n<!-- ********** FIN BLOC Actus ActusUneV4 //-->    </tr>\r\n<tr>\r\n<td>\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top><a href=\"mailto:s.cohen@micro-achat.fr\"><img border=0 src=\"http://www.01net.com/img/v4/espace-revendeurs.gif\"></td>\r\n\t</tr>\r\n</table>\r\n<br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20></td>\r\n<!-- FIN MODELE RUBRIQUE V4ColGaucheMHA //-->  </tr><!-- - ZONE G1 -->\r\n<!-- + ZONE G2 -->\r\n<!-- - ZONE G2 -->\r\n<!-- + ZONE G3 -->\r\n<!-- - ZONE G3 -->\r\n<!-- + ZONE G4 -->\r\n<!-- - ZONE G4 -->\r\n<!-- + ZONE G5 -->\r\n<!-- - ZONE G5 -->\r\n<!-- + ZONE G6 -->\r\n<!-- - ZONE G6 -->\r\n<!-- + ZONE G7 -->\r\n<!-- - ZONE G7 -->\r\n<!-- + ZONE G8 -->\r\n<!-- - ZONE G8 -->\r\n<!-- + ZONE G9 -->\r\n<!-- - ZONE G9 -->\r\n<!-- + ZONE GA -->\r\n<!-- - ZONE GA -->\r\n<!-- + ZONE GB -->\r\n<!-- - ZONE GB -->\r\n<!-- + ZONE GC -->\r\n<!-- - ZONE GC -->\r\n<!-- + ZONE GD -->\r\n<!-- - ZONE GD -->\r\n<!-- + ZONE GE -->\r\n<!-- - ZONE GE -->\r\n<!-- + ZONE GF -->\r\n<!-- - ZONE GF -->\r\n<!-- -ZONE_Gn -->\r\n\t\t</table>\r\n\t\t<!-- fin contenu colonne de gauche //-->\r\n\t\t</td>\r\n<!-- ***************************************************************** DEBUT VENTRE*********************************************************************************************************************************************** //-->\r\n<!-- DEBUT WORK -->\r\n\t\t<td valign=top width=625 bgcolor=#ffffff><img src=\"http://www.01net.com/img/dot.gif\" width=625 height=1><br>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_hn -->\r\n<!-- + ZONE h0 -->\r\n<!-- MA_ban_int -->\r\n<td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=\"18\"><br>\r\n<!-- pour ordipda -->\r\n<table width=\"625\" cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"/img/v4/MA/Ban_MA_ordis.gif\"></td>\r\n\t</tr>\r\n</table>\r\n\t</td>\r\n<!-- /MA_ban_int -->     <!-- - ZONE h0 -->\r\n<!-- + ZONE h1 -->\r\n<!-- - ZONE h1 -->\r\n<!-- + ZONE h2 -->\r\n<!-- - ZONE h2 -->\r\n<!-- -ZONE_hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Hn -->\r\n<!-- + ZONE H0 -->\r\n<!-- Ma_int_Leader -->\r\n    <td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=320>\r\n<tr>\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Un nouvel ultra portable r\351alis\351 par Nec</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67509.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Le Versa S940 a un format r\351duit, mais ses performances sont \340 la hauteur.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1663&#160;\200</font>\r\n</td>\r\n<td width=17 background=\"/img/v4/MA/v4-fond-sep-mea-leader.gif\"><img src=\"/img/dot.gif\" width=17 height=1></td>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Asus pr\351sente trois petits nouveaux dans la gamme A3N</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67168.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Ces trois portables Centrino int\350grent, entre autres, une webcam et un contr\364leur Wi-Fi.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1346&#160;\200</font>\r\n</td>\r\n<td width=15><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t\t</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_int_Leader -->    <!-- - ZONE H0 -->\r\n<!-- + ZONE H1 -->\r\n<!-- - ZONE H1 -->\r\n<!-- + ZONE H2 -->\r\n<!-- MA_BP_MP -->\r\n<td valign=\"top\" width=\"100%\">\r\n\t<table width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\">\r\n\t<tr>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_BonPlan -->\r\n<td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=1 cellspacing=0 width=145 bgcolor=#CC0000>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">BON PLAN</a></font></td>\r\n</tr>\r\n<tr>\r\n<td  width=145>\r\n<div style=\"padding:5px;padding-left:5px;padding-fight:5px;margin:0px;margin-left:1px;margin-right:1px;background-color:#FFFFFF;\">\r\n<img src=\"/img/microachat/logo_shuttle_SB83G5.gif\" border=0><br>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:12px;\">Les derni\350res technologies INTEL dans un nouveau design pour ce shuttle haut de gamme, pour un prix abordable.<br></font>\r\n<center><a href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sb83g5/?fabriquant=1&page=1&tri=titre\"><img src=\"/img/microachat/mea_shuttle_SB83G5.gif\" border=0 vspace=5></a><br></center>\r\n<center>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:13px;\"><b>\340 partir de</b><br>\r\n<div style=\"border:solid 2px #CC0000;width:100px;background-color:#FFCC00;\"><b>415 \200</b></div>\r\n</center>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">publicit\351</a></font></td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_BonPlan -->  \t</td>\r\n\t<td width=\"15\"><img src=\"/img/dot.gif\" width=\"15\"></td>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_MeillPrixAct //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=145 height=1><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=18><br>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"prix\" action=\"http://www.micro-achat.01net.com/guide-produits/recherche.php\" method=\"post\">\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/ban/Ban_v4_MeillPrix_MA.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=143>\r\n\t\t<table width=143 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=6><img src=\"http://www.01net.com/img/dot.gif\" width=6 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"http://www.01net.com/img/ban/Ban_MA_trouv_ordi.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Desktops</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/portables/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Portables</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Mini-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/pda---tablets-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Pda / Tablets-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/apple/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Apple</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/gps/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">GPS</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20><br>\r\n\t\t\t\t\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"width:130px;font:12px;\" value=\"     recherche directe\" onFocus=\"javascript:document.prix.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/v4/MA/base_meillPrix.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_MeillPrixAct //-->  \t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n<!-- /MA_BP_MP -->  <!-- - ZONE H2 -->\r\n<!-- -ZONE_Hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Tn -->\r\n<!-- + ZONE T0 -->\r\n    <td valign=\"top\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n<tr>\r\n<td width=305><img src=\"http://www.01net.com/img/ban/Ban_v4_DernNews_MA.gif\"><br><img src=\"http://www.01net.com/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n</tr>\r\n<tr>\r\n<td bgcolor=\"#FEF9E0\">\r\n\t<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255149.html\" style=\"color:#000000;text-decoration:none;\">Toshiba consacre deux gammes de machines au multim\351dia</a></b><br>\r\n\t<font color=\"#000000\">Equipement haut de gamme et Windows Media Center sont au menu de ces portables \340 vocation multim\351dia.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Ordinateur&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254686.html\" style=\"color:#000000;text-decoration:none;\">Arriv\351e d\'un Power Mac G5 d\'entr\351e de gamme</a></b><br>\r\n\t<font color=\"#000000\">La firme \340 la pomme propose une station de travail \351volutive et relativement abordable.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>PC&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254549.html\" style=\"color:#000000;text-decoration:none;\">Alienware propose deux machines au look \351trange</a></b><br>\r\n\t<font color=\"#000000\">Aurora et Area 51 sont deux gammes d\'ordinateurs enti\350rement configurables.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254501.html\" style=\"color:#000000;text-decoration:none;\">Trois nouveaux iBook G4 chez Apple</a></b><br>\r\n\t<font color=\"#000000\">Chez Apple, les portables gagnent en vitesse et communiquent sans fil en standard.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t\t<tr>\r\n\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td align=\"right\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4365.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les news</font></a>\r\n\t\t\t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n</td> <!-- - ZONE T0 -->\r\n<!-- + ZONE T1 -->\r\n<!-- Ma_derpromo  -->\r\n    <td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=13><br>\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td bgcolor=\"#ffffff\"><img src=\"/img/v4/MA/v4-lespromos-mha.gif\"><br><img src=\"/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n</tr>\r\n</table>\r\n<!-- DEBUT MODELE D\'AFFICHAGE POUR LES n PREMIERS ARTICLES //-->\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255806.html\" class=\"nodeco\"><img src=\"/images/67462.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255806.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Asus A3N15-C Pro</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable autonome et puissant gr\342ce \340 la technologie Intel Centrino.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1170&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255688.html\" class=\"nodeco\"><img src=\"/images/67381.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255688.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Soltek EQ3702A Miroir</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Ce mini PC est une solution int\351ressante pour les utilisateurs poss\351dant d\351j\340 un \351cran.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>559&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255513.html\" class=\"nodeco\"><img src=\"/images/67319.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255513.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>IBM ThinkPad R51</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable complet et pourtant relativement l\351ger.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1299&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t\t<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n</tr>\r\n<tr>\r\n<td background=\"/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"/img/dot.gif\" height=1></td>\r\n</tr>\r\n<tr>\r\n<td align=\"right\" valign=\"top\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4366.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les promos</font></a>\r\n\t\t</td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_derpromo  -->   <!-- - ZONE T1 -->\r\n<!-- + ZONE T2 -->\r\n<!-- - ZONE T2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE T3 -->\r\n<!-- DEBUT MicroAchat MA_PubG -->\r\n<td valign=top align=center>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45590/[timestamp]?\" target=_blank><img src=\"/img/microachat/Bandeau_FX6021.jpg\" border=0></a></td>\r\n\t\t<td><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_PubG -->  <!-- - ZONE T3 -->\r\n<!-- + ZONE T4 -->\r\n<!-- DEBUT MicroAchat MA_PubD -->\r\n<td valign=top align=center>\r\n<table border=0 width=305 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45591/[timestamp]?\" target=_blank><img src=\"/img/microachat/twc_305x125.jpg\" border=0></a></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN  MicroAchat MA_PubD --> <!-- - ZONE T4 -->\r\n<!-- + ZONE T5 -->\r\n<!-- - ZONE T5 -->\r\n<!-- -ZONE_Tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n<!-- +ZONE_gn -->\r\n<!-- + ZONE g0 -->\r\n<!-- - ZONE g0 -->\r\n<!-- + ZONE g1 -->\r\n<!-- - ZONE g1 -->\r\n<!-- + ZONE g2 -->\r\n<!-- - ZONE g2 -->\r\n<!-- + ZONE g3 -->\r\n<!-- - ZONE g3 -->\r\n<!-- + ZONE g4 -->\r\n<!-- - ZONE g4 -->\r\n<!-- + ZONE g5 -->\r\n<!-- - ZONE g5 -->\r\n<!-- + ZONE g6 -->\r\n<!-- - ZONE g6 -->\r\n<!-- + ZONE g7 -->\r\n<!-- - ZONE g7 -->\r\n<!-- + ZONE g8 -->\r\n<!-- - ZONE g8 -->\r\n<!-- + ZONE g9 -->\r\n<!-- - ZONE g9 -->\r\n<!-- -ZONE_gn -->\r\n\t\t\t</table>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t\t\t<tr>\r\n<!-- +ZONE_Mn -->\r\n<!-- + ZONE M0 -->\r\n<!-- modele Ma_GuideAch //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_GuideAchat_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<center>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67088.jpg.res_121-111.jpg\" border=0 hspace=0 vspace=0></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n</center>\r\n<div style=\"padding:5px;\">\r\n<a href=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\"><b>Les graveurs de DVD</b><br></font></a>\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Quel graveur choisir&#160;? Quel type de format&#160;? Quelle vitesse&#160;? Double couche ou simple couche&#160;? Voici tout ce qu\'il faut savoir pour faire le bon choix.</font></div>\r\n\t\t\t\t\t\t</div>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M0 -->\r\n<!-- + ZONE M1 -->\r\n<!-- modele Ma_DirectLab //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_DirectLab_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255744.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Kodak EasyShare Printer Dock Plus&#160;:</b>\r\n\t\t\t\t\t\tvos photos 10&#160;x&#160;15&#160;cm en 60&#160;secondes</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255780.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>3DMark05&#160;:</b>\r\n\t\t\t\t\t\tun labo 3D \340 domicile</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255691.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>DVDInfoPro 2.6</b>\r\n\t\t\t\t\t\treconna\356t CD et DVD</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255722.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Scaleo PA D3008, de Fujitsu-Siemens&#160;:</b>\r\n\t\t\t\t\t\tune impression d\'inachev\351</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255514.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Carbon 5&#160;Go&#160;: 2&#160;500&#160;chansons dans le creux de la main</font></a></div>\r\n\t\t\t</div></td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M1 -->\r\n<!-- + ZONE M2 -->\r\n<!-- DEBUT MicroAchat MA_AnnTelec -->\r\n<td valign=top>\r\n<script type=\"text/javascript\">\r\nfunction regionChange()\r\n{\r\ndocument.selection.departement.options.length=0;\r\nswitch(document.selection.region.value)\r\n\t{\r\n\t\tcase \"aucun\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Nord-Pas-de-Calais\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pas-de-Calais\", \"Pas-de-Calais\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nord\", \"Nord\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Haute-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure\", \"Eure\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Maritime\", \"Seine-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Basse-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Manche\", \"Manche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Calvados\", \"Calvados\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Orne\", \"Orne\");\r\n\t\tbreak;\r\n\t\tcase \"Picardie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Somme\", \"Somme\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Oise\", \"Oise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aisne\", \"Aisne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bretagne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Finistere\", \"Finistere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cotes-dArmor\", \"Cotes-dArmor\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Morbihan\", \"Morbihan\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ille-et-Vilaine\", \"Ille-et-Vilaine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Pays-de-Loire\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire-Atlantique\", \"Loire-Atlantique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vendee\", \"Vendee\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Maine-et-Loire\", \"Maine-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayenne\", \"Mayenne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Sarthe\", \"Sarthe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Centre\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure-et-Loir\", \"Eure-et-Loir\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loiret\", \"Loiret\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loir-et-Cher\", \"Loir-et-Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre-et-Loire\", \"Indre-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre\", \"Indre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cher\", \"Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Ile-de-France\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-dOise\", \"Val-dOise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yvelines\", \"Yvelines\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Essonne\", \"Essonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-et-Marne\", \"Seine-et-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hauts-de-Seine\", \"Hauts-de-Seine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Saint-Denis\", \"Seine-Saint-Denis\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-de-Marne\", \"Val-de-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Paris\", \"Paris\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Champagnes-Ardennes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardennes\", \"Ardennes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Marne\", \"Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aube\", \"Aube\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Marne\", \"Haute-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Lorraine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vosges\", \"Vosges\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meurthe-et-Moselle\", \"Meurthe-et-Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meuse\", \"Meuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Moselle\", \"Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Alsace\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bas-Rhin\", \"Bas-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haut-Rhin\", \"Haut-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Franche-Compte\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Jura\", \"Jura\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Doubs\", \"Doubs\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Saone\", \"Haute-Saone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Territoire-de-Belfort\", \"Territoire-de-Belfort\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bourgogne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yonne\", \"Yonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nievre\", \"Nievre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cote-dOr\", \"Cote-dOr\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Saone-et-Loire\", \"Saone-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Poitou-Charentes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Deux-Sevres\", \"Deux-Sevres\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente-Maritime\", \"Charente-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente\", \"Charente\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vienne\", \"Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Limousin\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Vienne\", \"Haute-Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Correze\", \"Correze\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Creuse\", \"Creuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Auvergne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Allier\", \"Allier\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Puy-de-Dome\", \"Puy-de-Dome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cantal\", \"Cantal\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Loire\", \"Haute-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Rhone-Alpes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire\", \"Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Rhone\", \"Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ain\", \"Ain\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardeche\", \"Ardeche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Drome\", \"Drome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Isere\", \"Isere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Savoie\", \"Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Savoie\", \"Haute-Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Aquitaine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gironde\", \"Gironde\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Landes\", \"Landes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Atlantiques\", \"Pyrenees-Atlantiques\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot-et-Garonne\", \"Lot-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Dordogne\", \"Dordogne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Midi-Pyrenees\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot\", \"Lot\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn-et-Garonne\", \"Tarn-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gers\", \"Gers\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Pyrenees\", \"Hautes-Pyrenees\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Garonne\", \"Haute-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ariege\", \"Ariege\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn\", \"Tarn\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aveyron\", \"Aveyron\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Languedoc-Roussillon\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Orientales\", \"Pyrenees-Orientales\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aude\", \"Aude\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Herault\", \"Herault\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gard\", \"Gard\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lozere\", \"Lozere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Provence-Alpes-Cote-dazur\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bouches-du-Rhone\", \"Bouches-du-Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vaucluse\", \"Vaucluse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-de-haute-Provence\", \"Alpes-de-haute-Provence\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Alpes\", \"Hautes-Alpes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Var\", \"Var\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-Maritimes\", \"Alpes-Maritimes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Corse\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Corse-du-Sud\", \"Corse-du-Sud\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Corse\", \"Haute-Corse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"DomTom\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guadeloupe\", \"Guadeloupe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guyane\", \"Guyane\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"La-Reunion\", \"La-Reunion\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Martinique\", \"Martinique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayotte\", \"Mayotte\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"St-Pierre-et-Miquelon\", \"St-Pierre-et-Miquelon\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t}\r\n}\r\nfunction deptChange()\r\n{\r\nif (document.selection.departement.value == \'Paris\')\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'inline\';\r\nelse\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'none\';\r\n}\r\n</script>\r\n<table width=305 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td valign=top>\r\n\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_AnnuaiRev_MA.gif\" vspace=1></td>\r\n\t\t\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr><form action=\"http://micro-achat.01net.com/annuaire/recherche.php\" method=\"post\" name=\"selection\">\r\n\t\t\t\t<td bgcolor=#FFFFDD>\r\n\t\t\t\t<div style=\"border:solid 1px #FFCC00;width:100%\"><div style=\"padding:2px;\"><img src=\"http://www.01net.com/img/v4/MA/carte_revend.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Choisir une r\351gion</b><br></font>\r\n<select name=\"region\" onChange=\"regionChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n<option value=\"Nord-Pas-de-Calais\">Nord-Pas-de-Calais</option>\r\n<option value=\"Haute-Normandie\">Haute-Normandie</option>\r\n<option value=\"Basse-Normandie\">Basse-Normandie</option>\r\n<option value=\"Picardie\">Picardie</option>\r\n<option value=\"Bretagne\">Bretagne</option>\r\n<option value=\"Pays-de-Loire\">Pays-de-Loire</option>\r\n<option value=\"Centre\">Centre</option>\r\n<option value=\"Ile-de-France\">Ile-de-France</option>\r\n<option value=\"Champagnes-Ardennes\">Champagne ardennes</option>\r\n<option value=\"Lorraine\">Lorraine</option>\r\n<option value=\"Alsace\">Alsace</option>\r\n<option value=\"Franche-Compte\">Franche-Compte</option>\r\n<option value=\"Bourgogne\">Bourgogne</option>\r\n<option value=\"Poitou-Charentes\">Poitou-Charentes</option>\r\n<option value=\"Limousin\">Limousin</option>\r\n<option value=\"Auvergne\">Auvergne</option>\r\n<option value=\"Rhone-Alpes\">Rhone-Alpes</option>\r\n<option value=\"Aquitaine\">Aquitaine</option>\r\n<option value=\"Midi-Pyrenees\">Midi-Pyrenees</option>\r\n<option value=\"Languedoc-Roussillon\">Languedoc roussillon</option>\r\n<option value=\"Provence-Alpes-Cote-dazur\">PACA</option>\r\n<option value=\"Corse\">Corse</option>\r\n<option value=\"DomTom\">DomTom</option>\r\n</select>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un d\351partement</b><br></font>\r\n<select name=\"departement\" onChange=\"deptChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n</select>\r\n<div id=\"arrondissement\" style=\"display : none;\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un arrondissement</b><br></font>\r\n<select name=\"arrondissement\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"0\">-------------</option>\r\n<option value=\"1\">I</option>\r\n<option value=\"2\">II</option>\r\n<option value=\"3\">III</option>\r\n<option value=\"4\">IV</option>\r\n<option value=\"5\">V</option>\r\n<option value=\"6\">VI</option>\r\n<option value=\"7\">VII</option>\r\n<option value=\"8\">VIII</option>\r\n<option value=\"9\">IX</option>\r\n<option value=\"10\">X</option>\r\n<option value=\"11\">XI</option>\r\n<option value=\"12\">XII</option>\r\n<option value=\"13\">XIII</option>\r\n<option value=\"14\">XIV</option>\r\n<option value=\"15\">XV</option>\r\n<option value=\"16\">XVI</option>\r\n<option value=\"17\">XVII</option>\r\n<option value=\"18\">XVIII</option>\r\n<option value=\"19\">XIX</option>\r\n<option value=\"20\">XX</option>\r\n</select>\r\n</div>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche directe</b><br></font>\r\n\t\t\t\t<font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\"><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>rechercher une ville<br><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>et/ou une boutique<br></font>\r\n\t\t\t\t<input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;width:130px;\" value=\"\" onFocus=\"javascript:document.selection.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=3><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1>&nbsp;<input type=\"image\" src=\"http://www.01net.com/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\">\r\n\t\t\t\t<table height=23 width=135 cellspacing=0 cellpadding=0 border=0 bgcolor=#FFEE77>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td bgcolor=#FFEE77 valign=middle align=center><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://micro-achat.01net.com/annuaire/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche avanc\351e</b></font></a></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t</div>\r\n\t\t\t\t</div>\r\n\t\t\t\t</td>\r\n\t\t\t</tr></form>\r\n\t\t</table>\r\n\t\t</td>\r\n<!-- DEBUT MicroAchat MA_Telecharg //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/v4/MA/Ban_v4_MA_telec.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#DFECF6\">\r\n\t\t\t<tr>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"></td>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Bureautique\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Bureautique</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Traducteur, organiseur...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img 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src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Utilitaire\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Utilitaires</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Antivirus, pilotes, gravure...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Personnaliser\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Personnaliser son PC</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Ecrans de veille, th\350mes...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Programmation\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>D\351veloppement</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Cr\351ation de logiciels, BDD...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Jeux\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Jeux</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Action, simulation...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Internet\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Internet</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Utilitaires, email, FTP...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Loisirs\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Loisirs</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Humour, culture...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_Telecharg //-->  \t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_AnnTelec --> <!-- - ZONE M2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE M3 -->\r\n<!-- - ZONE M3 -->\r\n<!-- + ZONE M4 -->\r\n<!-- - ZONE M4 -->\r\n<!-- + ZONE M5 -->\r\n<!-- - 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Exemples de sujets : e-business, telecoms, CRM, VPN, 3G, DSL, fournisseurs d\'acces, Linux, piratage, securite informatique, progiciel...</a><br>\r\n<a href=\"http://www.01net.com/securite_informatique.html\">s\351curit\351 informatique</a>,\r\n<a href=\"http://www.01net.com/strategies_ntic.html\">strat\351gies NTIC</a>,\r\n<a href=\"http://www.01net.com/piratage_informatique.html\">piratage informatique</a>,\r\n<a href=\"http://www.01net.com/technologie_dsl.html\">technologie DSL</a>,\r\n<a href=\"http://www.01net.com/solutions_vpn.html\">solutions VPN</a>,\r\n<a href=\"http://www.01net.com/strategie_e-business.html\">strat\351gies</a>,\r\n<a href=\"http://www.01net.com/outils_crm.html\">outils CRM</a>,\r\n<a href=\"http://www.01net.com/logiciel_linux.html\">logiciel Linux</a>,\r\n<a href=\"http://www.01net.com/fournisseur_d_acces.html\">fournisseur d\'acc\350s</a>,\r\n<a href=\"http://www.01net.com/progiciel.html\">progiciel</a>,\r\n<a 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href=\"http://codec.telecharger.01net.com/windows/Multimedia/encodeurs_et_decodeurs/\">codec encodeur d\351codeur</a>,\r\n<a href=\"http://software.telecharger.01net.com/\">software</a>,\r\n<a href=\"http://logiciels.telecharger.01net.com/\">logiciels</a>,\r\n<a href=\"http://gratuit.telecharger.01net.com/\">gratuit</a>,\r\n<a href=\"http://p2p.telecharger.01net.com/windows/Internet/partage/\">p2p peer to peer partage de fichiers</a>,\r\n<a href=\"http://securite.telecharger.01net.com/windows/Utilitaire/cryptage_et_securite/\">s\351curit\351</a>,\r\n<a href=\"http://compression-decompression.telecharger.01net.com/windows/Utilitaire/compression_et_decompression/\">compression et d\351compression</a>,\r\n<a href=\"http://divx.telecharger.01net.com/\">divx</a>,\r\n<a href=\"http://utilitaire.telecharger.01net.com/windows/Utilitaire/\">utilitaire</a>,\r\n<a href=\"http://jeux.telecharger.01net.com/windows/Jeux/\">jeux</a>,\r\n<a 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href=\"http://telephone_portable.telecharger.01net.com/mobile/\">t\351l\351phone portable</a>,\r\n<a href=\"http://telephone_mobile.telecharger.01net.com/mobile/\">t\351l\351phone mobile</a>\r\n</noscript>\r\n</head>\r\n</head>\r\n<body bgcolor=\"#FFFFFF\" text=\"#000000\" link=\"#000000\" marginwidth=0 marginheight=0 topmargin=0 leftmargin=0>\r\n<!-- + ZONE TETE -->\r\n<!-- ********** DEBUT MODELE INTERNE TETES MHA-tetev4 //-->\r\n<table width=100% height=66 cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td height=8 colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=8></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td valign=bottom><a href=\"http://microachat.01net.com\"><img src=\"http://www.01net.com/img/v4/logos_tete/tet_gauche-mha.gif\" border=0></a></td>\r\n\t\t<td valign=bottom bgcolor=#FFFFFF bbackground=\"http://www.01net.com/img/v4/tet_droite.gif\" width=100% style=\"background-image:url(/img/v4/tet_droite-mha.gif);background-position:bottom;background-repeat:repeat-x\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=66 align=left hspace=0 vspace=0></td>\r\n\t</tr>\r\n</table>\r\n<table width=100% cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td valign=top background=\"http://www.01net.com/img/v4/fond_date-mha.gif\" height=18 width=500><img src=\"http://www.01net.com/img/dot.gif\" width=500 height=1><br><img src=\"http://www.01net.com/img/dot.gif\" width=19 height=1><font face=\"Arial\" size=1 color=#666666 style=\"font-size: 11px;\"><b>Derni\350re mise \340 jour de cette page : lundi 8 novembre 2004&nbsp;&nbsp;|&nbsp;&nbsp;16:45</b></font></td>\r\n\t\t<td width=100% background=\"http://www.01net.com/img/v4/fond_date2-mha.gif\" height=18></td>\r\n\t</tr>\r\n</table>\r\n<!-- ********** FIN MODELE INTERNE TETES MHA-tetev4 //--> <!-- - ZONE TETE -->\r\n<!-- ***************************************************************************************************************************************************************************************************************************** //-->\r\n<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n<!-- DEBUT PARTIE PUB //-->\r\n\t<tr>\r\n<td align=center valign=middle colspan=2 background=\"http://www.01net.com/img/v4/fond_bann.gif\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br>\r\n<!-- + ZONE Z0 -->\r\n<SCRIPT LANGUAGE=\"JAVASCRIPT\">\r\nvar fa = \"\";\r\nvar fab = document.URL.toString();\r\nif (fab.indexOf(\"?fa\") != -1 || fab.indexOf(\"&fa\") != -1)\r\n{\r\nfa = \";!category=fai\";\r\n}\r\nvar etatmessage = false;\r\nvar enchainement = false;\r\n</SCRIPT>\r\n<SCRIPT LANGUAGE=\"JavaScript1.1\">\r\nsas_pageid=\'167/3872\';\r\nsas_formatid=95;\t\t\t// Format : Banner/Scope 468x60\r\nsas_master=\'M\';\t\t\t// Master : M=master or S=slave\r\nsas_target=exc + \'rubrique\';\t\t\t// Targeting\r\nSmartAdServer(sas_pageid,sas_formatid,sas_master,sas_target);\r\n</SCRIPT>\r\n <!-- - ZONE Z0 --></td>\r\n\t\t<td valign=top width=23 background=\"http://www.01net.com/img/v4/sep_verticale.gif\" ><img src=\"http://www.01net.com/img/dot.gif\" width=23 height=1><br></td>\r\n<td valign=top width=100% bgcolor=\"ffffff\" rowspan=3><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=125><br>\r\n<!-- +ZONE_Dn -->\r\n<!-- + ZONE D0 -->\r\n<!-- DEBUT MA_ColD -->\r\n<div style=\"background-color : #ffffff; width : 150px; padding-left : 5px; padding-right : 5px; font-family : Arial, Helvetica;\">\n\t\t\t\t\t<table style=\"border-spacing : 0; width : 146px; margin-top : 0px;\" cellspacing=\"0\">\n\t\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-produitsrecherches.gif\" alt=\"\" /></th></tr>\n\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Imagerie&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/12537-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/imagerie/moniteurs-lcd/l1720b/\">LG L1720B</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">332.89 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4043-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/veriton-7600g/\">Acer Veriton 7600G</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">705 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1903-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sn95g5/\">Shuttle SN95G5</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">375 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1259-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/cartes-meres/a7n8x-e-deluxe/\">Asus A7N8X-E Deluxe</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">91.99 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4687-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/ventilateur/sp-94/\">Thermalright SP-94</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">49 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr></table>\n\t\t\t\t<table style=\"border-spacing : 0px 1px; width : 146px; margin-top : 15px;\" cellspacing=\"0\">\n\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-revendeurmisajour.gif\" alt=\"\" /></th></tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">1 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Rhone-Alpes/Ain/pc-look\" style=\"color : #000000; text-decoration : none;\">PC Look</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">2 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Nord-Pas-de-Calais/Pas-de-Calais/atelier-informatique\" style=\"color : #000000; text-decoration : none;\">Atelier Informatique</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">3 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Val-de-Marne/zanax-multimedia\" style=\"color : #000000; text-decoration : none;\">Zanax Multim\351dia</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">4 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Hauts-de-Seine/misteroops\" style=\"color : #000000; text-decoration : none;\">MISTEROOPS</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">5 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/168-golden-avenue\" style=\"color : #000000; text-decoration : none;\">168 Golden Avenue</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">6 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-Saint-Denis/microchoix\" style=\"color : #000000; text-decoration : none;\">microchoix</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">7 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/e-soph\" style=\"color : #000000; text-decoration : none;\">e-Soph</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">8 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/13/pc-price-club\" style=\"color : #000000; text-decoration : none;\">PC Price Club</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">9 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-et-Marne/pc-77\" style=\"color : #000000; text-decoration : none;\">PC 77</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">10 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Alsace/Bas-Rhin/web-in-informatique\" style=\"color : #000000; text-decoration : none;\">Web In Informatique</a></td>\n\t\t\t\t</tr></table>\n\t\t\t\t</div>\n\t\t\t\t<br>\r\n<!-- FIN MA_ColD --> <!-- - ZONE D0 -->\r\n<!-- + ZONE D1 -->\r\n<!-- - ZONE D1 -->\r\n<!-- + ZONE D2 -->\r\n<!-- - ZONE D2 -->\r\n<!-- -ZONE_Dn -->\r\n</td>\r\n\t</tr>\r\n<!-- FIN PARTIE PUB //-->\r\n\t<tr>\r\n\t\t<td valign=top width=193 height=100% background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n\t\t<!-- contenu colonne de gauche //-->\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0  background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<!-- +ZONE_Gn -->\r\n<!-- + ZONE G0 -->\r\n<tr><!-- ********** DEBUT MHA_MenusChainesV4 //-->\r\n<td valign=top>\n<table border=0 cellpadding=0 cellspacing=0 width=193 bgcolor=#FFFFFF>\n<tr>\n<td background=\"/img/v4/menus/motifgauche_menus.gif\" width=20 rowspan=2><img src=\"/img/dot.gif\" width=20 height=20></td>\n<td width=173 colspan=2 bgcolor=#FFFFFF><img src=\"/img/dot.gif\" width=173 height=20></td>\n</tr>\n<tr>\n<td valign=top width=159>\n\n<a href=\"http://www.01net.com\"><img src=\"/img/v4/menus/mha/home01net-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com\"><img src=\"/img/v4/menus/mha/home-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4317.html\"><img src=\"/img/v4/menus/mha/ordinateurs-2.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4318.html\"><img src=\"/img/v4/menus/mha/composants-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4319.html\"><img src=\"/img/v4/menus/mha/stockage-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4320.html\"><img src=\"/img/v4/menus/mha/image-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4321.html\"><img src=\"/img/v4/menus/mha/peripheriques-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4322.html\"><img src=\"/img/v4/menus/mha/reseaux-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4323.html\"><img src=\"/img/v4/menus/mha/accessoires-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/guide-produits/\"><img src=\"/img/v4/menus/mha/comparateur-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/annuaire/\"><img src=\"/img/v4/menus/mha/annuaire-1.gif\" width=159 border=0></a><br></td>\n<td width=14><img src=\"/img/dot.gif\" width=14 height=14></td>\n</tr>\n<tr>\n<td colspan=3><img src=\"/img/v4/menus/bas_menus.gif\" width=193 height=31></td>\n</tr>\n</table></td><!-- ********** FIN MHA_MenusChainesV4 //--> </tr><!-- - ZONE G0 -->\r\n<!-- + ZONE G1 -->\r\n<tr><!-- DEBUT MODELE RUBRIQUE V4ColGaucheMHA //-->\r\n<!-- ********** DEBUT BLOC DernieresNewsTC //-->\r\n<td valign=top>\r\n<!-- DEBUT RECHERCHE MHA -->\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top background=\"http://microachat.01net.com/img/v4/fond_rech_mha.gif\" height=98 style=\"background-repeat:no-repeat;\"><form method=\"get\" name=\"chercher\" action=\"http://www.01net.com/aiguillage_recherche/1,6138,,00.html\"><img src=\"http://microachat.01net.com/img/dot.gif\" width=193 height=17><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"text\" name=\"fullText\" style=\"width:130px;font:12px;\"><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=6><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><select name=\"sousArbo\" style=\"width:130px;font:12px;\">\r\n\t\t\t<option value=\"mha\">dans Micro Achat\r\n\t\t\t<option value=\"cmp\">les prix\r\n\t\t\t<option value=\"ann\">les revendeurs\r\n\t\t\t<option value=\"2641\">tout 01net.\r\n\t\t\t<option value=\"emploi\">les offres d\'emploi\r\n\t\t\t<option value=\"telecharger\"> telecharger.com\r\n\t\t\t<option value=\"web\">le web\r\n\t\t\t</select><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://microachat.01net.com/img/v4/ok_bloc_recher_mha.gif\" border=\"0\"></form>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10 vspace=0>\r\n<!-- FIN RECHERCHE MHA -->\r\n      <!-- modele TCFilColgTitV4 //-->\r\n    <table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/ban/Ban_v4_DernieresNews01net.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/256059.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">CD et DVD bient\364t insensibles aux rayures<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255796.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">OpenOffice gagne son service<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255731.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">La messagerie en cinq minutes selon Ipswitch<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top colspan=2><A HREF=\"http://www.01net.com/actus/\" style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\">> toutes les news<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/crochet_bleuhaut_155.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20> <!-- ********** FIN BLOC DernieresNewsTC //-->\r\n<!-- ********** DEBUT BLOC  NL_MHA //-->\r\n<SCRIPT language=\"javascript\" src=\"http://www.01net.com/js/lib.js\"></SCRIPT>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"formgen\" method=\"get\" action=\"http://microachat.01net.com/outils/newsletter_MicroAchat.html\" onSubmit=\"return validateForm(this)\">\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/ban/Ban_V4_Newslett.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=153>\r\n\t\t<table width=153 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefinefd_ffffff.gif\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Recevez chaque jour l\'actualit\351 des produits et des promos<br></font>\r\n\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"email\" size=\"14\" style=\"width:130px;font:12px;\" value=\"entrez votre e-mail\" onFocus=\"javascript:document.formgen.email.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://www.01net.com/img/v4/ok_bloc_recher.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/v4/base_newsletters.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n<SCRIPT language=\"Javascript\">\r\ndocument.formgen.email.validator= \'notNullEmailPat\';\r\ndocument.formgen.email.nomvalidator= \'E-mail\';\r\n</SCRIPT>\r\n<!-- ********** FIN BLOC NL_MHA //-->\r\n</td>\r\n</tr>\r\n<tr>\r\n<!-- ********** DEBUT BLOC Actus ActusUneV4 //-->\r\n<td valign=top background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/ban/Ban_v4_LaUne.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/entreprise/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Entreprise</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://www.01net.com/article/255737.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Quand le billet papier s\'envole vers la d\351mat\351rialisation</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255737.html\"><img src=\"http://www.01net.com/img/MEA_v4/billet_virtuel-65.jpg\" border=0></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/pratique/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Trucs et astuces</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255698.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">D\351pannez Windows XP</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255698.html\"><img src=\"http://www.01net.com/img/MEA_v4/depannez_XP-65.jpg\" border=0 ></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t</tr>\r\n\t\t    <tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/conso/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Conso</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255524.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Vos photos sur papier imprimante ou labo ?<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t<!-- exemple de lien avec pseudorub pour produits et tests -->\r\n\t\t<!-- <a href=\"/outils/PseudoRub.php?base=test-comp&rub=1730&pseudo=test-comp20041005\"> -->\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/produits/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Produits &amp; Tests</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255782.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">5 programmes d\222encodage vid\351o gratuits<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n</td>\r\n<!-- ********** FIN BLOC Actus ActusUneV4 //-->    </tr>\r\n<tr>\r\n<td>\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top><a href=\"mailto:s.cohen@micro-achat.fr\"><img border=0 src=\"http://www.01net.com/img/v4/espace-revendeurs.gif\"></td>\r\n\t</tr>\r\n</table>\r\n<br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20></td>\r\n<!-- FIN MODELE RUBRIQUE V4ColGaucheMHA //-->  </tr><!-- - ZONE G1 -->\r\n<!-- + ZONE G2 -->\r\n<!-- - ZONE G2 -->\r\n<!-- + ZONE G3 -->\r\n<!-- - ZONE G3 -->\r\n<!-- + ZONE G4 -->\r\n<!-- - ZONE G4 -->\r\n<!-- + ZONE G5 -->\r\n<!-- - ZONE G5 -->\r\n<!-- + ZONE G6 -->\r\n<!-- - ZONE G6 -->\r\n<!-- + ZONE G7 -->\r\n<!-- - ZONE G7 -->\r\n<!-- + ZONE G8 -->\r\n<!-- - ZONE G8 -->\r\n<!-- + ZONE G9 -->\r\n<!-- - ZONE G9 -->\r\n<!-- + ZONE GA -->\r\n<!-- - ZONE GA -->\r\n<!-- + ZONE GB -->\r\n<!-- - ZONE GB -->\r\n<!-- + ZONE GC -->\r\n<!-- - ZONE GC -->\r\n<!-- + ZONE GD -->\r\n<!-- - ZONE GD -->\r\n<!-- + ZONE GE -->\r\n<!-- - ZONE GE -->\r\n<!-- + ZONE GF -->\r\n<!-- - ZONE GF -->\r\n<!-- -ZONE_Gn -->\r\n\t\t</table>\r\n\t\t<!-- fin contenu colonne de gauche //-->\r\n\t\t</td>\r\n<!-- ***************************************************************** DEBUT VENTRE*********************************************************************************************************************************************** //-->\r\n<!-- DEBUT WORK -->\r\n\t\t<td valign=top width=625 bgcolor=#ffffff><img src=\"http://www.01net.com/img/dot.gif\" width=625 height=1><br>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_hn -->\r\n<!-- + ZONE h0 -->\r\n<!-- MA_ban_int -->\r\n<td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=\"18\"><br>\r\n<!-- pour ordipda -->\r\n<table width=\"625\" cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"/img/v4/MA/Ban_MA_ordis.gif\"></td>\r\n\t</tr>\r\n</table>\r\n\t</td>\r\n<!-- /MA_ban_int -->     <!-- - ZONE h0 -->\r\n<!-- + ZONE h1 -->\r\n<!-- - ZONE h1 -->\r\n<!-- + ZONE h2 -->\r\n<!-- - ZONE h2 -->\r\n<!-- -ZONE_hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Hn -->\r\n<!-- + ZONE H0 -->\r\n<!-- Ma_int_Leader -->\r\n    <td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=320>\r\n<tr>\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Un nouvel ultra portable r\351alis\351 par Nec</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67509.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Le Versa S940 a un format r\351duit, mais ses performances sont \340 la hauteur.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1663&#160;\200</font>\r\n</td>\r\n<td width=17 background=\"/img/v4/MA/v4-fond-sep-mea-leader.gif\"><img src=\"/img/dot.gif\" width=17 height=1></td>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Asus pr\351sente trois petits nouveaux dans la gamme A3N</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67168.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Ces trois portables Centrino int\350grent, entre autres, une webcam et un contr\364leur Wi-Fi.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1346&#160;\200</font>\r\n</td>\r\n<td width=15><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t\t</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_int_Leader -->    <!-- - ZONE H0 -->\r\n<!-- + ZONE H1 -->\r\n<!-- - ZONE H1 -->\r\n<!-- + ZONE H2 -->\r\n<!-- MA_BP_MP -->\r\n<td valign=\"top\" width=\"100%\">\r\n\t<table width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\">\r\n\t<tr>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_BonPlan -->\r\n<td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=1 cellspacing=0 width=145 bgcolor=#CC0000>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">BON PLAN</a></font></td>\r\n</tr>\r\n<tr>\r\n<td  width=145>\r\n<div style=\"padding:5px;padding-left:5px;padding-fight:5px;margin:0px;margin-left:1px;margin-right:1px;background-color:#FFFFFF;\">\r\n<img src=\"/img/microachat/logo_shuttle_SB83G5.gif\" border=0><br>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:12px;\">Les derni\350res technologies INTEL dans un nouveau design pour ce shuttle haut de gamme, pour un prix abordable.<br></font>\r\n<center><a href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sb83g5/?fabriquant=1&page=1&tri=titre\"><img src=\"/img/microachat/mea_shuttle_SB83G5.gif\" border=0 vspace=5></a><br></center>\r\n<center>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:13px;\"><b>\340 partir de</b><br>\r\n<div style=\"border:solid 2px #CC0000;width:100px;background-color:#FFCC00;\"><b>415 \200</b></div>\r\n</center>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">publicit\351</a></font></td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_BonPlan -->  \t</td>\r\n\t<td width=\"15\"><img src=\"/img/dot.gif\" width=\"15\"></td>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_MeillPrixAct //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=145 height=1><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=18><br>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"prix\" action=\"http://www.micro-achat.01net.com/guide-produits/recherche.php\" method=\"post\">\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/ban/Ban_v4_MeillPrix_MA.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=143>\r\n\t\t<table width=143 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=6><img src=\"http://www.01net.com/img/dot.gif\" width=6 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"http://www.01net.com/img/ban/Ban_MA_trouv_ordi.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Desktops</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/portables/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Portables</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Mini-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/pda---tablets-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Pda / Tablets-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/apple/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Apple</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/gps/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">GPS</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20><br>\r\n\t\t\t\t\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"width:130px;font:12px;\" value=\"     recherche directe\" onFocus=\"javascript:document.prix.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/v4/MA/base_meillPrix.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_MeillPrixAct //-->  \t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n<!-- /MA_BP_MP -->  <!-- - ZONE H2 -->\r\n<!-- -ZONE_Hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Tn -->\r\n<!-- + ZONE T0 -->\r\n    <td valign=\"top\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n<tr>\r\n<td width=305><img src=\"http://www.01net.com/img/ban/Ban_v4_DernNews_MA.gif\"><br><img src=\"http://www.01net.com/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n</tr>\r\n<tr>\r\n<td bgcolor=\"#FEF9E0\">\r\n\t<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255149.html\" style=\"color:#000000;text-decoration:none;\">Toshiba consacre deux gammes de machines au multim\351dia</a></b><br>\r\n\t<font color=\"#000000\">Equipement haut de gamme et Windows Media Center sont au menu de ces portables \340 vocation multim\351dia.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Ordinateur&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254686.html\" style=\"color:#000000;text-decoration:none;\">Arriv\351e d\'un Power Mac G5 d\'entr\351e de gamme</a></b><br>\r\n\t<font color=\"#000000\">La firme \340 la pomme propose une station de travail \351volutive et relativement abordable.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>PC&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254549.html\" style=\"color:#000000;text-decoration:none;\">Alienware propose deux machines au look \351trange</a></b><br>\r\n\t<font color=\"#000000\">Aurora et Area 51 sont deux gammes d\'ordinateurs enti\350rement configurables.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254501.html\" style=\"color:#000000;text-decoration:none;\">Trois nouveaux iBook G4 chez Apple</a></b><br>\r\n\t<font color=\"#000000\">Chez Apple, les portables gagnent en vitesse et communiquent sans fil en standard.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t\t<tr>\r\n\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td align=\"right\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4365.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les news</font></a>\r\n\t\t\t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n</td> <!-- - ZONE T0 -->\r\n<!-- + ZONE T1 -->\r\n<!-- Ma_derpromo  -->\r\n    <td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=13><br>\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td bgcolor=\"#ffffff\"><img src=\"/img/v4/MA/v4-lespromos-mha.gif\"><br><img src=\"/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n</tr>\r\n</table>\r\n<!-- DEBUT MODELE D\'AFFICHAGE POUR LES n PREMIERS ARTICLES //-->\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255806.html\" class=\"nodeco\"><img src=\"/images/67462.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255806.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Asus A3N15-C Pro</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable autonome et puissant gr\342ce \340 la technologie Intel Centrino.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1170&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255688.html\" class=\"nodeco\"><img src=\"/images/67381.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255688.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Soltek EQ3702A Miroir</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Ce mini PC est une solution int\351ressante pour les utilisateurs poss\351dant d\351j\340 un \351cran.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>559&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255513.html\" class=\"nodeco\"><img src=\"/images/67319.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255513.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>IBM ThinkPad R51</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable complet et pourtant relativement l\351ger.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1299&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t\t<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n</tr>\r\n<tr>\r\n<td background=\"/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"/img/dot.gif\" height=1></td>\r\n</tr>\r\n<tr>\r\n<td align=\"right\" valign=\"top\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4366.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les promos</font></a>\r\n\t\t</td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_derpromo  -->   <!-- - ZONE T1 -->\r\n<!-- + ZONE T2 -->\r\n<!-- - ZONE T2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE T3 -->\r\n<!-- DEBUT MicroAchat MA_PubG -->\r\n<td valign=top align=center>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45590/[timestamp]?\" target=_blank><img src=\"/img/microachat/Bandeau_FX6021.jpg\" border=0></a></td>\r\n\t\t<td><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_PubG -->  <!-- - ZONE T3 -->\r\n<!-- + ZONE T4 -->\r\n<!-- DEBUT MicroAchat MA_PubD -->\r\n<td valign=top align=center>\r\n<table border=0 width=305 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45591/[timestamp]?\" target=_blank><img src=\"/img/microachat/twc_305x125.jpg\" border=0></a></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN  MicroAchat MA_PubD --> <!-- - ZONE T4 -->\r\n<!-- + ZONE T5 -->\r\n<!-- - ZONE T5 -->\r\n<!-- -ZONE_Tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n<!-- +ZONE_gn -->\r\n<!-- + ZONE g0 -->\r\n<!-- - ZONE g0 -->\r\n<!-- + ZONE g1 -->\r\n<!-- - ZONE g1 -->\r\n<!-- + ZONE g2 -->\r\n<!-- - ZONE g2 -->\r\n<!-- + ZONE g3 -->\r\n<!-- - ZONE g3 -->\r\n<!-- + ZONE g4 -->\r\n<!-- - ZONE g4 -->\r\n<!-- + ZONE g5 -->\r\n<!-- - ZONE g5 -->\r\n<!-- + ZONE g6 -->\r\n<!-- - ZONE g6 -->\r\n<!-- + ZONE g7 -->\r\n<!-- - ZONE g7 -->\r\n<!-- + ZONE g8 -->\r\n<!-- - ZONE g8 -->\r\n<!-- + ZONE g9 -->\r\n<!-- - ZONE g9 -->\r\n<!-- -ZONE_gn -->\r\n\t\t\t</table>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t\t\t<tr>\r\n<!-- +ZONE_Mn -->\r\n<!-- + ZONE M0 -->\r\n<!-- modele Ma_GuideAch //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_GuideAchat_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<center>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67088.jpg.res_121-111.jpg\" border=0 hspace=0 vspace=0></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n</center>\r\n<div style=\"padding:5px;\">\r\n<a href=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\"><b>Les graveurs de DVD</b><br></font></a>\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Quel graveur choisir&#160;? Quel type de format&#160;? Quelle vitesse&#160;? Double couche ou simple couche&#160;? Voici tout ce qu\'il faut savoir pour faire le bon choix.</font></div>\r\n\t\t\t\t\t\t</div>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M0 -->\r\n<!-- + ZONE M1 -->\r\n<!-- modele Ma_DirectLab //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_DirectLab_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255744.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Kodak EasyShare Printer Dock Plus&#160;:</b>\r\n\t\t\t\t\t\tvos photos 10&#160;x&#160;15&#160;cm en 60&#160;secondes</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255780.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>3DMark05&#160;:</b>\r\n\t\t\t\t\t\tun labo 3D \340 domicile</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255691.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>DVDInfoPro 2.6</b>\r\n\t\t\t\t\t\treconna\356t CD et DVD</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255722.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Scaleo PA D3008, de Fujitsu-Siemens&#160;:</b>\r\n\t\t\t\t\t\tune impression d\'inachev\351</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255514.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Carbon 5&#160;Go&#160;: 2&#160;500&#160;chansons dans le creux de la main</font></a></div>\r\n\t\t\t</div></td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M1 -->\r\n<!-- + ZONE M2 -->\r\n<!-- DEBUT MicroAchat MA_AnnTelec -->\r\n<td valign=top>\r\n<script type=\"text/javascript\">\r\nfunction regionChange()\r\n{\r\ndocument.selection.departement.options.length=0;\r\nswitch(document.selection.region.value)\r\n\t{\r\n\t\tcase \"aucun\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Nord-Pas-de-Calais\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pas-de-Calais\", \"Pas-de-Calais\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nord\", \"Nord\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Haute-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure\", \"Eure\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Maritime\", \"Seine-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Basse-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Manche\", \"Manche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Calvados\", \"Calvados\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Orne\", \"Orne\");\r\n\t\tbreak;\r\n\t\tcase \"Picardie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Somme\", \"Somme\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Oise\", \"Oise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aisne\", \"Aisne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bretagne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Finistere\", \"Finistere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cotes-dArmor\", \"Cotes-dArmor\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Morbihan\", \"Morbihan\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ille-et-Vilaine\", \"Ille-et-Vilaine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Pays-de-Loire\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire-Atlantique\", \"Loire-Atlantique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vendee\", \"Vendee\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Maine-et-Loire\", \"Maine-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayenne\", \"Mayenne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Sarthe\", \"Sarthe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Centre\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure-et-Loir\", \"Eure-et-Loir\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loiret\", \"Loiret\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loir-et-Cher\", \"Loir-et-Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre-et-Loire\", \"Indre-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre\", \"Indre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cher\", \"Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Ile-de-France\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-dOise\", \"Val-dOise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yvelines\", \"Yvelines\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Essonne\", \"Essonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-et-Marne\", \"Seine-et-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hauts-de-Seine\", \"Hauts-de-Seine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Saint-Denis\", \"Seine-Saint-Denis\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-de-Marne\", \"Val-de-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Paris\", \"Paris\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Champagnes-Ardennes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardennes\", \"Ardennes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Marne\", \"Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aube\", \"Aube\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Marne\", \"Haute-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Lorraine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vosges\", \"Vosges\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meurthe-et-Moselle\", \"Meurthe-et-Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meuse\", \"Meuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Moselle\", \"Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Alsace\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bas-Rhin\", \"Bas-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haut-Rhin\", \"Haut-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Franche-Compte\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Jura\", \"Jura\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Doubs\", \"Doubs\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Saone\", \"Haute-Saone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Territoire-de-Belfort\", \"Territoire-de-Belfort\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bourgogne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yonne\", \"Yonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nievre\", \"Nievre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cote-dOr\", \"Cote-dOr\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Saone-et-Loire\", \"Saone-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Poitou-Charentes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Deux-Sevres\", \"Deux-Sevres\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente-Maritime\", \"Charente-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente\", \"Charente\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vienne\", \"Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Limousin\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Vienne\", \"Haute-Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Correze\", \"Correze\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Creuse\", \"Creuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Auvergne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Allier\", \"Allier\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Puy-de-Dome\", \"Puy-de-Dome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cantal\", \"Cantal\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Loire\", \"Haute-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Rhone-Alpes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire\", \"Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Rhone\", \"Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ain\", \"Ain\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardeche\", \"Ardeche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Drome\", \"Drome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Isere\", \"Isere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Savoie\", \"Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Savoie\", \"Haute-Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Aquitaine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gironde\", \"Gironde\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Landes\", \"Landes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Atlantiques\", \"Pyrenees-Atlantiques\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot-et-Garonne\", \"Lot-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Dordogne\", \"Dordogne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Midi-Pyrenees\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot\", \"Lot\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn-et-Garonne\", \"Tarn-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gers\", \"Gers\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Pyrenees\", \"Hautes-Pyrenees\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Garonne\", \"Haute-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ariege\", \"Ariege\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn\", \"Tarn\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aveyron\", \"Aveyron\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Languedoc-Roussillon\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Orientales\", \"Pyrenees-Orientales\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aude\", \"Aude\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Herault\", \"Herault\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gard\", \"Gard\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lozere\", \"Lozere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Provence-Alpes-Cote-dazur\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bouches-du-Rhone\", \"Bouches-du-Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vaucluse\", \"Vaucluse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-de-haute-Provence\", \"Alpes-de-haute-Provence\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Alpes\", \"Hautes-Alpes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Var\", \"Var\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-Maritimes\", \"Alpes-Maritimes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Corse\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Corse-du-Sud\", \"Corse-du-Sud\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Corse\", \"Haute-Corse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"DomTom\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guadeloupe\", \"Guadeloupe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guyane\", \"Guyane\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"La-Reunion\", \"La-Reunion\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Martinique\", \"Martinique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayotte\", \"Mayotte\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"St-Pierre-et-Miquelon\", \"St-Pierre-et-Miquelon\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t}\r\n}\r\nfunction deptChange()\r\n{\r\nif (document.selection.departement.value == \'Paris\')\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'inline\';\r\nelse\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'none\';\r\n}\r\n</script>\r\n<table width=305 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td valign=top>\r\n\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_AnnuaiRev_MA.gif\" vspace=1></td>\r\n\t\t\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr><form action=\"http://micro-achat.01net.com/annuaire/recherche.php\" method=\"post\" name=\"selection\">\r\n\t\t\t\t<td bgcolor=#FFFFDD>\r\n\t\t\t\t<div style=\"border:solid 1px #FFCC00;width:100%\"><div style=\"padding:2px;\"><img src=\"http://www.01net.com/img/v4/MA/carte_revend.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Choisir une r\351gion</b><br></font>\r\n<select name=\"region\" onChange=\"regionChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n<option value=\"Nord-Pas-de-Calais\">Nord-Pas-de-Calais</option>\r\n<option value=\"Haute-Normandie\">Haute-Normandie</option>\r\n<option value=\"Basse-Normandie\">Basse-Normandie</option>\r\n<option value=\"Picardie\">Picardie</option>\r\n<option value=\"Bretagne\">Bretagne</option>\r\n<option value=\"Pays-de-Loire\">Pays-de-Loire</option>\r\n<option value=\"Centre\">Centre</option>\r\n<option value=\"Ile-de-France\">Ile-de-France</option>\r\n<option value=\"Champagnes-Ardennes\">Champagne ardennes</option>\r\n<option value=\"Lorraine\">Lorraine</option>\r\n<option value=\"Alsace\">Alsace</option>\r\n<option value=\"Franche-Compte\">Franche-Compte</option>\r\n<option value=\"Bourgogne\">Bourgogne</option>\r\n<option value=\"Poitou-Charentes\">Poitou-Charentes</option>\r\n<option value=\"Limousin\">Limousin</option>\r\n<option value=\"Auvergne\">Auvergne</option>\r\n<option value=\"Rhone-Alpes\">Rhone-Alpes</option>\r\n<option value=\"Aquitaine\">Aquitaine</option>\r\n<option value=\"Midi-Pyrenees\">Midi-Pyrenees</option>\r\n<option value=\"Languedoc-Roussillon\">Languedoc roussillon</option>\r\n<option value=\"Provence-Alpes-Cote-dazur\">PACA</option>\r\n<option value=\"Corse\">Corse</option>\r\n<option value=\"DomTom\">DomTom</option>\r\n</select>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un d\351partement</b><br></font>\r\n<select name=\"departement\" onChange=\"deptChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n</select>\r\n<div id=\"arrondissement\" style=\"display : none;\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un arrondissement</b><br></font>\r\n<select name=\"arrondissement\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"0\">-------------</option>\r\n<option value=\"1\">I</option>\r\n<option value=\"2\">II</option>\r\n<option value=\"3\">III</option>\r\n<option value=\"4\">IV</option>\r\n<option value=\"5\">V</option>\r\n<option value=\"6\">VI</option>\r\n<option value=\"7\">VII</option>\r\n<option value=\"8\">VIII</option>\r\n<option value=\"9\">IX</option>\r\n<option value=\"10\">X</option>\r\n<option value=\"11\">XI</option>\r\n<option value=\"12\">XII</option>\r\n<option value=\"13\">XIII</option>\r\n<option value=\"14\">XIV</option>\r\n<option value=\"15\">XV</option>\r\n<option value=\"16\">XVI</option>\r\n<option value=\"17\">XVII</option>\r\n<option value=\"18\">XVIII</option>\r\n<option value=\"19\">XIX</option>\r\n<option value=\"20\">XX</option>\r\n</select>\r\n</div>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10><br>\r\n\t\t\t\t<img 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src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Utilitaire\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Utilitaires</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Antivirus, pilotes, gravure...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Personnaliser\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 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height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Internet\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Internet</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Utilitaires, email, FTP...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Loisirs\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Loisirs</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Humour, culture...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_Telecharg //-->  \t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_AnnTelec --> <!-- - ZONE M2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE M3 -->\r\n<!-- - ZONE M3 -->\r\n<!-- + ZONE M4 -->\r\n<!-- - ZONE M4 -->\r\n<!-- + ZONE M5 -->\r\n<!-- - 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Exemples de sujets : e-business, telecoms, CRM, VPN, 3G, DSL, fournisseurs d\'acces, Linux, piratage, securite informatique, progiciel...</a><br>\r\n<a href=\"http://www.01net.com/securite_informatique.html\">s\351curit\351 informatique</a>,\r\n<a href=\"http://www.01net.com/strategies_ntic.html\">strat\351gies NTIC</a>,\r\n<a href=\"http://www.01net.com/piratage_informatique.html\">piratage informatique</a>,\r\n<a href=\"http://www.01net.com/technologie_dsl.html\">technologie DSL</a>,\r\n<a href=\"http://www.01net.com/solutions_vpn.html\">solutions VPN</a>,\r\n<a href=\"http://www.01net.com/strategie_e-business.html\">strat\351gies</a>,\r\n<a href=\"http://www.01net.com/outils_crm.html\">outils CRM</a>,\r\n<a href=\"http://www.01net.com/logiciel_linux.html\">logiciel Linux</a>,\r\n<a href=\"http://www.01net.com/fournisseur_d_acces.html\">fournisseur d\'acc\350s</a>,\r\n<a href=\"http://www.01net.com/progiciel.html\">progiciel</a>,\r\n<a 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href=\"http://codec.telecharger.01net.com/windows/Multimedia/encodeurs_et_decodeurs/\">codec encodeur d\351codeur</a>,\r\n<a href=\"http://software.telecharger.01net.com/\">software</a>,\r\n<a href=\"http://logiciels.telecharger.01net.com/\">logiciels</a>,\r\n<a href=\"http://gratuit.telecharger.01net.com/\">gratuit</a>,\r\n<a href=\"http://p2p.telecharger.01net.com/windows/Internet/partage/\">p2p peer to peer partage de fichiers</a>,\r\n<a href=\"http://securite.telecharger.01net.com/windows/Utilitaire/cryptage_et_securite/\">s\351curit\351</a>,\r\n<a href=\"http://compression-decompression.telecharger.01net.com/windows/Utilitaire/compression_et_decompression/\">compression et d\351compression</a>,\r\n<a href=\"http://divx.telecharger.01net.com/\">divx</a>,\r\n<a href=\"http://utilitaire.telecharger.01net.com/windows/Utilitaire/\">utilitaire</a>,\r\n<a href=\"http://jeux.telecharger.01net.com/windows/Jeux/\">jeux</a>,\r\n<a href=\"http://loisirs.telecharger.01net.com/windows/Loisirs/\">loisirs</a>,\r\n<a href=\"http://mac.telecharger.01net.com/mac/\">mac</a>,\r\n<a href=\"http://linux.telecharger.01net.com/linux/\">linux</a>,\r\n<a href=\"http://shareware.telecharger.01net.com/\">shareware</a>,\r\n<a href=\"http://video-dvd.telecharger.01net.com/windows/Multimedia/lecteurs_video_dvd/\">vid\351o dvd</a>,\r\n<a href=\"http://multimedia.telecharger.01net.com/\">multim\351dia</a>,\r\n<a href=\"http://traduction.telecharger.01net.com/windows/Bureautique/traducteur/\">traduction</a>,\r\n<a href=\"http://mp3.telecharger.01net.com/windows/Multimedia/lecteurs_audio_mp3_cd/\">mp3</a>,\r\n<a href=\"http://tchat.telecharger.01net.com/windows/Internet/communication/\">tchat</a>\r\n<a href=\"http://chat.telecharger.01net.com/windows/Internet/communication/\">chat</a>,\r\n<a href=\"http://musique.telecharger.01net.com/\">musique</a>,\r\n<a href=\"http://mobile.telecharger.01net.com/mobile/\">mobile</a>,\r\n<a href=\"http://telephone_portable.telecharger.01net.com/mobile/\">t\351l\351phone portable</a>,\r\n<a href=\"http://telephone_mobile.telecharger.01net.com/mobile/\">t\351l\351phone mobile</a>\r\n</noscript>\r\n</head>\r\n</head>\r\n<body bgcolor=\"#FFFFFF\" text=\"#000000\" link=\"#000000\" marginwidth=0 marginheight=0 topmargin=0 leftmargin=0>\r\n<!-- + ZONE TETE -->\r\n<!-- ********** DEBUT MODELE INTERNE TETES MHA-tetev4 //-->\r\n<table width=100% height=66 cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td height=8 colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=8></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td valign=bottom><a href=\"http://microachat.01net.com\"><img src=\"http://www.01net.com/img/v4/logos_tete/tet_gauche-mha.gif\" border=0></a></td>\r\n\t\t<td valign=bottom bgcolor=#FFFFFF bbackground=\"http://www.01net.com/img/v4/tet_droite.gif\" width=100% style=\"background-image:url(/img/v4/tet_droite-mha.gif);background-position:bottom;background-repeat:repeat-x\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=66 align=left hspace=0 vspace=0></td>\r\n\t</tr>\r\n</table>\r\n<table width=100% cellspacing=0 cellpadding=0 border=0 bgcolor=#ffffff>\r\n\t<tr>\r\n\t\t<td valign=top background=\"http://www.01net.com/img/v4/fond_date-mha.gif\" height=18 width=500><img src=\"http://www.01net.com/img/dot.gif\" width=500 height=1><br><img src=\"http://www.01net.com/img/dot.gif\" width=19 height=1><font face=\"Arial\" size=1 color=#666666 style=\"font-size: 11px;\"><b>Derni\350re mise \340 jour de cette page : lundi 8 novembre 2004&nbsp;&nbsp;|&nbsp;&nbsp;16:45</b></font></td>\r\n\t\t<td width=100% background=\"http://www.01net.com/img/v4/fond_date2-mha.gif\" height=18></td>\r\n\t</tr>\r\n</table>\r\n<!-- ********** FIN MODELE INTERNE TETES MHA-tetev4 //--> <!-- - ZONE TETE -->\r\n<!-- ***************************************************************************************************************************************************************************************************************************** //-->\r\n<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n<!-- DEBUT PARTIE PUB //-->\r\n\t<tr>\r\n<td align=center valign=middle colspan=2 background=\"http://www.01net.com/img/v4/fond_bann.gif\"><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br>\r\n<!-- + ZONE Z0 -->\r\n<SCRIPT LANGUAGE=\"JAVASCRIPT\">\r\nvar fa = \"\";\r\nvar fab = document.URL.toString();\r\nif (fab.indexOf(\"?fa\") != -1 || fab.indexOf(\"&fa\") != -1)\r\n{\r\nfa = \";!category=fai\";\r\n}\r\nvar etatmessage = false;\r\nvar enchainement = false;\r\n</SCRIPT>\r\n<SCRIPT LANGUAGE=\"JavaScript1.1\">\r\nsas_pageid=\'167/3872\';\r\nsas_formatid=95;\t\t\t// Format : Banner/Scope 468x60\r\nsas_master=\'M\';\t\t\t// Master : M=master or S=slave\r\nsas_target=exc + \'rubrique\';\t\t\t// Targeting\r\nSmartAdServer(sas_pageid,sas_formatid,sas_master,sas_target);\r\n</SCRIPT>\r\n <!-- - ZONE Z0 --></td>\r\n\t\t<td valign=top width=23 background=\"http://www.01net.com/img/v4/sep_verticale.gif\" ><img src=\"http://www.01net.com/img/dot.gif\" width=23 height=1><br></td>\r\n<td valign=top width=100% bgcolor=\"ffffff\" rowspan=3><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=125><br>\r\n<!-- +ZONE_Dn -->\r\n<!-- + ZONE D0 -->\r\n<!-- DEBUT MA_ColD -->\r\n<div style=\"background-color : #ffffff; width : 150px; padding-left : 5px; padding-right : 5px; font-family : Arial, Helvetica;\">\n\t\t\t\t\t<table style=\"border-spacing : 0; width : 146px; margin-top : 0px;\" cellspacing=\"0\">\n\t\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-produitsrecherches.gif\" alt=\"\" /></th></tr>\n\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Imagerie&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/12537-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/imagerie/moniteurs-lcd/l1720b/\">LG L1720B</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">332.89 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4043-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/veriton-7600g/\">Acer Veriton 7600G</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">705 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Ordinateurs&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1903-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sn95g5/\">Shuttle SN95G5</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">375 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/1259-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/cartes-meres/a7n8x-e-deluxe/\">Asus A7N8X-E Deluxe</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">91.99 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr><tr>\n\t\t\t\t\t\t\t<td style=\"height : 12px; vertical-align : top; padding : 0; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/point.gif); background-repeat: repeat-x; background-position : 0px 3px;\" colspan=\"2\"><span style=\"float : left; position : relative; font-size : 10px; color : #cc0003; background-color : #ffffff;\">Composants&nbsp;</span></td>\n\t\t\t\t\t\t</tr>\n\t\t\t\t\t\t<tr>\n\t\t\t\t\t\t\t<td style=\"width : 65px; vertical-align : top;\"><img src=\"http://micro-achat.01net.com/img/photoproduit/4687-vignette.png\" alt=\"\" style=\"border : 1px solid #000000;\" /></td>\n\t\t\t\t\t\t\t<td style=\"width : 75px; font-size : 11px; font-weight : 700;\">\n\t\t\t\t\t\t\t\t<a style=\"color : #cc0003; text-decoration : none;\" href=\"http://micro-achat.01net.com/guide-produits/composants/ventilateur/sp-94/\">Thermalright SP-94</a>\n\t\t\t\t\t\t\t\t<div style=\"text-align : center; width : 100%; font-size : 9px; font-weight : 100; margin-top : 5px;\">\n\t\t\t\t\t\t\t\t\t\340 partir de\n\t\t\t\t\t\t\t\t\t<div style=\"width : 75px; height : 21px; color : #ffffff; font-size : 12px; font-weight : 700; background-image : url(http://micro-achat.01net.com/img/utils/micro-achat/fond-prix.gif);\"><span style=\"position : relative; top : 3px;\">49 &#128;</span></div>\n\t\t\t\t\t\t\t\t</div>\n\t\t\t\t\t\t\t</td>\n\t\t\t\t\t\t</tr></table>\n\t\t\t\t<table style=\"border-spacing : 0px 1px; width : 146px; margin-top : 15px;\" cellspacing=\"0\">\n\t\t\t\t<tr><th colspan=\"2\" style=\"padding : 0;\"><img src=\"http://micro-achat.01net.com/img/utils/micro-achat/tete-revendeurmisajour.gif\" alt=\"\" /></th></tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">1 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Rhone-Alpes/Ain/pc-look\" style=\"color : #000000; text-decoration : none;\">PC Look</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">2 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Nord-Pas-de-Calais/Pas-de-Calais/atelier-informatique\" style=\"color : #000000; text-decoration : none;\">Atelier Informatique</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">3 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Val-de-Marne/zanax-multimedia\" style=\"color : #000000; text-decoration : none;\">Zanax Multim\351dia</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">4 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Hauts-de-Seine/misteroops\" style=\"color : #000000; text-decoration : none;\">MISTEROOPS</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">5 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/168-golden-avenue\" style=\"color : #000000; text-decoration : none;\">168 Golden Avenue</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">6 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-Saint-Denis/microchoix\" style=\"color : #000000; text-decoration : none;\">microchoix</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">7 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/12/e-soph\" style=\"color : #000000; text-decoration : none;\">e-Soph</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">8 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Paris/13/pc-price-club\" style=\"color : #000000; text-decoration : none;\">PC Price Club</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ddeeee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">9 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Ile-de-France/Seine-et-Marne/pc-77\" style=\"color : #000000; text-decoration : none;\">PC 77</a></td>\n\t\t\t\t</tr><tr style=\"background-color : #ccddee; font-size : 10px; font-weight : 700; color : #cc0003;\">\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 32px;\">10 <img src=\"http://micro-achat.01net.com/img/utils/micro-achat/flechefine_fondtransp.gif\" alt=\"&gt;\" /></td>\n\t\t\t\t\t<td style=\"border-top : 1px solid #ffffff; width : 110px;\"><a href=\"http://micro-achat.01net.com/annuaire/Alsace/Bas-Rhin/web-in-informatique\" style=\"color : #000000; text-decoration : none;\">Web In Informatique</a></td>\n\t\t\t\t</tr></table>\n\t\t\t\t</div>\n\t\t\t\t<br>\r\n<!-- FIN MA_ColD --> <!-- - ZONE D0 -->\r\n<!-- + ZONE D1 -->\r\n<!-- - ZONE D1 -->\r\n<!-- + ZONE D2 -->\r\n<!-- - ZONE D2 -->\r\n<!-- -ZONE_Dn -->\r\n</td>\r\n\t</tr>\r\n<!-- FIN PARTIE PUB //-->\r\n\t<tr>\r\n\t\t<td valign=top width=193 height=100% background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n\t\t<!-- contenu colonne de gauche //-->\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0  background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<!-- +ZONE_Gn -->\r\n<!-- + ZONE G0 -->\r\n<tr><!-- ********** DEBUT MHA_MenusChainesV4 //-->\r\n<td valign=top>\n<table border=0 cellpadding=0 cellspacing=0 width=193 bgcolor=#FFFFFF>\n<tr>\n<td background=\"/img/v4/menus/motifgauche_menus.gif\" width=20 rowspan=2><img src=\"/img/dot.gif\" width=20 height=20></td>\n<td width=173 colspan=2 bgcolor=#FFFFFF><img src=\"/img/dot.gif\" width=173 height=20></td>\n</tr>\n<tr>\n<td valign=top width=159>\n\n<a href=\"http://www.01net.com\"><img src=\"/img/v4/menus/mha/home01net-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com\"><img src=\"/img/v4/menus/mha/home-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4317.html\"><img src=\"/img/v4/menus/mha/ordinateurs-2.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4318.html\"><img src=\"/img/v4/menus/mha/composants-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4319.html\"><img src=\"/img/v4/menus/mha/stockage-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4320.html\"><img src=\"/img/v4/menus/mha/image-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4321.html\"><img src=\"/img/v4/menus/mha/peripheriques-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4322.html\"><img src=\"/img/v4/menus/mha/reseaux-1.gif\" width=159 border=0></a><br>\n<a href=\"http://microachat.01net.com/rubrique/4323.html\"><img src=\"/img/v4/menus/mha/accessoires-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/guide-produits/\"><img src=\"/img/v4/menus/mha/comparateur-1.gif\" width=159 border=0></a><br>\n<a href=\"http://micro-achat.01net.com/annuaire/\"><img src=\"/img/v4/menus/mha/annuaire-1.gif\" width=159 border=0></a><br></td>\n<td width=14><img src=\"/img/dot.gif\" width=14 height=14></td>\n</tr>\n<tr>\n<td colspan=3><img src=\"/img/v4/menus/bas_menus.gif\" width=193 height=31></td>\n</tr>\n</table></td><!-- ********** FIN MHA_MenusChainesV4 //--> </tr><!-- - ZONE G0 -->\r\n<!-- + ZONE G1 -->\r\n<tr><!-- DEBUT MODELE RUBRIQUE V4ColGaucheMHA //-->\r\n<!-- ********** DEBUT BLOC DernieresNewsTC //-->\r\n<td valign=top>\r\n<!-- DEBUT RECHERCHE MHA -->\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top background=\"http://microachat.01net.com/img/v4/fond_rech_mha.gif\" height=98 style=\"background-repeat:no-repeat;\"><form method=\"get\" name=\"chercher\" action=\"http://www.01net.com/aiguillage_recherche/1,6138,,00.html\"><img src=\"http://microachat.01net.com/img/dot.gif\" width=193 height=17><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"text\" name=\"fullText\" style=\"width:130px;font:12px;\"><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=6><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><select name=\"sousArbo\" style=\"width:130px;font:12px;\">\r\n\t\t\t<option value=\"mha\">dans Micro Achat\r\n\t\t\t<option value=\"cmp\">les prix\r\n\t\t\t<option value=\"ann\">les revendeurs\r\n\t\t\t<option value=\"2641\">tout 01net.\r\n\t\t\t<option value=\"emploi\">les offres d\'emploi\r\n\t\t\t<option value=\"telecharger\"> telecharger.com\r\n\t\t\t<option value=\"web\">le web\r\n\t\t\t</select><br><img src=\"http://microachat.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://microachat.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://microachat.01net.com/img/v4/ok_bloc_recher_mha.gif\" border=\"0\"></form>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10 vspace=0>\r\n<!-- FIN RECHERCHE MHA -->\r\n      <!-- modele TCFilColgTitV4 //-->\r\n    <table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/ban/Ban_v4_DernieresNews01net.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/256059.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">CD et DVD bient\364t insensibles aux rayures<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255796.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">OpenOffice gagne son service<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"></td>\r\n\t\t\t\t<td valign=top><A HREF=\"http://www.01net.com/article/255731.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">La messagerie en cinq minutes selon Ipswitch<br></font></a><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=2></td>\r\n\t\t\t</tr>\r\n\t\t\t\t\t\t\t\t<tr>\r\n\t\t\t\t<td valign=top colspan=2><A HREF=\"http://www.01net.com/actus/\" style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\">> toutes les news<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t\t<tr>\r\n\t\t\t\t<td colspan=2><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/crochet_bleuhaut_155.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20> <!-- ********** FIN BLOC DernieresNewsTC //-->\r\n<!-- ********** DEBUT BLOC  NL_MHA //-->\r\n<SCRIPT language=\"javascript\" src=\"http://www.01net.com/js/lib.js\"></SCRIPT>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"formgen\" method=\"get\" action=\"http://microachat.01net.com/outils/newsletter_MicroAchat.html\" onSubmit=\"return validateForm(this)\">\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/ban/Ban_V4_Newslett.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=153>\r\n\t\t<table width=153 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=10><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefinefd_ffffff.gif\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Recevez chaque jour l\'actualit\351 des produits et des promos<br></font>\r\n\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"email\" size=\"14\" style=\"width:130px;font:12px;\" value=\"entrez votre e-mail\" onFocus=\"javascript:document.formgen.email.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"http://www.01net.com/img/v4/ok_bloc_recher.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#CC0000><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td width=155 colspan=4><img src=\"http://www.01net.com/img/v4/base_newsletters.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n<SCRIPT language=\"Javascript\">\r\ndocument.formgen.email.validator= \'notNullEmailPat\';\r\ndocument.formgen.email.nomvalidator= \'E-mail\';\r\n</SCRIPT>\r\n<!-- ********** FIN BLOC NL_MHA //-->\r\n</td>\r\n</tr>\r\n<tr>\r\n<!-- ********** DEBUT BLOC Actus ActusUneV4 //-->\r\n<td valign=top background=\"http://www.01net.com/img/v4/sepgrisedroite.gif\">\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top>\r\n\t\t<table width=155 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/ban/Ban_v4_LaUne.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/entreprise/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Entreprise</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://www.01net.com/article/255737.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Quand le billet papier s\'envole vers la d\351mat\351rialisation</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255737.html\"><img src=\"http://www.01net.com/img/MEA_v4/billet_virtuel-65.jpg\" border=0></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/pratique/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Trucs et astuces</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255698.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">D\351pannez Windows XP</font></a></td>\r\n\t\t\t\t<td valign=top width=2><img src=\"http://www.01net.com/img/dot.gif\" width=2 height=1></td>\r\n\t\t\t\t<td valign=top><a href=\"http://www.01net.com/article/255698.html\"><img src=\"http://www.01net.com/img/MEA_v4/depannez_XP-65.jpg\" border=0 ></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t</tr>\r\n\t\t    <tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/conso/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Conso</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255524.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">Vos photos sur papier imprimante ou labo ?<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t<!-- exemple de lien avec pseudorub pour produits et tests -->\r\n\t\t<!-- <a href=\"/outils/PseudoRub.php?base=test-comp&rub=1730&pseudo=test-comp20041005\"> -->\r\n\t\t\t<tr>\r\n\t\t\t\t<td valign=top width=1><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t\t\t<td valign=top colspan=3><a href=\"http://www.01net.com/produits/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b><u>Produits &amp; Tests</u></b><br></font></a>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"/article/255782.html\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 11px; text-decoration:none;\">5 programmes d\222encodage vid\351o gratuits<br></font></a></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td colspan=4><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/LaUne_Sep.gif\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t</tr>\r\n</table>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20>\r\n</td>\r\n<!-- ********** FIN BLOC Actus ActusUneV4 //-->    </tr>\r\n<tr>\r\n<td>\r\n<table width=193 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" width=10 height=1></td>\r\n\t\t<td valign=top><a href=\"mailto:s.cohen@micro-achat.fr\"><img border=0 src=\"http://www.01net.com/img/v4/espace-revendeurs.gif\"></td>\r\n\t</tr>\r\n</table>\r\n<br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20></td>\r\n<!-- FIN MODELE RUBRIQUE V4ColGaucheMHA //-->  </tr><!-- - ZONE G1 -->\r\n<!-- + ZONE G2 -->\r\n<!-- - ZONE G2 -->\r\n<!-- + ZONE G3 -->\r\n<!-- - ZONE G3 -->\r\n<!-- + ZONE G4 -->\r\n<!-- - ZONE G4 -->\r\n<!-- + ZONE G5 -->\r\n<!-- - ZONE G5 -->\r\n<!-- + ZONE G6 -->\r\n<!-- - ZONE G6 -->\r\n<!-- + ZONE G7 -->\r\n<!-- - ZONE G7 -->\r\n<!-- + ZONE G8 -->\r\n<!-- - ZONE G8 -->\r\n<!-- + ZONE G9 -->\r\n<!-- - ZONE G9 -->\r\n<!-- + ZONE GA -->\r\n<!-- - ZONE GA -->\r\n<!-- + ZONE GB -->\r\n<!-- - ZONE GB -->\r\n<!-- + ZONE GC -->\r\n<!-- - ZONE GC -->\r\n<!-- + ZONE GD -->\r\n<!-- - ZONE GD -->\r\n<!-- + ZONE GE -->\r\n<!-- - ZONE GE -->\r\n<!-- + ZONE GF -->\r\n<!-- - ZONE GF -->\r\n<!-- -ZONE_Gn -->\r\n\t\t</table>\r\n\t\t<!-- fin contenu colonne de gauche //-->\r\n\t\t</td>\r\n<!-- ***************************************************************** DEBUT VENTRE*********************************************************************************************************************************************** //-->\r\n<!-- DEBUT WORK -->\r\n\t\t<td valign=top width=625 bgcolor=#ffffff><img src=\"http://www.01net.com/img/dot.gif\" width=625 height=1><br>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_hn -->\r\n<!-- + ZONE h0 -->\r\n<!-- MA_ban_int -->\r\n<td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=\"18\"><br>\r\n<!-- pour ordipda -->\r\n<table width=\"625\" cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td><img src=\"/img/v4/MA/Ban_MA_ordis.gif\"></td>\r\n\t</tr>\r\n</table>\r\n\t</td>\r\n<!-- /MA_ban_int -->     <!-- - ZONE h0 -->\r\n<!-- + ZONE h1 -->\r\n<!-- - ZONE h1 -->\r\n<!-- + ZONE h2 -->\r\n<!-- - ZONE h2 -->\r\n<!-- -ZONE_hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Hn -->\r\n<!-- + ZONE H0 -->\r\n<!-- Ma_int_Leader -->\r\n    <td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=320>\r\n<tr>\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Un nouvel ultra portable r\351alis\351 par Nec</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/256198.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67509.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Le Versa S940 a un format r\351duit, mais ses performances sont \340 la hauteur.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1663&#160;\200</font>\r\n</td>\r\n<td width=17 background=\"/img/v4/MA/v4-fond-sep-mea-leader.gif\"><img src=\"/img/dot.gif\" width=17 height=1></td>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<td width=144 valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=143 height=1 vspace=0><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:11px;>Portable</font><br>\r\n<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=font-size:14px;><b>Asus pr\351sente trois petits nouveaux dans la gamme A3N</b></font></a><br>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255194.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67168.jpg.res_100-100.jpg\" border=0 hspace=0 vspace=0></a><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n<font face=arial,helvetica size=2 color=#000000 style=font-size:12px;><img src=\"/img/v4/flechefine_fondtransp.gif\">Ces trois portables Centrino int\350grent, entre autres, une webcam et un contr\364leur Wi-Fi.</font><br>\r\n<font face=arial,helvetica size=1 color=#CC0000 style=font-size:12px;>\340 partir de 1346&#160;\200</font>\r\n</td>\r\n<td width=15><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t\t</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_int_Leader -->    <!-- - ZONE H0 -->\r\n<!-- + ZONE H1 -->\r\n<!-- - ZONE H1 -->\r\n<!-- + ZONE H2 -->\r\n<!-- MA_BP_MP -->\r\n<td valign=\"top\" width=\"100%\">\r\n\t<table width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\">\r\n\t<tr>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_BonPlan -->\r\n<td valign=top>\r\n<img src=\"/img/dot.gif\" width=1 height=18><br>\r\n<table border=0 cellpadding=1 cellspacing=0 width=145 bgcolor=#CC0000>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">BON PLAN</a></font></td>\r\n</tr>\r\n<tr>\r\n<td  width=145>\r\n<div style=\"padding:5px;padding-left:5px;padding-fight:5px;margin:0px;margin-left:1px;margin-right:1px;background-color:#FFFFFF;\">\r\n<img src=\"/img/microachat/logo_shuttle_SB83G5.gif\" border=0><br>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:12px;\">Les derni\350res technologies INTEL dans un nouveau design pour ce shuttle haut de gamme, pour un prix abordable.<br></font>\r\n<center><a href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/sb83g5/?fabriquant=1&page=1&tri=titre\"><img src=\"/img/microachat/mea_shuttle_SB83G5.gif\" border=0 vspace=5></a><br></center>\r\n<center>\r\n<font face=arial,helvetica size=2 color=#CC0000 style=\"font-size:13px;\"><b>\340 partir de</b><br>\r\n<div style=\"border:solid 2px #CC0000;width:100px;background-color:#FFCC00;\"><b>415 \200</b></div>\r\n</center>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=center><font face=arial,helvetica size=1 color=#FFFFFF style=\"font-size:11px;\">publicit\351</a></font></td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_BonPlan -->  \t</td>\r\n\t<td width=\"15\"><img src=\"/img/dot.gif\" width=\"15\"></td>\r\n\t<td width=\"50%\" valign=\"top\">\r\n\t<!-- DEBUT MicroAchat MA_MeillPrixAct //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=145 height=1><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=18><br>\r\n<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<FORM name=\"prix\" action=\"http://www.micro-achat.01net.com/guide-produits/recherche.php\" method=\"post\">\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/ban/Ban_v4_MeillPrix_MA.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t\t<td width=143>\r\n\t\t<table width=143 cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=6><img src=\"http://www.01net.com/img/dot.gif\" width=6 height=1></td>\r\n\t\t\t\t<td valign=top><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n\t\t\t\t\t\t\t\t\t\t\t\t<img src=\"http://www.01net.com/img/ban/Ban_MA_trouv_ordi.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/desktops/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Desktops</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/portables/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Portables</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/mini-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Mini-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/pda---tablets-pc/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Pda / Tablets-PC</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/apple/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">Apple</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/MA/fleche_rouge_maigre.gif\"><a style=\"font-size: 10px; text-decoration:none;\" href=\"http://micro-achat.01net.com/guide-produits/ordinateurs/gps/\"><font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\">GPS</a><br></font>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=20><br>\r\n\t\t\t\t\t\t\t\t<table width=* cellspacing=0 cellpadding=0 border=0>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td><input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"width:130px;font:12px;\" value=\"     recherche directe\" onFocus=\"javascript:document.prix.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=9><br>\r\n\t\t\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1><input type=\"image\" src=\"/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\"></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td width=1 bgcolor=#FFCC00><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td width=145 colspan=3><img src=\"http://www.01net.com/img/v4/MA/base_meillPrix.gif\"></td>\r\n\t\t</FORM>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_MeillPrixAct //-->  \t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n<!-- /MA_BP_MP -->  <!-- - ZONE H2 -->\r\n<!-- -ZONE_Hn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- +ZONE_Tn -->\r\n<!-- + ZONE T0 -->\r\n    <td valign=\"top\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n<tr>\r\n<td width=305><img src=\"http://www.01net.com/img/ban/Ban_v4_DernNews_MA.gif\"><br><img src=\"http://www.01net.com/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n</tr>\r\n<tr>\r\n<td bgcolor=\"#FEF9E0\">\r\n\t<table width=\"100%\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255149.html\" style=\"color:#000000;text-decoration:none;\">Toshiba consacre deux gammes de machines au multim\351dia</a></b><br>\r\n\t<font color=\"#000000\">Equipement haut de gamme et Windows Media Center sont au menu de ces portables \340 vocation multim\351dia.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Ordinateur&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254686.html\" style=\"color:#000000;text-decoration:none;\">Arriv\351e d\'un Power Mac G5 d\'entr\351e de gamme</a></b><br>\r\n\t<font color=\"#000000\">La firme \340 la pomme propose une station de travail \351volutive et relativement abordable.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>PC&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254549.html\" style=\"color:#000000;text-decoration:none;\">Alienware propose deux machines au look \351trange</a></b><br>\r\n\t<font color=\"#000000\">Aurora et Area 51 sont deux gammes d\'ordinateurs enti\350rement configurables.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t<tr>\r\n\t<td><div style=\"padding:2px;width:100%;\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#CC0000\" style=\"font-size:11px;\"><b>Portable&nbsp;<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/254501.html\" style=\"color:#000000;text-decoration:none;\">Trois nouveaux iBook G4 chez Apple</a></b><br>\r\n\t<font color=\"#000000\">Chez Apple, les portables gagnent en vitesse et communiquent sans fil en standard.<br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=4><br></font></td>\r\n\t</tr>\r\n\t\t\t\t\t<tr>\r\n\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td align=\"right\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4365.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les news</font></a>\r\n\t\t\t</td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n</td> <!-- - ZONE T0 -->\r\n<!-- + ZONE T1 -->\r\n<!-- Ma_derpromo  -->\r\n    <td valign=\"top\">\r\n<img src=\"/img/dot.gif\" height=13><br>\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td bgcolor=\"#ffffff\"><img src=\"/img/v4/MA/v4-lespromos-mha.gif\"><br><img src=\"/img/v4/MA/v4-tiret-hauts-mha.gif\"></td>\r\n</tr>\r\n</table>\r\n<!-- DEBUT MODELE D\'AFFICHAGE POUR LES n PREMIERS ARTICLES //-->\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255806.html\" class=\"nodeco\"><img src=\"/images/67462.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255806.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Asus A3N15-C Pro</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable autonome et puissant gr\342ce \340 la technologie Intel Centrino.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1170&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255688.html\" class=\"nodeco\"><img src=\"/images/67381.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255688.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>Soltek EQ3702A Miroir</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Ce mini PC est une solution int\351ressante pour les utilisateurs poss\351dant d\351j\340 un \351cran.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>559&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td colspan=\"5\"><img src=\"/img/dot.gif\" width=\"9\"></td>\r\n</tr>\r\n<tr>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"42\" valign=\"top\">\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"/article/255513.html\" class=\"nodeco\"><img src=\"/images/67319.jpg\" border=0 hspace=0 vspace=0 width=\"42\" height=\"42\"></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t</td>\r\n<td width=\"16\"><img src=\"/img/dot.gif\" width=\"16\"></td>\r\n<td width=\"*\"  valign=\"top\"><A HREF=\"/article/255513.html\" class=\"nodeco\"><font face=\"arial,helvetica\" size=2 color=\"#000000\" style=\"font-size:11px;\"><b>IBM ThinkPad R51</b></a><br>\r\n&nbsp;<img src=\"/img/v4/flechefine_fondtransp.gif\">Voici un portable complet et pourtant relativement l\351ger.<br></font></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"5\" align=\"right\">\r\n\t<table width=\"80\" border=\"0\" bgcolor=\"#ffffff\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t<td width=\"76\" align=\"center\" bgcolor=\"#CC0000\">\r\n\t<font face=\"arial,helvetica\" size=2 color=\"#ffffff\" style=\"font-size:11px;\"><b>1299&#160;\200</b></font></td>\r\n\t<td><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t<tr>\r\n\t<td colspan=\"3\"><img src=\"/img/dot.gif\" width=2></td>\r\n\t</tr>\r\n\t</table>\r\n</td>\r\n</tr>\r\n</table>\r\n\t\t\t\t<table border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"305\" bgcolor=\"#E9EDFC\">\r\n<tr>\r\n<td><img src=\"http://www.01net.com/img/dot.gif\" height=10></td>\r\n</tr>\r\n<tr>\r\n<td background=\"/img/v4/MA/v4-sep-red-mha.gif\"><img src=\"/img/dot.gif\" height=1></td>\r\n</tr>\r\n<tr>\r\n<td align=\"right\" valign=\"top\">\r\n\t\t\t\t<A HREF=\"http://microachat.01net.com/rubrique/4366.html\"  style=\"text-decoration:none;\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 10px;\">> toutes les promos</font></a>\r\n\t\t</td>\r\n</tr>\r\n</table>\r\n</td>\r\n<!-- /Ma_derpromo  -->   <!-- - ZONE T1 -->\r\n<!-- + ZONE T2 -->\r\n<!-- - ZONE T2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE T3 -->\r\n<!-- DEBUT MicroAchat MA_PubG -->\r\n<td valign=top align=center>\r\n<table border=0 width=320 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45590/[timestamp]?\" target=_blank><img src=\"/img/microachat/Bandeau_FX6021.jpg\" border=0></a></td>\r\n\t\t<td><img src=\"/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_PubG -->  <!-- - ZONE T3 -->\r\n<!-- + ZONE T4 -->\r\n<!-- DEBUT MicroAchat MA_PubD -->\r\n<td valign=top align=center>\r\n<table border=0 width=305 cellpadding=0 cellspacing=0>\r\n\t<tr>\r\n\t\t<td width=305><img src=\"/img/dot.gif\" width=1 height=12><br><a href=\"http://www.smartadserver.com/call/cliccommand/45591/[timestamp]?\" target=_blank><img src=\"/img/microachat/twc_305x125.jpg\" border=0></a></td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN  MicroAchat MA_PubD --> <!-- - ZONE T4 -->\r\n<!-- + ZONE T5 -->\r\n<!-- - ZONE T5 -->\r\n<!-- -ZONE_Tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n\t\t\t<td valign=top>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n<!-- +ZONE_gn -->\r\n<!-- + ZONE g0 -->\r\n<!-- - ZONE g0 -->\r\n<!-- + ZONE g1 -->\r\n<!-- - ZONE g1 -->\r\n<!-- + ZONE g2 -->\r\n<!-- - ZONE g2 -->\r\n<!-- + ZONE g3 -->\r\n<!-- - ZONE g3 -->\r\n<!-- + ZONE g4 -->\r\n<!-- - ZONE g4 -->\r\n<!-- + ZONE g5 -->\r\n<!-- - ZONE g5 -->\r\n<!-- + ZONE g6 -->\r\n<!-- - ZONE g6 -->\r\n<!-- + ZONE g7 -->\r\n<!-- - ZONE g7 -->\r\n<!-- + ZONE g8 -->\r\n<!-- - ZONE g8 -->\r\n<!-- + ZONE g9 -->\r\n<!-- - ZONE g9 -->\r\n<!-- -ZONE_gn -->\r\n\t\t\t</table>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t\t\t<tr>\r\n<!-- +ZONE_Mn -->\r\n<!-- + ZONE M0 -->\r\n<!-- modele Ma_GuideAch //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_GuideAchat_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t<!-- ****DEBUT EXTRACTION OBJET XML *********** //-->\r\n<!-- ****FIN EXTRACTION OBJET XML *********** //-->\r\n<center>\r\n<!--debut  insertion image //-->\r\n\t\t\t\t\t       \t   \t\t\t\t\t\t\t\t\t\t\t\t\t<A HREF=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><img src=\"/images/67088.jpg.res_121-111.jpg\" border=0 hspace=0 vspace=0></a>\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t       \t   \t<!-- fin insertion image //-->\r\n</center>\r\n<div style=\"padding:5px;\">\r\n<a href=\"http://microachat.01net.com/article/254561.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\"><b>Les graveurs de DVD</b><br></font></a>\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Quel graveur choisir&#160;? Quel type de format&#160;? Quelle vitesse&#160;? Double couche ou simple couche&#160;? Voici tout ce qu\'il faut savoir pour faire le bon choix.</font></div>\r\n\t\t\t\t\t\t</div>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M0 -->\r\n<!-- + ZONE M1 -->\r\n<!-- modele Ma_DirectLab //-->\r\n    <td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t<tr>\r\n\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_DirectLab_MA.gif\" vspace=1></td>\r\n\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<div style=\"border:solid 1px #FFCC00;width:100%\">\r\n\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255744.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Kodak EasyShare Printer Dock Plus&#160;:</b>\r\n\t\t\t\t\t\tvos photos 10&#160;x&#160;15&#160;cm en 60&#160;secondes</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255780.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>3DMark05&#160;:</b>\r\n\t\t\t\t\t\tun labo 3D \340 domicile</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255691.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>DVDInfoPro 2.6</b>\r\n\t\t\t\t\t\treconna\356t CD et DVD</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255722.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">\t\t\t\t\t\t\t<b>Scaleo PA D3008, de Fujitsu-Siemens&#160;:</b>\r\n\t\t\t\t\t\tune impression d\'inachev\351</font></a></div>\r\n\t\t\t\t<div style=\"padding:4px;\">\r\n<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://microachat.01net.com/article/255514.html\" style=\"text-decoration:none;color:#000000;\"><font face=arial,helvetica size=2 color=#000000 style=\"font-size:12px;\">Carbon 5&#160;Go&#160;: 2&#160;500&#160;chansons dans le creux de la main</font></a></div>\r\n\t\t\t</div></td>\r\n\t</tr>\r\n</table>\r\n</td> <!-- - ZONE M1 -->\r\n<!-- + ZONE M2 -->\r\n<!-- DEBUT MicroAchat MA_AnnTelec -->\r\n<td valign=top>\r\n<script type=\"text/javascript\">\r\nfunction regionChange()\r\n{\r\ndocument.selection.departement.options.length=0;\r\nswitch(document.selection.region.value)\r\n\t{\r\n\t\tcase \"aucun\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Nord-Pas-de-Calais\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pas-de-Calais\", \"Pas-de-Calais\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nord\", \"Nord\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Haute-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure\", \"Eure\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Maritime\", \"Seine-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Basse-Normandie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Manche\", \"Manche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Calvados\", \"Calvados\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Orne\", \"Orne\");\r\n\t\tbreak;\r\n\t\tcase \"Picardie\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Somme\", \"Somme\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Oise\", \"Oise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aisne\", \"Aisne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bretagne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Finistere\", \"Finistere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cotes-dArmor\", \"Cotes-dArmor\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Morbihan\", \"Morbihan\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ille-et-Vilaine\", \"Ille-et-Vilaine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Pays-de-Loire\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire-Atlantique\", \"Loire-Atlantique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vendee\", \"Vendee\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Maine-et-Loire\", \"Maine-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayenne\", \"Mayenne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Sarthe\", \"Sarthe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Centre\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Eure-et-Loir\", \"Eure-et-Loir\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loiret\", \"Loiret\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loir-et-Cher\", \"Loir-et-Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre-et-Loire\", \"Indre-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Indre\", \"Indre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cher\", \"Cher\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Ile-de-France\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-dOise\", \"Val-dOise\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yvelines\", \"Yvelines\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Essonne\", \"Essonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-et-Marne\", \"Seine-et-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hauts-de-Seine\", \"Hauts-de-Seine\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Seine-Saint-Denis\", \"Seine-Saint-Denis\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Val-de-Marne\", \"Val-de-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Paris\", \"Paris\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Champagnes-Ardennes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardennes\", \"Ardennes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Marne\", \"Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aube\", \"Aube\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Marne\", \"Haute-Marne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Lorraine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vosges\", \"Vosges\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meurthe-et-Moselle\", \"Meurthe-et-Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Meuse\", \"Meuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Moselle\", \"Moselle\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Alsace\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bas-Rhin\", \"Bas-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haut-Rhin\", \"Haut-Rhin\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Franche-Compte\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Jura\", \"Jura\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Doubs\", \"Doubs\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Saone\", \"Haute-Saone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Territoire-de-Belfort\", \"Territoire-de-Belfort\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Bourgogne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Yonne\", \"Yonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Nievre\", \"Nievre\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cote-dOr\", \"Cote-dOr\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Saone-et-Loire\", \"Saone-et-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Poitou-Charentes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Deux-Sevres\", \"Deux-Sevres\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente-Maritime\", \"Charente-Maritime\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Charente\", \"Charente\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vienne\", \"Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Limousin\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Vienne\", \"Haute-Vienne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Correze\", \"Correze\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Creuse\", \"Creuse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Auvergne\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Allier\", \"Allier\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Puy-de-Dome\", \"Puy-de-Dome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Cantal\", \"Cantal\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Loire\", \"Haute-Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Rhone-Alpes\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Loire\", \"Loire\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Rhone\", \"Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ain\", \"Ain\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ardeche\", \"Ardeche\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Drome\", \"Drome\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Isere\", \"Isere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Savoie\", \"Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Savoie\", \"Haute-Savoie\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Aquitaine\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gironde\", \"Gironde\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Landes\", \"Landes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Atlantiques\", \"Pyrenees-Atlantiques\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot-et-Garonne\", \"Lot-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Dordogne\", \"Dordogne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Midi-Pyrenees\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lot\", \"Lot\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn-et-Garonne\", \"Tarn-et-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gers\", \"Gers\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Pyrenees\", \"Hautes-Pyrenees\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Garonne\", \"Haute-Garonne\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Ariege\", \"Ariege\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Tarn\", \"Tarn\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aveyron\", \"Aveyron\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Languedoc-Roussillon\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Pyrenees-Orientales\", \"Pyrenees-Orientales\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Aude\", \"Aude\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Herault\", \"Herault\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Gard\", \"Gard\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Lozere\", \"Lozere\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Provence-Alpes-Cote-dazur\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Bouches-du-Rhone\", \"Bouches-du-Rhone\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Vaucluse\", \"Vaucluse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-de-haute-Provence\", \"Alpes-de-haute-Provence\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Hautes-Alpes\", \"Hautes-Alpes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Var\", \"Var\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Alpes-Maritimes\", \"Alpes-Maritimes\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"Corse\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Corse-du-Sud\", \"Corse-du-Sud\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Haute-Corse\", \"Haute-Corse\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t\tcase \"DomTom\" :\r\n\t\t\tvar o=new Option(\"D\351partement\", \"aucun\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guadeloupe\", \"Guadeloupe\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Guyane\", \"Guyane\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"La-Reunion\", \"La-Reunion\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Martinique\", \"Martinique\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"Mayotte\", \"Mayotte\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\t\tvar o=new Option(\"St-Pierre-et-Miquelon\", \"St-Pierre-et-Miquelon\");\r\n\t\t\tdocument.selection.departement.options[document.selection.departement.options.length]=o;\r\n\t\tbreak;\r\n\t}\r\n}\r\nfunction deptChange()\r\n{\r\nif (document.selection.departement.value == \'Paris\')\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'inline\';\r\nelse\r\n\tdocument.getElementById(\'arrondissement\').style.display = \'none\';\r\n}\r\n</script>\r\n<table width=305 cellspacing=0 cellpadding=0 border=0>\r\n\t<tr>\r\n\t\t<td valign=top>\r\n\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=160>\r\n\t\t\t<tr>\r\n\t\t\t\t<td width=145><img src=\"http://www.01net.com/img/ban/Ban_v4_AnnuaiRev_MA.gif\" vspace=1></td>\r\n\t\t\t\t<td rowspan=2 width=15><img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr><form action=\"http://micro-achat.01net.com/annuaire/recherche.php\" method=\"post\" name=\"selection\">\r\n\t\t\t\t<td bgcolor=#FFFFDD>\r\n\t\t\t\t<div style=\"border:solid 1px #FFCC00;width:100%\"><div style=\"padding:2px;\"><img src=\"http://www.01net.com/img/v4/MA/carte_revend.gif\"><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Choisir une r\351gion</b><br></font>\r\n<select name=\"region\" onChange=\"regionChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n<option value=\"Nord-Pas-de-Calais\">Nord-Pas-de-Calais</option>\r\n<option value=\"Haute-Normandie\">Haute-Normandie</option>\r\n<option value=\"Basse-Normandie\">Basse-Normandie</option>\r\n<option value=\"Picardie\">Picardie</option>\r\n<option value=\"Bretagne\">Bretagne</option>\r\n<option value=\"Pays-de-Loire\">Pays-de-Loire</option>\r\n<option value=\"Centre\">Centre</option>\r\n<option value=\"Ile-de-France\">Ile-de-France</option>\r\n<option value=\"Champagnes-Ardennes\">Champagne ardennes</option>\r\n<option value=\"Lorraine\">Lorraine</option>\r\n<option value=\"Alsace\">Alsace</option>\r\n<option value=\"Franche-Compte\">Franche-Compte</option>\r\n<option value=\"Bourgogne\">Bourgogne</option>\r\n<option value=\"Poitou-Charentes\">Poitou-Charentes</option>\r\n<option value=\"Limousin\">Limousin</option>\r\n<option value=\"Auvergne\">Auvergne</option>\r\n<option value=\"Rhone-Alpes\">Rhone-Alpes</option>\r\n<option value=\"Aquitaine\">Aquitaine</option>\r\n<option value=\"Midi-Pyrenees\">Midi-Pyrenees</option>\r\n<option value=\"Languedoc-Roussillon\">Languedoc roussillon</option>\r\n<option value=\"Provence-Alpes-Cote-dazur\">PACA</option>\r\n<option value=\"Corse\">Corse</option>\r\n<option value=\"DomTom\">DomTom</option>\r\n</select>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un d\351partement</b><br></font>\r\n<select name=\"departement\" onChange=\"deptChange()\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"aucun\">-------------</option>\r\n</select>\r\n<div id=\"arrondissement\" style=\"display : none;\">\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=5><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Un arrondissement</b><br></font>\r\n<select name=\"arrondissement\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;\">\r\n<option value=\"0\">-------------</option>\r\n<option value=\"1\">I</option>\r\n<option value=\"2\">II</option>\r\n<option value=\"3\">III</option>\r\n<option value=\"4\">IV</option>\r\n<option value=\"5\">V</option>\r\n<option value=\"6\">VI</option>\r\n<option value=\"7\">VII</option>\r\n<option value=\"8\">VIII</option>\r\n<option value=\"9\">IX</option>\r\n<option value=\"10\">X</option>\r\n<option value=\"11\">XI</option>\r\n<option value=\"12\">XII</option>\r\n<option value=\"13\">XIII</option>\r\n<option value=\"14\">XIV</option>\r\n<option value=\"15\">XV</option>\r\n<option value=\"16\">XVI</option>\r\n<option value=\"17\">XVII</option>\r\n<option value=\"18\">XVIII</option>\r\n<option value=\"19\">XIX</option>\r\n<option value=\"20\">XX</option>\r\n</select>\r\n</div>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=10><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche directe</b><br></font>\r\n\t\t\t\t<font face=\"Arial\" size=1 color=#000000 style=\"font-size: 10px; text-decoration:none;\"><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>rechercher une ville<br><img src=\"http://www.01net.com/img/dot.gif\" width=8 height=1>et/ou une boutique<br></font>\r\n\t\t\t\t<input type=\"text\" name=\"recherchedirecte\" size=\"14\" style=\"display : block; font-size:9px;font-variant:arial,helvetica,sans-serif;width:130px;\" value=\"\" onFocus=\"javascript:document.selection.recherchedirecte.value=\'\'\"><br><img src=\"http://www.01net.com/img/dot.gif\" width=1 height=3><br>\r\n\t\t\t\t<img src=\"http://www.01net.com/img/dot.gif\" width=28 height=1>&nbsp;<input type=\"image\" src=\"http://www.01net.com/img/v4/MA/ok_bloc_recher_MA.gif\" border=\"0\">\r\n\t\t\t\t<table height=23 width=135 cellspacing=0 cellpadding=0 border=0 bgcolor=#FFEE77>\r\n\t\t\t\t\t<tr>\r\n\t\t\t\t\t\t<td bgcolor=#FFEE77 valign=middle align=center><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://micro-achat.01net.com/annuaire/\"><font face=\"Arial\" size=1 color=#CC0000 style=\"font-size: 11px; text-decoration:none;\"><b>Recherche avanc\351e</b></font></a></td>\r\n\t\t\t\t\t</tr>\r\n\t\t\t\t</table>\r\n\t\t\t\t</div>\r\n\t\t\t\t</div>\r\n\t\t\t\t</td>\r\n\t\t\t</tr></form>\r\n\t\t</table>\r\n\t\t</td>\r\n<!-- DEBUT MicroAchat MA_Telecharg //-->\r\n<td valign=top>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=13><br>\r\n<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\">\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/v4/MA/Ban_v4_MA_telec.gif\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t<td>\r\n\t\t<table width=\"145\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" bgcolor=\"#DFECF6\">\r\n\t\t\t<tr>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"></td>\r\n\t\t\t\t<td rowspan=\"17\"><img src=\"http://www.01net.com/img/dot.gif\" width=\"6\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Bureautique\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Bureautique</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Traducteur, organiseur...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Multimedia\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Multim\351dia</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Photo, audio, vid\351o...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Utilitaire\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Utilitaires</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Antivirus, pilotes, gravure...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Personnaliser\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Personnaliser son PC</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Ecrans de veille, th\350mes...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Programmation\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>D\351veloppement</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Cr\351ation de logiciels, BDD...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Jeux\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Jeux</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Action, simulation...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Internet\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Internet</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Utilitaires, email, FTP...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br><img src=\"http://www.01net.com/img/v4/flechefine_fondtransp.gif\"><a href=\"http://telecharger.01net.com/windows/Loisirs\" class=\"nodeco\"><font face=\"Arial,Helvetica\" size=\"2\" color=\"#124478\" style=\"font-size: 12px;\"><b>Loisirs</b></a><br></font>\r\n\t\t\t\t<font face=\"Arial,Helvetica\" size=\"2\" color=\"#000000\" style=\"font-size: 10px;\">Humour, culture...<br></font><img src=\"http://www.01net.com/img/dot.gif\" height=\"3\"><br>\r\n\t\t\t\t</td>\r\n\t\t\t</tr>\r\n\t\t\t<tr>\r\n\t\t\t\t<td background=\"http://www.01net.com/img/v4/MA/v4-sep-blue-mha.gif\"><img src=\"http://www.01net.com/img/dot.gif\" height=\"1\"></td>\r\n\t\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_Telecharg //-->  \t</tr>\r\n</table>\r\n</td>\r\n<!-- FIN MicroAchat MA_AnnTelec --> <!-- - ZONE M2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE M3 -->\r\n<!-- - ZONE M3 -->\r\n<!-- + ZONE M4 -->\r\n<!-- - ZONE M4 -->\r\n<!-- + ZONE M5 -->\r\n<!-- - ZONE M5 -->\r\n<!-- -ZONE_Mn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t<tr>\r\n<!-- +ZONE_tn -->\r\n<!-- + ZONE t0 -->\r\n<!-- - ZONE t0 -->\r\n<!-- + ZONE t1 -->\r\n<!-- - ZONE t1 -->\r\n<!-- + ZONE t2 -->\r\n<!-- - ZONE t2 -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t<table width=100% cellspacing=0 cellpadding=0 border=0>\r\n\t\t<tr>\r\n<!-- + ZONE t3 -->\r\n<!-- - ZONE t3 -->\r\n<!-- + ZONE t4 -->\r\n<!-- - ZONE t4 -->\r\n<!-- + ZONE t5 -->\r\n<!-- - ZONE t5 -->\r\n<!-- -ZONE_tn -->\r\n\t\t</tr>\r\n\t\t</table>\r\n\t\t</td>\r\n\t\t<td valign=top>\r\n\t\t<table border=0 cellpadding=0 cellspacing=0 width=*>\r\n\t\t<tr>\r\n<!-- +ZONE_dn -->\r\n<!-- + ZONE d0 -->\r\n<!-- - ZONE d0 -->\r\n<!-- + ZONE d1 -->\r\n<!-- - ZONE d1 -->\r\n<!-- + ZONE d2 -->\r\n<!-- - ZONE d2 -->\r\n<!-- + ZONE d3 -->\r\n<!-- - ZONE d3 -->\r\n<!-- + ZONE d4 -->\r\n<!-- - ZONE d4 -->\r\n<!-- + ZONE d5 -->\r\n<!-- - ZONE d5 -->\r\n<!-- + ZONE d6 -->\r\n<!-- - ZONE d6 -->\r\n<!-- + ZONE d7 -->\r\n<!-- - ZONE d7 -->\r\n<!-- + ZONE d8 -->\r\n<!-- - ZONE d8 -->\r\n<!-- + ZONE d9 -->\r\n<!-- - ZONE d9 -->\r\n<!-- -ZONE_dn -->\r\n\t\t\t\t</tr>\r\n\t\t\t</table>\r\n\t\t\t</td>\r\n\t\t</tr>\r\n\t\t</table>\r\n<!-- FIN WORK -->\r\n\t\t</td>\r\n<!-- *********************************************************************FIN VENTRE********************************************************************************************************************************************** //-->\r\n\t\t<td rowspan=2 valign=top width=23 background=\"http://www.01net.com/img/v4/sep_verticale.gif\"><img src=\"http://www.01net.com/img/dot.gif\" width=23 height=1><br></td>\r\n\t</tr>\r\n\t<tr>\r\n\t\t\t<td colspan=2>\r\n\t\t\t<table border=0 cellpadding=0 cellspacing=0 width=100%>\r\n<!-- +ZONE_Bn -->\r\n<!-- + ZONE B0 -->\r\n<!-- - ZONE B0 -->\r\n<!-- + ZONE B1 -->\r\n<tr><!-- ********** DEBUT BLOC Home NosJournauxV4 //-->\r\n<td valign=top bgcolor=#FFFFFF>\r\n<img src=\"http://www.01net.com/img/ban/Ban_v4_jx.gif\"><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=1 height=15><br>\r\n<img src=\"http://www.01net.com/img/dot.gif\" width=15 height=1>\r\n<a href=\"http://www.01net.com/rubrique/3339.html\"><img src=\"http://www.01net.com/img/journaux/01I-small.gif\" border=0 vspace=0 hspace=12 align=top></a>\r\n<a href=\"http://www.01net.com/rubrique/4051.html\"><img src=\"http://www.01net.com/img/journaux/DSI-small.gif\" border=0 vspace=0 hspace=12 align=top></a>\r\n<a href=\"http://www.01net.com/rubrique/3345.html\"><img src=\"http://www.01net.com/img/journaux/DIN-small.gif
\ No newline at end of file
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@@ -0,0 +1,7518 @@
+
+
+The Project Gutenberg Etext of LOC WORKSHOP ON ELECTRONIC TEXTS
+
+
+
+
+                      WORKSHOP ON ELECTRONIC TEXTS
+
+                               PROCEEDINGS
+
+
+
+                          Edited by James Daly
+
+
+
+
+
+
+
+                             9-10 June 1992
+
+
+                           Library of Congress
+                            Washington, D.C.
+
+
+
+    Supported by a Grant from the David and Lucile Packard Foundation
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                            TABLE OF CONTENTS
+
+
+Acknowledgements
+
+Introduction
+
+Proceedings
+   Welcome
+      Prosser Gifford and Carl Fleischhauer
+
+   Session I.  Content in a New Form:  Who Will Use It and What Will They Do?
+      James Daly (Moderator)
+      Avra Michelson, Overview
+      Susan H. Veccia, User Evaluation
+      Joanne Freeman, Beyond the Scholar
+         Discussion
+
+   Session II.  Show and Tell
+      Jacqueline Hess (Moderator)
+      Elli Mylonas, Perseus Project
+         Discussion
+      Eric M. Calaluca, Patrologia Latina Database
+      Carl Fleischhauer and Ricky Erway, American Memory
+         Discussion
+      Dorothy Twohig, The Papers of George Washington
+         Discussion
+      Maria L. Lebron, The Online Journal of Current Clinical Trials
+         Discussion
+      Lynne K. Personius, Cornell mathematics books
+         Discussion
+
+   Session III.  Distribution, Networks, and Networking:
+                 Options for Dissemination
+      Robert G. Zich (Moderator)
+      Clifford A. Lynch
+         Discussion
+      Howard Besser
+         Discussion
+      Ronald L. Larsen
+      Edwin B. Brownrigg
+         Discussion
+
+   Session IV.  Image Capture, Text Capture, Overview of Text and
+                Image Storage Formats
+         William L. Hooton (Moderator)
+      A) Principal Methods for Image Capture of Text:
+            direct scanning, use of microform
+         Anne R. Kenney
+         Pamela Q.J. Andre
+         Judith A. Zidar
+         Donald J. Waters
+            Discussion
+      B) Special Problems:  bound volumes, conservation,
+                            reproducing printed halftones
+         George Thoma
+         Carl Fleischhauer
+            Discussion
+      C) Image Standards and Implications for Preservation
+         Jean Baronas
+         Patricia Battin
+            Discussion
+      D) Text Conversion:  OCR vs. rekeying, standards of accuracy
+                           and use of imperfect texts, service bureaus
+         Michael Lesk
+         Ricky Erway
+         Judith A. Zidar
+            Discussion
+
+   Session V.  Approaches to Preparing Electronic Texts
+      Susan Hockey (Moderator)
+      Stuart Weibel
+         Discussion
+      C.M. Sperberg-McQueen
+         Discussion
+      Eric M. Calaluca
+         Discussion
+
+   Session VI.  Copyright Issues
+      Marybeth Peters
+
+   Session VII.  Conclusion
+      Prosser Gifford (Moderator)
+      General discussion
+
+Appendix I:  Program
+
+Appendix II:  Abstracts
+
+Appendix III:  Directory of Participants
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                            Acknowledgements
+
+I would like to thank Carl Fleischhauer and Prosser Gifford for the
+opportunity to learn about areas of human activity unknown to me a scant
+ten months ago, and the David and Lucile Packard Foundation for
+supporting that opportunity.  The help given by others is acknowledged on
+a separate page.
+
+                                                          19 October 1992
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                              INTRODUCTION
+
+The Workshop on Electronic Texts (1) drew together representatives of
+various projects and interest groups to compare ideas, beliefs,
+experiences, and, in particular, methods of placing and presenting
+historical textual materials in computerized form.  Most attendees gained
+much in insight and outlook from the event.  But the assembly did not
+form a new nation, or, to put it another way, the diversity of projects
+and interests was too great to draw the representatives into a cohesive,
+action-oriented body.(2)
+
+Everyone attending the Workshop shared an interest in preserving and
+providing access to historical texts.  But within this broad field the
+attendees represented a variety of formal, informal, figurative, and
+literal groups, with many individuals belonging to more than one.  These
+groups may be defined roughly according to the following topics or
+activities:
+
+* Imaging
+* Searchable coded texts
+* National and international computer networks
+* CD-ROM production and dissemination
+* Methods and technology for converting older paper materials into
+electronic form
+* Study of the use of digital materials by scholars and others
+
+This summary is arranged thematically and does not follow the actual
+sequence of presentations.
+
+NOTES:
+     (1)  In this document, the phrase electronic text is used to mean
+     any computerized reproduction or version of a document, book,
+     article, or manuscript (including images), and not merely a machine-
+     readable or machine-searchable text.
+
+     (2)  The Workshop was held at the Library of Congress on 9-10 June
+     1992, with funding from the David and Lucile Packard Foundation.
+     The document that follows represents a summary of the presentations
+     made at the Workshop and was compiled by James DALY.  This
+     introduction was written by DALY and Carl FLEISCHHAUER.
+
+
+PRESERVATION AND IMAGING
+
+Preservation, as that term is used by archivists,(3) was most explicitly
+discussed in the context of imaging.  Anne KENNEY and Lynne PERSONIUS
+explained how the concept of a faithful copy and the user-friendliness of
+the traditional book have guided their project at Cornell University.(4)
+Although interested in computerized dissemination, participants in the
+Cornell project are creating digital image sets of older books in the
+public domain as a source for a fresh paper facsimile or, in a future
+phase, microfilm.  The books returned to the library shelves are
+high-quality and useful replacements on acid-free paper that should last
+a long time.  To date, the Cornell project has placed little or no
+emphasis on creating searchable texts; one would not be surprised to find
+that the project participants view such texts as new editions, and thus
+not as faithful reproductions.
+
+In her talk on preservation, Patricia BATTIN struck an ecumenical and
+flexible note as she endorsed the creation and dissemination of a variety
+of types of digital copies.  Do not be too narrow in defining what counts
+as a preservation element, BATTIN counseled; for the present, at least,
+digital copies made with preservation in mind cannot be as narrowly
+standardized as, say, microfilm copies with the same objective.  Setting
+standards precipitously can inhibit creativity, but delay can result in
+chaos, she advised.
+
+In part, BATTIN's position reflected the unsettled nature of image-format
+standards, and attendees could hear echoes of this unsettledness in the
+comments of various speakers.  For example, Jean BARONAS reviewed the
+status of several formal standards moving through committees of experts;
+and Clifford LYNCH encouraged the use of a new guideline for transmitting
+document images on Internet.  Testimony from participants in the National
+Agricultural Library's (NAL) Text Digitization Program and LC's American
+Memory project highlighted some of the challenges to the actual creation
+or interchange of images, including difficulties in converting
+preservation microfilm to digital form.  Donald WATERS reported on the
+progress of a master plan for a project at Yale University to convert
+books on microfilm to digital image sets, Project Open Book (POB).
+
+The Workshop offered rather less of an imaging practicum than planned,
+but "how-to" hints emerge at various points, for example, throughout
+KENNEY's presentation and in the discussion of arcana such as
+thresholding and dithering offered by George THOMA and FLEISCHHAUER.
+
+NOTES:
+     (3)  Although there is a sense in which any reproductions of
+     historical materials preserve the human record, specialists in the
+     field have developed particular guidelines for the creation of
+     acceptable preservation copies.
+
+     (4)  Titles and affiliations of presenters are given at the
+     beginning of their respective talks and in the Directory of
+     Participants (Appendix III).
+
+
+THE MACHINE-READABLE TEXT:  MARKUP AND USE
+
+The sections of the Workshop that dealt with machine-readable text tended
+to be more concerned with access and use than with preservation, at least
+in the narrow technical sense.  Michael SPERBERG-McQUEEN made a forceful
+presentation on the Text Encoding Initiative's (TEI) implementation of
+the Standard Generalized Markup Language (SGML).  His ideas were echoed
+by Susan HOCKEY, Elli MYLONAS, and Stuart WEIBEL.  While the
+presentations made by the TEI advocates contained no practicum, their
+discussion focused on the value of the finished product, what the
+European Community calls reusability, but what may also be termed
+durability.  They argued that marking up--that is, coding--a text in a
+well-conceived way will permit it to be moved from one computer
+environment to another, as well as to be used by various users.  Two
+kinds of markup were distinguished:  1) procedural markup, which
+describes the features of a text (e.g., dots on a page), and 2)
+descriptive markup, which describes the structure or elements of a
+document (e.g., chapters, paragraphs, and front matter).
+
+The TEI proponents emphasized the importance of texts to scholarship.
+They explained how heavily coded (and thus analyzed and annotated) texts
+can underlie research, play a role in scholarly communication, and
+facilitate classroom teaching.  SPERBERG-McQUEEN reminded listeners that
+a written or printed item (e.g., a particular edition of a book) is
+merely a representation of the abstraction we call a text.  To concern
+ourselves with faithfully reproducing a printed instance of the text,
+SPERBERG-McQUEEN argued, is to concern ourselves with the representation
+of a representation ("images as simulacra for the text").  The TEI proponents'
+interest in images tends to focus on corollary materials for use in teaching,
+for example, photographs of the Acropolis to accompany a Greek text.
+
+By the end of the Workshop, SPERBERG-McQUEEN confessed to having been
+converted to a limited extent to the view that electronic images
+constitute a promising alternative to microfilming; indeed, an
+alternative probably superior to microfilming.  But he was not convinced
+that electronic images constitute a serious attempt to represent text in
+electronic form.  HOCKEY and MYLONAS also conceded that their experience
+at the Pierce Symposium the previous week at Georgetown University and
+the present conference at the Library of Congress had compelled them to
+reevaluate their perspective on the usefulness of text as images.
+Attendees could see that the text and image advocates were in
+constructive tension, so to say.
+
+Three nonTEI presentations described approaches to preparing
+machine-readable text that are less rigorous and thus less expensive.  In
+the case of the Papers of George Washington, Dorothy TWOHIG explained
+that the digital version will provide a not-quite-perfect rendering of
+the transcribed text--some 135,000 documents, available for research
+during the decades while the perfect or print version is completed.
+Members of the American Memory team and the staff of NAL's Text
+Digitization Program (see below) also outlined a middle ground concerning
+searchable texts.  In the case of American Memory, contractors produce
+texts with about 99-percent accuracy that serve as "browse" or
+"reference" versions of written or printed originals.  End users who need
+faithful copies or perfect renditions must refer to accompanying sets of
+digital facsimile images or consult copies of the originals in a nearby
+library or archive.  American Memory staff argued that the high cost of
+producing 100-percent accurate copies would prevent LC from offering
+access to large parts of its collections.
+
+
+THE MACHINE-READABLE TEXT:  METHODS OF CONVERSION
+
+Although the Workshop did not include a systematic examination of the
+methods for converting texts from paper (or from facsimile images) into
+machine-readable form, nevertheless, various speakers touched upon this
+matter.  For example, WEIBEL reported that OCLC has experimented with a
+merging of multiple optical character recognition systems that will
+reduce errors from an unacceptable rate of 5 characters out of every
+l,000 to an unacceptable rate of 2 characters out of every l,000.
+
+Pamela ANDRE presented an overview of NAL's Text Digitization Program and
+Judith ZIDAR discussed the technical details.  ZIDAR explained how NAL
+purchased hardware and software capable of performing optical character
+recognition (OCR) and text conversion and used its own staff to convert
+texts.  The process, ZIDAR said, required extensive editing and project
+staff found themselves considering alternatives, including rekeying
+and/or creating abstracts or summaries of texts.  NAL reckoned costs at
+$7 per page.  By way of contrast, Ricky ERWAY explained that American
+Memory had decided from the start to contract out conversion to external
+service bureaus.  The criteria used to select these contractors were cost
+and quality of results, as opposed to methods of conversion.  ERWAY noted
+that historical documents or books often do not lend themselves to OCR.
+Bound materials represent a special problem.  In her experience, quality
+control--inspecting incoming materials, counting errors in samples--posed
+the most time-consuming aspect of contracting out conversion.  ERWAY
+reckoned American Memory's costs at $4 per page, but cautioned that fewer
+cost-elements had been included than in NAL's figure.
+
+
+OPTIONS FOR DISSEMINATION
+
+The topic of dissemination proper emerged at various points during the
+Workshop.  At the session devoted to national and international computer
+networks, LYNCH, Howard BESSER, Ronald LARSEN, and Edwin BROWNRIGG
+highlighted the virtues of Internet today and of the network that will
+evolve from Internet.  Listeners could discern in these narratives a
+vision of an information democracy in which millions of citizens freely
+find and use what they need.  LYNCH noted that a lack of standards
+inhibits disseminating multimedia on the network, a topic also discussed
+by BESSER.  LARSEN addressed the issues of network scalability and
+modularity and commented upon the difficulty of anticipating the effects
+of growth in orders of magnitude.  BROWNRIGG talked about the ability of
+packet radio to provide certain links in a network without the need for
+wiring.  However, the presenters also called attention to the
+shortcomings and incongruities of present-day computer networks.  For
+example:  1) Network use is growing dramatically, but much network
+traffic consists of personal communication (E-mail).  2) Large bodies of
+information are available, but a user's ability to search across their
+entirety is limited.  3) There are significant resources for science and
+technology, but few network sources provide content in the humanities.
+4) Machine-readable texts are commonplace, but the capability of the
+system to deal with images (let alone other media formats) lags behind.
+A glimpse of a multimedia future for networks, however, was provided by
+Maria LEBRON in her overview of the Online Journal of Current Clinical
+Trials (OJCCT), and the process of scholarly publishing on-line.
+
+The contrasting form of the CD-ROM disk was never systematically
+analyzed, but attendees could glean an impression from several of the
+show-and-tell presentations.  The Perseus and American Memory examples
+demonstrated recently published disks, while the descriptions of the
+IBYCUS version of the Papers of George Washington and Chadwyck-Healey's
+Patrologia Latina Database (PLD) told of disks to come.  According to
+Eric CALALUCA, PLD's principal focus has been on converting Jacques-Paul
+Migne's definitive collection of Latin texts to machine-readable form.
+Although everyone could share the network advocates' enthusiasm for an
+on-line future, the possibility of rolling up one's sleeves for a session
+with a CD-ROM containing both textual materials and a powerful retrieval
+engine made the disk seem an appealing vessel indeed.  The overall
+discussion suggested that the transition from CD-ROM to on-line networked
+access may prove far slower and more difficult than has been anticipated.
+
+
+WHO ARE THE USERS AND WHAT DO THEY DO?
+
+Although concerned with the technicalities of production, the Workshop
+never lost sight of the purposes and uses of electronic versions of
+textual materials.  As noted above, those interested in imaging discussed
+the problematical matter of digital preservation, while the TEI proponents
+described how machine-readable texts can be used in research.  This latter
+topic received thorough treatment in the paper read by Avra MICHELSON.
+She placed the phenomenon of electronic texts within the context of
+broader trends in information technology and scholarly communication.
+
+Among other things, MICHELSON described on-line conferences that
+represent a vigorous and important intellectual forum for certain
+disciplines.  Internet now carries more than 700 conferences, with about
+80 percent of these devoted to topics in the social sciences and the
+humanities.  Other scholars use on-line networks for "distance learning."
+Meanwhile, there has been a tremendous growth in end-user computing;
+professors today are less likely than their predecessors to ask the
+campus computer center to process their data.  Electronic texts are one
+key to these sophisticated applications, MICHELSON reported, and more and
+more scholars in the humanities now work in an on-line environment.
+Toward the end of the Workshop, Michael LESK presented a corollary to
+MICHELSON's talk, reporting the results of an experiment that compared
+the work of one group of chemistry students using traditional printed
+texts and two groups using electronic sources.  The experiment
+demonstrated that in the event one does not know what to read, one needs
+the electronic systems; the electronic systems hold no advantage at the
+moment if one knows what to read, but neither do they impose a penalty.
+
+DALY provided an anecdotal account of the revolutionizing impact of the
+new technology on his previous methods of research in the field of classics.
+His account, by extrapolation, served to illustrate in part the arguments
+made by MICHELSON concerning the positive effects of the sudden and radical
+transformation being wrought in the ways scholars work.
+
+Susan VECCIA and Joanne FREEMAN delineated the use of electronic
+materials outside the university.  The most interesting aspect of their
+use, FREEMAN said, could be seen as a paradox:  teachers in elementary
+and secondary schools requested access to primary source materials but,
+at the same time, found that "primariness" itself made these materials
+difficult for their students to use.
+
+
+OTHER TOPICS
+
+Marybeth PETERS reviewed copyright law in the United States and offered
+advice during a lively discussion of this subject.  But uncertainty
+remains concerning the price of copyright in a digital medium, because a
+solution remains to be worked out concerning management and synthesis of
+copyrighted and out-of-copyright pieces of a database.
+
+As moderator of the final session of the Workshop, Prosser GIFFORD directed
+discussion to future courses of action and the potential role of LC in
+advancing them.  Among the recommendations that emerged were the following:
+
+     * Workshop participants should 1) begin to think about working
+     with image material, but structure and digitize it in such a
+     way that at a later stage it can be interpreted into text, and
+     2) find a common way to build text and images together so that
+     they can be used jointly at some stage in the future, with
+     appropriate network support, because that is how users will want
+     to access these materials.  The Library might encourage attempts
+     to bring together people who are working on texts and images.
+
+     * A network version of American Memory should be developed or
+     consideration should be given to making the data in it
+     available to people interested in doing network multimedia.
+     Given the current dearth of digital data that is appealing and
+     unencumbered by extremely complex rights problems, developing a
+     network version of American Memory could do much to help make
+     network multimedia a reality.
+
+     * Concerning the thorny issue of electronic deposit, LC should
+     initiate a catalytic process in terms of distributed
+     responsibility, that is, bring together the distributed
+     organizations and set up a study group to look at all the
+     issues related to electronic deposit and see where we as a
+     nation should move.  For example, LC might attempt to persuade
+     one major library in each state to deal with its state
+     equivalent publisher, which might produce a cooperative project
+     that would be equitably distributed around the country, and one
+     in which LC would be dealing with a minimal number of publishers
+     and minimal copyright problems.  LC must also deal with the
+     concept of on-line publishing, determining, among other things,
+     how serials such as OJCCT might be deposited for copyright.
+
+     * Since a number of projects are planning to carry out
+     preservation by creating digital images that will end up in
+     on-line or near-line storage at some institution, LC might play
+     a helpful role, at least in the near term, by accelerating how
+     to catalog that information into the Research Library Information
+     Network (RLIN) and then into OCLC, so that it would be accessible.
+     This would reduce the possibility of multiple institutions digitizing
+     the same work.
+
+
+CONCLUSION
+
+The Workshop was valuable because it brought together partisans from
+various groups and provided an occasion to compare goals and methods.
+The more committed partisans frequently communicate with others in their
+groups, but less often across group boundaries.  The Workshop was also
+valuable to attendees--including those involved with American Memory--who
+came less committed to particular approaches or concepts.  These
+attendees learned a great deal, and plan to select and employ elements of
+imaging, text-coding, and networked distribution that suit their
+respective projects and purposes.
+
+Still, reality rears its ugly head:  no breakthrough has been achieved.
+On the imaging side, one confronts a proliferation of competing
+data-interchange standards and a lack of consensus on the role of digital
+facsimiles in preservation.  In the realm of machine-readable texts, one
+encounters a reasonably mature standard but methodological difficulties
+and high costs.  These latter problems, of course, represent a special
+impediment to the desire, as it is sometimes expressed in the popular
+press, "to put the [contents of the] Library of Congress on line."  In
+the words of one participant, there was "no solution to the economic
+problems--the projects that are out there are surviving, but it is going
+to be a lot of work to transform the information industry, and so far the
+investment to do that is not forthcoming" (LESK, per litteras).
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                               PROCEEDINGS
+
+
+WELCOME
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+GIFFORD * Origin of Workshop in current Librarian's desire to make LC's
+collections more widely available * Desiderata arising from the prospect
+of greater interconnectedness *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+After welcoming participants on behalf of the Library of Congress,
+American Memory (AM), and the National Demonstration Lab, Prosser
+GIFFORD, director for scholarly programs, Library of Congress, located
+the origin of the Workshop on Electronic Texts in a conversation he had
+had considerably more than a year ago with Carl FLEISCHHAUER concerning
+some of the issues faced by AM.  On the assumption that numerous other
+people were asking the same questions, the decision was made to bring
+together as many of these people as possible to ask the same questions
+together.  In a deeper sense, GIFFORD said, the origin of the Workshop
+lay in the desire of the current Librarian of Congress, James H.
+Billington, to make the collections of the Library, especially those
+offering unique or unusual testimony on aspects of the American
+experience, available to a much wider circle of users than those few
+people who can come to Washington to use them.  This meant that the
+emphasis of AM, from the outset, has been on archival collections of the
+basic material, and on making these collections themselves available,
+rather than selected or heavily edited products.
+
+From AM's emphasis followed the questions with which the Workshop began:
+who will use these materials, and in what form will they wish to use
+them.  But an even larger issue deserving mention, in GIFFORD's view, was
+the phenomenal growth in Internet connectivity.  He expressed the hope
+that the prospect of greater interconnectedness than ever before would
+lead to:  1) much more cooperative and mutually supportive endeavors; 2)
+development of systems of shared and distributed responsibilities to
+avoid duplication and to ensure accuracy and preservation of unique
+materials; and 3) agreement on the necessary standards and development of
+the appropriate directories and indices to make navigation
+straightforward among the varied resources that are, and increasingly
+will be, available.  In this connection, GIFFORD requested that
+participants reflect from the outset upon the sorts of outcomes they
+thought the Workshop might have.  Did those present constitute a group
+with sufficient common interests to propose a next step or next steps,
+and if so, what might those be?  They would return to these questions the
+following afternoon.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+FLEISCHHAUER * Core of Workshop concerns preparation and production of
+materials * Special challenge in conversion of textual materials *
+Quality versus quantity * Do the several groups represented share common
+interests? *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Carl FLEISCHHAUER, coordinator, American Memory, Library of Congress,
+emphasized that he would attempt to represent the people who perform some
+of the work of converting or preparing  materials and that the core of
+the Workshop had to do with preparation and production.  FLEISCHHAUER
+then drew a distinction between the long term, when many things would be
+available and connected in the ways that GIFFORD described, and the short
+term, in which AM not only has wrestled with the issue of what is the
+best course to pursue but also has faced a variety of technical
+challenges.
+
+FLEISCHHAUER remarked AM's endeavors to deal with a wide range of library
+formats, such as motion picture collections, sound-recording collections,
+and pictorial collections of various sorts, especially collections of
+photographs.  In the course of these efforts, AM kept coming back to
+textual materials--manuscripts or rare printed matter, bound materials,
+etc.  Text posed the greatest conversion challenge of all.  Thus, the
+genesis of the Workshop, which reflects the problems faced by AM.  These
+problems include physical problems.  For example, those in the library
+and archive business deal with collections made up of fragile and rare
+manuscript items, bound materials, especially the notoriously brittle
+bound materials of the late nineteenth century.  These are precious
+cultural artifacts, however, as well as interesting sources of
+information, and LC desires to retain and conserve them.  AM needs to
+handle things without damaging them.  Guillotining a book to run it
+through a sheet feeder must be avoided at all costs.
+
+Beyond physical problems, issues pertaining to quality arose.  For
+example, the desire to provide users with a searchable text is affected
+by the question of acceptable level of accuracy.  One hundred percent
+accuracy is tremendously expensive.  On the other hand, the output of
+optical character recognition (OCR) can be tremendously inaccurate.
+Although AM has attempted to find a middle ground, uncertainty persists
+as to whether or not it has discovered the right solution.
+
+Questions of quality arose concerning images as well.  FLEISCHHAUER
+contrasted the extremely high level of quality of the digital images in
+the Cornell Xerox Project with AM's efforts to provide a browse-quality
+or access-quality image, as opposed to an archival or preservation image.
+FLEISCHHAUER therefore welcomed the opportunity to compare notes.
+
+FLEISCHHAUER observed in passing that conversations he had had about
+networks have begun to signal that for various forms of media a
+determination may be made that there is a browse-quality item, or a
+distribution-and-access-quality item that may coexist in some systems
+with a higher quality archival item that would be inconvenient to send
+through the network because of its size.  FLEISCHHAUER referred, of
+course, to images more than to searchable text.
+
+As AM considered those questions, several conceptual issues arose:  ought
+AM occasionally to reproduce materials entirely through an image set, at
+other times, entirely through a text set, and in some cases, a mix?
+There probably would be times when the historical authenticity of an
+artifact would require that its image be used.  An image might be
+desirable as a recourse for users if one could not provide 100-percent
+accurate text.  Again, AM wondered, as a practical matter, if a
+distinction could be drawn between rare printed matter that might exist
+in multiple collections--that is, in ten or fifteen libraries.  In such
+cases, the need for perfect reproduction would be less than for unique
+items.  Implicit in his remarks, FLEISCHHAUER conceded, was the admission
+that AM has been tilting strongly towards quantity and drawing back a
+little from perfect quality.  That is, it seemed to AM that society would
+be better served if more things were distributed by LC--even if they were
+not quite perfect--than if fewer things, perfectly represented, were
+distributed.  This was stated as a proposition to be tested, with
+responses to be gathered from users.
+
+In thinking about issues related to reproduction of materials and seeing
+other people engaged in parallel activities, AM deemed it useful to
+convene a conference.  Hence, the Workshop.  FLEISCHHAUER thereupon
+surveyed the several groups represented:  1) the world of images (image
+users and image makers); 2) the world of text and scholarship and, within
+this group, those concerned with language--FLEISCHHAUER confessed to finding
+delightful irony in the fact that some of the most advanced thinkers on
+computerized texts are those dealing with ancient Greek and Roman materials;
+3) the network world; and 4) the general world of library science, which
+includes people interested in preservation and cataloging.
+
+FLEISCHHAUER concluded his remarks with special thanks to the David and
+Lucile Packard Foundation for its support of the meeting, the American
+Memory group, the Office for Scholarly Programs, the National
+Demonstration Lab, and the Office of Special Events.  He expressed the
+hope that David Woodley Packard might be able to attend, noting that
+Packard's work and the work of the foundation had sponsored a number of
+projects in the text area.
+
+                                 ******
+
+SESSION I.  CONTENT IN A NEW FORM:   WHO WILL USE IT AND WHAT WILL THEY DO?
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DALY * Acknowledgements * A new Latin authors disk *  Effects of the new
+technology on previous methods of research *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Serving as moderator, James DALY acknowledged the generosity of all the
+presenters for giving of their time, counsel, and patience in planning
+the Workshop, as well as of members of the American Memory project and
+other Library of Congress staff, and the David and Lucile Packard
+Foundation and its executive director, Colburn S. Wilbur.
+
+DALY then recounted his visit in March to the Center for Electronic Texts
+in the Humanities (CETH) and the Department of Classics at Rutgers
+University, where an old friend, Lowell Edmunds, introduced him to the
+department's IBYCUS scholarly personal computer, and, in particular, the
+new Latin CD-ROM, containing, among other things, almost all classical
+Latin literary texts through A.D. 200.  Packard Humanities Institute
+(PHI), Los Altos, California, released this disk late in 1991, with a
+nominal triennial licensing fee.
+
+Playing with the disk for an hour or so at Rutgers brought home to DALY
+at once the revolutionizing impact of the new technology on his previous
+methods of research.  Had this disk been available two or three years
+earlier, DALY contended, when he was engaged in preparing a commentary on
+Book 10 of Virgil's Aeneid for Cambridge University Press, he would not
+have required a forty-eight-square-foot table on which to spread the
+numerous, most frequently consulted items, including some ten or twelve
+concordances to key Latin authors, an almost equal number of lexica to
+authors who lacked concordances, and where either lexica or concordances
+were lacking, numerous editions of authors antedating and postdating Virgil.
+
+Nor, when checking each of the average six to seven words contained in
+the Virgilian hexameter for its usage elsewhere in Virgil's works or
+other Latin authors, would DALY have had to maintain the laborious
+mechanical process of flipping through these concordances, lexica, and
+editions each time.  Nor would he have had to frequent as often the
+Milton S. Eisenhower Library at the Johns Hopkins University to consult
+the Thesaurus Linguae Latinae.  Instead of devoting countless hours, or
+the bulk of his research time, to gathering data concerning Virgil's use
+of words, DALY--now freed by PHI's Latin authors disk from the
+tyrannical, yet in some ways paradoxically happy scholarly drudgery--
+would have been able to devote that same bulk of time to analyzing and
+interpreting Virgilian verbal usage.
+
+Citing Theodore Brunner, Gregory Crane, Elli MYLONAS, and Avra MICHELSON,
+DALY argued that this reversal in his style of work, made possible by the
+new technology, would perhaps have resulted in better, more productive
+research.  Indeed, even in the course of his browsing the Latin authors
+disk at Rutgers, its powerful search, retrieval, and highlighting
+capabilities suggested to him several new avenues of research into
+Virgil's use of sound effects.  This anecdotal account, DALY maintained,
+may serve to illustrate in part the sudden and radical transformation
+being wrought in the ways scholars work.
+
+                                 ******
+
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+MICHELSON * Elements related to scholarship and technology * Electronic
+texts within the context of broader trends within information technology
+and scholarly communication * Evaluation of the prospects for the use of
+electronic texts * Relationship of electronic texts to processes of
+scholarly communication in humanities research * New exchange formats
+created by scholars * Projects initiated to increase scholarly access to
+converted text * Trend toward making electronic resources available
+through research and education networks * Changes taking place in
+scholarly communication among humanities scholars * Network-mediated
+scholarship transforming traditional scholarly practices * Key
+information technology trends affecting the conduct of scholarly
+communication over the next decade * The trend toward end-user computing
+* The trend toward greater connectivity * Effects of these trends * Key
+transformations taking place * Summary of principal arguments *
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Avra MICHELSON, Archival Research and Evaluation Staff, National Archives
+and Records Administration (NARA), argued that establishing who will use
+electronic texts and what they will use them for involves a consideration
+of both information technology and scholarship trends.  This
+consideration includes several elements related to scholarship and
+technology:  1) the key trends in information technology that are most
+relevant to scholarship; 2) the key trends in the use of currently
+available technology by scholars in the nonscientific community; and 3)
+the relationship between these two very distinct but interrelated trends.
+The investment in understanding this relationship being made by
+information providers, technologists, and public policy developers, as
+well as by scholars themselves, seems to be pervasive and growing,
+MICHELSON contended.  She drew on collaborative work with Jeff Rothenberg
+on the scholarly use of technology.
+
+MICHELSON sought to place the phenomenon of electronic texts within the
+context of broader trends within information technology and scholarly
+communication.  She argued that electronic texts are of most use to
+researchers to the extent that the researchers' working context (i.e.,
+their relevant bibliographic sources, collegial feedback, analytic tools,
+notes, drafts, etc.), along with their field's primary and secondary
+sources, also is accessible in electronic form and can be integrated in
+ways that are unique to the on-line environment.
+
+Evaluation of the prospects for the use of electronic texts includes two
+elements:  1) an examination of the ways in which researchers currently
+are using electronic texts along with other electronic resources, and 2)
+an analysis of key information technology trends that are affecting the
+long-term conduct of scholarly communication.  MICHELSON limited her
+discussion of the use of electronic texts to the practices of humanists
+and noted that the scientific community was outside the panel's overview.
+
+MICHELSON examined the nature of the current relationship of electronic
+texts in particular, and electronic resources in general, to what she
+maintained were, essentially, five processes of scholarly communication
+in humanities research.  Researchers 1) identify sources, 2) communicate
+with their colleagues, 3) interpret and analyze data, 4) disseminate
+their research findings, and 5) prepare curricula to instruct the next
+generation of scholars and students.  This examination would produce a
+clearer understanding of the synergy among these five processes that
+fuels the tendency of the use of electronic resources for one process to
+stimulate its use for other processes of scholarly communication.
+
+For the first process of scholarly communication, the identification of
+sources, MICHELSON remarked the opportunity scholars now enjoy to
+supplement traditional word-of-mouth searches for sources among their
+colleagues with new forms of electronic searching.  So, for example,
+instead of having to visit the library, researchers are able to explore
+descriptions of holdings in their offices.  Furthermore, if their own
+institutions' holdings prove insufficient, scholars can access more than
+200 major American library catalogues over Internet, including the
+universities of California, Michigan, Pennsylvania, and Wisconsin.
+Direct access to the bibliographic databases offers intellectual
+empowerment to scholars by presenting a comprehensive means of browsing
+through libraries from their homes and offices at their convenience.
+
+The second process of communication involves communication among
+scholars.  Beyond the most common methods of communication, scholars are
+using E-mail and a variety of new electronic communications formats
+derived from it for further academic interchange.  E-mail exchanges are
+growing at an astonishing rate, reportedly 15 percent a month.  They
+currently constitute approximately half the traffic on research and
+education networks.  Moreover, the global spread of E-mail has been so
+rapid that it is now possible for American scholars to use it to
+communicate with colleagues in close to 140 other countries.
+
+Other new exchange formats created by scholars and operating on Internet
+include more than 700 conferences, with about 80 percent of these devoted
+to topics in the social sciences and humanities.  The rate of growth of
+these scholarly electronic conferences also is astonishing.  From l990 to
+l991, 200 new conferences were identified on Internet.  From October 1991
+to June 1992, an additional 150 conferences in the social sciences and
+humanities were added to this directory of listings.  Scholars have
+established conferences in virtually every field, within every different
+discipline.  For example, there are currently close to 600 active social
+science and humanities  conferences on topics such as art and
+architecture, ethnomusicology, folklore, Japanese culture, medical
+education, and gifted and talented education.  The appeal to scholars of
+communicating through these conferences is that, unlike any other medium,
+electronic conferences today provide a forum for global communication
+with peers at the front end of the research process.
+
+Interpretation and analysis of sources constitutes the third process of
+scholarly communication that MICHELSON discussed in terms of texts and
+textual resources.  The methods used to analyze sources fall somewhere on
+a continuum from quantitative analysis to qualitative analysis.
+Typically, evidence is culled and evaluated using methods drawn from both
+ends of this continuum.  At one end, quantitative analysis involves the
+use of mathematical processes such as a count of frequencies and
+distributions of occurrences or, on a higher level, regression analysis.
+At the other end of the continuum, qualitative analysis typically
+involves nonmathematical processes oriented toward language
+interpretation or the building of theory.  Aspects of this work involve
+the processing--either manual or computational--of large and sometimes
+massive amounts of textual sources, although the use of nontextual
+sources as evidence, such as photographs, sound recordings, film footage,
+and artifacts, is significant as well.
+
+Scholars have discovered that many of the methods of interpretation and
+analysis that are related to both quantitative and qualitative methods
+are processes that can be performed by computers.  For example, computers
+can count.  They can count brush strokes used in a Rembrandt painting or
+perform regression analysis for understanding cause and effect.  By means
+of advanced technologies, computers can recognize patterns, analyze text,
+and model concepts.  Furthermore, computers can complete these processes
+faster with more sources and with greater precision than scholars who
+must rely on manual interpretation of data.  But if scholars are to use
+computers for these processes, source materials must be in a form
+amenable to computer-assisted analysis.  For this reason many scholars,
+once they have identified the sources that are key to their research, are
+converting them to machine-readable form.  Thus, a representative example
+of the numerous textual conversion projects organized by scholars around
+the world in recent years to support computational text analysis is the
+TLG, the Thesaurus Linguae Graecae.  This project is devoted to
+converting the extant ancient texts of classical Greece.  (Editor's note:
+according to the TLG Newsletter of May l992, TLG was in use in thirty-two
+different countries.  This figure updates MICHELSON's previous count by one.)
+
+The scholars performing these conversions have been asked to recognize
+that the electronic sources they are converting for one use possess value
+for other research purposes as well.  As a result, during the past few
+years, humanities scholars have initiated a number of projects to
+increase scholarly access to converted text.  So, for example, the Text
+Encoding Initiative (TEI), about which more is said later in the program,
+was established as an effort by scholars to determine standard elements
+and methods for encoding machine-readable text for electronic exchange.
+In a second effort to facilitate the sharing of converted text, scholars
+have created a new institution, the Center for Electronic Texts in the
+Humanities (CETH).  The center estimates that there are 8,000 series of
+source texts in the humanities that have been converted to
+machine-readable form worldwide.  CETH is undertaking an international
+search for converted text in the humanities, compiling it into an
+electronic library, and preparing bibliographic descriptions of the
+sources for the Research Libraries Information Network's (RLIN)
+machine-readable data file.  The library profession has begun to initiate
+large conversion projects as well, such as American Memory.
+
+While scholars have been making converted text available to one another,
+typically on disk or on CD-ROM, the clear trend is toward making these
+resources available through research and education networks.  Thus, the
+American and French Research on the Treasury of the French Language
+(ARTFL) and the Dante Project are already available on Internet.
+MICHELSON summarized this section on interpretation and analysis by
+noting that:  1) increasing numbers of humanities scholars in the library
+community are recognizing the importance to the advancement of
+scholarship of retrospective conversion of source materials in the arts
+and humanities; and 2) there is a growing realization that making the
+sources available on research and education networks maximizes their
+usefulness for the analysis performed by humanities scholars.
+
+The fourth process of scholarly communication is dissemination of
+research findings, that is, publication.  Scholars are using existing
+research and education networks to engineer a new type of publication:
+scholarly-controlled journals that are electronically produced and
+disseminated.  Although such journals are still emerging as a
+communication format, their number has grown, from approximately twelve
+to thirty-six during the past year (July 1991 to June 1992).  Most of
+these electronic scholarly journals are devoted to topics in the
+humanities.  As with network conferences, scholarly enthusiasm for these
+electronic journals stems from the medium's unique ability to advance
+scholarship in a way that no other medium can do by supporting global
+feedback and interchange, practically in real time, early in the research
+process.  Beyond scholarly journals, MICHELSON remarked the delivery of
+commercial full-text products, such as articles in professional journals,
+newsletters, magazines, wire services, and reference sources.  These are
+being delivered via on-line local library catalogues, especially through
+CD-ROMs.  Furthermore, according to MICHELSON, there is general optimism
+that the copyright and fees issues impeding the delivery of full text on
+existing research and education networks soon will be resolved.
+
+The final process of scholarly communication is curriculum development
+and instruction, and this involves the use of computer information
+technologies in two areas.  The first is the development of
+computer-oriented instructional tools, which includes simulations,
+multimedia applications, and computer tools that are used to assist in
+the analysis of sources in the classroom, etc.  The Perseus Project, a
+database that provides a multimedia curriculum on classical Greek
+civilization, is a good example of the way in which entire curricula are
+being recast using information technologies.  It is anticipated that the
+current difficulty in exchanging electronically computer-based
+instructional software, which in turn makes it difficult for one scholar
+to build upon the work of others, will be resolved before too long.
+Stand-alone curricular applications that involve electronic text will be
+sharable through networks, reinforcing their significance as intellectual
+products as well as instructional tools.
+
+The second aspect of electronic learning involves the use of research and
+education networks for distance education programs.  Such programs
+interactively link teachers with students in geographically scattered
+locations and rely on the availability of electronic instructional
+resources.  Distance education programs are gaining wide appeal among
+state departments of education because of their demonstrated capacity to
+bring advanced specialized course work and an array of experts to many
+classrooms.  A recent report found that at least 32 states operated at
+least one statewide network for education in 1991, with networks under
+development in many of the remaining states.
+
+MICHELSON summarized this section by noting two striking changes taking
+place in scholarly communication among humanities scholars.  First is the
+extent to which electronic text in particular, and electronic resources
+in general, are being infused into each of the five processes described
+above.  As mentioned earlier, there is a certain synergy at work here.
+The use of electronic resources for one process tends to stimulate its
+use for other processes, because the chief course of movement is toward a
+comprehensive on-line working context for humanities scholars that
+includes on-line availability of key bibliographies, scholarly feedback,
+sources, analytical tools, and publications.  MICHELSON noted further
+that the movement toward a comprehensive on-line working context for
+humanities scholars is not new.  In fact, it has been underway for more
+than forty years in the humanities, since Father Roberto Busa began
+developing an electronic concordance of the works of Saint Thomas Aquinas
+in 1949.  What we are witnessing today, MICHELSON contended, is not the
+beginning of this on-line transition but, for at least some humanities
+scholars, the turning point in the transition from a print to an
+electronic working context.  Coinciding with the on-line transition, the
+second striking change is the extent to which research and education
+networks are becoming the new medium of scholarly communication.  The
+existing Internet and the pending National Education and Research Network
+(NREN) represent the new meeting ground where scholars are going for
+bibliographic information, scholarly dialogue and feedback, the most
+current publications in their field, and high-level educational
+offerings.  Traditional scholarly practices are undergoing tremendous
+transformations as a result of the emergence and growing prominence of
+what is called network-mediated scholarship.
+
+MICHELSON next turned to the second element of the framework she proposed
+at the outset of her talk for evaluating the prospects for electronic
+text, namely the key information technology trends affecting the conduct
+of scholarly communication over the next decade:  1) end-user computing
+and 2) connectivity.
+
+End-user computing means that the person touching the keyboard, or
+performing computations, is the same as the person who initiates or
+consumes the computation.  The emergence of personal computers, along
+with a host of other forces, such as ubiquitous computing, advances in
+interface design, and the on-line transition, is prompting the consumers
+of computation to do their own computing, and is thus rendering obsolete
+the traditional distinction between end users and ultimate users.
+
+The trend toward end-user computing is significant to consideration of
+the prospects for electronic texts because it means that researchers are
+becoming more adept at doing their own computations and, thus, more
+competent in the use of electronic media.  By avoiding programmer
+intermediaries, computation is becoming central to the researcher's
+thought process.  This direct involvement in computing is changing the
+researcher's perspective on the nature of research itself, that is, the
+kinds of questions that can be posed, the analytical methodologies that
+can be used, the types and amount of sources that are appropriate for
+analyses, and the form in which findings are presented.  The trend toward
+end-user computing means that, increasingly, electronic media and
+computation are being infused into all processes of humanities
+scholarship, inspiring remarkable transformations in scholarly
+communication.
+
+The trend toward greater connectivity suggests that researchers are using
+computation increasingly in network environments.  Connectivity is
+important to scholarship because it erases the distance that separates
+students from teachers and scholars from their colleagues, while allowing
+users to access remote databases, share information in many different
+media, connect to their working context wherever they are, and
+collaborate in all phases of research.
+
+The combination of the trend toward end-user computing and the trend
+toward connectivity suggests that the scholarly use of electronic
+resources, already evident among some researchers, will soon become an
+established feature of scholarship.  The effects of these trends, along
+with ongoing changes in scholarly practices, point to a future in which
+humanities researchers will use computation and electronic communication
+to help them formulate ideas, access sources, perform research,
+collaborate with colleagues, seek peer review, publish and disseminate
+results, and engage in many other professional and educational activities.
+
+In summary, MICHELSON emphasized four points:  1) A portion of humanities
+scholars already consider electronic texts the preferred format for
+analysis and dissemination.  2) Scholars are using these electronic
+texts, in conjunction with other electronic resources, in all the
+processes of scholarly communication.  3) The humanities scholars'
+working context is in the process of changing from print technology to
+electronic technology, in many ways mirroring transformations that have
+occurred or are occurring within the scientific community.  4) These
+changes are occurring in conjunction with the development of a new
+communication medium:  research and education networks that are
+characterized by their capacity to advance scholarship in a wholly unique
+way.
+
+MICHELSON also reiterated her three principal arguments:  l) Electronic
+texts are best understood in terms of the relationship to other
+electronic resources and the growing prominence of network-mediated
+scholarship.  2) The prospects for electronic texts lie in their capacity
+to be integrated into the on-line network of electronic resources that
+comprise the new working context for scholars.  3) Retrospective conversion
+of portions of the scholarly record should be a key strategy as information
+providers respond to changes in scholarly communication practices.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+VECCIA * AM's evaluation project and public users of electronic resources
+* AM and its design * Site selection and evaluating the Macintosh
+implementation of AM * Characteristics of the six public libraries
+selected * Characteristics of AM's users in these libraries * Principal
+ways AM is being used *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Susan VECCIA, team leader, and Joanne FREEMAN, associate coordinator,
+American Memory, Library of Congress, gave a joint presentation.  First,
+by way of introduction, VECCIA explained her and FREEMAN's roles in
+American Memory (AM).  Serving principally as an observer, VECCIA has
+assisted with the evaluation project of AM, placing AM collections in a
+variety of different sites around the country and helping to organize and
+implement that project.  FREEMAN has been an associate coordinator of AM
+and has been involved principally with the interpretative materials,
+preparing some of the electronic exhibits and printed historical
+information that accompanies AM and that is requested by users.  VECCIA
+and FREEMAN shared anecdotal observations concerning AM with public users
+of electronic resources.  Notwithstanding a fairly structured evaluation
+in progress, both VECCIA and FREEMAN chose not to report on specifics in
+terms of numbers, etc., because they felt it was too early in the
+evaluation project to do so.
+
+AM is an electronic archive of primary source materials from the Library
+of Congress, selected collections representing a variety of formats--
+photographs, graphic arts, recorded sound, motion pictures, broadsides,
+and soon, pamphlets and books.  In terms of the design of this system,
+the interpretative exhibits have been kept separate from the primary
+resources, with good reason.  Accompanying this collection are printed
+documentation and user guides, as well as guides that FREEMAN prepared for
+teachers so that they may begin using the content of the system at once.
+
+VECCIA described the evaluation project before talking about the public
+users of AM, limiting her remarks to public libraries, because FREEMAN
+would talk more specifically about schools from kindergarten to twelfth
+grade (K-12).   Having started in spring 1991, the evaluation currently
+involves testing of the Macintosh implementation of AM.  Since the
+primary goal of this evaluation is to determine the most appropriate
+audience or audiences for AM, very different sites were selected.  This
+makes evaluation difficult because of the varying degrees of technology
+literacy among the sites.  AM is situated in forty-four locations, of
+which six are public libraries and sixteen are schools.  Represented
+among the schools are elementary, junior high, and high schools.
+District offices also are involved in the evaluation, which will
+conclude in summer 1993.
+
+VECCIA focused the remainder of her talk on the six public libraries, one
+of which doubles as a state library.  They represent a range of
+geographic areas and a range of demographic characteristics.  For
+example, three are located in urban settings, two in rural settings, and
+one in a suburban setting.  A range of technical expertise is to be found
+among these facilities as well.  For example, one is an "Apple library of
+the future," while two others are rural one-room libraries--in one, AM
+sits at the front desk next to a tractor manual.
+
+All public libraries have been extremely enthusiastic, supportive, and
+appreciative of the work that AM has been doing.  VECCIA characterized
+various users:  Most users in public libraries describe themselves as
+general readers; of the students who use AM in the public libraries,
+those in fourth grade and above seem most interested.  Public libraries
+in rural sites tend to attract retired people, who have been highly
+receptive to AM.  Users tend to fall into two additional categories:
+people interested in the content and historical connotations of these
+primary resources, and those fascinated by the technology.  The format
+receiving the most comments has been motion pictures.  The adult users in
+public libraries are more comfortable with IBM computers, whereas young
+people seem comfortable with either IBM or Macintosh, although most of
+them seem to come from a Macintosh background.  This same tendency is
+found in the schools.
+
+What kinds of things do users do with AM?  In a public library there are
+two main goals or ways that AM is being used:  as an individual learning
+tool, and as a leisure activity.  Adult learning was one area that VECCIA
+would highlight as a possible application for a tool such as AM.  She
+described a patron of a rural public library who comes in every day on
+his lunch hour and literally reads AM, methodically going through the
+collection image by image.  At the end of his hour he makes an electronic
+bookmark, puts it in his pocket, and returns to work.  The next day he
+comes in and resumes where he left off.  Interestingly, this man had
+never been in the library before he used AM.  In another small, rural
+library, the coordinator reports that AM is a popular activity for some
+of the older, retired people in the community, who ordinarily would not
+use "those things,"--computers.  Another example of adult learning in
+public libraries is book groups, one of which, in particular, is using AM
+as part of its reading on industrialization, integration, and urbanization
+in the early 1900s.
+
+One library reports that a family is using AM to help educate their
+children.  In another instance, individuals from a local museum came in
+to use AM to prepare an exhibit on toys of the past.  These two examples
+emphasize the mission of the public library as a cultural institution,
+reaching out to people who do not have the same resources available to
+those who live in a metropolitan area or have access to a major library.
+One rural library reports that junior high school students in large
+numbers came in one afternoon to use AM for entertainment.  A number of
+public libraries reported great interest among postcard collectors in the
+Detroit collection, which was essentially a collection of images used on
+postcards around the turn of the century.  Train buffs are similarly
+interested because that was a time of great interest in railroading.
+People, it was found, relate to things that they know of firsthand.  For
+example, in both rural public libraries where AM was made available,
+observers reported that the older people with personal remembrances of
+the turn of the century were gravitating to the Detroit collection.
+These examples served to underscore MICHELSON's observation re the
+integration of electronic tools and ideas--that people learn best when
+the material relates to something they know.
+
+VECCIA made the final point that in many cases AM serves as a
+public-relations tool for the public libraries that are testing it.  In
+one case, AM is being used as a vehicle to secure additional funding for
+the library.  In another case, AM has served as an inspiration to the
+staff of a major local public library in the South to think about ways to
+make its own collection of photographs more accessible to the public.
+
+                                  ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+FREEMAN * AM and archival electronic resources in a school environment *
+Questions concerning context * Questions concerning the electronic format
+itself * Computer anxiety * Access and availability of the system *
+Hardware * Strengths gained through the use of archival resources in
+schools *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Reiterating an observation made by VECCIA, that AM is an archival
+resource made up of primary materials with very little interpretation,
+FREEMAN stated that the project has attempted to bridge the gap between
+these bare primary materials and a school environment, and in that cause
+has created guided introductions to AM collections.  Loud demand from the
+educational community,  chiefly from teachers working with the upper
+grades of elementary school through high school, greeted the announcement
+that AM would be tested around the country.
+
+FREEMAN reported not only on what was learned about AM in a school
+environment, but also on several universal questions that were raised
+concerning archival electronic resources in schools.  She discussed
+several strengths of this type of material in a school environment as
+opposed to a highly structured resource that offers a limited number of
+paths to follow.
+
+FREEMAN first raised several questions about using AM in a school
+environment.  There is often some difficulty in developing a sense of
+what the system contains.  Many students sit down at a computer resource
+and assume that, because AM comes from the Library of Congress, all of
+American history is now at their fingertips.  As a result of that sort of
+mistaken judgment, some students are known to conclude that AM contains
+nothing of use to them when they look for one or two things and do not
+find them.  It is difficult to discover that middle ground where one has
+a sense of what the system contains.  Some students grope toward the idea
+of an archive, a new idea to them, since they have not previously
+experienced what it means to have access to a vast body of somewhat
+random information.
+
+Other questions raised by FREEMAN concerned the electronic format itself.
+For instance, in a school environment it is often difficult both for
+teachers and students to gain a sense of what it is they are viewing.
+They understand that it is a visual image, but they do not necessarily
+know that it is a postcard from the turn of the century, a panoramic
+photograph, or even machine-readable text of an eighteenth-century
+broadside, a twentieth-century printed book, or a nineteenth-century
+diary.  That distinction is often difficult for people in a school
+environment to grasp.  Because of that, it occasionally becomes difficult
+to draw conclusions from what one is viewing.
+
+FREEMAN also noted the obvious fear of the computer, which constitutes a
+difficulty in using an electronic resource.  Though students in general
+did not suffer from this anxiety, several older students feared that they
+were computer-illiterate, an assumption that became self-fulfilling when
+they searched for something but failed to find it.  FREEMAN said she
+believed that some teachers also fear computer resources, because they
+believe they lack complete control.  FREEMAN related the example of
+teachers shooing away students because it was not their time to use the
+system.  This was a case in which the situation had to be extremely
+structured so that the teachers would not feel that they had lost their
+grasp on what the system contained.
+
+A final question raised by FREEMAN concerned access and availability of
+the system.  She noted the occasional existence of a gap in communication
+between school librarians and teachers.  Often AM sits in a school
+library and the librarian is the person responsible for monitoring the
+system.  Teachers do not always take into their world new library
+resources about which the librarian is excited.  Indeed, at the sites
+where AM had been used most effectively within a library, the librarian
+was required to go to specific teachers and instruct them in its use.  As
+a result, several AM sites will have in-service sessions over a summer,
+in the hope that perhaps, with a more individualized link, teachers will
+be more likely to use the resource.
+
+A related issue in the school context concerned the number of
+workstations available at any one location.  Centralization of equipment
+at the district level, with teachers invited to download things and walk
+away with them, proved unsuccessful because the hours these offices were
+open were also school hours.
+
+Another issue was hardware.  As VECCIA observed, a range of sites exists,
+some technologically advanced and others essentially acquiring their
+first computer for the primary purpose of using it in conjunction with
+AM's testing.  Users at technologically sophisticated sites want even
+more sophisticated hardware, so that they can perform even more
+sophisticated tasks with the materials in AM.  But once they acquire a
+newer piece of hardware, they must learn how to use that also; at an
+unsophisticated site it takes an extremely long time simply to become
+accustomed to the computer, not to mention the program offered with the
+computer.  All of these small issues raise one large question, namely,
+are systems like AM truly rewarding in a school environment, or do they
+simply act as innovative toys that do little more than spark interest?
+
+FREEMAN contended that the evaluation project has revealed several strengths
+that were gained through the use of archival resources in schools, including:
+
+     * Psychic rewards from using AM as a vast, rich database, with
+     teachers assigning various projects to students--oral presentations,
+     written reports, a documentary, a turn-of-the-century newspaper--
+     projects that start with the materials in AM but are completed using
+     other resources; AM thus is used as a research tool in conjunction
+     with other electronic resources, as well as with books and items in
+     the library where the system is set up.
+
+     * Students are acquiring computer literacy in a humanities context.
+
+     * This sort of system is overcoming the isolation between disciplines
+     that often exists in schools.  For example, many English teachers are
+     requiring their students to write papers on historical topics
+     represented in AM.  Numerous teachers have reported that their
+     students are learning critical thinking skills using the system.
+
+     * On a broader level, AM is introducing primary materials, not only
+     to students but also to teachers, in an environment where often
+     simply none exist--an exciting thing for the students because it
+     helps them learn to conduct research, to interpret, and to draw
+     their own conclusions.  In learning to conduct research and what it
+     means, students are motivated to seek knowledge.  That relates to
+     another positive outcome--a high level of personal involvement of
+     students with the materials in this system and greater motivation to
+     conduct their own research and draw their own conclusions.
+
+     * Perhaps the most ironic strength of these kinds of archival
+     electronic resources is that many of the teachers AM interviewed
+     were desperate, it is no exaggeration to say, not only for primary
+     materials but for unstructured primary materials.  These would, they
+     thought, foster personally motivated research, exploration, and
+     excitement in their students.  Indeed, these materials have done
+     just that.  Ironically, however, this lack of structure produces
+     some of the confusion to which the newness of these kinds of
+     resources may also contribute.  The key to effective use of archival
+     products in a school environment is a clear, effective introduction
+     to the system and to what it contains.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Nothing known, quantitatively, about the number of
+humanities scholars who must see the original versus those who would
+settle for an edited transcript, or about the ways in which humanities
+scholars are using information technology * Firm conclusions concerning
+the manner and extent of the use of supporting materials in print
+provided by AM to await completion of evaluative study * A listener's
+reflections on additional applications of electronic texts * Role of
+electronic resources in teaching elementary research skills to students *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the discussion that followed the presentations by MICHELSON,
+VECCIA, and FREEMAN, additional points emerged.
+
+LESK asked if MICHELSON could give any quantitative estimate of the
+number of humanities scholars who must see or want to see the original,
+or the best possible version of the material, versus those who typically
+would settle for an edited transcript.  While unable to provide a figure,
+she offered her impressions as an archivist who has done some reference
+work and has discussed this issue with other archivists who perform
+reference, that those who use archives and those who use primary sources
+for what would be considered very high-level scholarly research, as
+opposed to, say, undergraduate papers, were few in number, especially
+given the public interest in using primary sources to conduct
+genealogical or avocational research and the kind of professional
+research done by people in private industry or the federal government.
+More important in MICHELSON's view was that, quantitatively, nothing is
+known about the ways in which, for example, humanities scholars are using
+information technology.  No studies exist to offer guidance in creating
+strategies.  The most recent study was conducted in 1985 by the American
+Council of Learned Societies (ACLS), and what it showed was that 50
+percent of humanities scholars at that time were using computers.  That
+constitutes the extent of our knowledge.
+
+Concerning AM's strategy for orienting people toward the scope of
+electronic resources, FREEMAN could offer no hard conclusions at this
+point, because she and her colleagues were still waiting to see,
+particularly in the schools, what has been made of their efforts.  Within
+the system, however, AM has provided what are called electronic exhibits-
+-such as introductions to time periods and materials--and these are
+intended to offer a student user a sense of what a broadside is  and what
+it might tell her or him.  But FREEMAN conceded that the project staff
+would have to talk with students next year, after teachers have had a
+summer to use the materials, and attempt to discover what the students
+were learning from the materials.  In addition, FREEMAN described
+supporting materials in print provided by AM at the request of local
+teachers during a meeting held at LC.  These included time lines,
+bibliographies, and other materials that could be reproduced on a
+photocopier in a classroom.  Teachers could walk away with and use these,
+and in this way gain a better understanding of the contents.  But again,
+reaching firm conclusions concerning the manner and extent of their use
+would have to wait until next year.
+
+As to the changes she saw occurring at the National Archives and Records
+Administration (NARA) as a result of the increasing emphasis on
+technology in scholarly research, MICHELSON stated that NARA at this
+point was absorbing the report by her and Jeff Rothenberg addressing
+strategies for the archival profession in general, although not for the
+National Archives specifically.  NARA is just beginning to establish its
+role and what it can do.  In terms of changes and initiatives that NARA
+can take, no clear response could be given at this time.
+
+GREENFIELD remarked two trends mentioned in the session.  Reflecting on
+DALY's opening comments on how he could have used a Latin collection of
+text in an electronic form, he said that at first he thought most scholars
+would be unwilling to do that.  But as he thought of that in terms of the
+original meaning of research--that is, having already mastered these texts,
+researching them for critical and comparative purposes--for the first time,
+the electronic format made a lot of sense.  GREENFIELD could envision
+growing numbers of scholars learning the new technologies for that very
+aspect of their scholarship and for convenience's sake.
+
+Listening to VECCIA and FREEMAN, GREENFIELD thought of an additional
+application of electronic texts.  He realized that AM could be used as a
+guide to lead someone to original sources.  Students cannot be expected
+to have mastered these sources, things they have never known about
+before.  Thus, AM is leading them, in theory, to a vast body of
+information and giving them a superficial overview of it, enabling them
+to select parts of it.  GREENFIELD asked if any evidence exists that this
+resource will indeed teach the new user, the K-12 students, how to do
+research.  Scholars already know how to do research and are applying
+these new tools.  But he wondered why students would go beyond picking
+out things that were most exciting to them.
+
+FREEMAN conceded the correctness of GREENFIELD's observation as applied
+to a school environment.  The risk is that a student would sit down at a
+system, play with it, find some things of interest, and then walk away.
+But in the relatively controlled situation of a school library, much will
+depend on the instructions a teacher or a librarian gives a student.  She
+viewed the situation not as one of fine-tuning research skills but of
+involving students at a personal level in understanding and researching
+things.  Given the guidance one can receive at school, it then becomes
+possible to teach elementary research skills to students, which in fact
+one particular librarian said she was teaching her fifth graders.
+FREEMAN concluded that introducing the idea of following one's own path
+of inquiry, which is essentially what research entails, involves more
+than teaching specific skills.  To these comments VECCIA added the
+observation that the individual teacher and the use of a creative
+resource, rather than AM itself, seemed to make the key difference.
+Some schools and some teachers are making excellent use of the nature
+of critical thinking and teaching skills, she said.
+
+Concurring with these remarks, DALY closed the session with the thought that
+the more that producers produced for teachers and for scholars to use with
+their students, the more successful their electronic products would prove.
+
+                                 ******
+
+SESSION II.  SHOW AND TELL
+
+Jacqueline HESS, director, National Demonstration Laboratory, served as
+moderator of the "show-and-tell" session.  She noted that a
+question-and-answer period would follow each presentation.
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+MYLONAS * Overview and content of Perseus * Perseus' primary materials
+exist in a system-independent, archival form * A concession * Textual
+aspects of Perseus * Tools to use with the Greek text * Prepared indices
+and full-text searches in Perseus * English-Greek word search leads to
+close study of words and concepts * Navigating Perseus by tracing down
+indices * Using the iconography to perform research *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Elli MYLONAS, managing editor, Perseus Project, Harvard University, first
+gave an overview of Perseus, a large, collaborative effort based at
+Harvard University but with contributors and collaborators located at
+numerous universities and colleges in the United States (e.g., Bowdoin,
+Maryland, Pomona, Chicago, Virginia).  Funded primarily by the
+Annenberg/CPB Project, with additional funding from Apple, Harvard, and
+the Packard Humanities Institute, among others, Perseus is a multimedia,
+hypertextual database for teaching and research on classical Greek
+civilization, which was released in February 1992 in version 1.0 and
+distributed by Yale University Press.
+
+Consisting entirely of primary materials, Perseus includes ancient Greek
+texts and translations of those texts; catalog entries--that is, museum
+catalog entries, not library catalog entries--on vases, sites, coins,
+sculpture, and archaeological objects; maps; and a dictionary, among
+other sources.  The number of objects and the objects for which catalog
+entries exist are accompanied by thousands of color images, which
+constitute a major feature of the database.  Perseus contains
+approximately 30 megabytes of text, an amount that will double in
+subsequent versions.  In addition to these primary materials, the Perseus
+Project has been building tools for using them, making access and
+navigation easier, the goal being to build part of the electronic
+environment discussed earlier in the morning in which students or
+scholars can work with their sources.
+
+The demonstration of Perseus will show only a fraction of the real work
+that has gone into it, because the project had to face the dilemma of
+what to enter when putting something into machine-readable form:  should
+one aim for very high quality or make concessions in order to get the
+material in?  Since Perseus decided to opt for very high quality, all of
+its primary materials exist in a system-independent--insofar as it is
+possible to be system-independent--archival form.  Deciding what that
+archival form would be and attaining it required much work and thought.
+For example, all the texts are marked up in SGML, which will be made
+compatible with the guidelines of the Text Encoding Initiative (TEI) when
+they are issued.
+
+Drawings are postscript files, not meeting international standards, but
+at least designed to go across platforms.  Images, or rather the real
+archival forms, consist of the best available slides, which are being
+digitized.  Much of the catalog material exists in database form--a form
+that the average user could use, manipulate, and display on a personal
+computer, but only at great cost.  Thus, this is where the concession
+comes in:  All of this rich, well-marked-up information is stripped of
+much of its content; the images are converted into bit-maps and the text
+into small formatted chunks.  All this information can then be imported
+into HyperCard and run on a mid-range Macintosh, which is what Perseus
+users have.  This fact has made it possible for Perseus to attain wide
+use fairly rapidly.  Without those archival forms the HyperCard version
+being demonstrated could not be made easily, and the project could not
+have the potential to move to other forms and machines and software as
+they appear, none of which information is in Perseus on the CD.
+
+Of the numerous multimedia aspects of Perseus, MYLONAS focused on the
+textual.  Part of what makes Perseus such a pleasure to use, MYLONAS
+said, is this effort at seamless integration and the ability to move
+around both visual and textual material.  Perseus also made the decision
+not to attempt to interpret its material any more than one interprets by
+selecting.  But, MYLONAS emphasized, Perseus is not courseware:  No
+syllabus exists.  There is no effort to define how one teaches a topic
+using Perseus, although the project may eventually collect papers by
+people who have used it to teach.  Rather, Perseus aims to provide
+primary material in a kind of electronic library, an electronic sandbox,
+so to say, in which students and scholars who are working on this
+material can explore by themselves.  With that, MYLONAS demonstrated
+Perseus, beginning with the Perseus gateway, the first thing one sees
+upon opening Perseus--an effort in part to solve the contextualizing
+problem--which tells the user what the system contains.
+
+MYLONAS demonstrated only a very small portion, beginning with primary
+texts and running off the CD-ROM.  Having selected Aeschylus' Prometheus
+Bound, which was viewable in Greek and English pretty much in the same
+segments together, MYLONAS demonstrated tools to use with the Greek text,
+something not possible with a book:  looking up the dictionary entry form
+of an unfamiliar word in Greek after subjecting it to Perseus'
+morphological analysis for all the texts.  After finding out about a
+word, a user may then decide to see if it is used anywhere else in Greek.
+Because vast amounts of indexing support all of the primary material, one
+can find out where else all forms of a particular Greek word appear--
+often not a trivial matter because Greek is highly inflected.  Further,
+since the story of Prometheus has to do with the origins of sacrifice, a
+user may wish to study and explore sacrifice in Greek literature; by
+typing sacrifice into a small window, a user goes to the English-Greek
+word list--something one cannot do without the computer (Perseus has
+indexed the definitions of its dictionary)--the string sacrifice appears
+in the definitions of these sixty-five words.  One may then find out
+where any of those words is used in the work(s) of a particular author.
+The English definitions are not lemmatized.
+
+All of the indices driving this kind of usage were originally devised for
+speed, MYLONAS observed; in other words, all that kind of information--
+all forms of all words, where they exist, the dictionary form they belong
+to--were collected into databases, which will expedite searching.  Then
+it was discovered that one can do things searching in these databases
+that could not be done searching in the full texts.  Thus, although there
+are full-text searches in Perseus, much of the work is done behind the
+scenes, using prepared indices.  Re the indexing that is done behind the
+scenes, MYLONAS pointed out that without the SGML forms of the text, it
+could not be done effectively.  Much of this indexing is based on the
+structures that are made explicit by the SGML tagging.
+
+It was found that one of the things many of Perseus' non-Greek-reading
+users do is start from the dictionary and then move into the close study
+of words and concepts via this kind of English-Greek word search, by which
+means they might select a concept.  This exercise has been assigned to
+students in core courses at Harvard--to study a concept by looking for the
+English word in the dictionary, finding the Greek words, and then finding
+the words in the Greek but, of course, reading across in the English.
+That tells them a great deal about what a translation means as well.
+
+Should one also wish to see images that have to do with sacrifice, that
+person would go to the object key word search, which allows one to
+perform a similar kind of index retrieval on the database of
+archaeological objects.  Without words, pictures are useless; Perseus has
+not reached the point where it can do much with images that are not
+cataloged.  Thus, although it is possible in Perseus with text and images
+to navigate by knowing where one wants to end up--for example, a
+red-figure vase from the Boston Museum of Fine Arts--one can perform this
+kind of navigation very easily by tracing down indices.  MYLONAS
+illustrated several generic scenes of sacrifice on vases.  The features
+demonstrated derived from Perseus 1.0; version 2.0 will implement even
+better means of retrieval.
+
+MYLONAS closed by looking at one of the pictures and noting again that
+one can do a great deal of research using the iconography as well as the
+texts.  For instance, students in a core course at Harvard this year were
+highly interested in Greek concepts of foreigners and representations of
+non-Greeks.  So they performed a great deal of research, both with texts
+(e.g., Herodotus) and with iconography on vases and coins, on how the
+Greeks portrayed non-Greeks.  At the same time, art historians who study
+iconography were also interested, and were able to use this material.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Indexing and searchability of all English words in Perseus *
+Several features of Perseus 1.0 * Several levels of customization
+possible * Perseus used for general education * Perseus' effects on
+education * Contextual information in Perseus * Main challenge and
+emphasis of Perseus *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Several points emerged in the discussion that followed MYLONAS's presentation.
+
+Although MYLONAS had not demonstrated Perseus' ability to cross-search
+documents, she confirmed that all English words in Perseus are indexed
+and can be searched.  So, for example, sacrifice could have been searched
+in all texts, the historical essay, and all the catalogue entries with
+their descriptions--in short, in all of Perseus.
+
+Boolean logic is not in Perseus 1.0 but will be added to the next
+version, although an effort is being made not to restrict Perseus to a
+database in which one just performs searching, Boolean or otherwise.  It
+is possible to move laterally through the documents by selecting a word
+one is interested in and selecting an area of information one is
+interested in and trying to look that word up in that area.
+
+Since Perseus was developed in HyperCard, several levels of customization
+are possible.  Simple authoring tools exist that allow one to create
+annotated paths through the information, which are useful for note-taking
+and for guided tours for teaching purposes and for expository writing.
+With a little more ingenuity it is possible to begin to add or substitute
+material in Perseus.
+
+Perseus has not been used so much for classics education as for general
+education, where it seemed to have an impact on the students in the core
+course at Harvard (a general required course that students must take in
+certain areas).  Students were able to use primary material much more.
+
+The Perseus Project has an evaluation team at the University of Maryland
+that has been documenting Perseus' effects on education.  Perseus is very
+popular, and anecdotal evidence indicates that it is having an effect at
+places other than Harvard, for example, test sites at Ball State
+University, Drury College, and numerous small places where opportunities
+to use vast amounts of primary data may not exist.  One documented effect
+is that archaeological, anthropological, and philological research is
+being done by the same person instead of by three different people.
+
+The contextual information in Perseus includes an overview essay, a
+fairly linear historical essay on the fifth century B.C. that provides
+links into the primary material (e.g., Herodotus, Thucydides, and
+Plutarch), via small gray underscoring (on the screen) of linked
+passages.  These are handmade links into other material.
+
+To different extents, most of the production work was done at Harvard,
+where the people and the equipment are located.  Much of the
+collaborative activity involved data collection and structuring, because
+the main challenge and the emphasis of Perseus is the gathering of
+primary material, that is, building a useful environment for studying
+classical Greece, collecting data, and making it useful.
+Systems-building is definitely not the main concern.  Thus, much of the
+work has involved writing essays, collecting information, rewriting it,
+and tagging it.  That can be done off site.  The creative link for the
+overview essay as well as for both systems and data was collaborative,
+and was forged via E-mail and paper mail with professors at Pomona and
+Bowdoin.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+CALALUCA * PLD's principal focus and contribution to scholarship *
+Various questions preparatory to beginning the project * Basis for
+project * Basic rule in converting PLD * Concerning the images in PLD *
+Running PLD under a variety of retrieval softwares * Encoding the
+database a hard-fought issue * Various features demonstrated * Importance
+of user documentation * Limitations of the CD-ROM version *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Eric CALALUCA, vice president, Chadwyck-Healey, Inc., demonstrated a
+software interpretation of the Patrologia Latina Database (PLD).  PLD's
+principal focus from the beginning of the project about three-and-a-half
+years ago was on converting Migne's Latin series, and in the end,
+CALALUCA suggested, conversion of the text will be the major contribution
+to scholarship.  CALALUCA stressed that, as possibly the only private
+publishing organization at the Workshop, Chadwyck-Healey had sought no
+federal funds or national foundation support before embarking upon the
+project, but instead had relied upon a great deal of homework and
+marketing to accomplish the task of conversion.
+
+Ever since the possibilities of computer-searching have emerged, scholars
+in the field of late ancient and early medieval studies (philosophers,
+theologians, classicists, and those studying the history of natural law
+and the history of the legal development of Western civilization) have
+been longing for a fully searchable version of Western literature, for
+example, all the texts of Augustine and Bernard of Clairvaux and
+Boethius, not to mention all the secondary and tertiary authors.
+
+Various questions arose, CALALUCA said.  Should one convert Migne?
+Should the database be encoded?  Is it necessary to do that?  How should
+it be delivered?  What about CD-ROM?  Since this is a transitional
+medium, why even bother to create software to run on a CD-ROM?  Since
+everybody knows people will be networking information, why go to the
+trouble--which is far greater with CD-ROM than with the production of
+magnetic data?  Finally, how does one make the data available?  Can many
+of the hurdles to using electronic information that some publishers have
+imposed upon databases be eliminated?
+
+The PLD project was based on the principle that computer-searching of
+texts is most effective when it is done with a large database.  Because
+PLD represented a collection that serves so many disciplines across so
+many periods, it was irresistible.
+
+The basic rule in converting PLD was to do no harm, to avoid the sins of
+intrusion in such a database:  no introduction of newer editions, no
+on-the-spot changes, no eradicating of all possible falsehoods from an
+edition.  Thus, PLD is not the final act in electronic publishing for
+this discipline, but simply the beginning.  The conversion of PLD has
+evoked numerous unanticipated questions:  How will information be used?
+What about networking?  Can the rights of a database be protected?
+Should one protect the rights of a database?  How can it be made
+available?
+
+Those converting PLD also tried to avoid the sins of omission, that is,
+excluding portions of the collections or whole sections.  What about the
+images?  PLD is full of images, some are extremely pious
+nineteenth-century representations of the Fathers, while others contain
+highly interesting elements.  The goal was to cover all the text of Migne
+(including notes, in Greek and in Hebrew, the latter of which, in
+particular, causes problems in creating a search structure), all the
+indices, and even the images, which are being scanned in separately
+searchable files.
+
+Several North American institutions that have placed acquisition requests
+for the PLD database have requested it in magnetic form without software,
+which means they are already running it without software, without
+anything demonstrated at the Workshop.
+
+What cannot practically be done is go back and reconvert and re-encode
+data, a time-consuming and extremely costly enterprise.  CALALUCA sees
+PLD as a database that can, and should, be run under a variety of
+retrieval softwares.  This will permit the widest possible searches.
+Consequently, the need to produce a CD-ROM of PLD, as well as to develop
+software that could handle some 1.3 gigabyte of heavily encoded text,
+developed out of conversations with collection development and reference
+librarians who wanted software both compassionate enough for the
+pedestrian but also capable of incorporating the most detailed
+lexicographical studies that a user desires to conduct.  In the end, the
+encoding and conversion of the data will prove the most enduring
+testament to the value of the project.
+
+The encoding of the database was also a hard-fought issue:  Did the
+database need to be encoded? Were there normative structures for encoding
+humanist texts?  Should it be SGML?  What about the TEI--will it last,
+will it prove useful?  CALALUCA expressed some minor doubts as to whether
+a data bank can be fully TEI-conformant.  Every effort can be made, but
+in the end to be TEI-conformant means to accept the need to make some
+firm encoding decisions that can, indeed, be disputed.  The TEI points
+the publisher in a proper direction but does not presume to make all the
+decisions for him or her.  Essentially, the goal of encoding was to
+eliminate, as much as possible, the hindrances to information-networking,
+so that if an institution acquires a database, everybody associated with
+the institution can have access to it.
+
+CALALUCA demonstrated a portion of Volume 160, because it had the most
+anomalies in it.  The software was created by Electronic Book
+Technologies of Providence, RI, and is called Dynatext.  The software
+works only with SGML-coded data.
+
+Viewing a table of contents on the screen, the audience saw how Dynatext
+treats each element as a book and attempts to simplify movement through a
+volume.  Familiarity with the Patrologia in print (i.e., the text, its
+source, and the editions) will make the machine-readable versions highly
+useful.  (Software with a Windows application was sought for PLD,
+CALALUCA said, because this was the main trend for scholarly use.)
+
+CALALUCA also demonstrated how a user can perform a variety of searches
+and quickly move to any part of a volume; the look-up screen provides
+some basic, simple word-searching.
+
+CALALUCA argued that one of the major difficulties is not the software.
+Rather, in creating a product that will be used by scholars representing
+a broad spectrum of computer sophistication,  user documentation proves
+to be the most important service one can provide.
+
+CALALUCA next illustrated a truncated search under mysterium within ten
+words of virtus and how one would be able to find its contents throughout
+the entire database.  He said that the exciting thing about PLD is that
+many of the applications in the retrieval software being written for it
+will exceed the capabilities of the software employed now for the CD-ROM
+version.  The CD-ROM faces genuine limitations, in terms of speed and
+comprehensiveness, in the creation of a retrieval software to run it.
+CALALUCA said he hoped that individual scholars will download the data,
+if they wish, to their personal computers, and have ready access to
+important texts on a constant basis, which they will be able to use in
+their research and from which they might even be able to publish.
+
+(CALALUCA explained that the blue numbers represented Migne's column numbers,
+which are the standard scholarly references.  Pulling up a note, he stated
+that these texts were heavily edited and the image files would appear simply
+as a note as well, so that one could quickly access an image.)
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+FLEISCHHAUER/ERWAY * Several problems with which AM is still wrestling *
+Various search and retrieval capabilities * Illustration of automatic
+stemming and a truncated search * AM's attempt to find ways to connect
+cataloging to the texts * AM's gravitation towards SGML * Striking a
+balance between quantity and quality * How AM furnishes users recourse to
+images * Conducting a search in a full-text environment * Macintosh and
+IBM prototypes of AM * Multimedia aspects of AM *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+A demonstration of American Memory by its coordinator, Carl FLEISCHHAUER,
+and Ricky ERWAY, associate coordinator, Library of Congress, concluded
+the morning session.  Beginning with a collection of broadsides from the
+Continental Congress and the Constitutional Convention, the only text
+collection in a presentable form at the time of the Workshop, FLEISCHHAUER
+highlighted several of the problems with which AM is still wrestling.
+(In its final form, the disk will contain two collections, not only the
+broadsides but also the full text with illustrations of a set of
+approximately 300 African-American pamphlets from the period 1870 to 1910.)
+
+As FREEMAN had explained earlier, AM has attempted to use a small amount
+of interpretation to introduce collections.  In the present case, the
+contractor, a company named Quick Source, in Silver Spring, MD., used
+software called Toolbook and put together a modestly interactive
+introduction to the collection.  Like the two preceding speakers,
+FLEISCHHAUER argued that the real asset was the underlying collection.
+
+FLEISCHHAUER proceeded to describe various search and retrieval
+capabilities while ERWAY worked the computer.  In this particular package
+the "go to" pull-down allowed the user in effect to jump out of Toolbook,
+where the interactive program was located, and enter the third-party
+software used by AM for this text collection, which is called Personal
+Librarian.  This was the Windows version of Personal Librarian, a
+software application put together by a company in Rockville, Md.
+
+Since the broadsides came from the Revolutionary War period, a search was
+conducted using the words British or war, with the default operator reset
+as or.  FLEISCHHAUER demonstrated both automatic stemming (which finds
+other forms of the same root) and a truncated search.  One of Personal
+Librarian's strongest features, the relevance ranking, was represented by
+a chart that indicated how often words being sought appeared in
+documents, with the one receiving the most "hits" obtaining the highest
+score.  The "hit list" that is supplied takes the relevance ranking into
+account, making the first hit, in effect, the one the software has
+selected as the most relevant example.
+
+While in the text of one of the broadside documents, FLEISCHHAUER
+remarked AM's attempt to find ways to connect cataloging to the texts,
+which it does in different ways in different manifestations.  In the case
+shown, the cataloging was pasted on:  AM took MARC records that were
+written as on-line records right into one of the Library's mainframe
+retrieval programs, pulled them out, and handed them off to the contractor,
+who massaged them somewhat to display them in the manner shown.  One of
+AM's questions is, Does the cataloguing normally performed in the mainframe
+work in this context, or had AM ought to think through adjustments?
+
+FLEISCHHAUER made the additional point that, as far as the text goes, AM
+has gravitated towards SGML (he pointed to the boldface in the upper part
+of the screen).  Although extremely limited in its ability to translate
+or interpret SGML, Personal Librarian will furnish both bold and italics
+on screen; a fairly easy thing to do, but it is one of the ways in which
+SGML is useful.
+
+Striking a balance between quantity and quality has been a major concern
+of AM, with accuracy being one of the places where project staff have
+felt that less than 100-percent accuracy was not unacceptable.
+FLEISCHHAUER cited the example of the standard of the rekeying industry,
+namely 99.95 percent; as one service bureau informed him, to go from
+99.95 to 100 percent would double the cost.
+
+FLEISCHHAUER next demonstrated how AM furnishes users recourse to images,
+and at the same time recalled LESK's pointed question concerning the
+number of people who would look at those images and the number who would
+work only with the text.  If the implication of LESK's question was
+sound, FLEISCHHAUER said, it raised the stakes for text accuracy and
+reduced the value of the strategy for images.
+
+Contending that preservation is always a bugaboo, FLEISCHHAUER
+demonstrated several images derived from a scan of a preservation
+microfilm that AM had made.  He awarded a grade of C at best, perhaps a
+C minus or a C plus, for how well it worked out.  Indeed, the matter of
+learning if other people had better ideas about scanning in general, and,
+in particular, scanning from microfilm, was one of the factors that drove
+AM to attempt to think through the agenda for the Workshop.  Skew, for
+example, was one of the issues that AM in its ignorance had not reckoned
+would prove so difficult.
+
+Further, the handling of images of the sort shown, in a desktop computer
+environment, involved a considerable amount of zooming and scrolling.
+Ultimately, AM staff feel that perhaps the paper copy that is printed out
+might be the most useful one, but they remain uncertain as to how much
+on-screen reading users will do.
+
+Returning to the text, FLEISCHHAUER asked viewers to imagine a person who
+might be conducting a search in a full-text environment.  With this
+scenario, he proceeded to illustrate other features of Personal Librarian
+that he considered helpful; for example, it provides the ability to
+notice words as one reads.  Clicking the "include" button on the bottom
+of the search window pops the words that have been highlighted into the
+search.  Thus, a user can refine the search as he or she reads,
+re-executing the search and continuing to find things in the quest for
+materials.  This software not only contains relevance ranking, Boolean
+operators, and truncation, it also permits one to perform word algebra,
+so to say, where one puts two or three words in parentheses and links
+them with one Boolean operator and then a couple of words in another set
+of parentheses and asks for things within so many words of others.
+
+Until they became acquainted recently with some of the work being done in
+classics, the AM staff had not realized that a large number of the
+projects that involve electronic texts were being done by people with a
+profound interest in language and linguistics.  Their search strategies
+and thinking are oriented to those fields, as is shown in particular by
+the Perseus example.  As amateur historians, the AM staff were thinking
+more of searching for concepts and ideas than for particular words.
+Obviously, FLEISCHHAUER conceded, searching for concepts and ideas and
+searching for words may be two rather closely related things.
+
+While displaying several images, FLEISCHHAUER observed that the Macintosh
+prototype built by AM contains a greater diversity of formats.  Echoing a
+previous speaker, he said that it was easier to stitch things together in
+the Macintosh, though it tended to be a little more anemic in search and
+retrieval.  AM, therefore, increasingly has been investigating
+sophisticated retrieval engines in the IBM format.
+
+FLEISCHHAUER demonstrated several additional examples of the prototype
+interfaces:  One was AM's metaphor for the network future, in which a
+kind of reading-room graphic suggests how one would be able to go around
+to different materials.  AM contains a large number of photographs in
+analog video form worked up from a videodisc, which enable users to make
+copies to print or incorporate in digital documents.  A frame-grabber is
+built into the system, making it possible to bring an image into a window
+and digitize or print it out.
+
+FLEISCHHAUER next demonstrated sound recording, which included texts.
+Recycled from a previous project, the collection included sixty 78-rpm
+phonograph records of political speeches that were made during and
+immediately after World War I.  These constituted approximately three
+hours of audio, as AM has digitized it, which occupy 150 megabytes on a
+CD.  Thus, they are considerably compressed.  From the catalogue card,
+FLEISCHHAUER proceeded to a transcript of a speech with the audio
+available and with highlighted text following it as it played.
+A photograph has been added and a transcription made.
+
+Considerable value has been added beyond what the Library of Congress
+normally would do in cataloguing a sound recording, which raises several
+questions for AM concerning where to draw lines about how much value it can
+afford to add and at what point, perhaps, this becomes more than AM could
+reasonably do or reasonably wish to do.  FLEISCHHAUER also demonstrated
+a motion picture.  As FREEMAN had reported earlier, the motion picture
+materials have proved the most popular, not surprisingly.  This says more
+about the medium, he thought, than about AM's presentation of it.
+
+Because AM's goal was to bring together things that could be used by
+historians or by people who were curious about history,
+turn-of-the-century footage seemed to represent the most appropriate
+collections from the Library of Congress in motion pictures. These were
+the very first films made by Thomas Edison's company and some others at
+that time.  The particular example illustrated was a Biograph film,
+brought in with a frame-grabber into a window.  A single videodisc
+contains about fifty titles and pieces of film from that period, all of
+New York City.  Taken together, AM believes, they provide an interesting
+documentary resource.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Using the frame-grabber in AM * Volume of material processed
+and to be processed * Purpose of AM within LC * Cataloguing and the
+nature of AM's material * SGML coding and the question of quality versus
+quantity *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the question-and-answer period that followed FLEISCHHAUER's
+presentation, several clarifications were made.
+
+AM is bringing in motion pictures from a videodisc.  The frame-grabber
+devices create a window on a computer screen, which permits users to
+digitize a single frame of the movie or one of the photographs.  It
+produces a crude, rough-and-ready image that high school students can
+incorporate into papers, and that has worked very nicely in this way.
+
+Commenting on FLEISCHHAUER's assertion that AM was looking more at
+searching ideas than words, MYLONAS argued that without words an idea
+does not exist.  FLEISCHHAUER conceded that he ought to have articulated
+his point more clearly.  MYLONAS stated that they were in fact both
+talking about the same thing.  By searching for words and by forcing
+people to focus on the word, the Perseus Project felt that they would get
+them to the idea.  The way one reviews results is tailored more to one
+kind of user than another.
+
+Concerning the total volume of material that has been processed in this
+way, AM at this point has in retrievable form seven or eight collections,
+all of them photographic.  In the Macintosh environment, for example,
+there probably are 35,000-40,000 photographs.  The sound recordings
+number sixty items.  The broadsides number about 300 items.  There are
+500 political cartoons in the form of drawings.  The motion pictures, as
+individual items, number sixty to seventy.
+
+AM also has a manuscript collection, the life history portion of one of
+the federal project series, which will contain 2,900 individual
+documents, all first-person narratives.  AM has in process about 350
+African-American pamphlets, or about 12,000 printed pages for the period
+1870-1910.  Also in the works are some 4,000 panoramic photographs.  AM
+has recycled a fair amount of the work done by LC's Prints and
+Photographs Division during the Library's optical disk pilot project in
+the 1980s.  For example, a special division of LC has tooled up and
+thought through all the ramifications of electronic presentation of
+photographs.  Indeed, they are wheeling them out in great barrel loads.
+The purpose of AM within the Library, it is hoped, is to catalyze several
+of the other special collection divisions which have no particular
+experience with, in some cases, mixed feelings about, an activity such as
+AM.  Moreover, in many cases the divisions may be characterized as not
+only lacking experience in "electronifying" things but also in automated
+cataloguing.  MARC cataloguing as practiced in the United States is
+heavily weighted toward the description of monograph and serial
+materials, but is much thinner when one enters the world of manuscripts
+and things that are held in the Library's music collection and other
+units.  In response to a comment by LESK, that AM's material is very
+heavily photographic, and is so primarily because individual records have
+been made for each photograph, FLEISCHHAUER observed that an item-level
+catalog record exists, for example, for each photograph in the Detroit
+Publishing collection of 25,000 pictures.  In the case of the Federal
+Writers Project, for which nearly 3,000 documents exist, representing
+information from twenty-six different states, AM with the assistance of
+Karen STUART of the Manuscript Division will attempt to find some way not
+only to have a collection-level record but perhaps a MARC record for each
+state, which will then serve as an umbrella for the 100-200 documents
+that come under it.  But that drama remains to be enacted.  The AM staff
+is conservative and clings to cataloguing, though of course visitors tout
+artificial intelligence and neural networks in a manner that suggests that
+perhaps one need not have cataloguing or that much of it could be put aside.
+
+The matter of SGML coding, FLEISCHHAUER conceded, returned the discussion
+to the earlier treated question of quality versus quantity in the Library
+of Congress.  Of course, text conversion can be done with 100-percent
+accuracy, but it means that when one's holdings are as vast as LC's only
+a tiny amount will be exposed, whereas permitting lower levels of
+accuracy can lead to exposing or sharing larger amounts, but with the
+quality correspondingly impaired.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+TWOHIG * A contrary experience concerning electronic options * Volume of
+material in the Washington papers and a suggestion of David Packard *
+Implications of Packard's suggestion * Transcribing the documents for the
+CD-ROM * Accuracy of transcriptions * The CD-ROM edition of the Founding
+Fathers documents *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Finding encouragement in a comment of MICHELSON's from the morning
+session--that numerous people in the humanities were choosing electronic
+options to do their work--Dorothy TWOHIG, editor, The Papers of George
+Washington, opened her illustrated talk by noting that her experience
+with literary scholars and numerous people in editing was contrary to
+MICHELSON's.  TWOHIG emphasized literary scholars' complete ignorance of
+the technological options available to them or their reluctance or, in
+some cases, their downright hostility toward these options.
+
+After providing an overview of the five Founding Fathers projects
+(Jefferson at Princeton, Franklin at Yale, John Adams at the
+Massachusetts Historical Society, and Madison down the hall from her at
+the University of Virginia), TWOHIG observed that the Washington papers,
+like all of the projects, include both sides of the Washington
+correspondence and deal with some 135,000 documents to be published with
+extensive annotation in eighty to eighty-five volumes, a project that
+will not be completed until well into the next century.  Thus, it was
+with considerable enthusiasm several years ago that the Washington Papers
+Project (WPP) greeted David Packard's suggestion that the papers of the
+Founding Fathers could be published easily and inexpensively, and to the
+great benefit of American scholarship, via CD-ROM.
+
+In pragmatic terms, funding from the Packard Foundation would expedite
+the transcription of thousands of documents waiting to be put on disk in
+the WPP offices.  Further, since the costs of collecting, editing, and
+converting the Founding Fathers documents into letterpress editions were
+running into the millions of dollars, and the considerable staffs
+involved in all of these projects were devoting their careers to
+producing the work, the Packard Foundation's suggestion had a
+revolutionary aspect:  Transcriptions of the entire corpus of the
+Founding Fathers papers would be available on CD-ROM to public and
+college libraries, even high schools, at a fraction of the cost--
+$100-$150 for the annual license fee--to produce a limited university
+press run of 1,000 of each volume of the published papers at $45-$150 per
+printed volume.  Given the current budget crunch in educational systems
+and the corresponding constraints on librarians in smaller institutions
+who wish to add these volumes to their collections, producing the
+documents on CD-ROM would likely open a greatly expanded audience for the
+papers.  TWOHIG stressed, however, that development of the Founding
+Fathers CD-ROM is still in its infancy.  Serious software problems remain
+to be resolved before the material can be put into readable form.
+
+Funding from the Packard Foundation resulted in a major push to
+transcribe the 75,000 or so documents of the Washington papers remaining
+to be transcribed onto computer disks.  Slides illustrated several of the
+problems encountered, for example, the present inability of CD-ROM to
+indicate the cross-outs (deleted material) in eighteenth century
+documents.  TWOHIG next described documents from various periods in the
+eighteenth century that have been transcribed in chronological order and
+delivered to the Packard offices in California, where they are converted
+to the CD-ROM, a process that is expected to consume five years to
+complete (that is, reckoning from David Packard's suggestion made several
+years ago, until about July 1994).  TWOHIG found an encouraging
+indication of the project's benefits in the ongoing use made by scholars
+of the search functions of the CD-ROM, particularly in reducing the time
+spent in manually turning the pages of the Washington papers.
+
+TWOHIG next furnished details concerning the accuracy of transcriptions.
+For instance, the insertion of thousands of documents on the CD-ROM
+currently does not permit each document to be verified against the
+original manuscript several times as in the case of documents that appear
+in the published edition.  However, the transcriptions receive a cursory
+check for obvious typos, the misspellings of proper names, and other
+errors from the WPP CD-ROM editor.  Eventually, all documents that appear
+in the electronic version will be checked by project editors.  Although
+this process has met with opposition from some of the editors on the
+grounds that imperfect work may leave their offices, the advantages in
+making this material available as a research tool outweigh  fears about the
+misspelling of proper names and other relatively minor editorial matters.
+
+Completion of all five Founding Fathers projects (i.e., retrievability
+and searchability of all of the documents by proper names, alternate
+spellings, or varieties of subjects) will provide one of the richest
+sources of this size for the history of the United States in the latter
+part of the eighteenth century.  Further, publication on CD-ROM will
+allow editors to include even minutiae, such as laundry lists, not
+included in the printed volumes.
+
+It seems possible that the extensive annotation provided in the printed
+volumes eventually will be added to the CD-ROM edition, pending
+negotiations with the publishers of the papers.  At the moment, the
+Founding Fathers CD-ROM is accessible only on the IBYCUS, a computer
+developed out of the Thesaurus Linguae Graecae project and designed for
+the use of classical scholars.  There are perhaps 400 IBYCUS computers in
+the country, most of which are in university classics departments.
+Ultimately, it is anticipated that the CD-ROM edition of the Founding
+Fathers documents will run on any IBM-compatible or Macintosh computer
+with a CD-ROM drive.  Numerous changes in the software will also occur
+before the project is completed.  (Editor's note: an IBYCUS was
+unavailable to demonstrate the CD-ROM.)
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Several additional features of WPP clarified *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Discussion following TWOHIG's presentation served to clarify several
+additional features, including (1) that the project's primary
+intellectual product consists in the electronic transcription of the
+material; (2) that the text transmitted to the CD-ROM people is not
+marked up; (3) that cataloging and subject-indexing of the material
+remain to be worked out (though at this point material can be retrieved
+by name); and (4) that because all the searching is done in the hardware,
+the IBYCUS is designed to read a CD-ROM which contains only sequential
+text files.  Technically, it then becomes very easy to read the material
+off and put it on another device.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+LEBRON * Overview of the history of the joint project between AAAS and
+OCLC * Several practices the on-line environment shares with traditional
+publishing on hard copy * Several technical and behavioral barriers to
+electronic publishing * How AAAS and OCLC arrived at the subject of
+clinical trials * Advantages of the electronic format and other features
+of OJCCT * An illustrated tour of the journal *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Maria LEBRON, managing editor, The Online Journal of Current Clinical
+Trials (OJCCT), presented an illustrated overview of the history of the
+joint project between the American Association for the Advancement of
+Science (AAAS) and the Online Computer Library Center, Inc. (OCLC).  The
+joint venture between AAAS and OCLC owes its beginning to a
+reorganization launched by the new chief executive officer at OCLC about
+three years ago and combines the strengths of these two disparate
+organizations.  In short, OJCCT represents the process of scholarly
+publishing on line.
+
+LEBRON next discussed several practices the on-line environment shares
+with traditional publishing on hard copy--for example, peer review of
+manuscripts--that are highly important in the academic world.  LEBRON
+noted in particular the implications of citation counts for tenure
+committees and grants committees.  In the traditional hard-copy
+environment, citation counts are readily demonstrable, whereas the
+on-line environment represents an ethereal medium to most academics.
+
+LEBRON remarked several technical and behavioral barriers to electronic
+publishing, for instance, the problems in transmission created by special
+characters or by complex graphics and halftones.  In addition, she noted
+economic limitations such as the storage costs of maintaining back issues
+and market or audience education.
+
+Manuscripts cannot be uploaded to OJCCT, LEBRON explained, because it is
+not a bulletin board or E-mail, forms of electronic transmission of
+information that have created an ambience clouding people's understanding
+of what the journal is attempting to do.  OJCCT, which publishes
+peer-reviewed medical articles dealing with the subject of clinical
+trials, includes text, tabular material, and graphics, although at this
+time it can transmit only line illustrations.
+
+Next, LEBRON described how AAAS and OCLC arrived at the subject of
+clinical trials:  It is 1) a highly statistical discipline that 2) does
+not require halftones but can satisfy the needs of its audience with line
+illustrations and graphic material, and 3) there is a need for the speedy
+dissemination of high-quality research results.  Clinical trials are
+research activities that involve the administration of a test treatment
+to some experimental unit in order to test its usefulness before it is
+made available to the general population.  LEBRON proceeded to give
+additional information on OJCCT concerning its editor-in-chief, editorial
+board, editorial content, and the types of articles it publishes
+(including peer-reviewed research reports and reviews), as well as
+features shared by other traditional hard-copy journals.
+
+Among the advantages of the electronic format are faster dissemination of
+information, including raw data, and the absence of space constraints
+because pages do not exist.  (This latter fact creates an interesting
+situation when it comes to citations.)  Nor are there any issues.  AAAS's
+capacity to download materials directly from the journal to a
+subscriber's printer, hard drive, or floppy disk helps ensure highly
+accurate transcription.  Other features of OJCCT include on-screen alerts
+that allow linkage of subsequently published documents to the original
+documents; on-line searching by subject, author, title, etc.; indexing of
+every single word that appears in an article; viewing access to an
+article by component (abstract, full text, or graphs); numbered
+paragraphs to replace page counts; publication in Science every thirty
+days of indexing of all articles published in the journal;
+typeset-quality screens; and Hypertext links that enable subscribers to
+bring up Medline abstracts directly without leaving the journal.
+
+After detailing the two primary ways to gain access to the journal,
+through the OCLC network and Compuserv if one desires graphics or through
+the Internet if just an ASCII file is desired, LEBRON illustrated the
+speedy editorial process and the coding of the document using SGML tags
+after it has been accepted for publication.  She also gave an illustrated
+tour of the journal, its search-and-retrieval capabilities in particular,
+but also including problems associated with scanning in illustrations,
+and the importance of on-screen alerts to the medical profession re
+retractions or corrections, or more frequently, editorials, letters to
+the editors, or follow-up reports.  She closed by inviting the audience
+to join AAAS on 1 July, when OJCCT was scheduled to go on-line.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Additional features of OJCCT *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+In the lengthy discussion that followed LEBRON's presentation, these
+points emerged:
+
+     * The SGML text can be tailored as users wish.
+
+     * All these articles have a fairly simple document definition.
+
+     * Document-type definitions (DTDs) were developed and given to OJCCT
+     for coding.
+
+     * No articles will be removed from the journal.  (Because there are
+     no back issues, there are no lost issues either.  Once a subscriber
+     logs onto the journal he or she has access not only to the currently
+     published materials, but retrospectively to everything that has been
+     published in it.  Thus the table of contents grows bigger.  The date
+     of publication serves to distinguish between currently published
+     materials and older materials.)
+
+     * The pricing system for the journal resembles that for most medical
+     journals:  for 1992, $95 for a year, plus telecommunications charges
+     (there are no connect time charges);    for 1993, $110 for the
+     entire year for single users, though the journal can be put on a
+     local area network (LAN).  However, only one person can access the
+     journal at a time.  Site licenses may come in the future.
+
+     * AAAS is working closely with colleagues at OCLC to display
+     mathematical equations on screen.
+
+     * Without compromising any steps in the editorial process, the
+     technology has reduced the time lag between when a manuscript is
+     originally submitted and the time it is accepted; the review process
+     does not differ greatly from the standard six-to-eight weeks
+     employed by many of the hard-copy journals.  The process still
+     depends on people.
+
+     * As far as a preservation copy is concerned, articles will be
+     maintained on the computer permanently and subscribers, as part of
+     their subscription, will receive a microfiche-quality archival copy
+     of everything published during that year; in addition, reprints can
+     be purchased in much the same way as in a hard-copy environment.
+     Hard copies are prepared but are not the primary medium for the
+     dissemination of the information.
+
+     * Because OJCCT is not yet on line, it is difficult to know how many
+     people would simply browse through the journal on the screen as
+     opposed to downloading the whole thing and printing it out; a mix of
+     both types of users likely will result.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+PERSONIUS * Developments in technology over the past decade * The CLASS
+Project * Advantages for technology and for the CLASS Project *
+Developing a network application an underlying assumption of the project
+* Details of the scanning process * Print-on-demand copies of books *
+Future plans include development of a browsing tool *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Lynne PERSONIUS, assistant director, Cornell Information Technologies for
+Scholarly Information Services, Cornell University, first commented on
+the tremendous impact that developments in technology over the past ten
+years--networking, in particular--have had on the way information is
+handled, and how, in her own case, these developments have counterbalanced
+Cornell's relative geographical isolation.  Other significant technologies
+include scanners, which are much more sophisticated than they were ten years
+ago; mass storage and the dramatic savings that result from it in terms of
+both space and money relative to twenty or thirty years ago; new and
+improved printing technologies, which have greatly affected the distribution
+of information; and, of course, digital technologies, whose applicability to
+library preservation remains at issue.
+
+Given that context, PERSONIUS described the College Library Access and
+Storage System (CLASS) Project, a library preservation project,
+primarily, and what has been accomplished.  Directly funded by the
+Commission on Preservation and Access and by the Xerox Corporation, which
+has provided a significant amount of hardware, the CLASS Project has been
+working with a development team at Xerox to develop a software
+application tailored to library preservation requirements.  Within
+Cornell, participants in the project have been working jointly with both
+library and information technologies.  The focus of the project has been
+on reformatting and saving books that are in brittle condition.
+PERSONIUS showed Workshop participants a brittle book, and described how
+such books were the result of developments in papermaking around the
+beginning of the Industrial Revolution.  The papermaking process was
+changed so that a significant amount of acid was introduced into the
+actual paper itself, which deteriorates as it sits on library shelves.
+
+One of the advantages for technology and for the CLASS Project is that
+the information in brittle books is mostly out of copyright and thus
+offers an opportunity to work with material that requires library
+preservation, and to create and work on an infrastructure to save the
+material.  Acknowledging the familiarity of those working in preservation
+with this information, PERSONIUS noted that several things are being
+done:  the primary preservation technology used today is photocopying of
+brittle material.  Saving the intellectual content of the material is the
+main goal.  With microfilm copy, the intellectual content is preserved on
+the assumption that in the future the image can be reformatted in any
+other way that then exists.
+
+An underlying assumption of the CLASS Project from the beginning was
+that it would develop a network application.  Project staff scan books
+at a workstation located in the library, near the brittle material.
+An image-server filing system is located at a distance from that
+workstation, and a printer is located in another building.  All of the
+materials digitized and stored on the image-filing system are cataloged
+in the on-line catalogue.  In fact, a record for each of these electronic
+books is stored in the RLIN database so that a record exists of what is
+in the digital library throughout standard catalogue procedures.  In the
+future, researchers working from their own workstations in their offices,
+or their networks, will have access--wherever they might be--through a
+request server being built into the new digital library.  A second
+assumption is that the preferred means of finding the material will be by
+looking through a catalogue.  PERSONIUS described the scanning process,
+which uses a prototype scanner being developed by Xerox and which scans a
+very high resolution image at great speed.  Another significant feature,
+because this is a preservation application, is the placing of the pages
+that fall apart one for one on the platen.  Ordinarily, a scanner could
+be used with some sort of a document feeder, but because of this
+application that is not feasible.  Further, because CLASS is a
+preservation application, after the paper replacement is made there, a
+very careful quality control check is performed.  An original book is
+compared to the printed copy and verification is made, before proceeding,
+that all of the image, all of the information, has been captured.  Then,
+a new library book is produced:  The printed images are rebound by a
+commercial binder and a new book is returned to the shelf.
+Significantly, the books returned to the library shelves are beautiful
+and useful replacements on acid-free paper that should last a long time,
+in effect, the equivalent of preservation photocopies.  Thus, the project
+has a library of digital books.  In essence, CLASS is scanning and
+storing books as 600 dot-per-inch bit-mapped images, compressed using
+Group 4 CCITT (i.e., the French acronym for International Consultative
+Committee for Telegraph and Telephone) compression.  They are stored as
+TIFF files on an optical filing system that is composed of a database
+used for searching and locating the books and an optical jukebox that
+stores 64 twelve-inch platters.  A very-high-resolution printed copy of
+these books at 600 dots per inch is created, using a Xerox DocuTech
+printer to make the paper replacements on acid-free paper.
+
+PERSONIUS maintained that the CLASS Project presents an opportunity to
+introduce people to books as digital images by using a paper medium.
+Books are returned to the shelves while people are also given the ability
+to print on demand--to make their own copies of books.  (PERSONIUS
+distributed copies of an engineering journal published by engineering
+students at Cornell around 1900 as an example of what a print-on-demand
+copy of material might be like.  This very cheap copy would be available
+to people to use for their own research purposes and would bridge the gap
+between an electronic work and the paper that readers like to have.)
+PERSONIUS then attempted to illustrate a very early prototype of
+networked access to this digital library.  Xerox Corporation has
+developed a prototype of a view station that can send images across the
+network to be viewed.
+
+The particular library brought down for demonstration contained two
+mathematics books.  CLASS is developing and will spend the next year
+developing an application that allows people at workstations to browse
+the books.  Thus, CLASS is developing a browsing tool, on the assumption
+that users do not want to read an entire book from a workstation, but
+would prefer to be able to look through and decide if they would like to
+have a printed copy of it.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Re retrieval software * "Digital file copyright" * Scanning
+rate during production * Autosegmentation * Criteria employed in
+selecting books for scanning * Compression and decompression of images *
+OCR not precluded *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the question-and-answer period that followed her presentation,
+PERSONIUS made these additional points:
+
+     * Re retrieval software, Cornell is developing a Unix-based server
+     as well as clients for the server that support multiple platforms
+     (Macintosh, IBM and Sun workstations), in the hope that people from
+     any of those platforms will retrieve books; a further operating
+     assumption is that standard interfaces will be used as much as
+     possible, where standards can be put in place, because CLASS
+     considers this retrieval software a library application and would
+     like to be able to look at material not only at Cornell but at other
+     institutions.
+
+     * The phrase "digital file copyright by Cornell University" was
+     added at the advice of Cornell's legal staff with the caveat that it
+     probably would not hold up in court.  Cornell does not want people
+     to copy its books and sell them but would like to keep them
+     available for use in a library environment for library purposes.
+
+     * In production the scanner can scan about 300 pages per hour,
+     capturing 600 dots per inch.
+
+     * The Xerox software has filters to scan halftone material and avoid
+     the moire patterns that occur when halftone material is scanned.
+     Xerox has been working on hardware and software that would enable
+     the scanner itself to recognize this situation and deal with it
+     appropriately--a kind of autosegmentation that would enable the
+     scanner to handle halftone material as well as text on a single page.
+
+     * The books subjected to the elaborate process described above were
+     selected because CLASS is a preservation project, with the first 500
+     books selected coming from Cornell's mathematics collection, because
+     they were still being heavily used and because, although they were
+     in need of preservation, the mathematics library and the mathematics
+     faculty were uncomfortable having them microfilmed.  (They wanted a
+     printed copy.)  Thus, these books became a logical choice for this
+     project.  Other books were chosen by the project's selection committees
+     for experiments with the technology, as well as to meet a demand or need.
+
+     * Images will be decompressed before they are sent over the line; at
+     this time they are compressed and sent to the image filing system
+     and then sent to the printer as compressed images; they are returned
+     to the workstation as compressed 600-dpi images and the workstation
+     decompresses and scales them for display--an inefficient way to
+     access the material though it works quite well for printing and
+     other purposes.
+
+     * CLASS is also decompressing on Macintosh and IBM, a slow process
+     right now.  Eventually, compression and decompression will take
+     place on an image conversion server.  Trade-offs will be made, based
+     on future performance testing, concerning where the file is
+     compressed and what resolution image is sent.
+
+     * OCR has not been precluded; images are being stored that have been
+     scanned at a high resolution, which presumably would suit them well
+     to an OCR process.  Because the material being scanned is about 100
+     years old and was printed with less-than-ideal technologies, very
+     early and preliminary tests have not produced good results.  But the
+     project is capturing an image that is of sufficient resolution to be
+     subjected to OCR in the future.  Moreover, the system architecture
+     and the system plan have a logical place to store an OCR image if it
+     has been captured.  But that is not being done now.
+
+                                 ******
+
+SESSION III.  DISTRIBUTION, NETWORKS, AND NETWORKING:  OPTIONS FOR
+DISSEMINATION
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ZICH * Issues pertaining to CD-ROMs * Options for publishing in CD-ROM *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Robert ZICH, special assistant to the associate librarian for special
+projects, Library of Congress, and moderator of this session, first noted
+the blessed but somewhat awkward circumstance of having four very
+distinguished people representing networks and networking or at least
+leaning in that direction, while lacking anyone to speak from the
+strongest possible background in CD-ROMs.  ZICH expressed the hope that
+members of the audience would join the discussion.  He stressed the
+subtitle of this particular session, "Options for Dissemination," and,
+concerning CD-ROMs, the importance of determining when it would be wise
+to consider dissemination in CD-ROM versus networks.  A shopping list of
+issues pertaining to CD-ROMs included:  the grounds for selecting
+commercial publishers, and in-house publication where possible versus
+nonprofit or government publication.  A similar list for networks
+included:  determining when one should consider dissemination through a
+network, identifying the mechanisms or entities that exist to place items
+on networks, identifying the pool of existing networks, determining how a
+producer  would choose between networks, and identifying the elements of
+a business arrangement in a network.
+
+Options for publishing in CD-ROM:  an outside publisher versus
+self-publication.  If an outside publisher is used, it can be nonprofit,
+such as the Government Printing Office (GPO) or the National Technical
+Information Service (NTIS), in the case of government.  The pros and cons
+associated with employing an outside publisher are obvious.  Among the
+pros, there is no trouble getting accepted.  One pays the bill and, in
+effect, goes one's way.  Among the cons, when one pays an outside
+publisher to perform the work, that publisher will perform the work it is
+obliged to do, but perhaps without the production expertise and skill in
+marketing and dissemination that some would seek.  There is the body of
+commercial publishers that do possess that kind of expertise in
+distribution and marketing but that obviously are selective.  In
+self-publication, one exercises full control, but then one must handle
+matters such as distribution and marketing.  Such are some of the options
+for publishing in the case of CD-ROM.
+
+In the case of technical and design issues, which are also important,
+there are many matters which many at the Workshop already knew a good
+deal about:  retrieval system requirements and costs, what to do about
+images, the various capabilities and platforms, the trade-offs between
+cost and performance, concerns about local-area networkability,
+interoperability, etc.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+LYNCH * Creating networked information is different from using networks
+as an access or dissemination vehicle * Networked multimedia on a large
+scale does not yet work * Typical CD-ROM publication model a two-edged
+sword * Publishing information on a CD-ROM in the present world of
+immature standards * Contrast between CD-ROM and network pricing *
+Examples demonstrated earlier in the day as a set of insular information
+gems * Paramount need to link databases * Layering to become increasingly
+necessary * Project NEEDS and the issues of information reuse and active
+versus passive use * X-Windows as a way of differentiating between
+network access and networked information * Barriers to the distribution
+of networked multimedia information * Need for good, real-time delivery
+protocols * The question of presentation integrity in client-server
+computing in the academic world * Recommendations for producing multimedia
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Clifford LYNCH, director, Library Automation, University of California,
+opened his talk with the general observation that networked information
+constituted a difficult and elusive topic because it is something just
+starting to develop and not yet fully understood.  LYNCH contended that
+creating genuinely networked information was different from using
+networks as an access or dissemination vehicle and was more sophisticated
+and more subtle.  He invited the members of the audience to extrapolate,
+from what they heard about the preceding demonstration projects, to what
+sort of a world of electronics information--scholarly, archival,
+cultural, etc.--they wished to end up with ten or fifteen years from now.
+LYNCH suggested that to extrapolate directly from these projects would
+produce unpleasant results.
+
+Putting the issue of CD-ROM in perspective before getting into
+generalities on networked information, LYNCH observed that those engaged
+in multimedia today who wish to ship a product, so to say, probably do
+not have much choice except to use CD-ROM:  networked multimedia on a
+large scale basically does not yet work because the technology does not
+exist.  For example, anybody who has tried moving images around over the
+Internet knows that this is an exciting touch-and-go process, a
+fascinating and fertile area for experimentation, research, and
+development, but not something that one can become deeply enthusiastic
+about committing to production systems at this time.
+
+This situation will change, LYNCH said.  He differentiated CD-ROM from
+the practices that have been followed up to now in distributing data on
+CD-ROM.  For LYNCH the problem with CD-ROM is not its portability or its
+slowness but the two-edged sword of having the retrieval application and
+the user interface inextricably bound up with the data, which is the
+typical CD-ROM publication model.  It is not a case of publishing data
+but of distributing a typically stand-alone, typically closed system,
+all--software, user interface, and data--on a little disk.  Hence, all
+the between-disk navigational issues as well as the impossibility in most
+cases of integrating data on one disk with that on another.  Most CD-ROM
+retrieval software does not network very gracefully at present.  However,
+in the present world of immature standards and lack of understanding of
+what network information is or what the ground rules are for creating or
+using it, publishing information on a CD-ROM does add value in a very
+real sense.
+
+LYNCH drew a contrast between CD-ROM and network pricing and in doing so
+highlighted something bizarre in information pricing.  A large
+institution such as the University of California has vendors who will
+offer to sell information on CD-ROM for a price per year in four digits,
+but for the same data (e.g., an abstracting and indexing database) on
+magnetic tape, regardless of how many people may use it concurrently,
+will quote a price in six digits.
+
+What is packaged with the CD-ROM in one sense adds value--a complete
+access system, not just raw, unrefined information--although it is not
+generally perceived that way.  This is because the access software,
+although it adds value, is viewed by some people, particularly in the
+university environment where there is a very heavy commitment to
+networking, as being developed in the wrong direction.
+
+Given that context, LYNCH described the examples demonstrated as a set of
+insular information gems--Perseus, for example, offers nicely linked
+information, but would be very difficult to integrate with other
+databases, that is, to link together seamlessly with other source files
+from other sources.  It resembles an island, and in this respect is
+similar to numerous stand-alone projects that are based on videodiscs,
+that is, on the single-workstation concept.
+
+As scholarship evolves in a network environment, the paramount need will
+be to link databases.  We must link personal databases to public
+databases, to group databases, in fairly seamless ways--which is
+extremely difficult in the environments under discussion with copies of
+databases proliferating all over the place.
+
+The notion of layering also struck LYNCH as lurking in several of the
+projects demonstrated.  Several databases in a sense constitute
+information archives without a significant amount of navigation built in.
+Educators, critics, and others will want a layered structure--one that
+defines or links paths through the layers to allow users to reach
+specific points.  In LYNCH's view, layering will become increasingly
+necessary, and not just within a single resource but across resources
+(e.g., tracing mythology and cultural themes across several classics
+databases as well as a database of Renaissance culture).  This ability to
+organize resources, to build things out of multiple other things on the
+network or select pieces of it, represented for LYNCH one of the key
+aspects of network information.
+
+Contending that information reuse constituted another significant issue,
+LYNCH commended to the audience's attention Project NEEDS (i.e., National
+Engineering Education Delivery System).  This project's objective is to
+produce a database of engineering courseware as well as the components
+that can be used to develop new courseware.  In a number of the existing
+applications, LYNCH said, the issue of reuse (how much one can take apart
+and reuse in other applications) was not being well considered.  He also
+raised the issue of active versus passive use, one aspect of which  is
+how much information will be manipulated locally by users.  Most people,
+he argued, may do a little browsing and then will wish to print.  LYNCH
+was uncertain how these resources would be used by the vast majority of
+users in the network environment.
+
+LYNCH next said a few words about X-Windows as a way of differentiating
+between network access and networked information.  A number of the
+applications demonstrated at the Workshop could be rewritten to use X
+across the network, so that one could run them from any X-capable device-
+-a workstation, an X terminal--and transact with a database across the
+network.  Although this opens up access a little, assuming one has enough
+network to handle it, it does not provide an interface to develop a
+program that conveniently integrates information from multiple databases.
+X is a viewing technology that has limits.  In a real sense, it is just a
+graphical version of remote log-in across the network.  X-type applications
+represent only one step in the progression towards real access.
+
+LYNCH next discussed barriers to the distribution of networked multimedia
+information.  The heart of the problem is a lack of standards to provide
+the ability for computers to talk to each other, retrieve information,
+and shuffle it around fairly casually.  At the moment, little progress is
+being made on standards for networked information; for example, present
+standards do not cover images, digital voice, and digital video.  A
+useful tool kit of exchange formats for basic texts is only now being
+assembled.  The synchronization of content streams (i.e., synchronizing a
+voice track to a video track, establishing temporal relations between
+different components in a multimedia object) constitutes another issue
+for networked multimedia that is just beginning to receive attention.
+
+Underlying network protocols also need some work; good, real-time
+delivery protocols on the Internet do not yet exist.  In LYNCH's view,
+highly important in this context is the notion of networked digital
+object IDs, the ability of one object on the network to point to another
+object (or component thereof) on the network.  Serious bandwidth issues
+also exist.  LYNCH was uncertain if billion-bit-per-second networks would
+prove sufficient if numerous people ran video in parallel.
+
+LYNCH concluded by offering an issue for database creators to consider,
+as well as several comments about what might constitute good trial
+multimedia experiments.  In a networked information world the database
+builder or service builder (publisher) does not exercise the same
+extensive control over the integrity of the presentation; strange
+programs "munge" with one's data before the user sees it.  Serious
+thought must be given to what guarantees integrity of presentation.  Part
+of that is related to where one draws the boundaries around a networked
+information service.  This question of presentation integrity in
+client-server computing has not been stressed enough in the academic
+world, LYNCH argued, though commercial service providers deal with it
+regularly.
+
+Concerning multimedia, LYNCH observed that good multimedia at the moment
+is hideously expensive to produce.  He recommended producing multimedia
+with either very high sale value, or multimedia with a very long life
+span, or multimedia that will have a very broad usage base and whose
+costs therefore can be amortized among large numbers of users.  In this
+connection, historical and humanistically oriented material may be a good
+place to start, because it tends to have a longer life span than much of
+the scientific material, as well as a wider user base.  LYNCH noted, for
+example, that American Memory fits many of the criteria outlined.  He
+remarked the extensive discussion about bringing the Internet or the
+National Research and Education Network (NREN) into the K-12 environment
+as a way of helping the American educational system.
+
+LYNCH closed by noting that the kinds of applications demonstrated struck
+him as excellent justifications of broad-scale networking for K-12, but
+that at this time no "killer" application exists to mobilize the K-12
+community to obtain connectivity.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Dearth of genuinely interesting applications on the network
+a slow-changing situation * The issue of the integrity of presentation in
+a networked environment * Several reasons why CD-ROM software does not
+network *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the discussion period that followed LYNCH's presentation, several
+additional points were made.
+
+LYNCH reiterated even more strongly his contention that, historically,
+once one goes outside high-end science and the group of those who need
+access to supercomputers, there is a great dearth of genuinely
+interesting applications on the network.  He saw this situation changing
+slowly, with some of the scientific databases and scholarly discussion
+groups and electronic journals coming on as well as with the availability
+of Wide Area Information Servers (WAIS) and some of the databases that
+are being mounted there.  However, many of those things do not seem to
+have piqued great popular interest.  For instance, most high school
+students of LYNCH's acquaintance would not qualify as devotees of serious
+molecular biology.
+
+Concerning the issue of the integrity of presentation, LYNCH believed
+that a couple of information providers have laid down the law at least on
+certain things.  For example, his recollection was that the National
+Library of Medicine feels strongly that one needs to employ the
+identifier field if he or she is to mount a database commercially.  The
+problem with a real networked environment is that one does not know who
+is reformatting and reprocessing one's data when one enters a client
+server mode.  It becomes anybody's guess, for example, if the network
+uses a Z39.50 server, or what clients are doing with one's data.  A data
+provider can say that his contract will only permit clients to have
+access to his data after he vets them and their presentation and makes
+certain it suits him.  But LYNCH held out little expectation that the
+network marketplace would evolve in that way, because it required too
+much prior negotiation.
+
+CD-ROM software does not network for a variety of reasons, LYNCH said.
+He speculated that CD-ROM publishers are not eager to have their products
+really hook into wide area networks, because they fear it will make their
+data suppliers nervous.  Moreover, until relatively recently, one had to
+be rather adroit to run a full TCP/IP stack plus applications on a
+PC-size machine, whereas nowadays it is becoming easier as PCs grow
+bigger and faster.  LYNCH also speculated that software providers had not
+heard from their customers until the last year or so, or had not heard
+from enough of their customers.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+BESSER * Implications of disseminating images on the network; planning
+the distribution of multimedia documents poses two critical
+implementation problems * Layered approach represents the way to deal
+with users' capabilities * Problems in platform design; file size and its
+implications for networking * Transmission of megabyte size images
+impractical * Compression and decompression at the user's end * Promising
+trends for compression * A disadvantage of using X-Windows * A project at
+the Smithsonian that mounts images on several networks *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Howard BESSER, School of Library and Information Science, University of
+Pittsburgh, spoke primarily about multimedia, focusing on images and the
+broad implications of disseminating them on the network.  He argued that
+planning the distribution of multimedia documents posed two critical
+implementation problems, which he framed in the form of two questions:
+1) What platform will one use and what hardware and software will users
+have for viewing of the material?  and 2) How can one deliver a
+sufficiently robust set of information in an accessible format in a
+reasonable amount of time?  Depending on whether network or CD-ROM is the
+medium used, this question raises different issues of storage,
+compression, and transmission.
+
+Concerning the design of platforms (e.g., sound, gray scale, simple
+color, etc.) and the various capabilities users may have, BESSER
+maintained that a layered approach was the way to deal with users'
+capabilities.  A result would be that users with less powerful
+workstations would simply have less functionality.  He urged members of
+the audience to advocate standards and accompanying software that handle
+layered functionality across a wide variety of platforms.
+
+BESSER also addressed problems in platform design, namely, deciding how
+large a machine to design for situations when the largest number of users
+have the lowest level of the machine, and one desires higher
+functionality.  BESSER then proceeded to the question of file size and
+its implications for networking.  He discussed still images in the main.
+For example, a digital color image that fills the screen of a standard
+mega-pel workstation (Sun or Next) will require one megabyte of storage
+for an eight-bit image or three megabytes of storage for a true color or
+twenty-four-bit image.  Lossless compression algorithms (that is,
+computational procedures in which no data is lost in the process of
+compressing [and decompressing] an image--the exact bit-representation is
+maintained) might bring storage down to a third of a megabyte per image,
+but not much further than that.  The question of size makes it difficult
+to fit an appropriately sized set of these images on a single disk or to
+transmit them quickly enough on a network.
+
+With these full screen mega-pel images that constitute a third of a
+megabyte, one gets 1,000-3,000 full-screen images on a one-gigabyte disk;
+a standard CD-ROM represents approximately 60 percent of that.  Storing
+images the size of a PC screen (just 8 bit color) increases storage
+capacity to 4,000-12,000 images per gigabyte; 60 percent of that gives
+one the size of a CD-ROM, which in turn creates a major problem.  One
+cannot have full-screen, full-color images with lossless compression; one
+must compress them or use a lower resolution.  For megabyte-size images,
+anything slower than a T-1 speed is impractical.  For example, on a
+fifty-six-kilobaud line, it takes three minutes to transfer a
+one-megabyte file, if it is not compressed; and this speed assumes ideal
+circumstances (no other user contending for network bandwidth).  Thus,
+questions of disk access, remote display, and current telephone
+connection speed make transmission of megabyte-size images impractical.
+
+BESSER then discussed ways to deal with these large images, for example,
+compression and decompression at the user's end.  In this connection, the
+issues of how much one is willing to lose in the compression process and
+what image quality one needs in the first place are unknown.  But what is
+known is that compression entails some loss of data.  BESSER urged that
+more studies be conducted on image quality in different situations, for
+example, what kind of images are needed for what kind of disciplines, and
+what kind of image quality is needed for a browsing tool, an intermediate
+viewing tool, and archiving.
+
+BESSER remarked two promising trends for compression:  from a technical
+perspective, algorithms that use what is called subjective redundancy
+employ principles from visual psycho-physics to identify and remove
+information from the image that the human eye cannot perceive; from an
+interchange and interoperability perspective, the JPEG (i.e., Joint
+Photographic Experts Group, an ISO standard) compression algorithms also
+offer promise.  These issues of compression and decompression, BESSER
+argued, resembled those raised earlier concerning the design of different
+platforms.  Gauging the capabilities of potential users constitutes a
+primary goal.  BESSER advocated layering or separating the images from
+the applications that retrieve and display them, to avoid tying them to
+particular software.
+
+BESSER detailed several lessons learned from his work at Berkeley with
+Imagequery, especially the advantages and disadvantages of using
+X-Windows.  In the latter category, for example, retrieval is tied
+directly to one's data, an intolerable situation in the long run on a
+networked system.  Finally, BESSER described a project of Jim Wallace at
+the Smithsonian Institution, who is mounting images in a extremely
+rudimentary way on the Compuserv and Genie networks and is preparing to
+mount them on America On Line.  Although the average user takes over
+thirty minutes to download these images (assuming a fairly fast modem),
+nevertheless, images have been downloaded 25,000 times.
+
+BESSER concluded his talk with several comments on the business
+arrangement between the Smithsonian and Compuserv.  He contended that not
+enough is known concerning the value of images.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Creating digitized photographic collections nearly
+impossible except with large organizations like museums * Need for study
+to determine quality of images users will tolerate *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the brief exchange between LESK and BESSER that followed, several
+clarifications emerged.
+
+LESK argued that the photographers were far ahead of BESSER:  It is
+almost impossible to create such digitized photographic collections
+except with large organizations like museums, because all the
+photographic agencies have been going crazy about this and will not sign
+licensing agreements on any sort of reasonable terms.  LESK had heard
+that National Geographic, for example, had tried to buy the right to use
+some image in some kind of educational production for $100 per image, but
+the photographers will not touch it.  They want accounting and payment
+for each use, which cannot be accomplished within the system.  BESSER
+responded that a consortium of photographers, headed by a former National
+Geographic photographer, had started assembling its own collection of
+electronic reproductions of images, with the money going back to the
+cooperative.
+
+LESK contended that BESSER was unnecessarily pessimistic about multimedia
+images, because people are accustomed to low-quality images, particularly
+from video.  BESSER urged the launching of a study to determine what
+users would tolerate, what they would feel comfortable with, and what
+absolutely is the highest quality they would ever need.  Conceding that
+he had adopted a dire tone in order to arouse people about the issue,
+BESSER closed on a sanguine note by saying that he would not be in this
+business if he did not think that things could be accomplished.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+LARSEN * Issues of scalability and modularity * Geometric growth of the
+Internet and the role played by layering * Basic functions sustaining
+this growth * A library's roles and functions in a network environment *
+Effects of implementation of the Z39.50 protocol for information
+retrieval on the library system * The trade-off between volumes of data
+and its potential usage * A snapshot of current trends *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Ronald LARSEN, associate director for information technology, University
+of Maryland at College Park, first addressed the issues of scalability
+and modularity.  He noted the difficulty of anticipating the effects of
+orders-of-magnitude growth, reflecting on the twenty years of experience
+with the Arpanet and Internet.  Recalling the day's demonstrations of
+CD-ROM and optical disk material, he went on to ask if the field has yet
+learned how to scale new systems to enable delivery and dissemination
+across large-scale networks.
+
+LARSEN focused on the geometric growth of the Internet from its inception
+circa 1969 to the present, and the adjustments required to respond to
+that rapid growth.  To illustrate the issue of scalability, LARSEN
+considered computer networks as including three generic components:
+computers, network communication nodes, and communication media.  Each
+component scales (e.g., computers range from PCs to supercomputers;
+network nodes scale from interface cards in a PC through sophisticated
+routers and gateways; and communication media range from 2,400-baud
+dial-up facilities through 4.5-Mbps backbone links, and eventually to
+multigigabit-per-second communication lines), and architecturally, the
+components are organized to scale hierarchically from local area networks
+to international-scale networks.  Such growth is made possible by
+building layers of communication protocols, as BESSER pointed out.
+By layering both physically and logically, a sense of scalability is
+maintained from local area networks in offices, across campuses, through
+bridges, routers, campus backbones, fiber-optic links, etc., up into
+regional networks and ultimately into national and international
+networks.
+
+LARSEN then illustrated the geometric growth over a two-year period--
+through September 1991--of the number of networks that comprise the
+Internet.  This growth has been sustained largely by the availability of
+three basic functions:  electronic mail, file transfer (ftp), and remote
+log-on (telnet).  LARSEN also reviewed the growth in the kind of traffic
+that occurs on the network.  Network traffic reflects the joint contributions
+of a larger population of users and increasing use per user.  Today one sees
+serious applications involving moving images across the network--a rarity
+ten years ago.  LARSEN recalled and concurred with BESSER's main point
+that the interesting problems occur at the application level.
+
+LARSEN then illustrated a model of a library's roles and functions in a
+network environment.  He noted, in particular, the placement of on-line
+catalogues onto the network and patrons obtaining access to the library
+increasingly through local networks, campus networks, and the Internet.
+LARSEN supported LYNCH's earlier suggestion that we need to address
+fundamental questions of networked information in order to build
+environments that scale in the information sense as well as in the
+physical sense.
+
+LARSEN supported the role of the library system as the access point into
+the nation's electronic collections.  Implementation of the Z39.50
+protocol for information retrieval would make such access practical and
+feasible.  For example, this would enable patrons in Maryland to search
+California libraries, or other libraries around the world that are
+conformant with Z39.50 in a manner that is familiar to University of
+Maryland patrons.  This client-server model also supports moving beyond
+secondary content into primary content.  (The notion of how one links
+from secondary content to primary content, LARSEN said, represents a
+fundamental problem that requires rigorous thought.)  After noting
+numerous network experiments in accessing full-text materials, including
+projects supporting the ordering of materials across the network, LARSEN
+revisited the issue of transmitting high-density, high-resolution color
+images across the network and the large amounts of bandwidth they
+require.  He went on to address the bandwidth and synchronization
+problems inherent in sending full-motion video across the network.
+
+LARSEN illustrated the trade-off between volumes of data in bytes or
+orders of magnitude and the potential usage of that data.  He discussed
+transmission rates (particularly, the time it takes to move various forms
+of information), and what one could do with a network supporting
+multigigabit-per-second transmission.  At the moment, the network
+environment includes a composite of data-transmission requirements,
+volumes and forms, going from steady to bursty (high-volume) and from
+very slow to very fast.  This aggregate must be considered in the design,
+construction, and operation of multigigabyte networks.
+
+LARSEN's objective is to use the networks and library systems now being
+constructed to increase access to resources wherever they exist, and
+thus, to evolve toward an on-line electronic virtual library.
+
+LARSEN concluded by offering a snapshot of current trends:  continuing
+geometric growth in network capacity and number of users; slower
+development of applications; and glacial development and adoption of
+standards.  The challenge is to design and develop each new application
+system with network access and scalability in mind.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+BROWNRIGG * Access to the Internet cannot be taken for granted * Packet
+radio and the development of MELVYL in 1980-81 in the Division of Library
+Automation at the University of California  *  Design criteria for packet
+radio * A demonstration project in San Diego and future plans * Spread
+spectrum * Frequencies at which the radios will run and plans to
+reimplement the WAIS server software in the public domain * Need for an
+infrastructure of radios that do not move around *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Edwin BROWNRIGG, executive director, Memex Research Institute, first
+polled the audience in order to seek out regular users of the Internet as
+well as those planning to use it some time in the future.  With nearly
+everybody in the room falling into one category or the other, BROWNRIGG
+made a point re access, namely that numerous individuals, especially those
+who use the Internet every day, take for granted their access to it, the
+speeds with which they are connected, and how well it all works.
+However, as BROWNRIGG discovered between 1987 and 1989 in Australia,
+if one wants access to the Internet but cannot afford it or has some
+physical boundary that prevents her or him from gaining access, it can
+be extremely frustrating.  He suggested that because of economics and
+physical barriers we were beginning to create a world of haves and have-nots
+in the process of scholarly communication, even in the United States.
+
+BROWNRIGG detailed the development of MELVYL in academic year 1980-81 in
+the Division of Library Automation at the University of California, in
+order to underscore the issue of access to the system, which at the
+outset was extremely limited.  In short, the project needed to build a
+network, which at that time entailed use of satellite technology, that is,
+putting earth stations on campus and also acquiring some terrestrial links
+from the State of California's microwave system.  The installation of
+satellite links, however, did not solve the problem (which actually
+formed part of a larger problem involving politics and financial resources).
+For while the project team could get a signal onto a campus, it had no means
+of distributing the signal throughout the campus.  The solution involved
+adopting a recent development in wireless communication called packet radio,
+which combined the basic notion of packet-switching with radio.  The project
+used this technology to get the signal from a point on campus where it
+came down, an earth station for example, into the libraries, because it
+found that wiring the libraries, especially the older marble buildings,
+would cost $2,000-$5,000 per terminal.
+
+BROWNRIGG noted that, ten years ago, the project had neither the public
+policy nor the technology that would have allowed it to use packet radio
+in any meaningful way.  Since then much had changed.  He proceeded to
+detail research and development of the technology, how it is being
+deployed in California, and what direction he thought it would take.
+The design criteria are to produce a high-speed, one-time, low-cost,
+high-quality, secure, license-free device (packet radio) that one can
+plug in and play today, forget about it, and have access to the Internet.
+By high speed, BROWNRIGG meant 1 megabyte and 1.5 megabytes.  Those units
+have been built, he continued, and are in the process of being
+type-certified by an independent underwriting laboratory so that they can
+be type-licensed by the Federal Communications Commission.  As is the
+case with citizens band, one will be able to purchase a unit and not have
+to worry about applying for a license.
+
+The basic idea, BROWNRIGG elaborated, is to take high-speed radio data
+transmission and create a backbone network that at certain strategic
+points in the network will "gateway" into a medium-speed packet radio
+(i.e., one that runs at 38.4 kilobytes), so that perhaps by 1994-1995
+people, like those in the audience for the price of a VCR could purchase
+a medium-speed radio for the office or home, have full network connectivity
+to the Internet, and partake of all its services, with no need for an FCC
+license and no regular bill from the local common carrier.  BROWNRIGG
+presented several details of a demonstration project currently taking
+place in San Diego and described plans, pending funding, to install a
+full-bore network in the San Francisco area.  This network will have 600
+nodes running at backbone speeds, and 100 of these nodes will be libraries,
+which in turn will be the gateway ports to the 38.4 kilobyte radios that
+will give coverage for the neighborhoods surrounding the libraries.
+
+BROWNRIGG next explained Part 15.247, a new rule within Title 47 of the
+Code of Federal Regulations enacted by the FCC in 1985.  This rule
+challenged the industry, which has only now risen to the occasion, to
+build a radio that would run at no more than one watt of output power and
+use a fairly exotic method of modulating the radio wave called spread
+spectrum.  Spread spectrum in fact permits the building of networks so
+that numerous data communications can occur simultaneously, without
+interfering with each other, within the same wide radio channel.
+
+BROWNRIGG explained that the frequencies at which the radios would run
+are very short wave signals.  They are well above standard microwave and
+radar.  With a radio wave that small, one watt becomes a tremendous punch
+per bit and thus makes transmission at reasonable speed possible.  In
+order to minimize the potential for congestion, the project is
+undertaking to reimplement software which has been available in the
+networking business and is taken for granted now, for example, TCP/IP,
+routing algorithms, bridges, and gateways.  In addition, the project
+plans to take the WAIS server software in the public domain and
+reimplement it so that one can have a WAIS server on a Mac instead of a
+Unix machine.  The Memex Research Institute believes that libraries, in
+particular, will want to use the WAIS servers with packet radio.  This
+project, which has a team of about twelve people, will run through 1993
+and will include the 100 libraries already mentioned as well as other
+professionals such as those in the medical profession, engineering, and
+law.  Thus, the need is to create an infrastructure of radios that do not
+move around, which, BROWNRIGG hopes, will solve a problem not only for
+libraries but for individuals who, by and large today, do not have access
+to the Internet from their homes and offices.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Project operating frequencies *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During a brief discussion period, which also concluded the day's
+proceedings, BROWNRIGG stated that the project was operating in four
+frequencies.  The slow speed is operating at 435 megahertz, and it would
+later go up to 920 megahertz.  With the high-speed frequency, the
+one-megabyte radios will run at 2.4 gigabits, and 1.5 will run at 5.7.
+At 5.7, rain can be a factor, but it would have to be tropical rain,
+unlike what falls in most parts of the United States.
+
+                                 ******
+
+SESSION IV.  IMAGE CAPTURE, TEXT CAPTURE, OVERVIEW OF TEXT AND
+             IMAGE STORAGE FORMATS
+
+William HOOTON, vice president of operations, I-NET, moderated this session.
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+KENNEY * Factors influencing development of CXP * Advantages of using
+digital technology versus photocopy and microfilm * A primary goal of
+CXP; publishing challenges * Characteristics of copies printed * Quality
+of samples achieved in image capture * Several factors to be considered
+in choosing scanning * Emphasis of CXP on timely and cost-effective
+production of black-and-white printed facsimiles * Results of producing
+microfilm from digital files * Advantages of creating microfilm * Details
+concerning production * Costs * Role of digital technology in library
+preservation *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Anne KENNEY, associate director, Department of Preservation and
+Conservation, Cornell University, opened her talk by observing that the
+Cornell Xerox Project (CXP) has been guided by the assumption that the
+ability to produce printed facsimiles or to replace paper with paper
+would be important, at least for the present generation of users and
+equipment.  She described three factors that influenced development of
+the project:  1) Because the project has emphasized the preservation of
+deteriorating brittle books, the quality of what was produced had to be
+sufficiently high to return a paper replacement to the shelf.  CXP was
+only interested in using:  2) a system that was cost-effective, which
+meant that it had to be cost-competitive with the processes currently
+available, principally photocopy and microfilm, and 3) new or currently
+available product hardware and software.
+
+KENNEY described the advantages that using digital technology offers over
+both photocopy and microfilm:  1) The potential exists to create a higher
+quality reproduction of a deteriorating original than conventional
+light-lens technology.  2) Because a digital image is an encoded
+representation, it can be reproduced again and again with no resulting
+loss of quality, as opposed to the situation with light-lens processes,
+in which there is discernible difference between a second and a
+subsequent generation of an image.  3) A digital image can be manipulated
+in a number of ways to improve image capture; for example, Xerox has
+developed a windowing application that enables one to capture a page
+containing both text and illustrations in a manner that optimizes the
+reproduction of both.  (With light-lens technology, one must choose which
+to optimize, text or the illustration; in preservation microfilming, the
+current practice is to shoot an illustrated page twice, once to highlight
+the text and the second time to provide the best capture for the
+illustration.)  4) A digital image can also be edited, density levels
+adjusted to remove underlining and stains, and to increase legibility for
+faint documents.  5) On-screen inspection can take place at the time of
+initial setup and adjustments made prior to scanning, factors that
+substantially reduce the number of retakes required in quality control.
+
+A primary goal of CXP has been to evaluate the paper output printed on
+the Xerox DocuTech, a high-speed printer that produces 600-dpi pages from
+scanned images at a rate of 135 pages a minute.  KENNEY recounted several
+publishing challenges to represent faithful and legible reproductions of
+the originals that the 600-dpi copy for the most part successfully
+captured.  For example, many of the deteriorating volumes in the project
+were heavily illustrated with fine line drawings or halftones or came in
+languages such as Japanese, in which the buildup of characters comprised
+of varying strokes is difficult to reproduce at lower resolutions; a
+surprising number of them came with annotations and mathematical
+formulas, which it was critical to be able to duplicate exactly.
+
+KENNEY noted that 1) the copies are being printed on paper that meets the
+ANSI standards for performance, 2) the DocuTech printer meets the machine
+and toner requirements for proper adhesion of print to page, as described
+by the National Archives, and thus 3) paper product is considered to be
+the archival equivalent of preservation photocopy.
+
+KENNEY then discussed several samples of the quality achieved in the
+project that had been distributed in a handout, for example, a copy of a
+print-on-demand version of the 1911 Reed lecture on the steam turbine,
+which contains halftones, line drawings, and illustrations embedded in
+text; the first four loose pages in the volume compared the capture
+capabilities of scanning to photocopy for a standard test target, the
+IEEE standard 167A 1987 test chart.  In all instances scanning proved
+superior to photocopy, though only slightly more so in one.
+
+Conceding the simplistic nature of her review of the quality of scanning
+to photocopy, KENNEY described it as one representation of the kinds of
+settings that could be used with scanning capabilities on the equipment
+CXP uses.  KENNEY also pointed out that CXP investigated the quality
+achieved with binary scanning only, and noted the great promise in gray
+scale and color scanning, whose advantages and disadvantages need to be
+examined.  She argued further that scanning resolutions and file formats
+can represent a complex trade-off between the time it takes to capture
+material, file size, fidelity to the original, and on-screen display; and
+printing and equipment availability.  All these factors must be taken
+into consideration.
+
+CXP placed primary emphasis on the production in a timely and
+cost-effective manner of printed facsimiles that consisted largely of
+black-and-white text.  With binary scanning, large files may be
+compressed efficiently and in a lossless manner (i.e., no data is lost in
+the process of compressing [and decompressing] an image--the exact
+bit-representation is maintained) using Group 4 CCITT (i.e., the French
+acronym for International Consultative Committee for Telegraph and
+Telephone) compression.  CXP was getting compression ratios of about
+forty to one.  Gray-scale compression, which primarily uses JPEG, is much
+less economical and can represent a lossy compression (i.e., not
+lossless), so that as one compresses and decompresses, the illustration
+is subtly changed.  While binary files produce a high-quality printed
+version, it appears 1) that other combinations of spatial resolution with
+gray and/or color hold great promise as well, and 2) that gray scale can
+represent a tremendous advantage for on-screen viewing.  The quality
+associated with binary and gray scale also depends on the equipment used.
+For instance, binary scanning produces a much better copy on a binary
+printer.
+
+Among CXP's findings concerning the production of microfilm from digital
+files, KENNEY reported that the digital files for the same Reed lecture
+were used to produce sample film using an electron beam recorder.  The
+resulting film was faithful to the image capture of the digital files,
+and while CXP felt that the text and image pages represented in the Reed
+lecture were superior to that of the light-lens film, the resolution
+readings for the 600 dpi were not as high as standard microfilming.
+KENNEY argued that the standards defined for light-lens technology are
+not totally transferable to a digital environment.  Moreover, they are
+based on definition of quality for a preservation copy.  Although making
+this case will prove to be a long, uphill struggle, CXP plans to continue
+to investigate the issue over the course of the next year.
+
+KENNEY concluded this portion of her talk with a discussion of the
+advantages of creating film:  it can serve as a primary backup and as a
+preservation master to the digital file; it could then become the print
+or production master and service copies could be paper, film, optical
+disks, magnetic media, or on-screen display.
+
+Finally, KENNEY presented details re production:
+
+     * Development and testing of a moderately-high resolution production
+     scanning workstation represented a third goal of CXP; to date, 1,000
+     volumes have been scanned, or about 300,000 images.
+
+     * The resulting digital files are stored and used to produce
+     hard-copy replacements for the originals and additional prints on
+     demand; although the initial costs are high, scanning technology
+     offers an affordable means for reformatting brittle material.
+
+     * A technician in production mode can scan 300 pages per hour when
+     performing single-sheet scanning, which is a necessity when working
+     with truly brittle paper; this figure is expected to increase
+     significantly with subsequent iterations of the software from Xerox;
+     a three-month time-and-cost study of scanning found that the average
+     300-page book would take about an hour and forty minutes to scan
+     (this figure included the time for setup, which involves keying in
+     primary bibliographic data, going into quality control mode to
+     define page size, establishing front-to-back registration, and
+     scanning sample pages to identify a default range of settings for
+     the entire book--functions not dissimilar to those performed by
+     filmers or those preparing a book for photocopy).
+
+     * The final step in the scanning process involved rescans, which
+     happily were few and far between, representing well under 1 percent
+     of the total pages scanned.
+
+In addition to technician time, CXP costed out equipment, amortized over
+four years, the cost of storing and refreshing the digital files every
+four years, and the cost of printing and binding, book-cloth binding, a
+paper reproduction.  The total amounted to a little under $65 per single
+300-page volume, with 30 percent overhead included--a figure competitive
+with the prices currently charged by photocopy vendors.
+
+Of course, with scanning, in addition to the paper facsimile, one is left
+with a digital file from which subsequent copies of the book can be
+produced for a fraction of the cost of photocopy, with readers afforded
+choices in the form of these copies.
+
+KENNEY concluded that digital technology offers an electronic means for a
+library preservation effort to pay for itself.  If a brittle-book program
+included the means of disseminating reprints of books that are in demand
+by libraries and researchers alike, the initial investment in capture
+could be recovered and used to preserve additional but less popular
+books.  She disclosed that an economic model for a self-sustaining
+program could be developed for CXP's report to the Commission on
+Preservation and Access (CPA).
+
+KENNEY stressed that the focus of CXP has been on obtaining high quality
+in a production environment.  The use of digital technology is viewed as
+an affordable alternative to other reformatting options.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ANDRE * Overview and history of NATDP * Various agricultural CD-ROM
+products created inhouse and by service bureaus * Pilot project on
+Internet transmission * Additional products in progress *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Pamela ANDRE, associate director for automation, National Agricultural
+Text Digitizing Program (NATDP), National Agricultural Library (NAL),
+presented an overview of NATDP, which has been underway at NAL the last
+four years, before Judith ZIDAR discussed the technical details.  ANDRE
+defined agricultural information as a broad range of material going from
+basic and applied research in the hard sciences to the one-page pamphlets
+that are distributed by the cooperative state extension services on such
+things as how to grow blueberries.
+
+NATDP began in late 1986 with a meeting of representatives from the
+land-grant library community to deal with the issue of electronic
+information.  NAL and forty-five of these libraries banded together to
+establish this project--to evaluate the technology for converting what
+were then source documents in paper form into electronic form, to provide
+access to that digital information, and then to distribute it.
+Distributing that material to the community--the university community as
+well as the extension service community, potentially down to the county
+level--constituted the group's chief concern.
+
+Since January 1988 (when the microcomputer-based scanning system was
+installed at NAL), NATDP has done a variety of things, concerning which
+ZIDAR would provide further details.  For example, the first technology
+considered in the project's discussion phase was digital videodisc, which
+indicates how long ago it was conceived.
+
+Over the four years of this project, four separate CD-ROM products on
+four different agricultural topics were created, two at a
+scanning-and-OCR station installed at NAL, and two by service bureaus.
+Thus, NATDP has gained comparative information in terms of those relative
+costs.  Each of these products contained the full ASCII text as well as
+page images of the material, or between 4,000 and 6,000 pages of material
+on these disks.  Topics included aquaculture, food, agriculture and
+science (i.e., international agriculture and research), acid rain, and
+Agent Orange, which was the final product distributed (approximately
+eighteen months before the Workshop).
+
+The third phase of NATDP focused on delivery mechanisms other than
+CD-ROM.  At the suggestion of Clifford LYNCH, who was a technical
+consultant to the project at this point, NATDP became involved with the
+Internet and initiated a project with the help of North Carolina State
+University, in which fourteen of the land-grant university libraries are
+transmitting digital images over the Internet in response to interlibrary
+loan requests--a topic for another meeting.  At this point, the pilot
+project had been completed for about a year and the final report would be
+available shortly after the Workshop.  In the meantime, the project's
+success had led to its extension.  (ANDRE noted that one of the first
+things done under the program title was to select a retrieval package to
+use with subsequent products; Windows Personal Librarian was the package
+of choice after a lengthy evaluation.)
+
+Three additional products had been planned and were in progress:
+
+     1) An arrangement with the American Society of Agronomy--a
+     professional society that has published the Agronomy Journal since
+     about 1908--to scan and create bit-mapped images of its journal.
+     ASA granted permission first to put and then to distribute this
+     material in electronic form, to hold it at NAL, and to use these
+     electronic images as a mechanism to deliver documents or print out
+     material for patrons, among other uses.  Effectively, NAL has the
+     right to use this material in support of its program.
+     (Significantly, this arrangement offers a potential cooperative
+     model for working with other professional societies in agriculture
+     to try to do the same thing--put the journals of particular interest
+     to agriculture research into electronic form.)
+
+     2) An extension of the earlier product on aquaculture.
+
+     3) The George Washington Carver Papers--a joint project with
+     Tuskegee University to scan and convert from microfilm some 3,500
+     images of Carver's papers, letters, and drawings.
+
+It was anticipated that all of these products would appear no more than
+six months after the Workshop.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ZIDAR * (A separate arena for scanning) * Steps in creating a database *
+Image capture, with and without performing OCR * Keying in tracking data
+* Scanning, with electronic and manual tracking * Adjustments during
+scanning process * Scanning resolutions * Compression * De-skewing and
+filtering * Image capture from microform:  the papers and letters of
+George Washington Carver * Equipment used for a scanning system *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Judith ZIDAR, coordinator, National Agricultural Text Digitizing Program
+(NATDP), National Agricultural Library (NAL), illustrated the technical
+details of NATDP, including her primary responsibility, scanning and
+creating databases on a topic and putting them on CD-ROM.
+
+(ZIDAR remarked a separate arena from the CD-ROM projects, although the
+processing of the material is nearly identical, in which NATDP is also
+scanning material and loading it on a Next microcomputer, which in turn
+is linked to NAL's integrated library system.  Thus, searches in NAL's
+bibliographic database will enable people to pull up actual page images
+and text for any documents that have been entered.)
+
+In accordance with the session's topic, ZIDAR focused her illustrated
+talk on image capture, offering a primer on the three main steps in the
+process:  1) assemble the printed publications; 2) design the database
+(database design occurs in the process of preparing the material for
+scanning; this step entails reviewing and organizing the material,
+defining the contents--what will constitute a record, what kinds of
+fields will be captured in terms of author, title, etc.); 3) perform a
+certain amount of markup on the paper publications.  NAL performs this
+task record by record, preparing work sheets or some other sort of
+tracking material and designing descriptors and other enhancements to be
+added to the data that will not be captured from the printed publication.
+Part of this process also involves determining NATDP's file and directory
+structure:  NATDP attempts to avoid putting more than approximately 100
+images in a directory, because placing more than that on a CD-ROM would
+reduce the access speed.
+
+This up-front process takes approximately two weeks for a
+6,000-7,000-page database.  The next step is to capture the page images.
+How long this process takes is determined by the decision whether or not
+to perform OCR.  Not performing OCR speeds the process, whereas text
+capture requires greater care because of the quality of the image:  it
+has to be straighter and allowance must be made for text on a page, not
+just for the capture of photographs.
+
+NATDP keys in tracking data, that is, a standard bibliographic record
+including the title of the book and the title of the chapter, which will
+later either become the access information or will be attached to the
+front of a full-text record so that it is searchable.
+
+Images are scanned from a bound or unbound publication, chiefly from
+bound publications in the case of NATDP, however, because often they are
+the only copies and the publications are returned to the shelves.  NATDP
+usually scans one record at a time, because its database tracking system
+tracks the document in that way and does not require further logical
+separating of the images.  After performing optical character
+recognition, NATDP moves the images off the hard disk and maintains a
+volume sheet.  Though the system tracks electronically, all the
+processing steps are also tracked manually with a log sheet.
+
+ZIDAR next illustrated the kinds of adjustments that one can make when
+scanning from paper and microfilm, for example, redoing images that need
+special handling, setting for dithering or gray scale, and adjusting for
+brightness or for the whole book at one time.
+
+NATDP is scanning at 300 dots per inch, a standard scanning resolution.
+Though adequate for capturing text that is all of a standard size, 300
+dpi is unsuitable for any kind of photographic material or for very small
+text.  Many scanners allow for different image formats, TIFF, of course,
+being a de facto standard.  But if one intends to exchange images with
+other people, the ability to scan other image formats, even if they are
+less common, becomes highly desirable.
+
+CCITT Group 4 is the standard compression for normal black-and-white
+images, JPEG for gray scale or color.   ZIDAR recommended 1) using the
+standard compressions, particularly if one attempts to make material
+available and to allow users to download images and reuse them from
+CD-ROMs; and 2) maintaining the ability to output an uncompressed image,
+because in image exchange uncompressed images are more likely to be able
+to cross platforms.
+
+ZIDAR emphasized the importance of de-skewing and filtering as
+requirements on NATDP's upgraded system.  For instance, scanning bound
+books, particularly books published by the federal government whose pages
+are skewed, and trying to scan them straight if OCR is to be performed,
+is extremely time-consuming.  The same holds for filtering of
+poor-quality or older materials.
+
+ZIDAR described image capture from microform, using as an example three
+reels from a sixty-seven-reel set of the papers and letters of George
+Washington Carver that had been produced by Tuskegee University.  These
+resulted in approximately 3,500 images, which NATDP had had scanned by
+its service contractor, Science Applications International Corporation
+(SAIC).  NATDP also created bibliographic records for access.  (NATDP did
+not have such specialized equipment as a microfilm scanner.
+
+Unfortunately, the process of scanning from microfilm was not an
+unqualified success, ZIDAR reported:  because microfilm frame sizes vary,
+occasionally some frames were missed, which without spending much time
+and money could not be recaptured.
+
+OCR could not be performed from the scanned images of the frames.  The
+bleeding in the text simply output text, when OCR was run, that could not
+even be edited.  NATDP tested for negative versus positive images,
+landscape versus portrait orientation, and single- versus dual-page
+microfilm, none of which seemed to affect the quality of the image; but
+also on none of them could OCR be performed.
+
+In selecting the microfilm they would use, therefore, NATDP had other
+factors in mind.  ZIDAR noted two factors that influenced the quality of
+the images:  1) the inherent quality of the original and 2) the amount of
+size reduction on the pages.
+
+The Carver papers were selected because they are informative and visually
+interesting, treat a single subject, and are valuable in their own right.
+The images were scanned and divided into logical records by SAIC, then
+delivered, and loaded onto NATDP's system, where bibliographic
+information taken directly from the images was added.  Scanning was
+completed in summer 1991 and by the end of summer 1992 the disk was
+scheduled to be published.
+
+Problems encountered during processing included the following:  Because
+the microfilm scanning had to be done in a batch, adjustment for
+individual page variations was not possible.  The frame size varied on
+account of the nature of the material, and therefore some of the frames
+were missed while others were just partial frames.  The only way to go
+back and capture this material was to print out the page with the
+microfilm reader from the missing frame and then scan it in from the
+page, which was extremely time-consuming.  The quality of the images
+scanned from the printout of the microfilm compared unfavorably with that
+of the original images captured directly from the microfilm.  The
+inability to perform OCR also was a major disappointment.  At the time,
+computer output microfilm was unavailable to test.
+
+The equipment used for a scanning system was the last topic addressed by
+ZIDAR.  The type of equipment that one would purchase for a scanning
+system included:  a microcomputer, at least a 386, but preferably a 486;
+a large hard disk, 380 megabyte at minimum; a multi-tasking operating
+system that allows one to run some things in batch in the background
+while scanning or doing text editing, for example, Unix or OS/2 and,
+theoretically, Windows; a high-speed scanner and scanning software that
+allows one to make the various adjustments mentioned earlier; a
+high-resolution monitor (150 dpi ); OCR software and hardware to perform
+text recognition; an optical disk subsystem on which to archive all the
+images as the processing is done; file management and tracking software.
+
+ZIDAR opined that the software one purchases was more important than the
+hardware and might also cost more than the hardware, but it was likely to
+prove critical to the success or failure of one's system.  In addition to
+a stand-alone scanning workstation for image capture, then, text capture
+requires one or two editing stations networked to this scanning station
+to perform editing.  Editing the text takes two or three times as long as
+capturing the images.
+
+Finally, ZIDAR stressed the importance of buying an open system that allows
+for more than one vendor, complies with standards, and can be upgraded.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+WATERS *Yale University Library's master plan to convert microfilm to
+digital imagery (POB) * The place of electronic tools in the library of
+the future * The uses of images and an image library * Primary input from
+preservation microfilm * Features distinguishing POB from CXP and key
+hypotheses guiding POB * Use of vendor selection process to facilitate
+organizational work * Criteria for selecting vendor * Finalists and
+results of process for Yale * Key factor distinguishing vendors *
+Components, design principles, and some estimated costs of POB * Role of
+preservation materials in developing imaging market * Factors affecting
+quality and cost * Factors affecting the usability of complex documents
+in image form *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Donald WATERS, head of the Systems Office, Yale University Library,
+reported on the progress of a master plan for a project at Yale to
+convert microfilm to digital imagery, Project Open Book (POB).  Stating
+that POB was in an advanced stage of planning, WATERS detailed, in
+particular, the process of selecting a vendor partner and several key
+issues under discussion as Yale prepares to move into the project itself.
+He commented first on the vision that serves as the context of POB and
+then described its purpose and scope.
+
+WATERS sees the library of the future not necessarily as an electronic
+library but as a place that generates, preserves, and improves for its
+clients ready access to both intellectual and physical recorded
+knowledge.  Electronic tools must find a place in the library in the
+context of this vision.  Several roles for electronic tools include
+serving as:  indirect sources of electronic knowledge or as "finding"
+aids (the on-line catalogues, the article-level indices, registers for
+documents and archives); direct sources of recorded knowledge; full-text
+images; and various kinds of compound sources of recorded knowledge (the
+so-called compound documents of Hypertext, mixed text and image,
+mixed-text image format, and multimedia).
+
+POB is looking particularly at images and an image library, the uses to
+which images will be put (e.g., storage, printing, browsing, and then use
+as input for other processes), OCR as a subsequent process to image
+capture, or creating an image library, and also possibly generating
+microfilm.
+
+While input will come from a variety of sources, POB is considering
+especially input from preservation microfilm.  A possible outcome is that
+the film and paper which provide the input for the image library
+eventually may go off into remote storage, and that the image library may
+be the primary access tool.
+
+The purpose and scope of POB focus on imaging.  Though related to CXP,
+POB has two features which distinguish it:  1) scale--conversion of
+10,000 volumes into digital image form; and 2) source--conversion from
+microfilm.  Given these features, several key working hypotheses guide
+POB, including:  1) Since POB is using microfilm, it is not concerned with
+the image library as a preservation medium.  2) Digital imagery can improve
+access to recorded knowledge through printing and network distribution at
+a modest incremental cost of microfilm.  3) Capturing and storing documents
+in a digital image form is necessary to further improvements in access.
+(POB distinguishes between the imaging, digitizing process and OCR,
+which at this stage it does not plan to perform.)
+
+Currently in its first or organizational phase, POB found that it could
+use a vendor selection process to facilitate a good deal of the
+organizational work (e.g., creating a project team and advisory board,
+confirming the validity of the plan, establishing the cost of the project
+and a budget, selecting the materials to convert, and then raising the
+necessary funds).
+
+POB developed numerous selection criteria, including:  a firm committed
+to image-document management, the ability to serve as systems integrator
+in a large-scale project over several years, interest in developing the
+requisite software as a standard rather than a custom product, and a
+willingness to invest substantial resources in the project itself.
+
+Two vendors, DEC and Xerox, were selected as finalists in October 1991,
+and with the support of the Commission on Preservation and Access, each
+was commissioned to generate a detailed requirements analysis for the
+project and then to submit a formal proposal for the completion of the
+project, which included a budget and costs. The terms were that POB would
+pay the loser.  The results for Yale of involving a vendor included:
+broad involvement of Yale staff across the board at a relatively low
+cost, which may have long-term significance in carrying out the project
+(twenty-five to thirty university people are engaged in POB); better
+understanding of the factors that affect corporate response to markets
+for imaging products; a competitive proposal; and a more sophisticated
+view of the imaging markets.
+
+The most important factor that distinguished the vendors under
+consideration was their identification with the customer.  The size and
+internal complexity of the company also was an important factor.  POB was
+looking at large companies that had substantial resources.  In the end,
+the process generated for Yale two competitive proposals, with Xerox's
+the clear winner.  WATERS then described the components of the proposal,
+the design principles, and some of the costs estimated for the process.
+
+Components are essentially four:  a conversion subsystem, a
+network-accessible storage subsystem for 10,000 books (and POB expects
+200 to 600 dpi storage), browsing stations distributed on the campus
+network, and network access to the image printers.
+
+Among the design principles, POB wanted conversion at the highest
+possible resolution.  Assuming TIFF files, TIFF files with Group 4
+compression, TCP/IP, and ethernet network on campus, POB wanted a
+client-server approach with image documents distributed to the
+workstations and made accessible through native workstation interfaces
+such as Windows.  POB also insisted on a phased approach to
+implementation:  1) a stand-alone, single-user, low-cost entry into the
+business with a workstation focused on conversion and allowing POB to
+explore user access; 2) movement into a higher-volume conversion with
+network-accessible storage and multiple access stations; and 3) a
+high-volume conversion, full-capacity storage, and multiple browsing
+stations distributed throughout the campus.
+
+The costs proposed for start-up assumed the existence of the Yale network
+and its two DocuTech image printers.  Other start-up costs are estimated
+at $1 million over the three phases.  At the end of the project, the annual
+operating costs estimated primarily for the software and hardware proposed
+come to about $60,000, but these exclude costs for labor needed in the
+conversion process, network and printer usage, and facilities management.
+
+Finally, the selection process produced for Yale a more sophisticated
+view of the imaging markets:  the management of complex documents in
+image form is not a preservation problem, not a library problem, but a
+general problem in a broad, general industry.  Preservation materials are
+useful for developing that market because of the qualities of the
+material.  For example, much of it is out of copyright.  The resolution
+of key issues such as the quality of scanning and image browsing also
+will affect development of that market.
+
+The technology is readily available but changing rapidly.  In this
+context of rapid change, several factors affect quality and cost, to
+which POB intends to pay particular attention, for example, the various
+levels of resolution that can be achieved.  POB believes it can bring
+resolution up to 600 dpi, but an interpolation process from 400 to 600 is
+more likely.  The variation quality in microfilm will prove to be a
+highly important factor.  POB may reexamine the standards used to film in
+the first place by looking at this process as a follow-on to microfilming.
+
+Other important factors include:  the techniques available to the
+operator for handling material, the ways of integrating quality control
+into the digitizing work flow, and a work flow that includes indexing and
+storage.  POB's requirement was to be able to deal with quality control
+at the point of scanning.  Thus, thanks to Xerox, POB anticipates having
+a mechanism which will allow it not only to scan in batch form, but to
+review the material as it goes through the scanner and control quality
+from the outset.
+
+The standards for measuring quality and costs depend greatly on the uses
+of the material, including subsequent OCR, storage, printing, and
+browsing.  But especially at issue for POB is the facility for browsing.
+This facility, WATERS said, is perhaps the weakest aspect of imaging
+technology and the most in need of development.
+
+A variety of factors affect the usability of complex documents in image
+form, among them:  1) the ability of the system to handle the full range
+of document types, not just monographs but serials, multi-part
+monographs, and manuscripts; 2) the location of the database of record
+for bibliographic information about the image document, which POB wants
+to enter once and in the most useful place, the on-line catalog; 3) a
+document identifier for referencing the bibliographic information in one
+place and the images in another; 4) the technique for making the basic
+internal structure of the document accessible to the reader; and finally,
+5) the physical presentation on the CRT of those documents.  POB is ready
+to complete this phase now.  One last decision involves deciding which
+material to scan.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * TIFF files constitute de facto standard * NARA's experience
+with image conversion software and text conversion * RFC 1314 *
+Considerable flux concerning available hardware and software solutions *
+NAL through-put rate during scanning * Window management questions *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+In the question-and-answer period that followed WATERS's presentation,
+the following points emerged:
+
+     * ZIDAR's statement about using TIFF files as a standard meant de
+     facto standard.  This is what most people use and typically exchange
+     with other groups, across platforms, or even occasionally across
+     display software.
+
+     * HOLMES commented on the unsuccessful experience of NARA in
+     attempting to run image-conversion software or to exchange between
+     applications:  What are supposedly TIFF files go into other software
+     that is supposed to be able to accept TIFF but cannot recognize the
+     format and cannot deal with it, and thus renders the exchange
+     useless.  Re text conversion, he noted the different recognition
+     rates obtained by substituting the make and model of scanners in
+     NARA's recent test of an "intelligent" character-recognition product
+     for a new company.  In the selection of hardware and software,
+     HOLMES argued, software no longer constitutes the overriding factor
+     it did until about a year ago; rather it is perhaps important to
+     look at both now.
+
+     * Danny Cohen and Alan Katz of the University of Southern California
+     Information Sciences Institute began circulating as an Internet RFC
+     (RFC 1314) about a month ago a standard for a TIFF interchange
+     format for Internet distribution of monochrome bit-mapped images,
+     which LYNCH said he believed would be used as a de facto standard.
+
+     * FLEISCHHAUER's impression from hearing these reports and thinking
+     about AM's experience was that there is considerable flux concerning
+     available hardware and software solutions.  HOOTON agreed and
+     commented at the same time on ZIDAR's statement that the equipment
+     employed affects the results produced.  One cannot draw a complete
+     conclusion by saying it is difficult or impossible to perform OCR
+     from scanning microfilm, for example, with that device,  that set of
+     parameters, and system requirements, because numerous other people
+     are accomplishing just that, using other components, perhaps.
+     HOOTON opined that both the hardware and the software were highly
+     important.  Most of the problems discussed today have been solved in
+     numerous different ways by other people.  Though it is good to be
+     cognizant of various experiences, this is not to say that it will
+     always be thus.
+
+     * At NAL, the through-put rate of the scanning process for paper,
+     page by page, performing OCR, ranges from 300 to 600 pages per day;
+     not performing OCR is considerably faster, although how much faster
+     is not known.  This is for scanning from bound books, which is much
+     slower.
+
+     * WATERS commented on window management questions:  DEC proposed an
+     X-Windows solution which was problematical for two reasons.  One was
+     POB's requirement to be able to manipulate images on the workstation
+     and bring them down to the workstation itself and the other was
+     network usage.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+THOMA * Illustration of deficiencies in scanning and storage process *
+Image quality in this process * Different costs entailed by better image
+quality * Techniques for overcoming various de-ficiencies:  fixed
+thresholding, dynamic thresholding, dithering, image merge * Page edge
+effects *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+George THOMA, chief, Communications Engineering Branch, National Library
+of Medicine (NLM), illustrated several of the deficiencies discussed by
+the previous speakers.  He introduced the topic of special problems by
+noting the advantages of electronic imaging.  For example, it is regenerable
+because it is a coded file, and real-time quality control is possible with
+electronic capture, whereas in photographic capture it is not.
+
+One of the difficulties discussed in the scanning and storage process was
+image quality which, without belaboring the obvious, means different
+things for maps, medical X-rays, or broadcast television.  In the case of
+documents, THOMA said, image quality boils down to legibility of the
+textual parts, and fidelity in the case of gray or color photo print-type
+material.  Legibility boils down to scan density, the standard in most
+cases being 300 dpi.  Increasing the resolution with scanners that
+perform 600 or 1200 dpi, however, comes at a cost.
+
+Better image quality entails at least four different kinds of costs:  1)
+equipment costs, because the CCD (i.e., charge-couple device) with
+greater number of elements costs more;  2) time costs that translate to
+the actual capture costs, because manual labor is involved (the time is
+also dependent on the fact that more data has to be moved around in the
+machine in the scanning or network devices that perform the scanning as
+well as the storage);  3) media costs, because at high resolutions larger
+files have to be stored; and 4) transmission costs, because there is just
+more data to be transmitted.
+
+But while resolution takes care of the issue of legibility in image
+quality, other deficiencies have to do with contrast and elements on the
+page scanned or the image that needed to be removed or clarified.  Thus,
+THOMA proceeded to illustrate various deficiencies, how they are
+manifested, and several techniques to overcome them.
+
+Fixed thresholding was the first technique described, suitable for
+black-and-white text, when the contrast does not vary over the page.  One
+can have many different threshold levels in scanning devices.  Thus,
+THOMA offered an example of extremely poor contrast, which resulted from
+the fact that the stock was a heavy red.  This is the sort of image that
+when microfilmed fails to provide any legibility whatsoever.  Fixed
+thresholding is the way to change the black-to-red contrast to the
+desired black-to-white contrast.
+
+Other examples included material that had been browned or yellowed by
+age.  This was also a case of contrast deficiency, and correction was
+done by fixed thresholding.  A final example boils down to the same
+thing, slight variability, but it is not significant.  Fixed thresholding
+solves this problem as well.  The microfilm equivalent is certainly legible,
+but it comes with dark areas.  Though THOMA did not have a slide of the
+microfilm in this case, he did show the reproduced electronic image.
+
+When one has variable contrast over a page or the lighting over the page
+area varies, especially in the case where a bound volume has light
+shining on it, the image must be processed by a dynamic thresholding
+scheme.  One scheme, dynamic averaging, allows the threshold level not to
+be fixed but to be recomputed for every pixel from the neighboring
+characteristics.  The neighbors of a pixel determine where the threshold
+should be set for that pixel.
+
+THOMA showed an example of a page that had been made deficient by a
+variety of techniques, including a burn mark, coffee stains, and a yellow
+marker.  Application of a fixed-thresholding scheme, THOMA argued, might
+take care of several deficiencies on the page but not all of them.
+Performing the calculation for a dynamic threshold setting, however,
+removes most of the deficiencies so that at least the text is legible.
+
+Another problem is representing a gray level with black-and-white pixels
+by a process known as dithering or electronic screening.  But dithering
+does not provide good image quality for pure black-and-white textual
+material.  THOMA illustrated this point with examples. Although its
+suitability for photoprint is the reason for electronic screening or
+dithering, it cannot be used for every compound image.  In the document
+that was distributed by CXP, THOMA noticed that the dithered image of the
+IEEE test chart evinced some deterioration in the text.  He presented an
+extreme example of deterioration in the text in which compounded
+documents had to be set right by other techniques.  The technique
+illustrated by the present example was an image merge in which the page
+is scanned twice and the settings go from fixed threshold to the
+dithering matrix; the resulting images are merged to give the best
+results with each technique.
+
+THOMA illustrated how dithering is also used in nonphotographic or
+nonprint materials with an example of a grayish page from a medical text,
+which was reproduced to show all of the gray that appeared in the
+original.  Dithering provided a reproduction of all the gray in the
+original of another example from the same text.
+
+THOMA finally illustrated the problem of bordering, or page-edge,
+effects.  Books and bound volumes that are placed on a photocopy machine
+or a scanner produce page-edge effects that are undesirable for two
+reasons:  1) the aesthetics of the image; after all, if the image is to
+be preserved, one does not necessarily want to keep all of its
+deficiencies; 2) compression (with the bordering problem THOMA
+illustrated, the compression ratio deteriorated tremendously).  One way
+to eliminate this more serious problem is to have the operator at the
+point of scanning window the part of the image that is desirable and
+automatically turn all of the pixels out of that picture to white.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+FLEISCHHAUER * AM's experience with scanning bound materials * Dithering
+*
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Carl FLEISCHHAUER, coordinator, American Memory, Library of Congress,
+reported AM's experience with scanning bound materials, which he likened
+to the problems involved in using photocopying machines.  Very few
+devices in the industry offer book-edge scanning, let alone book cradles.
+The problem may be unsolvable, FLEISCHHAUER said, because a large enough
+market does not exist for a preservation-quality scanner.  AM is using a
+Kurzweil scanner, which is a book-edge scanner now sold by Xerox.
+
+Devoting the remainder of his brief presentation to dithering,
+FLEISCHHAUER related AM's experience with a contractor who was using
+unsophisticated equipment and software to reduce moire patterns from
+printed halftones.  AM took the same image and used the dithering
+algorithm that forms part of the same Kurzweil Xerox scanner; it
+disguised moire patterns much more effectively.
+
+FLEISCHHAUER also observed that dithering produces a binary file which is
+useful for numerous purposes, for example, printing it on a laser printer
+without having to "re-halftone" it.  But it tends to defeat efficient
+compression, because the very thing that dithers to reduce moire patterns
+also tends to work against compression schemes.  AM thought the
+difference in image quality was worth it.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Relative use as a criterion for POB's selection of books to
+be converted into digital form *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the discussion period, WATERS noted that one of the criteria for
+selecting books among the 10,000 to be converted into digital image form
+would be how much relative use they would receive--a subject still
+requiring evaluation.  The challenge will be to understand whether
+coherent bodies of material will increase usage or whether POB should
+seek material that is being used, scan that, and make it more accessible.
+POB might decide to digitize materials that are already heavily used, in
+order to make them more accessible and decrease wear on them.  Another
+approach would be to provide a large body of intellectually coherent
+material that may be used more in digital form than it is currently used
+in microfilm.  POB would seek material that was out of copyright.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+BARONAS * Origin and scope of AIIM * Types of documents produced in
+AIIM's standards program * Domain of AIIM's standardization work * AIIM's
+structure * TC 171 and MS23 * Electronic image management standards *
+Categories of EIM standardization where AIIM standards are being
+developed *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Jean BARONAS, senior manager, Department of Standards and Technology,
+Association for Information and Image Management (AIIM), described the
+not-for-profit association and the national and international programs
+for standardization in which AIIM is active.
+
+Accredited for twenty-five years as the nation's standards development
+organization for document image management, AIIM began life in a library
+community developing microfilm standards.  Today the association
+maintains both its library and business-image management standardization
+activities--and has moved into electronic image-management
+standardization (EIM).
+
+BARONAS defined the program's scope.  AIIM deals with:  1) the
+terminology of standards and of the technology it uses; 2) methods of
+measurement for the systems, as well as quality; 3) methodologies for
+users to evaluate and measure quality; 4) the features of apparatus used
+to manage and edit images; and 5) the procedures used to manage images.
+
+BARONAS noted that three types of documents are produced in the AIIM
+standards program:  the first two, accredited by the American National
+Standards Institute (ANSI), are standards and standard recommended
+practices.  Recommended practices differ from standards in that they
+contain more tutorial information.  A technical report is not an ANSI
+standard.  Because AIIM's policies and procedures for developing
+standards are approved by ANSI, its standards are labeled ANSI/AIIM,
+followed by the number and title of the standard.
+
+BARONAS then illustrated the domain of AIIM's standardization work.  For
+example, AIIM is the administrator of the U.S. Technical Advisory Group
+(TAG) to the International Standards Organization's (ISO) technical
+committee, TC l7l Micrographics and Optical Memories for Document and
+Image Recording, Storage, and Use.  AIIM officially works through ANSI in
+the international standardization process.
+
+BARONAS described AIIM's structure, including its board of directors, its
+standards board of twelve individuals active in the image-management
+industry, its strategic planning and legal admissibility task forces, and
+its National Standards Council, which is comprised of the members of a
+number of organizations who vote on every AIIM standard before it is
+published.  BARONAS pointed out that AIIM's liaisons deal with numerous
+other standards developers, including the optical disk community, office
+and publishing systems, image-codes-and-character set committees, and the
+National Information Standards Organization (NISO).
+
+BARONAS illustrated the procedures of TC l7l, which covers all aspects of
+image management.  When AIIM's national program has conceptualized a new
+project, it is usually submitted to the international level, so that the
+member countries of TC l7l can simultaneously work on the development of
+the standard or the technical report.  BARONAS also illustrated a classic
+microfilm standard, MS23, which deals with numerous imaging concepts that
+apply to electronic imaging.  Originally developed in the l970s, revised
+in the l980s, and revised again in l991, this standard is scheduled for
+another revision.  MS23 is an active standard whereby users may propose
+new density ranges and new methods of evaluating film images in the
+standard's revision.
+
+BARONAS detailed several electronic image-management standards, for
+instance, ANSI/AIIM MS44, a quality-control guideline for scanning 8.5"
+by 11" black-and-white office documents.  This standard is used with the
+IEEE fax image--a continuous tone photographic image with gray scales,
+text, and several continuous tone pictures--and AIIM test target number
+2, a representative document used in office document management.
+
+BARONAS next outlined the four categories of EIM standardization in which
+AIIM standards are being developed:  transfer and retrieval, evaluation,
+optical disc and document scanning applications, and design and
+conversion of documents.  She detailed several of the main projects of
+each:  1) in the category of image transfer and retrieval, a bi-level
+image transfer format, ANSI/AIIM MS53, which is a proposed standard that
+describes a file header for image transfer between unlike systems when
+the images are compressed using G3 and G4 compression; 2) the category of
+image evaluation, which includes the AIIM-proposed TR26 tutorial on image
+resolution (this technical report will treat the differences and
+similarities between classical or photographic and electronic imaging);
+3) design and conversion, which includes a proposed technical report
+called "Forms Design Optimization for EIM" (this report considers how
+general-purpose business forms can be best designed so that scanning is
+optimized; reprographic characteristics such as type, rules, background,
+tint, and color will likewise be treated in the technical report); 4)
+disk and document scanning applications includes a project a) on planning
+platters and disk management, b) on generating an application profile for
+EIM when images are stored and distributed on CD-ROM, and c) on
+evaluating SCSI2, and how a common command set can be generated for SCSI2
+so that document scanners are more easily integrated.  (ANSI/AIIM MS53
+will also apply to compressed images.)
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+BATTIN * The implications of standards for preservation * A major
+obstacle to successful cooperation * A hindrance to access in the digital
+environment * Standards a double-edged sword for those concerned with the
+preservation of the human record * Near-term prognosis for reliable
+archival standards * Preservation concerns for electronic media * Need
+for reconceptualizing our preservation principles * Standards in the real
+world and the politics of reproduction * Need to redefine the concept of
+archival and to begin to think in terms of life cycles * Cooperation and
+the La Guardia Eight * Concerns generated by discussions on the problems
+of preserving text and image * General principles to be adopted in a
+world without standards *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Patricia BATTIN, president, the Commission on Preservation and Access
+(CPA), addressed the implications of standards for preservation.  She
+listed several areas where the library profession and the analog world of
+the printed book had made enormous contributions over the past hundred
+years--for example, in bibliographic formats, binding standards, and, most
+important, in determining what constitutes longevity or archival quality.
+
+Although standards have lightened the preservation burden through the
+development of national and international collaborative programs,
+nevertheless, a pervasive mistrust of other people's standards remains a
+major obstacle to successful cooperation, BATTIN said.
+
+The zeal to achieve perfection, regardless of the cost, has hindered
+rather than facilitated access in some instances, and in the digital
+environment, where no real standards exist, has brought an ironically
+just reward.
+
+BATTIN argued that standards are a double-edged sword for those concerned
+with the preservation of the human record, that is, the provision of
+access to recorded knowledge in a multitude of media as far into the
+future as possible.  Standards are essential to facilitate
+interconnectivity and access, but, BATTIN said, as LYNCH pointed out
+yesterday, if set too soon they can hinder creativity, expansion of
+capability, and the broadening of access.  The characteristics of
+standards for digital imagery differ radically from those for analog
+imagery.  And the nature of digital technology implies continuing
+volatility and change.  To reiterate, precipitous standard-setting can
+inhibit creativity, but delayed standard-setting results in chaos.
+
+Since in BATTIN'S opinion the near-term prognosis for reliable archival
+standards, as defined by librarians in the analog world, is poor, two
+alternatives remain:  standing pat with the old technology, or
+reconceptualizing.
+
+Preservation concerns for electronic media fall into two general domains.
+One is the continuing assurance of access to knowledge originally
+generated, stored, disseminated, and used in electronic form.  This
+domain contains several subdivisions, including 1) the closed,
+proprietary systems discussed the previous day, bundled information such
+as electronic journals and government agency records, and electronically
+produced or captured raw data; and 2) the application of digital
+technologies to the reformatting of materials originally published on a
+deteriorating analog medium such as acid paper or videotape.
+
+The preservation of electronic media requires a reconceptualizing of our
+preservation principles during a volatile, standardless transition which
+may last far longer than any of us envision today.  BATTIN urged the
+necessity of shifting focus from assessing, measuring, and setting
+standards for the permanence of the medium to the concept of managing
+continuing access to information stored on a variety of media and
+requiring a variety of ever-changing hardware and software for access--a
+fundamental shift for the library profession.
+
+BATTIN offered a primer on how to move forward with reasonable confidence
+in a world without standards.  Her comments fell roughly into two sections:
+1) standards in the real world and 2) the politics of reproduction.
+
+In regard to real-world standards, BATTIN argued the need to redefine the
+concept of archive and to begin to think in terms of life cycles.  In
+the past, the naive assumption that paper would last forever produced a
+cavalier attitude toward life cycles.  The transient nature of the
+electronic media has compelled people to recognize and accept upfront the
+concept of life cycles in place of permanency.
+
+Digital standards have to be developed and set in a cooperative context
+to ensure efficient exchange of information.  Moreover, during this
+transition period, greater flexibility concerning how concepts such as
+backup copies and archival copies in the CXP are defined is necessary,
+or the opportunity to move forward will be lost.
+
+In terms of cooperation, particularly in the university setting, BATTIN
+also argued the need to avoid going off in a hundred different
+directions.  The CPA has catalyzed a small group of universities called
+the La Guardia Eight--because La Guardia Airport is where meetings take
+place--Harvard, Yale, Cornell, Princeton, Penn State, Tennessee,
+Stanford, and USC, to develop a digital preservation consortium to look
+at all these issues and develop de facto standards as we move along,
+instead of waiting for something that is officially blessed.  Continuing
+to apply analog values and definitions of standards to the digital
+environment, BATTIN said, will effectively lead to forfeiture of the
+benefits of digital technology to research and scholarship.
+
+Under the second rubric, the politics of reproduction, BATTIN reiterated
+an oft-made argument concerning the electronic library, namely, that it
+is more difficult to transform than to create, and nowhere is that belief
+expressed more dramatically than in the conversion of brittle books to
+new media.  Preserving information published in electronic media involves
+making sure the information remains accessible and that digital
+information is not lost through reproduction.  In the analog world of
+photocopies and microfilm, the issue of fidelity to the original becomes
+paramount, as do issues of "Whose fidelity?" and "Whose original?"
+
+BATTIN elaborated these arguments with a few examples from a recent study
+conducted by the CPA on the problems of preserving text and image.
+Discussions with scholars, librarians, and curators in a variety of
+disciplines dependent on text and image generated a variety of concerns,
+for example:  1) Copy what is, not what the technology is capable of.
+This is very important for the history of ideas.  Scholars wish to know
+what the author saw and worked from.  And make available at the
+workstation the opportunity to erase all the defects and enhance the
+presentation.  2) The fidelity of reproduction--what is good enough, what
+can we afford, and the difference it makes--issues of subjective versus
+objective resolution.  3) The differences between primary and secondary
+users.  Restricting the definition of primary user to the one in whose
+discipline the material has been published runs one headlong into the
+reality that these printed books have had a host of other users from a
+host of other disciplines, who not only were looking for very different
+things, but who also shared values very different from those of the
+primary user.  4) The relationship of the standard of reproduction to new
+capabilities of scholarship--the browsing standard versus an archival
+standard.  How good must the archival standard be?  Can a distinction be
+drawn between potential users in setting standards for reproduction?
+Archival storage, use copies, browsing copies--ought an attempt to set
+standards even be made?  5) Finally, costs.  How much are we prepared to
+pay to capture absolute fidelity?  What are the trade-offs between vastly
+enhanced access, degrees of fidelity, and costs?
+
+These standards, BATTIN concluded, serve to complicate further the
+reproduction process, and add to the long list of technical standards
+that are necessary to ensure widespread access.  Ways to articulate and
+analyze the costs that are attached to the different levels of standards
+must be found.
+
+Given the chaos concerning standards, which promises to linger for the
+foreseeable future, BATTIN urged adoption of the following general
+principles:
+
+     * Strive to understand the changing information requirements of
+     scholarly disciplines as more and more technology is integrated into
+     the process of research and scholarly communication in order to meet
+     future scholarly needs, not to build for the past.  Capture
+     deteriorating information at the highest affordable resolution, even
+     though the dissemination and display technologies will lag.
+
+     * Develop cooperative mechanisms to foster agreement on protocols
+     for document structure and other interchange mechanisms necessary
+     for widespread dissemination and use before official standards are
+     set.
+
+     * Accept that, in a transition period, de facto standards will have
+     to be developed.
+
+     * Capture information in a way that keeps all options open and
+     provides for total convertibility:  OCR, scanning of microfilm,
+     producing microfilm from scanned documents, etc.
+
+     * Work closely with the generators of information and the builders
+     of networks and databases to ensure that continuing accessibility is
+     a primary concern from the beginning.
+
+     * Piggyback on standards under development for the broad market, and
+     avoid library-specific standards; work with the vendors, in order to
+     take advantage of that which is being standardized for the rest of
+     the world.
+
+     * Concentrate efforts on managing permanence in the digital world,
+     rather than perfecting the longevity of a particular medium.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Additional comments on TIFF *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the brief discussion period that followed BATTIN's presentation,
+BARONAS explained that TIFF was not developed in collaboration with or
+under the auspices of AIIM.  TIFF is a company product, not a standard,
+is owned by two corporations, and is always changing.  BARONAS also
+observed that ANSI/AIIM MS53, a bi-level image file transfer format that
+allows unlike systems to exchange images, is compatible with TIFF as well
+as with DEC's architecture and IBM's MODCA/IOCA.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+HOOTON * Several questions to be considered in discussing text conversion
+*
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+HOOTON introduced the final topic, text conversion, by noting that it is
+becoming an increasingly important part of the imaging business.  Many
+people now realize that it enhances their system to be able to have more
+and more character data as part of their imaging system.  Re the issue of
+OCR versus rekeying, HOOTON posed several questions:  How does one get
+text into computer-readable form?  Does one use automated processes?
+Does one attempt to eliminate the use of operators where possible?
+Standards for accuracy, he said, are extremely important:  it makes a
+major difference in cost and time whether one sets as a standard 98.5
+percent acceptance or 99.5 percent.  He mentioned outsourcing as a
+possibility for converting text.  Finally, what one does with the image
+to prepare it for the recognition process is also important, he said,
+because such preparation changes how recognition is viewed, as well as
+facilitates recognition itself.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+LESK * Roles of participants in CORE * Data flow * The scanning process *
+The image interface * Results of experiments involving the use of
+electronic resources and traditional paper copies * Testing the issue of
+serendipity * Conclusions *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Michael LESK, executive director, Computer Science Research, Bell
+Communications Research, Inc. (Bellcore), discussed the Chemical Online
+Retrieval Experiment (CORE), a cooperative project involving Cornell
+University, OCLC, Bellcore, and the American Chemical Society (ACS).
+
+LESK spoke on 1) how the scanning was performed, including the unusual
+feature of page segmentation, and 2) the use made of the text and the
+image in experiments.
+
+Working with the chemistry journals (because ACS has been saving its
+typesetting tapes since the mid-1970s and thus has a significant back-run
+of the most important chemistry journals in the United States), CORE is
+attempting to create an automated chemical library.  Approximately a
+quarter of the pages by square inch are made up of images of
+quasi-pictorial material; dealing with the graphic components of the
+pages is extremely important.  LESK described the roles of participants
+in CORE:  1) ACS provides copyright permission, journals on paper,
+journals on microfilm, and some of the definitions of the files; 2) at
+Bellcore, LESK chiefly performs the data preparation, while Dennis Egan
+performs experiments on the users of chemical abstracts, and supplies the
+indexing and numerous magnetic tapes;  3) Cornell provides the site of the
+experiment; 4) OCLC develops retrieval software and other user interfaces.
+Various manufacturers and publishers have furnished other help.
+
+Concerning data flow, Bellcore receives microfilm and paper from ACS; the
+microfilm is scanned by outside vendors, while the paper is scanned
+inhouse on an Improvision scanner, twenty pages per minute at 300 dpi,
+which provides sufficient quality for all practical uses.  LESK would
+prefer to have more gray level, because one of the ACS journals prints on
+some colored pages, which creates a problem.
+
+Bellcore performs all this scanning, creates a page-image file, and also
+selects from the pages the graphics, to mix with the text file (which is
+discussed later in the Workshop).  The user is always searching the ASCII
+file, but she or he may see a display based on the ASCII or a display
+based on the images.
+
+LESK illustrated how the program performs page analysis, and the image
+interface.  (The user types several words, is presented with a list--
+usually of the titles of articles contained in an issue--that derives
+from the ASCII, clicks on an icon and receives an image that mirrors an
+ACS page.)  LESK also illustrated an alternative interface, based on text
+on the ASCII, the so-called SuperBook interface from Bellcore.
+
+LESK next presented the results of an experiment conducted by Dennis Egan
+and involving thirty-six students at Cornell, one third of them
+undergraduate chemistry majors, one third senior undergraduate chemistry
+majors, and one third graduate chemistry students.  A third of them
+received the paper journals, the traditional paper copies and chemical
+abstracts on paper.  A third received image displays of the pictures of
+the pages, and a third received the text display with pop-up graphics.
+
+The students were given several questions made up by some chemistry
+professors.  The questions fell into five classes, ranging from very easy
+to very difficult, and included questions designed to simulate browsing
+as well as a traditional information retrieval-type task.
+
+LESK furnished the following results.  In the straightforward question
+search--the question being, what is the phosphorus oxygen bond distance
+and hydroxy phosphate?--the students were told that they could take
+fifteen minutes and, then, if they wished, give up.  The students with
+paper took more than fifteen minutes on average, and yet most of them
+gave up.  The students with either electronic format, text or image,
+received good scores in reasonable time, hardly ever had to give up, and
+usually found the right answer.
+
+In the browsing study, the students were given a list of eight topics,
+told to imagine that an issue of the Journal of the American Chemical
+Society had just appeared on their desks, and were also told to flip
+through it and to find topics mentioned in the issue.  The average scores
+were about the same.  (The students were told to answer yes or no about
+whether or not particular topics appeared.)  The errors, however, were
+quite different.  The students with paper rarely said that something
+appeared when it had not.  But they often failed to find something
+actually mentioned in the issue.  The computer people found numerous
+things, but they also frequently said that a topic was mentioned when it
+was not.  (The reason, of course, was that they were performing word
+searches.  They were finding that words were mentioned and they were
+concluding that they had accomplished their task.)
+
+This question also contained a trick to test the issue of serendipity.
+The students were given another list of eight topics and instructed,
+without taking a second look at the journal, to recall how many of this
+new list of eight topics were in this particular issue.  This was an
+attempt to see if they performed better at remembering what they were not
+looking for.  They all performed about the same, paper or electronics,
+about 62 percent accurate.  In short, LESK said, people were not very
+good when it came to serendipity, but they were no worse at it with
+computers than they were with paper.
+
+(LESK gave a parenthetical illustration of the learning curve of students
+who used SuperBook.)
+
+The students using the electronic systems started off worse than the ones
+using print, but by the third of the three sessions in the series had
+caught up to print.  As one might expect, electronics provide a much
+better means of finding what one wants to read; reading speeds, once the
+object of the search has been found, are about the same.
+
+Almost none of the students could perform the hard task--the analogous
+transformation.  (It would require the expertise of organic chemists to
+complete.)  But an interesting result was that the students using the text
+search performed terribly, while those using the image system did best.
+That the text search system is driven by text offers the explanation.
+Everything is focused on the text; to see the pictures, one must press
+on an icon.  Many students found the right article containing the answer
+to the question, but they did not click on the icon to bring up the right
+figure and see it.  They did not know that they had found the right place,
+and thus got it wrong.
+
+The short answer demonstrated by this experiment was that in the event
+one does not know what to read, one needs the electronic systems; the
+electronic systems hold no advantage at the moment if one knows what to
+read, but neither do they impose a penalty.
+
+LESK concluded by commenting that, on one hand, the image system was easy
+to use.  On the other hand, the text display system, which represented
+twenty man-years of work in programming and polishing, was not winning,
+because the text was not being read, just searched.  The much easier
+system is highly competitive as well as remarkably effective for the
+actual chemists.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ERWAY * Most challenging aspect of working on AM * Assumptions guiding
+AM's approach * Testing different types of service bureaus * AM's
+requirement for 99.95 percent accuracy * Requirements for text-coding *
+Additional factors influencing AM's approach to coding * Results of AM's
+experience with rekeying * Other problems in dealing with service bureaus
+* Quality control the most time-consuming aspect of contracting out
+conversion * Long-term outlook uncertain *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+To Ricky ERWAY, associate coordinator, American Memory, Library of
+Congress, the constant variety of conversion projects taking place
+simultaneously represented perhaps the most challenging aspect of working
+on AM.  Thus, the challenge was not to find a solution for text
+conversion but a tool kit of solutions to apply to LC's varied
+collections that need to be converted.  ERWAY limited her remarks to the
+process of converting text to machine-readable form, and the variety of
+LC's text collections, for example, bound volumes, microfilm, and
+handwritten manuscripts.
+
+Two assumptions have guided AM's approach, ERWAY said:  1) A desire not
+to perform the conversion inhouse.  Because of the variety of formats and
+types of texts, to capitalize the equipment and have the talents and
+skills to operate them at LC would be extremely expensive.  Further, the
+natural inclination to upgrade to newer and better equipment each year
+made it reasonable for AM to focus on what it did best and seek external
+conversion services.  Using service bureaus also allowed AM to have
+several types of operations take place at the same time.  2) AM was not a
+technology project, but an effort to improve access to library
+collections.  Hence, whether text was converted using OCR or rekeying
+mattered little to AM.  What mattered were cost and accuracy of results.
+
+AM considered different types of service bureaus and selected three to
+perform several small tests in order to acquire a sense of the field.
+The sample collections with which they worked included handwritten
+correspondence, typewritten manuscripts from the 1940s, and
+eighteenth-century printed broadsides on microfilm.  On none of these
+samples was OCR performed; they were all rekeyed.  AM had several special
+requirements for the three service bureaus it had engaged.  For instance,
+any errors in the original text were to be retained.  Working from bound
+volumes or anything that could not be sheet-fed also constituted a factor
+eliminating companies that would have performed OCR.
+
+AM requires 99.95 percent accuracy, which, though it sounds high, often
+means one or two errors per page.  The initial batch of test samples
+contained several handwritten materials for which AM did not require
+text-coding.  The results, ERWAY reported, were in all cases fairly
+comparable:  for the most part, all three service bureaus achieved 99.95
+percent accuracy.  AM was satisfied with the work but surprised at the cost.
+
+As AM began converting whole collections, it retained the requirement for
+99.95 percent accuracy and added requirements for text-coding.  AM needed
+to begin performing work more than three years ago before LC requirements
+for SGML applications had been established.  Since AM's goal was simply
+to retain any of the intellectual content represented by the formatting
+of the document (which would be lost if one performed a straight ASCII
+conversion), AM used "SGML-like" codes.  These codes resembled SGML tags
+but were used without the benefit of document-type definitions.  AM found
+that many service bureaus were not yet SGML-proficient.
+
+Additional factors influencing the approach AM took with respect to
+coding included:  1) the inability of any known microcomputer-based
+user-retrieval software to take advantage of SGML coding; and 2) the
+multiple inconsistencies in format of the older documents, which
+confirmed AM in its desire not to attempt to force the different formats
+to conform to a single document-type definition (DTD) and thus create the
+need for a separate DTD for each document.
+
+The five text collections that AM has converted or is in the process of
+converting include a collection of eighteenth-century broadsides, a
+collection of pamphlets, two typescript document collections, and a
+collection of 150 books.
+
+ERWAY next reviewed the results of AM's experience with rekeying, noting
+again that because the bulk of AM's materials are historical, the quality
+of the text often does not lend itself to OCR.  While non-English
+speakers are less likely to guess or elaborate or correct typos in the
+original text, they are also less able to infer what we would; they also
+are nearly incapable of converting handwritten text.  Another
+disadvantage of working with overseas keyers is that they are much less
+likely to telephone with questions, especially on the coding, with the
+result that they develop their own rules as they encounter new
+situations.
+
+Government contracting procedures and time frames posed a major challenge
+to performing the conversion.  Many service bureaus are not accustomed to
+retaining the image, even if they perform OCR.  Thus, questions of image
+format and storage media were somewhat novel to many of them.  ERWAY also
+remarked other problems in dealing with service bureaus, for example,
+their inability to perform text conversion from the kind of microfilm
+that LC uses for preservation purposes.
+
+But quality control, in ERWAY's experience, was the most time-consuming
+aspect of contracting out conversion.  AM has been attempting to perform
+a 10-percent quality review, looking at either every tenth document or
+every tenth page to make certain that the service bureaus are maintaining
+99.95 percent accuracy.  But even if they are complying with the
+requirement for accuracy, finding errors produces a desire to correct
+them and, in turn, to clean up the whole collection, which defeats the
+purpose to some extent.  Even a double entry requires a
+character-by-character comparison to the original to meet the accuracy
+requirement.  LC is not accustomed to publish imperfect texts, which
+makes attempting to deal with the industry standard an emotionally
+fraught issue for AM.  As was mentioned in the previous day's discussion,
+going from 99.95 to 99.99 percent accuracy usually doubles costs and
+means a third keying or another complete run-through of the text.
+
+Although AM has learned much from its experiences with various collections
+and various service bureaus, ERWAY concluded pessimistically that no
+breakthrough has been achieved.   Incremental improvements have occurred
+in some of the OCR technology, some of the processes, and some of the
+standards acceptances, which, though they may lead to somewhat lower costs,
+do not offer much encouragement to many people who are anxiously awaiting
+the day that the entire contents of LC are available on-line.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+ZIDAR * Several answers to why one attempts to perform full-text
+conversion * Per page cost of performing OCR * Typical problems
+encountered during editing * Editing poor copy OCR vs. rekeying *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Judith ZIDAR, coordinator, National Agricultural Text Digitizing Program
+(NATDP), National Agricultural Library (NAL), offered several answers to
+the question of why one attempts to perform full-text conversion:  1)
+Text in an image can be read by a human but not by a computer, so of
+course it is not searchable and there is not much one can do with it.  2)
+Some material simply requires word-level access.  For instance, the legal
+profession insists on full-text access to its material; with taxonomic or
+geographic material, which entails numerous names, one virtually requires
+word-level access.  3) Full text permits rapid browsing and searching,
+something that cannot be achieved in an image with today's technology.
+4) Text stored as ASCII and delivered in ASCII is standardized and highly
+portable.  5) People just want full-text searching, even those who do not
+know how to do it.  NAL, for the most part, is performing OCR at an
+actual cost per average-size page of approximately $7.  NAL scans the
+page to create the electronic image and passes it through the OCR device.
+
+ZIDAR next rehearsed several typical problems encountered during editing.
+Praising the celerity of her student workers, ZIDAR observed that editing
+requires approximately five to ten minutes per page, assuming that there
+are no large tables to audit.  Confusion among the three characters I, 1,
+and l, constitutes perhaps the most common problem encountered.  Zeroes
+and  O's also are  frequently confused.  Double M's create a particular
+problem, even on clean pages.  They are so wide in most fonts that they
+touch, and the system simply cannot tell where one letter ends and the
+other begins.  Complex page formats occasionally fail to columnate
+properly, which entails rescanning as though one were working with a
+single column, entering the ASCII, and decolumnating for better
+searching.  With proportionally spaced text, OCR can have difficulty
+discerning what is a space and what are merely spaces between letters, as
+opposed to spaces between words, and therefore will merge text or break
+up words where it should not.
+
+ZIDAR said that it can often take longer to edit a poor-copy OCR than to
+key it from scratch.  NAL has also experimented with partial editing of
+text, whereby project workers go into and clean up the format, removing
+stray characters but not running a spell-check.  NAL corrects typos in
+the title and authors' names, which provides a foothold for searching and
+browsing.  Even extremely poor-quality OCR (e.g., 60-percent accuracy)
+can still be searched, because numerous words are correct, while the
+important words are probably repeated often enough that they are likely
+to be found correct somewhere.  Librarians, however, cannot tolerate this
+situation, though end users seem more willing to use this text for
+searching, provided that NAL indicates that it is unedited.  ZIDAR
+concluded that rekeying of text may be the best route to take, in spite
+of numerous problems with quality control and cost.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Modifying an image before performing OCR * NAL's costs per
+page *AM's costs per page and experience with Federal Prison Industries *
+Elements comprising NATDP's costs per page * OCR and structured markup *
+Distinction between the structure of a document and its representation
+when put on the screen or printed *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+HOOTON prefaced the lengthy discussion that followed with several
+comments about modifying an image before one reaches the point of
+performing OCR.  For example, in regard to an application containing a
+significant amount of redundant data, such as form-type data, numerous
+companies today are working on various kinds of form renewal, prior to
+going through a recognition process, by using dropout colors.  Thus,
+acquiring access to form design or using electronic means are worth
+considering.  HOOTON also noted that conversion usually makes or breaks
+one's imaging system.  It is extremely important, extremely costly in
+terms of either capital investment or service, and determines the quality
+of the remainder of one's system, because it determines the character of
+the raw material used by the system.
+
+Concerning the four projects undertaken by NAL, two inside and two
+performed by outside contractors, ZIDAR revealed that an in-house service
+bureau executed the first at a cost between $8 and $10 per page for
+everything, including building of the database.  The project undertaken
+by the Consultative Group on International Agricultural Research (CGIAR)
+cost approximately $10 per page for the conversion, plus some expenses
+for the software and building of the database.  The Acid Rain Project--a
+two-disk set produced by the University of Vermont, consisting of
+Canadian publications on acid rain--cost $6.70 per page for everything,
+including keying of the text, which was double keyed, scanning of the
+images, and building of the database.  The in-house project offered
+considerable ease of convenience and greater control of the process.  On
+the other hand, the service bureaus know their job and perform it
+expeditiously, because they have more people.
+
+As a useful comparison, ERWAY revealed AM's costs as follows:  $0.75
+cents to $0.85 cents per thousand characters, with an average page
+containing 2,700 characters.  Requirements for coding and imaging
+increase the costs.  Thus, conversion of the text, including the coding,
+costs approximately $3 per page.  (This figure does not include the
+imaging and database-building included in the NAL costs.)  AM also
+enjoyed a happy experience with Federal Prison Industries, which
+precluded the necessity of going through the request-for-proposal process
+to award a contract, because it is another government agency.  The
+prisoners performed AM's rekeying just as well as other service bureaus
+and proved handy as well.  AM shipped them the books, which they would
+photocopy on a book-edge scanner.  They would perform the markup on
+photocopies, return the books as soon as they were done with them,
+perform the keying, and return the material to AM on WORM disks.
+
+ZIDAR detailed the elements that constitute the previously noted cost of
+approximately $7 per page.  Most significant is the editing, correction
+of errors, and spell-checkings, which though they may sound easy to
+perform require, in fact, a great deal of time.  Reformatting text also
+takes a while, but a significant amount of NAL's expenses are for equipment,
+which was extremely expensive when purchased because it was one of the few
+systems on the market.  The costs of equipment are being amortized over
+five years but are still quite high, nearly $2,000 per month.
+
+HOCKEY raised a general question concerning OCR and the amount of editing
+required (substantial in her experience) to generate the kind of
+structured markup necessary for manipulating the text on the computer or
+loading it into any retrieval system.  She wondered if the speakers could
+extend the previous question about the cost-benefit of adding or exerting
+structured markup.  ERWAY noted that several OCR systems retain italics,
+bolding, and other spatial formatting.  While the material may not be in
+the format desired, these systems possess the ability to remove the
+original materials quickly from the hands of the people performing the
+conversion, as well as to retain that information so that users can work
+with it.  HOCKEY rejoined that the current thinking on markup is that one
+should not say that something is italic or bold so much as why it is that
+way.  To be sure, one needs to know that something was italicized, but
+how can one get from one to the other?  One can map from the structure to
+the typographic representation.
+
+FLEISCHHAUER suggested that, given the 100 million items the Library
+holds, it may not be possible for LC to do more than report that a thing
+was in italics as opposed to why it was italics, although that may be
+desirable in some contexts.  Promising to talk a bit during the afternoon
+session about several experiments OCLC performed on automatic recognition
+of document elements, and which they hoped to extend, WEIBEL said that in
+fact one can recognize the major elements of a document with a fairly
+high degree of reliability, at least as good as OCR.  STEVENS drew a
+useful distinction between standard, generalized markup (i.e., defining
+for a document-type definition the structure of the document), and what
+he termed a style sheet, which had to do with italics, bolding, and other
+forms of emphasis.  Thus, two different components are at work, one being
+the structure of the document itself (its logic), and the other being its
+representation when it is put on the screen or printed.
+
+                                 ******
+
+SESSION V.  APPROACHES TO PREPARING ELECTRONIC TEXTS
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+HOCKEY * Text in ASCII and the representation of electronic text versus
+an image * The need to look at ways of using markup to assist retrieval *
+The need for an encoding format that will be reusable and multifunctional
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Susan HOCKEY, director, Center for Electronic Texts in the Humanities
+(CETH), Rutgers and Princeton Universities, announced that one talk
+(WEIBEL's) was moved into this session from the morning and that David
+Packard was unable to attend.  The session would attempt to focus more on
+what one can do with a text in ASCII and the representation of electronic
+text rather than just an image, what one can do with a computer that
+cannot be done with a book or an image.  It would be argued that one can
+do much more than just read a text, and from that starting point one can
+use markup and methods of preparing the text to take full advantage of
+the capability of the computer.  That would lead to a discussion of what
+the European Community calls REUSABILITY, what may better be termed
+DURABILITY, that is, how to prepare or make a text that will last a long
+time and that can be used for as many applications as possible, which
+would lead to issues of improving intellectual access.
+
+HOCKEY urged the need to look at ways of using markup to facilitate retrieval,
+not just for referencing or to help locate an item that is retrieved, but also to put markup tags in
+a text to help retrieve the thing sought either with linguistic tagging or
+interpretation.  HOCKEY also argued that little advancement had occurred in
+the software tools currently available for retrieving and searching text.
+She pressed the desideratum of going beyond Boolean searches and performing
+more sophisticated searching, which the insertion of more markup in the text
+would facilitate.  Thinking about electronic texts as opposed to images means
+considering material that will never appear in print form, or print will not
+be its primary form, that is, material which only appears in electronic form.
+HOCKEY alluded to the history and the need for markup and tagging and
+electronic text, which was developed through the use of computers in the
+humanities; as MICHELSON had observed, Father Busa had started in 1949
+to prepare the first-ever text on the computer.
+
+HOCKEY remarked several large projects, particularly in Europe, for the
+compilation of dictionaries, language studies, and language analysis, in
+which people have built up archives of text and have begun to recognize
+the need for an encoding format that will be reusable and multifunctional,
+that can be used not just to print the text, which may be assumed to be a
+byproduct of what one wants to do, but to structure it inside the computer
+so that it can be searched, built into a Hypertext system, etc.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+WEIBEL * OCLC's approach to preparing electronic text:  retroconversion,
+keying of texts, more automated ways of developing data * Project ADAPT
+and the CORE Project * Intelligent character recognition does not exist *
+Advantages of SGML * Data should be free of procedural markup;
+descriptive markup strongly advocated * OCLC's interface illustrated *
+Storage requirements and costs for putting a lot of information on line *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Stuart WEIBEL, senior research scientist, Online Computer Library Center,
+Inc. (OCLC), described OCLC's approach to preparing electronic text.  He
+argued that the electronic world into which we are moving must
+accommodate not only the future but the past as well, and to some degree
+even the present.  Thus, starting out at one end with retroconversion and
+keying of texts, one would like to move toward much more automated ways
+of developing data.
+
+For example, Project ADAPT had to do with automatically converting
+document images into a structured document database with OCR text as
+indexing and also a little bit of automatic formatting and tagging of
+that text.  The CORE project hosted by Cornell University, Bellcore,
+OCLC, the American Chemical Society, and Chemical Abstracts, constitutes
+WEIBEL's principal concern at the moment.  This project is an example of
+converting text for which one already has a machine-readable version into
+a format more suitable for electronic delivery and database searching.
+(Since Michael LESK had previously described CORE, WEIBEL would say
+little concerning it.)  Borrowing a chemical phrase, de novo synthesis,
+WEIBEL cited the Online Journal of Current Clinical Trials as an example
+of de novo electronic publishing, that is, a form in which the primary
+form of the information is electronic.
+
+Project ADAPT, then, which OCLC completed a couple of years ago and in
+fact is about to resume, is a model in which one takes page images either
+in paper or microfilm and converts them automatically to a searchable
+electronic database, either on-line or local.  The operating assumption
+is that accepting some blemishes in the data, especially for
+retroconversion of materials, will make it possible to accomplish more.
+Not enough money is available to support perfect conversion.
+
+WEIBEL related several steps taken to perform image preprocessing
+(processing on the image before performing optical character
+recognition), as well as image postprocessing.  He denied the existence
+of intelligent character recognition and asserted that what is wanted is
+page recognition, which is a long way off.  OCLC has experimented with
+merging of multiple optical character recognition systems that will
+reduce errors from an unacceptable rate of 5 characters out of every
+l,000 to an unacceptable rate of 2 characters out of every l,000, but it
+is not good enough.  It will never be perfect.
+
+Concerning the CORE Project, WEIBEL observed that Bellcore is taking the
+topography files, extracting the page images, and converting those
+topography files to SGML markup.  LESK hands that data off to OCLC, which
+builds that data into a Newton database, the same system that underlies
+the on-line system in virtually all of the reference products at OCLC.
+The long-term goal is to make the systems interoperable so that not just
+Bellcore's system and OCLC's system can access this data, but other
+systems can as well, and the key to that is the Z39.50 common command
+language and the full-text extension.  Z39.50 is fine for MARC records,
+but is not enough to do it for full text (that is, make full texts
+interoperable).
+
+WEIBEL next outlined the critical role of SGML for a variety of purposes,
+for example, as noted by HOCKEY, in the world of extremely large
+databases, using highly structured data to perform field searches.
+WEIBEL argued that by building the structure of the data in (i.e., the
+structure of the data originally on a printed page), it becomes easy to
+look at a journal article even if one cannot read the characters and know
+where the title or author is, or what the sections of that document would be.
+OCLC wants to make that structure explicit in the database, because it will
+be important for retrieval purposes.
+
+The second big advantage of SGML is that it gives one the ability to
+build structure into the database that can be used for display purposes
+without contaminating the data with instructions about how to format
+things.  The distinction lies between procedural markup, which tells one
+where to put dots on the page, and descriptive markup, which describes
+the elements of a document.
+
+WEIBEL believes that there should be no procedural markup in the data at
+all, that the data should be completely unsullied by information about
+italics or boldness.  That should be left up to the display device,
+whether that display device is a page printer or a screen display device.
+By keeping one's database free of that kind of contamination, one can
+make decisions down the road, for example, reorganize the data in ways
+that are not cramped by built-in notions of what should be italic and
+what should be bold.  WEIBEL strongly advocated descriptive markup.  As
+an example, he illustrated the index structure in the CORE data.  With
+subsequent illustrated examples of markup, WEIBEL acknowledged the common
+complaint that SGML is hard to read in its native form, although markup
+decreases considerably once one gets into the body.  Without the markup,
+however, one would not have the structure in the data.  One can pass
+markup through a LaTeX processor and convert it relatively easily to a
+printed version of the document.
+
+WEIBEL next illustrated an extremely cluttered screen dump of OCLC's
+system, in order to show as much as possible the inherent capability on
+the screen.  (He noted parenthetically that he had become a supporter of
+X-Windows as a result of the progress of the CORE Project.)  WEIBEL also
+illustrated the two major parts of the interface:  l) a control box that
+allows one to generate lists of items, which resembles a small table of
+contents based on key words one wishes to search, and 2) a document
+viewer, which is a separate process in and of itself.  He demonstrated
+how to follow links through the electronic database simply by selecting
+the appropriate button and bringing them up.  He also noted problems that
+remain to be accommodated in the interface (e.g., as pointed out by LESK,
+what happens when users do not click on the icon for the figure).
+
+Given the constraints of time, WEIBEL omitted a large number of ancillary
+items in order to say a few words concerning storage requirements and
+what will be required to put a lot of things on line.  Since it is
+extremely expensive to reconvert all of this data, especially if it is
+just in paper form (and even if it is in electronic form in typesetting
+tapes), he advocated building journals electronically from the start.  In
+that case, if one only has text graphics and indexing (which is all that
+one needs with de novo electronic publishing, because there is no need to
+go back and look at bit-maps of pages), one can get 10,000 journals of
+full text, or almost 6 million pages per year.  These pages can be put in
+approximately 135 gigabytes of storage, which is not all that much,
+WEIBEL said.  For twenty years, something less than three terabytes would
+be required.  WEIBEL calculated the costs of storing this information as
+follows:  If a gigabyte costs approximately $1,000, then a terabyte costs
+approximately $1 million to buy in terms of hardware.  One also needs a
+building to put it in and a staff like OCLC to handle that information.
+So, to support a terabyte, multiply by five, which gives $5 million per
+year for a supported terabyte of data.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Tapes saved by ACS are the typography files originally
+supporting publication of the journal * Cost of building tagged text into
+the database *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the question-and-answer period that followed WEIBEL's
+presentation, these clarifications emerged.  The tapes saved by the
+American Chemical Society are the typography files that originally
+supported the publication of the journal.  Although they are not tagged
+in SGML, they are tagged in very fine detail.  Every single sentence is
+marked, all the registry numbers, all the publications issues, dates, and
+volumes.  No cost figures on tagging material on a per-megabyte basis
+were available.  Because ACS's typesetting system runs from tagged text,
+there is no extra cost per article.  It was unknown what it costs ACS to
+keyboard the tagged text rather than just keyboard the text in the
+cheapest process.  In other words, since one intends to publish things
+and will need to build tagged text into a typography system in any case,
+if one does that in such a way that it can drive not only typography but
+an electronic system (which is what ACS intends to do--move to SGML
+publishing), the marginal cost is zero.  The marginal cost represents the
+cost of building tagged text into the database, which is small.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+SPERBERG-McQUEEN * Distinction between texts and computers * Implications
+of recognizing that all representation is encoding * Dealing with
+complicated representations of text entails the need for a grammar of
+documents * Variety of forms of formal grammars * Text as a bit-mapped
+image does not represent a serious attempt to represent text in
+electronic form * SGML, the TEI, document-type declarations, and the
+reusability and longevity of data * TEI conformance explicitly allows
+extension or modification of the TEI tag set * Administrative background
+of the TEI * Several design goals for the TEI tag set * An absolutely
+fixed requirement of the TEI Guidelines * Challenges the TEI has
+attempted to face * Good texts not beyond economic feasibility * The
+issue of reproducibility or processability * The issue of mages as
+simulacra for the text redux * One's model of text determines what one's
+software can do with a text and has economic consequences *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Prior to speaking about SGML and markup, Michael SPERBERG-McQUEEN, editor,
+Text Encoding Initiative (TEI), University of Illinois-Chicago, first drew
+a distinction between texts and computers:  Texts are abstract cultural
+and linguistic objects while computers are complicated physical devices,
+he said.  Abstract objects cannot be placed inside physical devices; with
+computers one can only represent text and act upon those representations.
+
+The recognition that all representation is encoding, SPERBERG-McQUEEN
+argued, leads to the recognition of two things:  1) The topic description
+for this session is slightly misleading, because there can be no discussion
+of pros and cons of text-coding unless what one means is pros and cons of
+working with text with computers.  2) No text can be represented in a
+computer without some sort of encoding; images are one way of encoding text,
+ASCII is another, SGML yet another.  There is no encoding without some
+information loss, that is, there is no perfect reproduction of a text that
+allows one to do away with the original.  Thus, the question becomes,
+What is the most useful representation of text for a serious work?
+This depends on what kind of serious work one is talking about.
+
+The projects demonstrated the previous day all involved highly complex
+information and fairly complex manipulation of the textual material.
+In order to use that complicated information, one has to calculate it
+slowly or manually and store the result.  It needs to be stored, therefore,
+as part of one's representation of the text.  Thus, one needs to store the
+structure in the text.  To deal with complicated representations of text,
+one needs somehow to control the complexity of the representation of a text;
+that means one needs a way of finding out whether a document and an
+electronic representation of a document is legal or not; and that
+means one needs a grammar of documents.
+
+SPERBERG-McQUEEN discussed the variety of forms of formal grammars,
+implicit and explicit, as applied to text, and their capabilities.  He
+argued that these grammars correspond to different models of text that
+different developers have.  For example, one implicit model of the text
+is that there is no internal structure, but just one thing after another,
+a few characters and then perhaps a start-title command, and then a few
+more characters and an end-title command.  SPERBERG-McQUEEN also
+distinguished several kinds of text that have a sort of hierarchical
+structure that is not very well defined, which, typically, corresponds
+to grammars that are not very well defined, as well as hierarchies that
+are very well defined (e.g., the Thesaurus Linguae Graecae) and extremely
+complicated things such as SGML, which handle strictly hierarchical data
+very nicely.
+
+SPERBERG-McQUEEN conceded that one other model not illustrated on his two
+displays was the model of text as a bit-mapped image, an image of a page,
+and confessed to having been converted to a limited extent by the
+Workshop to the view that electronic images constitute a promising,
+probably superior alternative to microfilming.  But he was not convinced
+that electronic images represent a serious attempt to represent text in
+electronic form.  Many of their problems stem from the fact that they are
+not direct attempts to represent the text but attempts to represent the
+page, thus making them representations of representations.
+
+In this situation of increasingly complicated textual information and the
+need to control that complexity in a useful way (which begs the question
+of the need for good textual grammars), one has the introduction of SGML.
+With SGML, one can develop specific document-type declarations
+for specific text types or, as with the TEI, attempts to generate
+general document-type declarations that can handle all sorts of text.
+The TEI is an attempt to develop formats for text representation that
+will ensure the kind of reusability and longevity of data discussed earlier.
+It offers a way to stay alive in the state of permanent technological
+revolution.
+
+It has been a continuing challenge in the TEI to create document grammars
+that do some work in controlling the complexity of the textual object but
+also allowing one to represent the real text that one will find.
+Fundamental to the notion of the TEI is that TEI conformance allows one
+the ability to extend or modify the TEI tag set so that it fits the text
+that one is attempting to represent.
+
+SPERBERG-McQUEEN next outlined the administrative background of the TEI.
+The TEI is an international project to develop and disseminate guidelines
+for the encoding and interchange of machine-readable text.  It is
+sponsored by the Association for Computers in the Humanities, the
+Association for Computational Linguistics, and the Association for
+Literary and Linguistic Computing.  Representatives of numerous other
+professional societies sit on its advisory board.  The TEI has a number
+of affiliated projects that have provided assistance by testing drafts of
+the guidelines.
+
+Among the design goals for the TEI tag set, the scheme first of all must
+meet the needs of research, because the TEI came out of the research
+community, which did not feel adequately served by existing tag sets.
+The tag set must be extensive as well as compatible with existing and
+emerging standards.  In 1990, version 1.0 of the Guidelines was released
+(SPERBERG-McQUEEN illustrated their contents).
+
+SPERBERG-McQUEEN noted that one problem besetting electronic text has
+been the lack of adequate internal or external documentation for many
+existing electronic texts.  The TEI guidelines as currently formulated
+contain few fixed requirements, but one of them is this:  There must
+always be a document header, an in-file SGML tag that provides
+1) a bibliographic description of the electronic object one is talking
+about (that is, who included it, when, what for, and under which title);
+and 2) the copy text from which it was derived, if any.  If there was
+no copy text or if the copy text is unknown, then one states as much.
+Version 2.0 of the Guidelines was scheduled to be completed in fall 1992
+and a revised third version is to be presented to the TEI advisory board
+for its endorsement this coming winter.  The TEI itself exists to provide
+a markup language, not a marked-up text.
+
+Among the challenges the TEI has attempted to face is the need for a
+markup language that will work for existing projects, that is, handle the
+level of markup that people are using now to tag only chapter, section,
+and paragraph divisions and not much else.  At the same time, such a
+language also will be able to scale up gracefully to handle the highly
+detailed markup which many people foresee as the future destination of
+much electronic text, and which is not the future destination but the
+present home of numerous electronic texts in specialized areas.
+
+SPERBERG-McQUEEN dismissed the lowest-common-denominator approach as
+unable to support the kind of applications that draw people who have
+never been in the public library regularly before, and make them come
+back.  He advocated more interesting text and more intelligent text.
+Asserting that it is not beyond economic feasibility to have good texts,
+SPERBERG-McQUEEN noted that the TEI Guidelines listing 200-odd tags
+contains tags that one is expected to enter every time the relevant
+textual feature occurs.  It contains all the tags that people need now,
+and it is not expected that everyone will tag things in the same way.
+
+The question of how people will tag the text is in large part a function
+of their reaction to what SPERBERG-McQUEEN termed the issue of
+reproducibility.  What one needs to be able to reproduce are the things
+one wants to work with.  Perhaps a more useful concept than that of
+reproducibility or recoverability is that of processability, that is,
+what can one get from an electronic text without reading it again
+in the original.  He illustrated this contention with a page from
+Jan Comenius's bilingual Introduction to Latin.
+
+SPERBERG-McQUEEN returned at length to the issue of images as simulacra
+for the text, in order to reiterate his belief that in the long run more
+than images of pages of particular editions of the text are needed,
+because just as second-generation photocopies and second-generation
+microfilm degenerate, so second-generation representations tend to
+degenerate, and one tends to overstress some relatively trivial aspects
+of the text such as its layout on the page, which is not always
+significant, despite what the text critics might say, and slight other
+pieces of information such as the very important lexical ties between the
+English and Latin versions of Comenius's bilingual text, for example.
+Moreover, in many crucial respects it is easy to fool oneself concerning
+what a scanned image of the text will accomplish.  For example, in order
+to study the transmission of texts, information concerning the text
+carrier is necessary, which scanned images simply do not always handle.
+Further, even the high-quality materials being produced at Cornell use
+much of the information that one would need if studying those books as
+physical objects.  It is a choice that has been made.  It is an arguably
+justifiable choice, but one does not know what color those pen strokes in
+the margin are or whether there was a stain on the page, because it has
+been filtered out.  One does not know whether there were rips in the page
+because they do not show up, and on a couple of the marginal marks one
+loses half of the mark because the pen is very light and the scanner
+failed to pick it up, and so what is clearly a checkmark in the margin of
+the original becomes a little scoop in the margin of the facsimile.
+Standard problems for facsimile editions, not new to electronics, but
+also true of light-lens photography, and are remarked here because it is
+important that we not fool ourselves that even if we produce a very nice
+image of this page with good contrast, we are not replacing the
+manuscript any more than microfilm has replaced the manuscript.
+
+The TEI comes from the research community, where its first allegiance
+lies, but it is not just an academic exercise.  It has relevance far
+beyond those who spend all of their time studying text, because one's
+model of text determines what one's software can do with a text.  Good
+models lead to good software.  Bad models lead to bad software.  That has
+economic consequences, and it is these economic consequences that have
+led the European Community to help support the TEI, and that will lead,
+SPERBERG-McQUEEN hoped, some software vendors to realize that if they
+provide software with a better model of the text they can make a killing.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Implications of different DTDs and tag sets * ODA versus SGML *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+During the discussion that followed, several additional points were made.
+Neither AAP (i.e., Association of American Publishers) nor CALS (i.e.,
+Computer-aided Acquisition and Logistics Support) has a document-type
+definition for ancient Greek drama, although the TEI will be able to
+handle that.  Given this state of affairs and assuming that the
+technical-journal producers and the commercial vendors decide to use the
+other two types, then an institution like the Library of Congress, which
+might receive all of their publications, would have to be able to handle
+three different types of document definitions and tag sets and be able to
+distinguish among them.
+
+Office Document Architecture (ODA) has some advantages that flow from its
+tight focus on office documents and clear directions for implementation.
+Much of the ODA standard is easier to read and clearer at first reading
+than the SGML standard, which is extremely general.  What that means is
+that if one wants to use graphics in TIFF and ODA, one is stuck, because
+ODA defines graphics formats while TIFF does not, whereas SGML says the
+world is not waiting for this work group to create another graphics format.
+What is needed is an ability to use whatever graphics format one wants.
+
+The TEI provides a socket that allows one to connect the SGML document to
+the graphics.  The notation that the graphics are in is clearly a choice
+that one needs to make based on her or his environment, and that is one
+advantage.  SGML is less megalomaniacal in attempting to define formats
+for all kinds of information, though more megalomaniacal in attempting to
+cover all sorts of documents.  The other advantage is that the model of
+text represented by SGML is simply an order of magnitude richer and more
+flexible than the model of text offered by ODA.  Both offer hierarchical
+structures, but SGML recognizes that the hierarchical model of the text
+that one is looking at may not have been in the minds of the designers,
+whereas ODA does not.
+
+ODA is not really aiming for the kind of document that the TEI wants to
+encompass.  The TEI can handle the kind of material ODA has, as well as a
+significantly broader range of material.  ODA seems to be very much
+focused on office documents, which is what it started out being called--
+office document architecture.
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+CALALUCA * Text-encoding from a publisher's perspective *
+Responsibilities of a publisher * Reproduction of Migne's Latin series
+whole and complete with SGML tags based on perceived need and expected
+use * Particular decisions arising from the general decision to produce
+and publish PLD *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+The final speaker in this session, Eric CALALUCA, vice president,
+Chadwyck-Healey, Inc., spoke from the perspective of a publisher re
+text-encoding, rather than as one qualified to discuss methods of
+encoding data, and observed that the presenters sitting in the room,
+whether they had chosen to or not, were acting as publishers:  making
+choices, gathering data, gathering information, and making assessments.
+CALALUCA offered the hard-won conviction that in publishing very large
+text files (such as PLD), one cannot avoid making personal judgments of
+appropriateness and structure.
+
+In CALALUCA's view, encoding decisions stem from prior judgments.  Two
+notions have become axioms for him in the consideration of future sources
+for electronic publication:  1) electronic text publishing is as personal
+as any other kind of publishing, and questions of if and how to encode
+the data are simply a consequence of that prior decision;  2) all
+personal decisions are open to criticism, which is unavoidable.
+
+CALALUCA rehearsed his role as a publisher or, better, as an intermediary
+between what is viewed as a sound idea and the people who would make use
+of it.  Finding the specialist to advise in this process is the core of
+that function.  The publisher must monitor and hug the fine line between
+giving users what they want and suggesting what they might need.  One
+responsibility of a publisher is to represent the desires of scholars and
+research librarians as opposed to bullheadedly forcing them into areas
+they would not choose to enter.
+
+CALALUCA likened the questions being raised today about data structure
+and standards to the decisions faced by the Abbe Migne himself during
+production of the Patrologia series in the mid-nineteenth century.
+Chadwyck-Healey's decision to reproduce Migne's Latin series whole and
+complete with SGML tags was also based upon a perceived need and an
+expected use.  In the same way that Migne's work came to be far more than
+a simple handbook for clerics, PLD is already far more than a database
+for theologians.  It is a bedrock source for the study of Western
+civilization, CALALUCA asserted.
+
+In regard to the decision to produce and publish PLD, the editorial board
+offered direct judgments on the question of appropriateness of these
+texts for conversion, their encoding and their distribution, and
+concluded that the best possible project was one that avoided overt
+intrusions or exclusions in so important a resource.  Thus, the general
+decision to transmit the original collection as clearly as possible with
+the widest possible avenues for use led to other decisions:  1) To encode
+the data or not, SGML or not, TEI or not.  Again, the expected user
+community asserted the need for normative tagging structures of important
+humanities texts, and the TEI seemed the most appropriate structure for
+that purpose.  Research librarians, who are trained to view the larger
+impact of electronic text sources on 80 or 90 or 100 doctoral
+disciplines, loudly approved the decision to include tagging.  They see
+what is coming better than the specialist who is completely focused on
+one edition of Ambrose's De Anima, and they also understand that the
+potential uses exceed present expectations.  2) What will be tagged and
+what will not.  Once again, the board realized that one must tag the
+obvious.  But in no way should one attempt to identify through encoding
+schemes every single discrete area of a text that might someday be
+searched.  That was another decision.  Searching by a column number, an
+author, a word, a volume, permitting combination searches, and tagging
+notations seemed logical choices as core elements.  3) How does one make
+the data available?  Tieing it to a CD-ROM edition creates limitations,
+but a magnetic tape file that is very large, is accompanied by the
+encoding specifications, and that allows one to make local modifications
+also allows one to incorporate any changes one may desire within the
+bounds of private research, though exporting tag files from a CD-ROM
+could serve just as well.  Since no one on the board could possibly
+anticipate each and every way in which a scholar might choose to mine
+this data bank, it was decided to satisfy the basics and make some
+provisions for what might come.  4) Not to encode the database would rob
+it of the interchangeability and portability these important texts should
+accommodate.  For CALALUCA, the extensive options presented by full-text
+searching require care in text selection and strongly support encoding of
+data to facilitate the widest possible search strategies.  Better
+software can always be created, but summoning the resources, the people,
+and the energy to reconvert the text is another matter.
+
+PLD is being encoded, captured, and distributed, because to
+Chadwyck-Healey and the board it offers the widest possible array of
+future research applications that can be seen today.  CALALUCA concluded
+by urging the encoding of all important text sources in whatever way
+seems most appropriate and durable at the time, without blanching at the
+thought that one's work may require emendation in the future.  (Thus,
+Chadwyck-Healey produced a very large humanities text database before the
+final release of the TEI Guidelines.)
+
+                                 ******
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+DISCUSSION * Creating texts with markup advocated * Trends in encoding *
+The TEI and the issue of interchangeability of standards * A
+misconception concerning the TEI * Implications for an institution like
+LC in the event that a multiplicity of DTDs develops * Producing images
+as a first step towards possible conversion to full text through
+character recognition * The AAP tag sets as a common starting point and
+the need for caution *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+HOCKEY prefaced the discussion that followed with several comments in
+favor of creating texts with markup and on trends in encoding.  In the
+future, when many more texts are available for on-line searching, real
+problems in finding what is wanted will develop, if one is faced with
+millions of words of data.  It therefore becomes important to consider
+putting markup in texts to help searchers home in on the actual things
+they wish to retrieve.  Various approaches to refining retrieval methods
+toward this end include building on a computer version of a dictionary
+and letting the computer look up words in it to obtain more information
+about the semantic structure or semantic field of a word, its grammatical
+structure, and syntactic structure.
+
+HOCKEY commented on the present keen interest in the encoding world
+in creating:  1) machine-readable versions of dictionaries that can be
+initially tagged in SGML, which gives a structure to the dictionary entry;
+these entries can then be converted into a more rigid or otherwise
+different database structure inside the computer, which can be treated as
+a dynamic tool for searching mechanisms; 2) large bodies of text to study
+the language.  In order to incorporate more sophisticated mechanisms,
+more about how words behave needs to be known, which can be learned in
+part from information in dictionaries.  However, the last ten years have
+seen much interest in studying the structure of printed dictionaries
+converted into computer-readable form.  The information one derives about
+many words from those is only partial, one or two definitions of the
+common or the usual meaning of a word, and then numerous definitions of
+unusual usages.  If the computer is using a dictionary to help retrieve
+words in a text, it needs much more information about the common usages,
+because those are the ones that occur over and over again.  Hence the
+current interest in developing large bodies of text in computer-readable
+form in order to study the language.  Several projects are engaged in
+compiling, for example, 100 million words. HOCKEY described one with
+which she was associated briefly at Oxford University involving
+compilation of 100 million words of British English:  about 10 percent of
+that will contain detailed linguistic tagging encoded in SGML; it will
+have word class taggings, with words identified as nouns, verbs,
+adjectives, or other parts of speech.  This tagging can then be used by
+programs which will begin to learn a bit more about the structure of the
+language, and then, can go to tag more text.
+
+HOCKEY said that the more that is tagged accurately, the more one can
+refine the tagging process and thus the bigger body of text one can build
+up with linguistic tagging incorporated into it.  Hence, the more tagging
+or annotation there is in the text, the more one may begin to learn about
+language and the more it will help accomplish more intelligent OCR.  She
+recommended the development of software tools that will help one begin to
+understand more about a text, which can then be applied to scanning
+images of that text in that format and to using more intelligence to help
+one interpret or understand the text.
+
+HOCKEY posited the need to think about common methods of text-encoding
+for a long time to come, because building these large bodies of text is
+extremely expensive and will only be done once.
+
+In the more general discussion on approaches to encoding that followed,
+these points were made:
+
+BESSER identified the underlying problem with standards that all have to
+struggle with in adopting a standard, namely, the tension between a very
+highly defined standard that is very interchangeable but does not work
+for everyone because something is lacking, and a standard that is less
+defined, more open, more adaptable, but less interchangeable.  Contending
+that the way in which people use SGML is not sufficiently defined, BESSER
+wondered 1) if people resist the TEI because they think it is too defined
+in certain things they do not fit into, and 2) how progress with
+interchangeability can be made without frightening people away.
+
+SPERBERG-McQUEEN replied that the published drafts of the TEI had met
+with surprisingly little objection on the grounds that they do not allow
+one to handle X or Y or Z.  Particular concerns of the affiliated
+projects have led, in practice, to discussions of how extensions are to
+be made; the primary concern of any project has to be how it can be
+represented locally, thus making interchange secondary.  The TEI has
+received much criticism based on the notion that everything in it is
+required or even recommended, which, as it happens, is a misconception
+from the beginning,   because none of it is required and very little is
+actually actively recommended for all cases, except that one document
+one's source.
+
+SPERBERG-McQUEEN agreed with BESSER about this trade-off:  all the
+projects in a set of twenty TEI-conformant projects will not necessarily
+tag the material in the same way.  One result of the TEI will be that the
+easiest problems will be solved--those dealing with the external form of
+the information; but the problem that is hardest in interchange is that
+one is not encoding what another wants, and vice versa.  Thus, after
+the adoption of a common notation, the differences in the underlying
+conceptions of what is interesting about texts become more visible.
+The success of a standard like the TEI will lie in the ability of
+the recipient of interchanged texts to use some of what it contains
+and to add the information that was not encoded that one wants, in a
+layered way, so that texts can be gradually enriched and one does not
+have to put in everything all at once.  Hence, having a well-behaved
+markup scheme is important.
+
+STEVENS followed up on the paradoxical analogy that BESSER alluded to in
+the example of the MARC records, namely, the formats that are the same
+except that they are different.  STEVENS drew a parallel between
+document-type definitions and MARC records for books and serials and maps,
+where one has a tagging structure and there is a text-interchange.
+STEVENS opined that the producers of the information will set the terms
+for the standard (i.e., develop document-type definitions for the users
+of their products), creating a situation that will be problematical for
+an institution like the Library of Congress, which will have to deal with
+the DTDs in the event that a multiplicity of them develops.  Thus,
+numerous people are seeking a standard but cannot find the tag set that
+will be acceptable to them and their clients.  SPERBERG-McQUEEN agreed
+with this view, and said that the situation was in a way worse:  attempting
+to unify arbitrary DTDs resembled attempting to unify a MARC record with a
+bibliographic record done according to the Prussian instructions.
+According to STEVENS, this situation occurred very early in the process.
+
+WATERS recalled from early discussions on Project Open Book the concern
+of many people that merely by producing images, POB was not really
+enhancing intellectual access to the material.  Nevertheless, not wishing
+to overemphasize the opposition between imaging and full text, WATERS
+stated that POB views getting the images as a first step toward possibly
+converting to full text through character recognition, if the technology
+is appropriate.  WATERS also emphasized that encoding is involved even
+with a set of images.
+
+SPERBERG-McQUEEN agreed with WATERS that one can create an SGML document
+consisting wholly of images.  At first sight, organizing graphic images
+with an SGML document may not seem to offer great advantages, but the
+advantages of the scheme WATERS described would be precisely that
+ability to move into something that is more of a multimedia document:
+a combination of transcribed text and page images.  WEIBEL concurred in
+this judgment, offering evidence from Project ADAPT, where a page is
+divided into text elements and graphic elements, and in fact the text
+elements are organized by columns and lines.  These lines may be used as
+the basis for distributing documents in a network environment.  As one
+develops software intelligent enough to recognize what those elements
+are, it makes sense to apply SGML to an image initially, that may, in
+fact, ultimately become more and more text, either through OCR or edited
+OCR or even just through keying.  For WATERS, the labor of composing the
+document and saying this set of documents or this set of images belongs
+to this document constitutes a significant investment.
+
+WEIBEL also made the point that the AAP tag sets, while not excessively
+prescriptive, offer a common starting point; they do not define the
+structure of the documents, though.  They have some recommendations about
+DTDs one could use as examples, but they do just suggest tag sets.   For
+example, the CORE project attempts to use the AAP markup as much as
+possible, but there are clearly areas where structure must be added.
+That in no way contradicts the use of AAP tag sets.
+
+SPERBERG-McQUEEN noted that the TEI prepared a long working paper early
+on about the AAP tag set and what it lacked that the TEI thought it
+needed, and a fairly long critique of the naming conventions, which has
+led to a very different style of naming in the TEI.  He stressed the
+importance of the opposition between prescriptive markup, the kind that a
+publisher or anybody can do when producing documents de novo, and
+descriptive markup, in which one has to take what the text carrier
+provides.  In these particular tag sets it is easy to overemphasize this
+opposition, because the AAP tag set is extremely flexible.  Even if one
+just used the DTDs, they allow almost anything to appear almost anywhere.
+
+                                 ******
+
+SESSION VI.  COPYRIGHT ISSUES
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+PETERS * Several cautions concerning copyright in an electronic
+environment * Review of copyright law in the United States * The notion
+of the public good and the desirability of incentives to promote it *
+What copyright protects * Works not protected by copyright * The rights
+of copyright holders * Publishers' concerns in today's electronic
+environment * Compulsory licenses * The price of copyright in a digital
+medium and the need for cooperation * Additional clarifications *  Rough
+justice oftentimes the outcome in numerous copyright matters * Copyright
+in an electronic society * Copyright law always only sets up the
+boundaries; anything can be changed by contract *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+Marybeth PETERS, policy planning adviser to the Register of Copyrights,
+Library of Congress,   made several general comments and then opened the
+floor to discussion of subjects of interest to the audience.
+
+Having attended several sessions in an effort to gain a sense of what
+people did and where copyright would affect their lives, PETERS expressed
+the following cautions:
+
+     * If one takes and converts materials and puts them in new forms,
+     then, from a copyright point of view, one is creating something and
+     will receive some rights.
+
+     * However, if what one is converting already exists, a question
+     immediately arises about the status of the materials in question.
+
+     * Putting something in the public domain in the United States offers
+     some freedom from anxiety, but distributing it throughout the world
+     on a network is another matter, even if one has put it in the public
+     domain in the United States.  Re foreign laws, very frequently a
+     work can be in the public domain in the United States but protected
+     in other countries.  Thus, one must consider all of the places a
+     work may reach, lest one unwittingly become liable to being faced
+     with a suit for copyright infringement, or at least a letter
+     demanding discussion of what one is doing.
+
+PETERS reviewed copyright law in the United States.  The U.S.
+Constitution effectively states that Congress has the power to enact
+copyright laws for two purposes:  1) to encourage the creation and
+dissemination of intellectual works for the good of society as a whole;
+and, significantly, 2) to give creators and those who package and
+disseminate materials the economic rewards that are due them.
+
+Congress strives to strike a balance, which at times can become an
+emotional issue.  The United States has never accepted the notion of the
+natural right of an author so much as it has accepted the notion of the
+public good and the desirability of incentives to promote it.  This state
+of affairs, however, has created strains on the international level and
+is the reason for several of the differences in the laws that we have.
+Today the United States protects almost every kind of work that can be
+called an expression of an author.  The standard for gaining copyright
+protection is simply originality.  This is a low standard and means that
+a work is not copied from something else, as well as shows a certain
+minimal amount of authorship.  One can also acquire copyright protection
+for making a new version of preexisting material, provided it manifests
+some spark of creativity.
+
+However, copyright does not protect ideas, methods, systems--only the way
+that one expresses those things.  Nor does copyright protect anything
+that is mechanical, anything that does not involve choice, or criteria
+concerning whether or not one should do a thing.  For example, the
+results of a process called declicking, in which one mechanically removes
+impure sounds from old recordings, are not copyrightable.  On the other
+hand, the choice to record a song digitally and to increase the sound of
+violins or to bring up the tympani constitutes the results of conversion
+that are copyrightable.  Moreover, if a work is protected by copyright in
+the United States, one generally needs the permission of the copyright
+owner to convert it.  Normally, who will own the new--that is, converted-
+-material is a matter of contract.  In the absence of a contract, the
+person who creates the new material is the author and owner.  But people
+do not generally think about the copyright implications until after the
+fact.  PETERS stressed the need when dealing with copyrighted works to
+think about copyright in advance.  One's bargaining power is much greater
+up front than it is down the road.
+
+PETERS next discussed works not protected by copyright, for example, any
+work done by a federal employee as part of his or her official duties is
+in the public domain in the United States.  The issue is not wholly free
+of doubt concerning whether or not the work is in the public domain
+outside the United States.  Other materials in the public domain include:
+any works published more than seventy-five years ago, and any work
+published in the United States more than twenty-eight years ago, whose
+copyright was not renewed.  In talking about the new technology and
+putting material in a digital form to send all over the world, PETERS
+cautioned, one must keep in mind that while the rights may not be an
+issue in the United States, they may be in different parts of the world,
+where most countries previously employed a copyright term of the life of
+the author plus fifty years.
+
+PETERS next reviewed the economics of copyright holding.  Simply,
+economic rights are the rights to control the reproduction of a work in
+any form.  They belong to the author, or in the case of a work made for
+hire, the employer.  The second right, which is critical to conversion,
+is the right to change a work.  The right to make new versions is perhaps
+one of the most significant rights of authors, particularly in an
+electronic world.  The third right is the right to publish the work and
+the right to disseminate it, something that everyone who deals in an
+electronic medium needs to know.  The basic rule is if a copy is sold,
+all rights of distribution are extinguished with the sale of that copy.
+The key is that it must be sold.  A number of companies overcome this
+obstacle by leasing or renting their product.  These companies argue that
+if the material is rented or leased and not sold, they control the uses
+of a work.  The fourth right, and one very important in a digital world,
+is a right of public performance, which means the right to show the work
+sequentially.  For example, copyright owners control the showing of a
+CD-ROM product in a public place such as a public library.  The reverse
+side of public performance is something called the right of public
+display.  Moral rights also exist, which at the federal level apply only
+to very limited visual works of art, but in theory may apply under
+contract and other principles.  Moral rights may include the right of an
+author to have his or her name on a work, the right of attribution, and
+the right to object to distortion or mutilation--the right of integrity.
+
+The way copyright law is worded gives much latitude to activities such as
+preservation; to use of material for scholarly and research purposes when
+the user does not make multiple copies; and to the generation of
+facsimile copies of unpublished works by libraries for themselves and
+other libraries.  But the law does not allow anyone to become the
+distributor of the product for the entire world.  In today's electronic
+environment, publishers are extremely concerned that the entire world is
+networked and can obtain the information desired from a single copy in a
+single library.  Hence, if there is to be only one sale, which publishers
+may choose to live with, they will obtain their money in other ways, for
+example, from access and use.  Hence, the development of site licenses
+and other kinds of agreements to cover what publishers believe they
+should be compensated for.  Any solution that the United States takes
+today has to consider the international arena.
+
+Noting that the United States is a member of the Berne Convention and
+subscribes to its provisions, PETERS described the permissions process.
+She also defined compulsory licenses.  A compulsory license, of which the
+United States has had a few, builds into the law the right to use a work
+subject to certain terms and conditions.  In the international arena,
+however, the ability to use compulsory licenses is extremely limited.
+Thus, clearinghouses and other collectives comprise one option that has
+succeeded in providing for use of a work.  Often overlooked when one
+begins to use copyrighted material and put products together is how
+expensive the permissions process and managing it is.  According to
+PETERS, the price of copyright in a digital medium, whatever solution is
+worked out, will include managing and assembling the database.  She
+strongly recommended that publishers and librarians or people with
+various backgrounds cooperate to work out administratively feasible
+systems, in order to produce better results.
+
+In the lengthy question-and-answer period that followed PETERS's
+presentation, the following points emerged:
+
+     * The Copyright Office maintains that anything mechanical and
+     totally exhaustive probably is not protected.  In the event that
+     what an individual did in developing potentially copyrightable
+     material is not understood, the Copyright Office will ask about the
+     creative choices the applicant chose to make or not to make.  As a
+     practical matter, if one believes she or he has made enough of those
+     choices, that person has a right to assert a copyright and someone
+     else must assert that the work is not copyrightable.  The more
+     mechanical, the more automatic, a thing is, the less likely it is to
+     be copyrightable.
+
+     * Nearly all photographs are deemed to be copyrightable, but no one
+     worries about them much, because everyone is free to take the same
+     image.  Thus, a photographic copyright represents what is called a
+     "thin" copyright.  The photograph itself must be duplicated, in
+     order for copyright to be violated.
+
+     * The Copyright Office takes the position that X-rays are not
+     copyrightable because they are mechanical.  It  can be argued
+     whether or not image enhancement in scanning can be protected.  One
+     must exercise care with material created with public funds and
+     generally in the public domain.  An article written by a federal
+     employee, if written as part of official duties, is not
+     copyrightable.  However, control over a scientific article written
+     by a National Institutes of Health grantee (i.e., someone who
+     receives money from the U.S. government), depends on NIH policy.  If
+     the government agency has no policy (and that policy can be
+     contained in its regulations, the contract, or the grant), the
+     author retains copyright.  If a provision of the contract, grant, or
+     regulation states that there will be no copyright, then it does not
+     exist.  When a work is created, copyright automatically comes into
+     existence unless something exists that says it does not.
+
+     * An enhanced electronic copy of a print copy of an older reference
+     work in the public domain that does not contain copyrightable new
+     material is a purely mechanical rendition of the original work, and
+     is not copyrightable.
+
+     * Usually, when a work enters the public domain, nothing can remove
+     it.  For example, Congress recently passed into law the concept of
+     automatic renewal, which means that copyright on any work published
+     between l964 and l978 does not have to be renewed in order to
+     receive a seventy-five-year term.  But any work not renewed before
+     1964 is in the public domain.
+
+     * Concerning whether or not the United States keeps track of when
+     authors die, nothing was ever done, nor is anything being done at
+     the moment by the Copyright Office.
+
+     * Software that drives a mechanical process is itself copyrightable.
+     If one changes platforms, the software itself has a copyright.  The
+     World Intellectual Property Organization will hold a symposium 28
+     March through 2 April l993, at Harvard University, on digital
+     technology, and will study this entire issue.  If one purchases a
+     computer software package, such as MacPaint, and creates something
+     new, one receives protection only for that which has been added.
+
+PETERS added that often in copyright matters, rough justice is the
+outcome, for example, in collective licensing, ASCAP (i.e., American
+Society of Composers, Authors, and Publishers), and BMI (i.e., Broadcast
+Music, Inc.), where it may seem that the big guys receive more than their
+due.  Of course, people ought not to copy a creative product without
+paying for it; there should be some compensation.  But the truth of the
+world, and it is not a great truth, is that the big guy gets played on
+the radio more frequently than the little guy, who has to do much more
+until he becomes a big guy.  That is true of every author, every
+composer, everyone, and, unfortunately, is part of life.
+
+Copyright always originates with the author, except in cases of works
+made for hire.  (Most software falls into this category.)  When an author
+sends his article to a journal, he has not relinquished copyright, though
+he retains the right to relinquish it.  The author receives absolutely
+everything.  The less prominent the author, the more leverage the
+publisher will have in contract negotiations.  In order to transfer the
+rights, the author must sign an agreement giving them away.
+
+In an electronic society, it is important to be able to license a writer
+and work out deals.  With regard to use of a work, it usually is much
+easier when a publisher holds the rights.  In an electronic era, a real
+problem arises when one is digitizing and making information available.
+PETERS referred again to electronic licensing clearinghouses.  Copyright
+ought to remain with the author, but as one moves forward globally in the
+electronic arena, a middleman who can handle the various rights becomes
+increasingly necessary.
+
+The notion of copyright law is that it resides with the individual, but
+in an on-line environment, where a work can be adapted and tinkered with
+by many individuals, there is concern.  If changes are authorized and
+there is no agreement to the contrary, the person who changes a work owns
+the changes.  To put it another way, the person who acquires permission
+to change a work technically will become the author and the owner, unless
+some agreement to the contrary has been made.  It is typical for the
+original publisher to try to control all of the versions and all of the
+uses.  Copyright law always only sets up the boundaries.  Anything can be
+changed by contract.
+
+                                 ******
+
+SESSION VII.  CONCLUSION
+
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+GENERAL DISCUSSION * Two questions for discussion * Different emphases in
+the Workshop * Bringing the text and image partisans together *
+Desiderata in planning the long-term development of something * Questions
+surrounding the issue of electronic deposit * Discussion of electronic
+deposit as an allusion to the issue of standards * Need for a directory
+of preservation projects in digital form and for access to their
+digitized files * CETH's catalogue of machine-readable texts in the
+humanities * What constitutes a publication in the electronic world? *
+Need for LC to deal with the concept of on-line publishing * LC's Network
+Development Office  exploring the limits of MARC as a standard in terms
+of handling electronic information * Magnitude of the problem and the
+need for distributed responsibility in order to maintain and store
+electronic information * Workshop participants to be viewed as a starting
+point * Development of a network version of AM urged * A step toward AM's
+construction of some sort of apparatus for network access * A delicate
+and agonizing policy question for LC * Re the issue of electronic
+deposit, LC urged to initiate a catalytic process in terms of distributed
+responsibility * Suggestions for cooperative ventures * Commercial
+publishers' fears * Strategic questions for getting the image and text
+people to think through long-term cooperation * Clarification of the
+driving force behind both the Perseus and the Cornell Xerox projects *
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+
+In his role as moderator of the concluding session, GIFFORD raised two
+questions he believed would benefit from discussion:  1) Are there enough
+commonalities among those of us that have been here for two days so that
+we can see courses of action that should be taken in the future?  And, if
+so, what are they and who might take them?  2) Partly derivative from
+that, but obviously very dangerous to LC as host, do you see a role for
+the Library of Congress in all this?  Of course, the Library of Congress
+holds a rather special status in a number of these matters, because it is
+not perceived as a player with an economic stake in them, but are there
+roles that LC can play that can help advance us toward where we are heading?
+
+Describing himself as an uninformed observer of the technicalities of the
+last two days, GIFFORD detected three different emphases in the Workshop:
+1) people who are very deeply committed to text; 2) people who are almost
+passionate about images; and 3) a few people who are very committed to
+what happens to the networks.  In other words, the new networking
+dimension, the accessibility of the processability, the portability of
+all this across the networks.  How do we pull those three together?
+
+Adding a question that reflected HOCKEY's comment that this was the
+fourth workshop she had attended in the previous thirty days, FLEISCHHAUER
+wondered to what extent this meeting had reinvented the wheel, or if it
+had contributed anything in the way of bringing together a different group
+of people from those who normally appear on the workshop circuit.
+
+HOCKEY confessed to being struck at this meeting and the one the
+Electronic Pierce Consortium organized the previous week that this was a
+coming together of people working on texts and not images.  Attempting to
+bring the two together is something we ought to be thinking about for the
+future:  How one can think about working with image material to begin
+with, but structuring it and digitizing it in such a way that at a later
+stage it can be interpreted into text, and find a common way of building
+text and images together so that they can be used jointly in the future,
+with the network support to begin there because that is how people will
+want to access it.
+
+In planning the long-term development of something, which is what is
+being done in electronic text, HOCKEY stressed the importance not only
+of discussing the technical aspects of how one does it but particularly
+of thinking about what the people who use the stuff will want to do.
+But conversely, there are numerous things that people start to do with
+electronic text or material that nobody ever thought of in the beginning.
+
+LESK, in response to the question concerning the role of the Library of
+Congress, remarked the often suggested desideratum of having electronic
+deposit:  Since everything is now computer-typeset, an entire decade of
+material that was machine-readable exists, but the publishers frequently
+did not save it; has LC taken any action to have its copyright deposit
+operation start collecting these machine-readable versions?  In the
+absence of PETERS, GIFFORD replied that the question was being
+actively considered but that that was only one dimension of the problem.
+Another dimension is the whole question of the integrity of the original
+electronic document.  It becomes highly important in science to prove
+authorship.  How will that be done?
+
+ERWAY explained that, under the old policy, to make a claim for a
+copyright for works that were published in electronic form, including
+software, one had to submit a paper copy of the first and last twenty
+pages of code--something that represented the work but did not include
+the entire work itself and had little value to anyone.  As a temporary
+measure, LC has claimed the right to demand electronic versions of
+electronic publications.  This measure entails a proactive role for the
+Library to say that it wants a particular electronic version.  Publishers
+then have perhaps a year to submit it.  But the real problem for LC is
+what to do with all this material in all these different formats.  Will
+the Library mount it?  How will it give people access to it?  How does LC
+keep track of the appropriate computers, software, and media?  The situation
+is so hard to control, ERWAY said, that it makes sense for each publishing
+house to maintain its own archive.  But LC cannot enforce that either.
+
+GIFFORD acknowledged LESK's suggestion that establishing a priority
+offered the solution, albeit a fairly complicated one.  But who maintains
+that register?, he asked.  GRABER noted that LC does attempt to collect a
+Macintosh version and the IBM-compatible version of software.  It does
+not collect other versions.  But while true for software, BYRUM observed,
+this reply does not speak to materials, that is, all the materials that
+were published that were on somebody's microcomputer or driver tapes
+at a publishing office across the country.  LC does well to acquire
+specific machine-readable products selectively that were intended to be
+machine-readable.  Materials that were in machine-readable form at one time,
+BYRUM said, would be beyond LC's capability at the moment, insofar as
+attempting to acquire, organize, and preserve them are concerned--and
+preservation would be the most important consideration.  In this
+connection, GIFFORD reiterated the need to work out some sense of
+distributive responsibility for a number of these issues, which
+inevitably will require significant cooperation and discussion.
+Nobody can do it all.
+
+LESK suggested that some publishers may look with favor on LC beginning
+to serve as a depository of tapes in an electronic manuscript standard.
+Publishers may view this as a service that they did not have to perform
+and they might send in tapes.  However, SPERBERG-McQUEEN countered,
+although publishers have had equivalent services available to them for a
+long time, the electronic text archive has never turned away or been
+flooded with tapes and is forever sending feedback to the depositor.
+Some publishers do send in tapes.
+
+ANDRE viewed this discussion as an allusion to the issue of standards.
+She recommended that the AAP standard and the TEI, which has already been
+somewhat harmonized internationally and which also shares several
+compatibilities with the AAP, be harmonized to ensure sufficient
+compatibility in the software.  She drew the line at saying LC ought to
+be the locus or forum for such harmonization.
+
+Taking the group in a slightly different direction, but one where at
+least in the near term LC might play a helpful role, LYNCH remarked the
+plans of a number of projects to carry out preservation by creating
+digital images that will end up in on-line or near-line storage at some
+institution.   Presumably, LC will link this material somehow to its
+on-line catalog in most cases.  Thus, it is in a digital form.  LYNCH had
+the impression that many of these institutions would be willing to make
+those files accessible to other people outside the institution, provided
+that there is no copyright problem.  This desideratum will require
+propagating the knowledge that those digitized files exist, so that they
+can end up in other on-line catalogs.  Although uncertain about the
+mechanism for achieving this result, LYNCH said that it warranted
+scrutiny because it seemed to be connected to some of the basic issues of
+cataloging and distribution of records.  It would be  foolish, given the
+amount of work that all of us have to do and our meager resources, to
+discover multiple institutions digitizing the same work.  Re microforms,
+LYNCH said, we are in pretty good shape.
+
+BATTIN called this a big problem and noted that the Cornell people (who
+had already departed) were working on it.  At issue from the beginning
+was to learn how to catalog that information into RLIN and then into
+OCLC, so that it would be accessible.  That issue remains to be resolved.
+LYNCH rejoined that putting it into OCLC or RLIN was helpful insofar as
+somebody who is thinking of performing preservation activity on that work
+could learn about it.  It is not necessarily helpful for institutions to
+make that available.  BATTIN opined that the idea was that it not only be
+for preservation purposes but for the convenience of people looking for
+this material.  She endorsed LYNCH's dictum that duplication of this
+effort was to be avoided by every means.
+
+HOCKEY informed the Workshop about one major current activity of CETH,
+namely a catalogue of machine-readable texts in the humanities.  Held on
+RLIN at present, the catalogue has been concentrated on ASCII as opposed
+to digitized images of text.  She is exploring ways to improve the
+catalogue and make it more widely available, and welcomed suggestions
+about these concerns.  CETH owns the records, which are not just
+restricted to RLIN, and can distribute them however it wishes.
+
+Taking up LESK's earlier question, BATTIN inquired whether LC, since it
+is accepting electronic files and designing a mechanism for dealing with
+that rather than putting books on shelves, would become responsible for
+the National Copyright Depository of Electronic Materials.  Of course
+that could not be accomplished overnight, but it would be something LC
+could plan for.  GIFFORD acknowledged that much thought was being devoted
+to that set of problems and returned the discussion to the issue raised
+by LYNCH--whether or not putting the kind of records that both BATTIN and
+HOCKEY have been talking about in RLIN is not a satisfactory solution.
+It seemed to him that RLIN answered LYNCH's original point concerning
+some kind of directory for these kinds of materials.  In a situation
+where somebody is attempting to decide whether or not to scan this or
+film that or to learn whether or not someone has already done so, LYNCH
+suggested, RLIN is helpful, but it is not helpful in the case of a local,
+on-line catalogue.  Further, one would like to have her or his system be
+aware that that exists in digital form, so that one can present it to a
+patron, even though one did not digitize it, if it is out of copyright.
+The only way to make those linkages would be to perform a tremendous
+amount of real-time look-up, which would be awkward at best, or
+periodically to yank the whole file from RLIN and match it against one's
+own stuff, which is a nuisance.
+
+But where, ERWAY inquired, does one stop including things that are
+available with Internet, for instance, in one's local catalogue?
+It almost seems that that is LC's means to acquire access to them.
+That represents LC's new form of library loan.  Perhaps LC's new on-line
+catalogue is an amalgamation of all these catalogues on line.  LYNCH
+conceded that perhaps that was true in the very long term, but was not
+applicable to scanning in the short term.  In his view, the totals cited
+by Yale, 10,000 books over perhaps a four-year period, and 1,000-1,500
+books from Cornell, were not big numbers, while searching all over
+creation for relatively rare occurrences will prove to be less efficient.
+As GIFFORD wondered if this would not be a separable file on RLIN and
+could be requested from them, BATTIN interjected that it was easily
+accessible to an institution.  SEVERTSON pointed out that that file, cum
+enhancements, was available with reference information on CD-ROM, which
+makes it a little more available.
+
+In HOCKEY's view, the real question facing the Workshop is what to put in
+this catalogue, because that raises the question of what constitutes a
+publication in the electronic world.  (WEIBEL interjected that Eric Joule
+in OCLC's Office of Research is also wrestling with this particular
+problem, while GIFFORD thought it sounded fairly generic.)  HOCKEY
+contended that a majority of texts in the humanities are in the hands
+of either a small number of large research institutions or individuals
+and are not generally available for anyone else to access at all.
+She wondered if these texts ought to be catalogued.
+
+After argument proceeded back and forth for several minutes over why
+cataloguing might be a necessary service, LEBRON suggested that this
+issue involved the responsibility of a publisher.  The fact that someone
+has created something electronically and keeps it under his or her
+control does not constitute publication.  Publication implies
+dissemination.  While it would be important for a scholar to let other
+people know that this creation exists, in many respects this is no
+different from an unpublished manuscript.  That is what is being accessed
+in there, except that now one is not looking at it in the hard-copy but
+in the electronic environment.
+
+LEBRON expressed puzzlement at the variety of ways electronic publishing
+has been viewed.  Much of what has been discussed throughout these two
+days has concerned CD-ROM publishing, whereas in the on-line environment
+that she confronts, the constraints and challenges are very different.
+Sooner or later LC will have to deal with the concept of on-line
+publishing.  Taking up the comment ERWAY made earlier about storing
+copies, LEBRON gave her own journal as an example.  How would she deposit
+OJCCT for copyright?, she asked, because the journal will exist in the
+mainframe at OCLC and people will be able to access it.  Here the
+situation is different, ownership versus access, and is something that
+arises with publication in the on-line environment, faster than is
+sometimes realized.  Lacking clear answers to all of these questions
+herself, LEBRON did not anticipate that LC would be able to take a role
+in helping to define some of them for quite a while.
+
+GREENFIELD observed that LC's Network Development Office is attempting,
+among other things, to explore the limits of MARC as a standard in terms
+of handling electronic information.  GREENFIELD also noted that Rebecca
+GUENTHER from that office gave a paper to the American Society for
+Information Science (ASIS) summarizing several of the discussion papers
+that were coming out of the Network Development Office.  GREENFIELD said
+he understood that that office had a list-server soliciting just the kind
+of feedback received today concerning the difficulties of identifying and
+cataloguing electronic information.  GREENFIELD hoped that everybody
+would be aware of that and somehow contribute to that conversation.
+
+Noting two of LC's roles, first, to act as a repository of record for
+material that is copyrighted in this country, and second, to make
+materials it holds available in some limited form to a clientele that
+goes beyond Congress, BESSER suggested that it was incumbent on LC to
+extend those responsibilities to all the things being published in
+electronic form.  This would mean eventually accepting electronic
+formats.  LC could require that at some point they be in a certain
+limited set of formats, and then develop mechanisms for allowing people
+to access those in the same way that other things are accessed.  This
+does not imply that they are on the network and available to everyone.
+LC does that with most of its bibliographic records, BESSER said, which
+end up migrating to the utility (e.g., OCLC) or somewhere else.  But just
+as most of LC's books are available in some form through interlibrary
+loan or some other mechanism, so in the same way electronic formats ought
+to be available to others in some format, though with some copyright
+considerations.  BESSER was not suggesting that these mechanisms be
+established tomorrow, only that they seemed to fall within LC's purview,
+and that there should be long-range plans to establish them.
+
+Acknowledging that those from LC in the room agreed with BESSER
+concerning the need to confront difficult questions, GIFFORD underscored
+the magnitude of the problem of what to keep and what to select.  GIFFORD
+noted that LC currently receives some 31,000 items per day, not counting
+electronic materials, and argued for much more distributed responsibility
+in order to maintain and store electronic information.
+
+BESSER responded that the assembled group could be viewed as a starting
+point, whose initial operating premise could be helping to move in this
+direction and defining how LC could do so, for example, in areas of
+standardization or distribution of responsibility.
+
+FLEISCHHAUER added that AM was fully engaged, wrestling with some of the
+questions that pertain to the conversion of older historical materials,
+which would be one thing that the Library of Congress might do.  Several
+points mentioned by BESSER and several others on this question have a
+much greater impact on those who are concerned with cataloguing and the
+networking of bibliographic information, as well as preservation itself.
+
+Speaking directly to AM, which he considered was a largely uncopyrighted
+database, LYNCH urged development of a network version of AM, or
+consideration of making the data in it available to people interested in
+doing network multimedia.  On account of the current great shortage of
+digital data that is both appealing and unencumbered by complex rights
+problems, this course of action could have a significant effect on making
+network multimedia a reality.
+
+In this connection, FLEISCHHAUER reported on a fragmentary prototype in
+LC's Office of Information Technology Services that attempts to associate
+digital images of photographs with cataloguing information in ways that
+work within a local area network--a step, so to say, toward AM's
+construction of some sort of apparatus for access.  Further, AM has
+attempted to use standard data forms in order to help make that
+distinction between the access tools and the underlying data, and thus
+believes that the database is networkable.
+
+A delicate and agonizing policy question for LC, however, which comes
+back to resources and unfortunately has an impact on this, is to find
+some appropriate, honorable, and legal cost-recovery possibilities.  A
+certain skittishness concerning cost-recovery has made people unsure
+exactly what to do.  AM would be highly receptive to discussing further
+LYNCH's offer to test or demonstrate its database in a network
+environment, FLEISCHHAUER said.
+
+Returning the discussion to what she viewed as the vital issue of
+electronic deposit, BATTIN recommended that LC initiate a catalytic
+process in terms of distributed responsibility, that is, bring together
+the distributed organizations and set up a study group to look at all
+these issues and see where we as a nation should move.  The broader
+issues of how we deal with the management of electronic information will
+not disappear, but only grow worse.
+
+LESK took up this theme and suggested that LC attempt to persuade one
+major library in each state to deal with its state equivalent publisher,
+which might produce a cooperative project that would be equitably
+distributed around the country, and one in which LC would be dealing with
+a minimal number of publishers and minimal copyright problems.
+
+GRABER remarked the recent development in the scientific community of a
+willingness to use SGML and either deposit or interchange on a fairly
+standardized format.  He wondered if a similar movement was taking place
+in the humanities.  Although the National Library of Medicine found only
+a few publishers to cooperate in a like venture two or three years ago, a
+new effort might generate a much larger number willing to cooperate.
+
+KIMBALL recounted his unit's (Machine-Readable Collections Reading Room)
+troubles with the commercial publishers of electronic media in acquiring
+materials for LC's collections, in particular the publishers' fear that
+they would not be able to cover their costs and would lose control of
+their products, that LC would give them away or sell them and make
+profits from them.  He doubted that the publishing industry was prepared
+to move into this area at the moment, given its resistance to allowing LC
+to use its machine-readable materials as the Library would like.
+
+The copyright law now addresses compact disk as a medium, and LC can
+request one copy of that, or two copies if it is the only version, and
+can request copies of software, but that fails to address magazines or
+books or anything like that which is in machine-readable form.
+
+GIFFORD acknowledged the thorny nature of this issue, which he illustrated
+with the example of the cumbersome process involved in putting a copy of a
+scientific database on a LAN in LC's science reading room.  He also
+acknowledged that LC needs help and could enlist the energies and talents
+of Workshop participants in thinking through a number of these problems.
+
+GIFFORD returned the discussion to getting the image and text people to
+think through together where they want to go in the long term.  MYLONAS
+conceded that her experience at the Pierce Symposium the previous week at
+Georgetown University and this week at LC had forced her to reevaluate
+her perspective on the usefulness of text as images.  MYLONAS framed the
+issues in a series of questions:  How do we acquire machine-readable
+text?  Do we take pictures of it and perform OCR on it later?  Is it
+important to obtain very high-quality images and text, etc.?
+FLEISCHHAUER agreed with MYLONAS's framing of strategic questions, adding
+that a large institution such as LC probably has to do all of those
+things at different times.  Thus, the trick is to exercise judgment.  The
+Workshop had added to his and AM's considerations in making those
+judgments.  Concerning future meetings or discussions, MYLONAS suggested
+that screening priorities would be helpful.
+
+WEIBEL opined that the diversity reflected in this group was a sign both
+of the health and of the immaturity of the field, and more time would
+have to pass before we convince one another concerning standards.
+
+An exchange between MYLONAS and BATTIN clarified the point that the
+driving force behind both the Perseus and the Cornell Xerox projects was
+the preservation of knowledge for the future, not simply for particular
+research use.  In the case of Perseus, MYLONAS said, the assumption was
+that the texts would not be entered again into electronically readable
+form.  SPERBERG-McQUEEN added that a scanned image would not serve as an
+archival copy for purposes of preservation in the case of, say, the Bill
+of Rights, in the sense that the scanned images are effectively the
+archival copies for the Cornell mathematics books.
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                          Appendix I:  PROGRAM
+
+
+
+                                WORKSHOP
+                                   ON
+                               ELECTRONIC
+                                  TEXTS
+
+
+
+                             9-10 June 1992
+
+                           Library of Congress
+                            Washington, D.C.
+
+
+
+    Supported by a Grant from the David and Lucile Packard Foundation
+
+
+Tuesday, 9 June 1992
+
+NATIONAL DEMONSTRATION LAB, ATRIUM, LIBRARY MADISON
+
+8:30 AM   Coffee and Danish, registration
+
+9:00 AM   Welcome
+
+          Prosser Gifford, Director for Scholarly Programs, and Carl
+             Fleischhauer, Coordinator, American Memory, Library of
+             Congress
+
+9:l5 AM   Session I.  Content in a New Form:  Who Will Use It and What
+          Will They Do?
+
+          Broad description of the range of electronic information.
+          Characterization of who uses it and how it is or may be used.
+          In addition to a look at scholarly uses, this session will
+          include a presentation on use by students (K-12 and college)
+          and the general public.
+
+          Moderator:  James Daly
+          Avra Michelson, Archival Research and Evaluation Staff,
+             National Archives and Records Administration (Overview)
+          Susan H. Veccia, Team Leader, American Memory, User Evaluation,
+             and
+          Joanne Freeman, Associate Coordinator, American Memory, Library
+             of Congress (Beyond the scholar)
+
+10:30-
+11:00 AM  Break
+
+11:00 AM  Session II.  Show and Tell.
+
+          Each presentation to consist of a fifteen-minute
+          statement/show; group discussion will follow lunch.
+
+          Moderator:  Jacqueline Hess, Director, National Demonstration
+             Lab
+
+            1.  A classics project, stressing texts and text retrieval
+                more than multimedia:  Perseus Project, Harvard
+                University
+                Elli Mylonas, Managing Editor
+
+            2.  Other humanities projects employing the emerging norms of
+                the Text Encoding Initiative (TEI):  Chadwyck-Healey's
+                The English Poetry Full Text Database and/or Patrologia
+                Latina Database
+                Eric M. Calaluca, Vice President, Chadwyck-Healey, Inc.
+
+            3.  American Memory
+                Carl Fleischhauer, Coordinator, and
+                Ricky Erway, Associate Coordinator, Library of Congress
+
+            4.  Founding Fathers example from Packard Humanities
+                Institute:  The Papers of George Washington, University
+                of Virginia
+                Dorothy Twohig, Managing Editor, and/or
+                David Woodley Packard
+
+            5.  An electronic medical journal offering graphics and
+                full-text searchability:  The Online Journal of Current
+                Clinical Trials, American Association for the Advancement
+                of Science
+                Maria L. Lebron, Managing Editor
+
+            6.  A project that offers facsimile images of pages but omits
+                searchable text:  Cornell math books
+                Lynne K. Personius, Assistant Director, Cornell
+                   Information Technologies for Scholarly Information
+                   Sources, Cornell University
+
+12:30 PM  Lunch  (Dining Room A, Library Madison 620.  Exhibits
+          available.)
+
+1:30 PM   Session II.  Show and Tell (Cont'd.).
+
+3:00-
+3:30 PM   Break
+
+3:30-
+5:30 PM   Session III.  Distribution, Networks, and Networking:  Options
+          for Dissemination.
+
+          Published disks:  University presses and public-sector
+             publishers, private-sector publishers
+          Computer networks
+
+          Moderator:  Robert G. Zich, Special Assistant to the Associate
+             Librarian for Special Projects, Library of Congress
+          Clifford A. Lynch, Director, Library Automation, University of
+             California
+          Howard Besser, School of Library and Information Science,
+             University of Pittsburgh
+          Ronald L. Larsen, Associate Director of Libraries for
+             Information Technology, University of Maryland at College
+             Park
+          Edwin B. Brownrigg, Executive Director, Memex Research
+             Institute
+
+6:30 PM   Reception  (Montpelier Room, Library Madison 619.)
+
+                                 ******
+
+Wednesday, 10 June 1992
+
+DINING ROOM A, LIBRARY MADISON 620
+
+8:30 AM   Coffee and Danish
+
+9:00 AM   Session IV.  Image Capture, Text Capture, Overview of Text and
+          Image Storage Formats.
+
+          Moderator:  William L. Hooton, Vice President of Operations,
+             I-NET
+
+          A) Principal Methods for Image Capture of Text:
+             Direct scanning
+             Use of microform
+
+          Anne R. Kenney, Assistant Director, Department of Preservation
+             and Conservation, Cornell University
+          Pamela Q.J. Andre, Associate Director, Automation, and
+          Judith A. Zidar, Coordinator, National Agricultural Text
+             Digitizing Program (NATDP), National Agricultural Library
+             (NAL)
+          Donald J. Waters, Head, Systems Office, Yale University Library
+
+          B) Special Problems:
+             Bound volumes
+             Conservation
+             Reproducing printed halftones
+
+          Carl Fleischhauer, Coordinator, American Memory, Library of
+             Congress
+          George Thoma, Chief, Communications Engineering Branch,
+             National Library of Medicine (NLM)
+
+10:30-
+11:00 AM  Break
+
+11:00 AM  Session IV.  Image Capture, Text Capture, Overview of Text and
+          Image Storage Formats (Cont'd.).
+
+          C) Image Standards and Implications for Preservation
+
+          Jean Baronas, Senior Manager, Department of Standards and
+             Technology, Association for Information and Image Management
+             (AIIM)
+          Patricia Battin, President, The Commission on Preservation and
+             Access (CPA)
+
+          D) Text Conversion:
+             OCR vs. rekeying
+             Standards of accuracy and use of imperfect texts
+             Service bureaus
+
+          Stuart Weibel, Senior Research Specialist, Online Computer
+             Library Center, Inc. (OCLC)
+          Michael Lesk, Executive Director, Computer Science Research,
+             Bellcore
+          Ricky Erway, Associate Coordinator, American Memory, Library of
+             Congress
+          Pamela Q.J. Andre, Associate Director, Automation, and
+          Judith A. Zidar, Coordinator, National Agricultural Text
+             Digitizing Program (NATDP), National Agricultural Library
+             (NAL)
+
+12:30-
+1:30 PM   Lunch
+
+1:30 PM   Session V.  Approaches to Preparing Electronic Texts.
+
+          Discussion of approaches to structuring text for the computer;
+          pros and cons of text coding, description of methods in
+          practice, and comparison of text-coding methods.
+
+          Moderator:  Susan Hockey, Director, Center for Electronic Texts
+             in the Humanities (CETH), Rutgers and Princeton Universities
+          David Woodley Packard
+          C.M. Sperberg-McQueen, Editor, Text Encoding Initiative (TEI),
+             University of Illinois-Chicago
+          Eric M. Calaluca, Vice President, Chadwyck-Healey, Inc.
+
+3:30-
+4:00 PM   Break
+
+4:00 PM   Session VI.  Copyright Issues.
+
+          Marybeth Peters, Policy Planning Adviser to the Register of
+             Copyrights, Library of Congress
+
+5:00 PM   Session VII. Conclusion.
+
+          General discussion.
+          What topics were omitted or given short shrift that anyone
+             would like to talk about now?
+          Is there a "group" here?  What should the group do next, if
+             anything?  What should the Library of Congress do next, if
+             anything?
+          Moderator:  Prosser Gifford, Director for Scholarly Programs,
+             Library of Congress
+
+6:00 PM   Adjourn
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                         Appendix II:  ABSTRACTS
+
+
+SESSION I
+
+Avra MICHELSON           Forecasting the Use of Electronic Texts by
+                         Social Sciences and Humanities Scholars
+
+This presentation explores the ways in which electronic texts are likely
+to be used by the non-scientific scholarly community.  Many of the
+remarks are drawn from a report the speaker coauthored with Jeff
+Rothenberg, a computer scientist at The RAND Corporation.
+
+The speaker assesses 1) current scholarly use of information technology
+and 2) the key trends in information technology most relevant to the
+research process, in order to predict how social sciences and humanities
+scholars are apt to use electronic texts.  In introducing the topic,
+current use of electronic texts is explored broadly within the context of
+scholarly communication.  From the perspective of scholarly
+communication, the work of humanities and social sciences scholars
+involves five processes:  1) identification of sources, 2) communication
+with colleagues, 3) interpretation and analysis of data, 4) dissemination
+of research findings, and 5) curriculum development and instruction.  The
+extent to which computation currently permeates aspects of scholarly
+communication represents a viable indicator of the prospects for
+electronic texts.
+
+The discussion of current practice is balanced by an analysis of key
+trends in the scholarly use of information technology.  These include the
+trends toward end-user computing and connectivity, which provide a
+framework for forecasting the use of electronic texts through this
+millennium.  The presentation concludes with a summary of the ways in
+which the nonscientific scholarly community can be expected to use
+electronic texts, and the implications of that use for information
+providers.
+
+Susan VECCIA and Joanne FREEMAN    Electronic Archives for the Public:
+                                   Use of American Memory in Public and
+                                   School Libraries
+
+This joint discussion focuses on nonscholarly applications of electronic
+library materials, specifically addressing use of the Library of Congress
+American Memory (AM) program in a small number of public and school
+libraries throughout the United States.  AM consists of selected Library
+of Congress primary archival materials, stored on optical media
+(CD-ROM/videodisc), and presented with little or no editing.  Many
+collections are accompanied by electronic introductions and user's guides
+offering background information and historical context.  Collections
+represent a variety of formats including photographs, graphic arts,
+motion pictures, recorded sound, music, broadsides and manuscripts,
+books, and pamphlets.
+
+In 1991, the Library of Congress began a nationwide evaluation of AM in
+different types of institutions.  Test sites include public libraries,
+elementary and secondary school libraries, college and university
+libraries, state libraries, and special libraries.  Susan VECCIA and
+Joanne FREEMAN will discuss their observations on the use of AM by the
+nonscholarly community, using evidence gleaned from this ongoing
+evaluation effort.
+
+VECCIA will comment on the overall goals of the evaluation project, and
+the types of public and school libraries included in this study.  Her
+comments on nonscholarly use of AM will focus on the public library as a
+cultural and community institution, often bridging the gap between formal
+and informal education.  FREEMAN will discuss the use of AM in school
+libraries.  Use by students and teachers has revealed some broad
+questions about the use of electronic resources, as well as definite
+benefits gained by the "nonscholar."  Topics will include the problem of
+grasping content and context in an electronic environment, the stumbling
+blocks created by "new" technologies, and the unique skills and interests
+awakened through use of electronic resources.
+
+SESSION II
+
+Elli MYLONAS             The Perseus Project:  Interactive Sources and
+                         Studies in Classical Greece
+
+The Perseus Project (5) has just released Perseus 1.0, the first publicly
+available version of its hypertextual database of multimedia materials on
+classical Greece.  Perseus is designed to be used by a wide audience,
+comprised of readers at the student and scholar levels.  As such, it must
+be able to locate information using different strategies, and it must
+contain enough detail to serve the different needs of its users.  In
+addition, it must be delivered so that it is affordable to its target
+audience.  [These problems and the solutions we chose are described in
+Mylonas, "An Interface to Classical Greek Civilization," JASIS 43:2,
+March 1992.]
+
+In order to achieve its objective, the project staff decided to make a
+conscious separation between selecting and converting textual, database,
+and image data on the one hand, and putting it into a delivery system on
+the other.  That way, it is possible to create the electronic data
+without thinking about the restrictions of the delivery system.  We have
+made a great effort to choose system-independent formats for our data,
+and to put as much thought and work as possible into structuring it so
+that the translation from paper to electronic form will enhance the value
+of the data. [A discussion of these solutions as of two years ago is in
+Elli Mylonas, Gregory Crane, Kenneth Morrell, and D. Neel Smith, "The
+Perseus Project:  Data in the Electronic Age," in Accessing Antiquity:
+The Computerization of Classical Databases, J. Solomon and T. Worthen
+(eds.),  University of Arizona Press, in press.]
+
+Much of the work on Perseus is focused on collecting and converting the
+data on which the project is based.  At the same time, it is necessary to
+provide means of access to the information, in order to make it usable,
+and them to investigate how it is used.  As we learn more about what
+students and scholars from different backgrounds do with Perseus, we can
+adjust our data collection, and also modify the system to accommodate
+them.  In creating a delivery system for general use, we have tried to
+avoid favoring any one type of use by allowing multiple forms of access
+to and navigation through the system.
+
+The way text is handled exemplifies some of these principles.  All text
+in Perseus is tagged using SGML, following the guidelines of the Text
+Encoding Initiative (TEI).  This markup is used to index the text, and
+process it so that it can be imported into HyperCard.  No SGML markup
+remains in the text that reaches the user, because currently it would be
+too expensive to create a system that acts on SGML in real time.
+However, the regularity provided by SGML is essential for verifying the
+content of the texts, and greatly speeds all the processing performed on
+them.  The fact that the texts exist in SGML ensures that they will be
+relatively easy to port to different hardware and software, and so will
+outlast the current delivery platform.  Finally, the SGML markup
+incorporates existing canonical reference systems (chapter, verse, line,
+etc.); indexing and navigation are based on these features.  This ensures
+that the same canonical reference will always resolve to the same point
+within a text, and that all versions of our texts, regardless of delivery
+platform (even paper printouts) will function the same way.
+
+In order to provide tools for users, the text is processed by a
+morphological analyzer, and the results are stored in a database.
+Together with the index, the Greek-English Lexicon, and the index of all
+the English words in the definitions of the lexicon, the morphological
+analyses comprise a set of linguistic tools that allow users of all
+levels to work with the textual information, and to accomplish different
+tasks.  For example, students who read no Greek may explore a concept as
+it appears in Greek texts by using the English-Greek index, and then
+looking up works in the texts and translations, or scholars may do
+detailed morphological studies of word use by using the morphological
+analyses of the texts.  Because these tools were not designed for any one
+use, the same tools and the same data can be used by both students and
+scholars.
+
+NOTES:
+     (5)  Perseus is based at Harvard University, with collaborators at
+     several other universities.  The project has been funded primarily
+     by the Annenberg/CPB Project, as well as by Harvard University,
+     Apple Computer, and others.  It is published by Yale University
+     Press.  Perseus runs on Macintosh computers, under the HyperCard
+     program.
+
+Eric CALALUCA
+
+Chadwyck-Healey embarked last year on two distinct yet related full-text
+humanities database projects.
+
+The English Poetry Full-Text Database and the Patrologia Latina Database
+represent new approaches to linguistic research resources.  The size and
+complexity of the projects present problems for electronic publishers,
+but surmountable ones if they remain abreast of the latest possibilities
+in data capture and retrieval software techniques.
+
+The issues which required address prior to the commencement of the
+projects were legion:
+
+     1.   Editorial selection (or exclusion) of materials in each
+          database
+
+     2.   Deciding whether or not to incorporate a normative encoding
+          structure into the databases?
+               A.  If one is selected, should it be SGML?
+               B.  If SGML, then the TEI?
+
+     3.   Deliver as CD-ROM, magnetic tape, or both?
+
+     4.   Can one produce retrieval software advanced enough for the
+          postdoctoral linguist, yet accessible enough for unattended
+          general use?  Should one try?
+
+     5.   Re fair and liberal networking policies, what are the risks to
+          an electronic publisher?
+
+     6.   How does the emergence of national and international education
+          networks affect the use and viability of research projects
+          requiring high investment?  Do the new European Community
+          directives concerning database protection necessitate two
+          distinct publishing projects, one for North America and one for
+          overseas?
+
+From new notions of "scholarly fair use" to the future of optical media,
+virtually every issue related to electronic publishing was aired.  The
+result is two projects which have been constructed to provide the quality
+research resources with the fewest encumbrances to use by teachers and
+private scholars.
+
+Dorothy TWOHIG
+
+In spring 1988 the editors of the papers of George Washington, John
+Adams, Thomas Jefferson, James Madison, and Benjamin Franklin were
+approached by classics scholar David Packard on behalf of the Packard
+Humanities Foundation with a proposal to produce a CD-ROM edition of the
+complete papers of each of the Founding Fathers.  This electronic edition
+will supplement the published volumes, making the documents widely
+available to students and researchers at reasonable cost.  We estimate
+that our CD-ROM edition of Washington's Papers will be substantially
+completed within the next two years and ready for publication.  Within
+the next ten years or so, similar CD-ROM editions of the Franklin, Adams,
+Jefferson, and Madison papers also will be available.  At the Library of
+Congress's session on technology, I would like to discuss not only the
+experience of the Washington Papers in producing the CD-ROM edition, but
+the impact technology has had on these major editorial projects.
+Already, we are editing our volumes with an eye to the material that will
+be readily available in the CD-ROM edition.  The completed electronic
+edition will provide immense possibilities for the searching of documents
+for information in a way never possible before.  The kind of technical
+innovations that are currently available and on the drawing board will
+soon revolutionize historical research and the production of historical
+documents.  Unfortunately, much of this new technology is not being used
+in the planning stages of historical projects, simply because many
+historians are aware only in the vaguest way of its existence.  At least
+two major new historical editing projects are considering microfilm
+editions, simply because they are not aware of the possibilities of
+electronic alternatives and the advantages of the new technology in terms
+of flexibility and research potential compared to microfilm.  In fact,
+too many of us in history and literature are still at the stage of
+struggling with our PCs.  There are many historical editorial projects in
+progress presently, and an equal number of literary projects.  While the
+two fields have somewhat different approaches to textual editing, there
+are ways in which electronic technology can be of service to both.
+
+Since few of the editors involved in the Founding Fathers CD-ROM editions
+are technical experts in any sense, I hope to point out in my discussion
+of our experience how many of these electronic innovations can be used
+successfully by scholars who are novices in the world of new technology.
+One of the major concerns of the sponsors of the multitude of new
+scholarly editions is the limited audience reached by the published
+volumes.  Most of these editions are being published in small quantities
+and the publishers' price for them puts them out of the reach not only of
+individual scholars but of most public libraries and all but the largest
+educational institutions.  However, little attention is being given to
+ways in which technology can bypass conventional publication to make
+historical and literary documents more widely available.
+
+What attracted us most to the CD-ROM edition of The Papers of George
+Washington was the fact that David Packard's aim was to make a complete
+edition of all of the 135,000 documents we have collected available in an
+inexpensive format that would be placed in public libraries, small
+colleges, and even high schools.  This would provide an audience far
+beyond our present 1,000-copy, $45 published edition.  Since the CD-ROM
+edition will carry none of the explanatory annotation that appears in the
+published volumes, we also feel that the use of the CD-ROM will lead many
+researchers to seek out the published volumes.
+
+In addition to ignorance of new technical advances, I have found that too
+many editors--and historians and literary scholars--are resistant and
+even hostile to suggestions that electronic technology may enhance their
+work.  I intend to discuss some of the arguments traditionalists are
+advancing to resist technology, ranging from distrust of the speed with
+which it changes (we are already wondering what is out there that is
+better than CD-ROM) to suspicion of the technical language used to
+describe electronic developments.
+
+Maria LEBRON
+
+The Online Journal of Current Clinical Trials, a joint venture of the
+American Association for the Advancement of Science (AAAS) and the Online
+Computer Library Center, Inc. (OCLC), is the first peer-reviewed journal
+to provide full text, tabular material, and line illustrations on line.
+This presentation will discuss the genesis and start-up period of the
+journal.  Topics of discussion will include historical overview,
+day-to-day management of the editorial peer review, and manuscript
+tagging and publication.  A demonstration of the journal and its features
+will accompany the presentation.
+
+Lynne PERSONIUS
+
+Cornell University Library, Cornell Information Technologies, and Xerox
+Corporation, with the support of the Commission on Preservation and
+Access, and Sun Microsystems, Inc., have been collaborating in a project
+to test a prototype system for recording brittle books as digital images
+and producing, on demand, high-quality archival paper replacements.  The
+project goes beyond that, however, to investigate some of the issues
+surrounding scanning, storing, retrieving, and providing access to
+digital images in a network environment.
+
+The Joint Study in Digital Preservation began in January 1990.  Xerox
+provided the College Library Access and Storage System (CLASS) software,
+a prototype 600-dots-per-inch (dpi) scanner, and the hardware necessary
+to support network printing on the DocuTech printer housed in Cornell's
+Computing and Communications Center (CCC).
+
+The Cornell staff using the hardware and software became an integral part
+of the development and testing process for enhancements to the CLASS
+software system.  The collaborative nature of this relationship is
+resulting in a system that is specifically tailored to the preservation
+application.
+
+A digital library of 1,000 volumes (or approximately 300,000 images) has
+been created and is stored on an optical jukebox that resides in CCC.
+The library includes a collection of select mathematics monographs that
+provides mathematics faculty with an opportunity to use the electronic
+library.  The remaining volumes were chosen for the library to test the
+various capabilities of the scanning system.
+
+One project objective is to provide users of the Cornell library and the
+library staff with the ability to request facsimiles of digitized images
+or to retrieve the actual electronic image for browsing.  A prototype
+viewing workstation has been created by Xerox, with input into the design
+by a committee of Cornell librarians and computer professionals.  This
+will allow us to experiment with patron access to the images that make up
+the digital library.  The viewing station provides search, retrieval, and
+(ultimately) printing functions with enhancements to facilitate
+navigation through multiple documents.
+
+Cornell currently is working to extend access to the digital library to
+readers using workstations from their offices.  This year is devoted to
+the development of a network resident image conversion and delivery
+server, and client software that will support readers who use Apple
+Macintosh computers, IBM windows platforms, and Sun workstations.
+Equipment for this development was provided by Sun Microsystems with
+support from the Commission on Preservation and Access.
+
+During the show-and-tell session of the Workshop on Electronic Texts, a
+prototype view station will be demonstrated.  In addition, a display of
+original library books that have been digitized will be available for
+review with associated printed copies for comparison.  The fifteen-minute
+overview of the project will include a slide presentation that
+constitutes a "tour" of the preservation digitizing process.
+
+The final network-connected version of the viewing station will provide
+library users with another mechanism for accessing the digital library,
+and will also provide the capability of viewing images directly.  This
+will not require special software, although a powerful computer with good
+graphics will be needed.
+
+The Joint Study in Digital Preservation has generated a great deal of
+interest in the library community.  Unfortunately, or perhaps
+fortunately, this project serves to raise a vast number of other issues
+surrounding the use of digital technology for the preservation and use of
+deteriorating library materials, which subsequent projects will need to
+examine.  Much work remains.
+
+SESSION III
+
+Howard BESSER                      Networking Multimedia Databases
+
+What do we have to consider in building and distributing databases of
+visual materials in a multi-user environment?  This presentation examines
+a variety of concerns that need to be addressed before a multimedia
+database can be set up in a networked environment.
+
+In the past it has not been feasible to implement databases of visual
+materials in shared-user environments because of technological barriers.
+Each of the two basic models for multi-user multimedia databases has
+posed its own problem.  The analog multimedia storage model (represented
+by Project Athena's parallel analog and digital networks) has required an
+incredibly complex (and expensive) infrastructure.  The economies of
+scale that make multi-user setups cheaper per user served do not operate
+in an environment that requires a computer workstation, videodisc player,
+and two display devices for each user.
+
+The digital multimedia storage model has required vast amounts of storage
+space (as much as one gigabyte per thirty still images).  In the past the
+cost of such a large amount of storage space made this model a
+prohibitive choice as well.  But plunging storage costs are finally
+making this second alternative viable.
+
+If storage no longer poses such an impediment, what do we need to
+consider in building digitally stored multi-user databases of visual
+materials?  This presentation will examine the networking and
+telecommunication constraints that must be overcome before such databases
+can become commonplace and useful to a large number of people.
+
+The key problem is the vast size of multimedia documents, and how this
+affects not only storage but telecommunications transmission time.
+Anything slower than T-1 speed is impractical for files of 1 megabyte or
+larger (which is likely to be small for a multimedia document).  For
+instance, even on a 56 Kb line it would take three minutes to transfer a
+1-megabyte file.  And these figures assume ideal circumstances, and do
+not take into consideration other users contending for network bandwidth,
+disk access time, or the time needed for remote display.  Current common
+telephone transmission rates would be completely impractical; few users
+would be willing to wait the hour necessary to transmit a single image at
+2400 baud.
+
+This necessitates compression, which itself raises a number of other
+issues.  In order to decrease file sizes significantly, we must employ
+lossy compression algorithms.  But how much quality can we afford to
+lose?  To date there has been only one significant study done of
+image-quality needs for a particular user group, and this study did not
+look at loss resulting from compression.  Only after identifying
+image-quality needs can we begin to address storage and network bandwidth
+needs.
+
+Experience with X-Windows-based applications (such as Imagequery, the
+University of California at Berkeley image database) demonstrates the
+utility of a client-server topology, but also points to the limitation of
+current software for a distributed environment.  For example,
+applications like Imagequery can incorporate compression, but current X
+implementations do not permit decompression at the end user's
+workstation.  Such decompression at the host computer alleviates storage
+capacity problems while doing nothing to address problems of
+telecommunications bandwidth.
+
+We need to examine the effects on network through-put of moving
+multimedia documents around on a network.  We need to examine various
+topologies that will help us avoid bottlenecks around servers and
+gateways.  Experience with applications such as these raise still broader
+questions. How closely is the multimedia document tied to the software
+for viewing it?  Can it be accessed and viewed from other applications?
+Experience with the MARC format (and more recently with the Z39.50
+protocols) shows how useful it can be to store documents in a form in
+which they can be accessed by a variety of application software.
+
+Finally, from an intellectual-access standpoint, we need to address the
+issue of providing access to these multimedia documents in
+interdisciplinary environments.  We need to examine terminology and
+indexing strategies that will allow us to provide access to this material
+in a cross-disciplinary way.
+
+Ronald LARSEN            Directions in High-Performance Networking for
+                         Libraries
+
+The pace at which computing technology has advanced over the past forty
+years shows no sign of abating.  Roughly speaking, each five-year period
+has yielded an order-of-magnitude improvement in price and performance of
+computing equipment.  No fundamental hurdles are likely to prevent this
+pace from continuing for at least the next decade.  It is only in the
+past five years, though, that computing has become ubiquitous in
+libraries, affecting all staff and patrons, directly or indirectly.
+
+During these same five years, communications rates on the Internet, the
+principal academic computing network, have grown from 56 kbps to 1.5
+Mbps, and the NSFNet backbone is now running 45 Mbps.  Over the next five
+years, communication rates on the backbone are expected to exceed 1 Gbps.
+Growth in both the population of network users and the volume of network
+traffic  has continued to grow geometrically, at rates approaching 15
+percent per month.  This flood of capacity and use, likened by some to
+"drinking from a firehose,"  creates immense opportunities and challenges
+for libraries.  Libraries must anticipate the future implications of this
+technology, participate in its development, and deploy it to ensure
+access to the world's information resources.
+
+The infrastructure for the information age is being put in place.
+Libraries face strategic decisions about their role in the development,
+deployment, and use of this infrastructure.  The emerging infrastructure
+is much more than computers and communication lines.  It is more than the
+ability to compute at a remote site, send electronic mail to a peer
+across the country, or move a file from one library to another.  The next
+five years will witness substantial development of the information
+infrastructure of the network.
+
+In order to provide appropriate leadership, library professionals must
+have a fundamental understanding of and appreciation for computer
+networking, from local area networks to the National Research and
+Education Network (NREN).  This presentation addresses these
+fundamentals, and how they relate to libraries today and in the near
+future.
+
+Edwin BROWNRIGG               Electronic Library Visions and Realities
+
+The electronic library has been a vision desired by many--and rejected by
+some--since Vannevar Bush coined the term memex to describe an automated,
+intelligent, personal information system.  Variations on this vision have
+included Ted Nelson's Xanadau, Alan Kay's Dynabook, and Lancaster's
+"paperless library," with the most recent incarnation being the
+"Knowledge Navigator" described by John Scully of Apple.  But the reality
+of library service has been less visionary and the leap to the electronic
+library has eluded universities, publishers, and information technology
+files.
+
+The Memex Research Institute (MemRI), an independent, nonprofit research
+and development organization, has created an Electronic Library Program
+of shared research and development in order to make the collective vision
+more concrete.  The program is working toward the creation of large,
+indexed publicly available electronic image collections of published
+documents in academic, special, and public libraries.  This strategic
+plan is the result of the first stage of the program, which has been an
+investigation of the information technologies available to support such
+an effort, the economic parameters of electronic service compared to
+traditional library operations, and the business and political factors
+affecting the shift from print distribution to electronic networked
+access.
+
+The strategic plan envisions a combination of publicly searchable access
+databases, image (and text) document collections stored on network "file
+servers," local and remote network access, and an intellectual property
+management-control system.  This combination of technology and
+information content is defined in this plan as an E-library or E-library
+collection.  Some participating sponsors are already developing projects
+based on MemRI's recommended directions.
+
+The E-library strategy projected in this plan is a visionary one that can
+enable major changes and improvements in academic, public, and special
+library service.  This vision is, though, one that can be realized with
+today's technology.  At the same time, it will challenge the political
+and social structure within which libraries operate:  in academic
+libraries, the traditional emphasis on local collections, extending to
+accreditation issues; in public libraries, the potential of electronic
+branch and central libraries fully available to the public; and for
+special libraries, new opportunities for shared collections and networks.
+
+The environment in which this strategic plan has been developed is, at
+the moment, dominated by a sense of library limits.  The continued
+expansion and rapid growth of local academic library collections is now
+clearly at an end.  Corporate libraries, and even law libraries, are
+faced with operating within a difficult economic climate, as well as with
+very active competition from commercial information sources.  For
+example, public libraries may be seen as a desirable but not critical
+municipal service in a time when the budgets of safety and health
+agencies are being cut back.
+
+Further, libraries in general have a very high labor-to-cost ratio in
+their budgets, and labor costs are still increasing, notwithstanding
+automation investments.  It is difficult for libraries to obtain capital,
+startup, or seed funding for innovative activities, and those
+technology-intensive initiatives that offer the potential of decreased
+labor costs can provoke the opposition of library staff.
+
+However, libraries have achieved some considerable successes in the past
+two decades by improving both their service and their credibility within
+their organizations--and these positive changes have been accomplished
+mostly with judicious use of information technologies.  The advances in
+computing and information technology have been well-chronicled:  the
+continuing precipitous drop in computing costs, the growth of the
+Internet and private networks, and the explosive increase in publicly
+available information databases.
+
+For example, OCLC has become one of the largest computer network
+organizations in the world by creating a cooperative cataloging network
+of more than 6,000 libraries worldwide.  On-line public access catalogs
+now serve millions of users on more than 50,000 dedicated terminals in
+the United States alone.  The University of California MELVYL on-line
+catalog system has now expanded into an index database reference service
+and supports more than six million searches a year.  And, libraries have
+become the largest group of customers of CD-ROM publishing technology;
+more than 30,000 optical media publications such as those offered by
+InfoTrac and Silver Platter are subscribed to by U.S. libraries.
+
+This march of technology continues and in the next decade will result in
+further innovations that are extremely difficult to predict.  What is
+clear is that libraries can now go beyond automation of their order files
+and catalogs to automation of their collections themselves--and it is
+possible to circumvent the fiscal limitations that appear to obtain
+today.
+
+This Electronic Library Strategic Plan recommends a paradigm shift in
+library service, and demonstrates the steps necessary to provide improved
+library services with limited capacities and operating investments.
+
+SESSION IV-A
+
+Anne KENNEY
+
+The Cornell/Xerox Joint Study in Digital Preservation resulted in the
+recording of 1,000 brittle books as 600-dpi digital images and the
+production, on demand, of high-quality and archivally sound paper
+replacements.  The project, which was supported by the Commission on
+Preservation and Access, also investigated some of the issues surrounding
+scanning, storing, retrieving, and providing access to digital images in
+a network environment.
+
+Anne Kenney will focus on some of the issues surrounding direct scanning
+as identified in the Cornell Xerox Project.  Among those to be discussed
+are:  image versus text capture; indexing and access; image-capture
+capabilities; a comparison to photocopy and microfilm; production and
+cost analysis; storage formats, protocols, and standards; and the use of
+this scanning technology for preservation purposes.
+
+The 600-dpi digital images produced in the Cornell Xerox Project proved
+highly acceptable for creating paper replacements of deteriorating
+originals.  The 1,000 scanned volumes provided an array of image-capture
+challenges that are common to nineteenth-century printing techniques and
+embrittled material, and that defy the use of text-conversion processes.
+These challenges include diminished contrast between text and background,
+fragile and deteriorated pages, uneven printing, elaborate type faces,
+faint and bold text adjacency, handwritten text and annotations, nonRoman
+languages, and a proliferation of illustrated material embedded in text.
+The latter category included high-frequency and low-frequency halftones,
+continuous tone photographs, intricate mathematical drawings, maps,
+etchings, reverse-polarity drawings, and engravings.
+
+The Xerox prototype scanning system provided a number of important
+features for capturing this diverse material.  Technicians used multiple
+threshold settings, filters, line art and halftone definitions,
+autosegmentation, windowing, and software-editing programs to optimize
+image capture.  At the same time, this project focused on production.
+The goal was to make scanning as affordable and acceptable as
+photocopying and microfilming for preservation reformatting.  A
+time-and-cost study conducted during the last three months of this
+project confirmed the economic viability of digital scanning, and these
+findings will be discussed here.
+
+From the outset, the Cornell Xerox Project was predicated on the use of
+nonproprietary standards and the use of common protocols when standards
+did not exist.  Digital files were created as TIFF images which were
+compressed prior to storage using Group 4 CCITT compression.  The Xerox
+software is MS DOS based and utilizes off-the shelf programs such as
+Microsoft Windows and Wang Image Wizard.  The digital library is designed
+to be hardware-independent and to provide interchangeability with other
+institutions through network connections.  Access to the digital files
+themselves is two-tiered:  Bibliographic records for the computer files
+are created in RLIN and Cornell's local system and access into the actual
+digital images comprising a book is provided through a document control
+structure and a networked image file-server, both of which will be
+described.
+
+The presentation will conclude with a discussion of some of the issues
+surrounding the use of this technology as a preservation tool (storage,
+refreshing, backup).
+
+Pamela ANDRE and Judith ZIDAR
+
+The National Agricultural Library (NAL) has had extensive experience with
+raster scanning of printed materials.  Since 1987, the Library has
+participated in the National Agricultural Text Digitizing Project (NATDP)
+a cooperative effort between NAL and forty-five land grant university
+libraries.  An overview of the project will be presented, giving its
+history and NAL's strategy for the future.
+
+An in-depth discussion of NATDP will follow, including a description of
+the scanning process, from the gathering of the printed materials to the
+archiving of the electronic pages.  The type of equipment required for a
+stand-alone scanning workstation and the importance of file management
+software will be discussed.  Issues concerning the images themselves will
+be addressed briefly, such as image format; black and white versus color;
+gray scale versus dithering; and resolution.
+
+Also described will be a study currently in progress by NAL to evaluate
+the usefulness of converting microfilm to electronic images in order to
+improve access.  With the cooperation of Tuskegee University, NAL has
+selected three reels of microfilm from a collection of sixty-seven reels
+containing the papers, letters, and drawings of George Washington Carver.
+The three reels were converted into 3,500 electronic images using a
+specialized microfilm scanner.  The selection, filming, and indexing of
+this material will be discussed.
+
+Donald WATERS
+
+Project Open Book, the Yale University Library's effort to convert 10,
+000 books from microfilm to digital imagery, is currently in an advanced
+state of planning and organization.  The Yale Library has selected a
+major vendor to serve as a partner in the project and as systems
+integrator.  In its proposal, the successful vendor helped isolate areas
+of risk and uncertainty as well as key issues to be addressed during the
+life of the project.  The Yale Library is now poised to decide what
+material it will convert to digital image form and to seek funding,
+initially for the first phase and then for the entire project.
+
+The proposal that Yale accepted for the implementation of Project Open
+Book will provide at the end of three phases a conversion subsystem,
+browsing stations distributed on the campus network within the Yale
+Library, a subsystem for storing 10,000 books at 200 and 600 dots per
+inch, and network access to the image printers.  Pricing for the system
+implementation assumes the existence of Yale's campus ethernet network
+and its high-speed image printers, and includes other requisite hardware
+and software, as well as system integration services.  Proposed operating
+costs include hardware and software maintenance, but do not include
+estimates for the facilities management of the storage devices and image
+servers.
+
+Yale selected its vendor partner in a formal process, partly funded by
+the Commission for Preservation and Access.  Following a request for
+proposal, the Yale Library selected two vendors as finalists to work with
+Yale staff to generate a detailed analysis of requirements for Project
+Open Book.  Each vendor used the results of the requirements analysis to
+generate and submit a formal proposal for the entire project.  This
+competitive process not only enabled the Yale Library to select its
+primary vendor partner but also revealed much about the state of the
+imaging industry, about the varying, corporate commitments to the markets
+for imaging technology, and about the varying organizational dynamics
+through which major companies are responding to and seeking to develop
+these markets.
+
+Project Open Book is focused specifically on the conversion of images
+from microfilm to digital form.  The technology for scanning microfilm is
+readily available but is changing rapidly.  In its project requirements,
+the Yale Library emphasized features of the technology that affect the
+technical quality of digital image production and the costs of creating
+and storing the image library:  What levels of digital resolution can be
+achieved by scanning microfilm?  How does variation in the quality of
+microfilm, particularly in film produced to preservation standards,
+affect the quality of the digital images?  What technologies can an
+operator effectively and economically apply when scanning film to
+separate two-up images and to control for and correct image
+imperfections?  How can quality control best be integrated into
+digitizing work flow that includes document indexing and storage?
+
+The actual and expected uses of digital images--storage, browsing,
+printing, and OCR--help determine the standards for measuring their
+quality.  Browsing is especially important, but the facilities available
+for readers to browse image documents is perhaps the weakest aspect of
+imaging technology and most in need of development.  As it defined its
+requirements, the Yale Library concentrated on some fundamental aspects
+of usability for image documents:  Does the system have sufficient
+flexibility to handle the full range of document types, including
+monographs, multi-part and multivolume sets, and serials, as well as
+manuscript collections?  What conventions are necessary to identify a
+document uniquely for storage and retrieval?  Where is the database of
+record for storing bibliographic information about the image document?
+How are basic internal structures of documents, such as pagination, made
+accessible to the reader?  How are the image documents physically
+presented on the screen to the reader?
+
+The Yale Library designed Project Open Book on the assumption that
+microfilm is more than adequate as a medium for preserving the content of
+deteriorated library materials.  As planning in the project has advanced,
+it is increasingly clear that the challenge of digital image technology
+and the key to the success of efforts like Project Open Book is to
+provide a means of both preserving and improving access to those
+deteriorated materials.
+
+SESSION IV-B
+
+George THOMA
+
+In the use of electronic imaging for document preservation, there are
+several issues to consider, such as:  ensuring adequate image quality,
+maintaining substantial conversion rates (through-put), providing unique
+identification for automated access and retrieval, and accommodating
+bound volumes and fragile material.
+
+To maintain high image quality, image processing functions are required
+to correct the deficiencies in the scanned image.  Some commercially
+available systems include these functions, while some do not.  The
+scanned raw image must be processed to correct contrast deficiencies--
+both poor overall contrast resulting from light print and/or dark
+background, and variable contrast resulting from stains and
+bleed-through.  Furthermore, the scan density must be adequate to allow
+legibility of print and sufficient fidelity in the pseudo-halftoned gray
+material.  Borders or page-edge effects must be removed for both
+compactibility and aesthetics.  Page skew must be corrected for aesthetic
+reasons and to enable accurate character recognition if desired.
+Compound images consisting of both two-toned text and gray-scale
+illustrations must be processed appropriately to retain the quality of
+each.
+
+SESSION IV-C
+
+Jean BARONAS
+
+Standards publications being developed by scientists, engineers, and
+business managers in Association for Information and Image Management
+(AIIM) standards committees can be applied to electronic image management
+(EIM) processes including:  document (image) transfer, retrieval and
+evaluation; optical disk and document scanning; and document design and
+conversion.  When combined with EIM system planning and operations,
+standards can assist in generating image databases that are
+interchangeable among a variety of systems.  The applications of
+different approaches for image-tagging, indexing, compression, and
+transfer often cause uncertainty concerning EIM system compatibility,
+calibration, performance, and upward compatibility, until standard
+implementation parameters are established.  The AIIM standards that are
+being developed for these applications can be used to decrease the
+uncertainty, successfully integrate imaging processes, and promote "open
+systems."  AIIM is an accredited American National Standards Institute
+(ANSI) standards developer with more than twenty committees comprised of
+300 volunteers representing users, vendors, and manufacturers.  The
+standards publications that are developed in these committees have
+national acceptance and provide the basis for international harmonization
+in the development of new International Organization for Standardization
+(ISO) standards.
+
+This presentation describes the development of AIIM's EIM standards and a
+new effort at AIIM, a database on standards projects in a wide framework
+of imaging industries including capture, recording, processing,
+duplication, distribution, display, evaluation, and preservation.  The
+AIIM Imagery Database will cover imaging standards being developed by
+many organizations in many different countries.  It will contain
+standards publications' dates, origins, related national and
+international projects, status, key words, and abstracts.  The ANSI Image
+Technology Standards Board requested that such a database be established,
+as did the ISO/International Electrotechnical Commission Joint Task Force
+on Imagery.  AIIM will take on the leadership role for the database and
+coordinate its development with several standards developers.
+
+Patricia BATTIN
+
+     Characteristics of standards for digital imagery:
+
+          * Nature of digital technology implies continuing volatility.
+
+          * Precipitous standard-setting not possible and probably not
+          desirable.
+
+          * Standards are a complex issue involving the medium, the
+          hardware, the software, and the technical capacity for
+          reproductive fidelity and clarity.
+
+          * The prognosis for reliable archival standards (as defined by
+          librarians) in the foreseeable future is poor.
+
+     Significant potential and attractiveness of digital technology as a
+     preservation medium and access mechanism.
+
+     Productive use of digital imagery for preservation requires a
+     reconceptualizing of preservation principles in a volatile,
+     standardless world.
+
+     Concept of managing continuing access in the digital environment
+     rather than focusing on the permanence of the medium and long-term
+     archival standards developed for the analog world.
+
+     Transition period:  How long and what to do?
+
+          *  Redefine "archival."
+
+          *  Remove the burden of "archival copy" from paper artifacts.
+
+          *  Use digital technology for storage, develop management
+          strategies for refreshing medium, hardware and software.
+
+          *  Create acid-free paper copies for transition period backup
+          until we develop reliable procedures for ensuring continuing
+          access to digital files.
+
+SESSION IV-D
+
+Stuart WEIBEL            The Role of SGML Markup in the CORE Project (6)
+
+The emergence of high-speed telecommunications networks as a basic
+feature of the scholarly workplace is driving the demand for electronic
+document delivery.  Three distinct categories of electronic
+publishing/republishing are necessary to support access demands in this
+emerging environment:
+
+     1.)  Conversion of paper or microfilm archives to electronic format
+     2.)  Conversion of electronic files to formats tailored to
+          electronic retrieval and display
+     3.)  Primary electronic publishing (materials for which the
+          electronic version is the primary format)
+
+OCLC has experimental or product development activities in each of these
+areas.  Among the challenges that lie ahead is the integration of these
+three types of information stores in coherent distributed systems.
+
+The CORE (Chemistry Online Retrieval Experiment) Project is a model for
+the conversion of large text and graphics collections for which
+electronic typesetting files are available (category 2).  The American
+Chemical Society has made available computer typography files dating from
+1980 for its twenty journals.  This collection of some 250 journal-years
+is being converted to an electronic format that will be accessible
+through several end-user applications.
+
+The use of Standard Generalized Markup Language (SGML) offers the means
+to capture the structural richness of the original articles in a way that
+will support a variety of retrieval, navigation, and display options
+necessary to navigate effectively in very large text databases.
+
+An SGML document consists of text that is marked up with descriptive tags
+that specify the function of a given element within the document.  As a
+formal language construct, an SGML document can be parsed against a
+document-type definition (DTD) that unambiguously defines what elements
+are allowed and where in the document they can (or must) occur.  This
+formalized map of article structure allows the user interface design to
+be uncoupled from the underlying database system, an important step
+toward interoperability.  Demonstration of this separability is a part of
+the CORE project, wherein user interface designs born of very different
+philosophies will access the same database.
+
+NOTES:
+     (6)  The CORE project is a collaboration among Cornell University's
+     Mann Library, Bell Communications Research (Bellcore), the American
+     Chemical Society (ACS), the Chemical Abstracts Service (CAS), and
+     OCLC.
+
+Michael LESK                  The CORE Electronic Chemistry Library
+
+A major on-line file of chemical journal literature complete with
+graphics is being developed to test the usability of fully electronic
+access to documents, as a joint project of Cornell University, the
+American Chemical Society, the Chemical Abstracts Service, OCLC, and
+Bellcore (with additional support from Sun Microsystems, Springer-Verlag,
+DigitaI Equipment Corporation, Sony Corporation of America, and Apple
+Computers).  Our file contains the American Chemical Society's on-line
+journals, supplemented with the graphics from the paper publication.  The
+indexing of the articles from Chemical Abstracts Documents is available
+in both image and text format, and several different interfaces can be
+used.  Our goals are (1) to assess the effectiveness and acceptability of
+electronic access to primary journals as compared with paper, and (2) to
+identify the most desirable functions of the user interface to an
+electronic system of journals, including in particular a comparison of
+page-image display with ASCII display interfaces.  Early experiments with
+chemistry students on a variety of tasks suggest that searching tasks are
+completed much faster with any electronic system than with paper, but
+that for reading all versions of the articles are roughly equivalent.
+
+Pamela ANDRE and Judith ZIDAR
+
+Text conversion is far more expensive and time-consuming than image
+capture alone.  NAL's experience with optical character recognition (OCR)
+will be related and compared with the experience of having text rekeyed.
+What factors affect OCR accuracy?  How accurate does full text have to be
+in order to be useful?  How do different users react to imperfect text?
+These are questions that will be explored.  For many, a service bureau
+may be a better solution than performing the work inhouse; this will also
+be discussed.
+
+SESSION VI
+
+Marybeth PETERS
+
+Copyright law protects creative works.  Protection granted by the law to
+authors and disseminators of works includes the right to do or authorize
+the following:  reproduce the work, prepare derivative works, distribute
+the work to the public, and publicly perform or display the work.  In
+addition, copyright owners of sound recordings and computer programs have
+the right to control rental of their works.  These rights are not
+unlimited; there are a number of exceptions and limitations.
+
+An electronic environment places strains on the copyright system.
+Copyright owners want to control uses of their work and be paid for any
+use; the public wants quick and easy access at little or no cost.  The
+marketplace is working in this area.  Contracts, guidelines on electronic
+use, and collective licensing are in use and being refined.
+
+Issues concerning the ability to change works without detection are more
+difficult to deal with.  Questions concerning the integrity of the work
+and the status of the changed version under the copyright law are to be
+addressed.  These are public policy issues which require informed
+dialogue.
+
+
+               ***   ***   ***   ******   ***   ***   ***
+
+
+                Appendix III:  DIRECTORY OF PARTICIPANTS
+
+
+PRESENTERS:
+
+     Pamela Q.J. Andre
+     Associate Director, Automation
+     National Agricultural Library
+     10301 Baltimore Boulevard
+     Beltsville, MD 20705-2351
+     Phone:  (301) 504-6813
+     Fax:  (301) 504-7473
+     E-mail:  INTERNET:  PANDRE@ASRR.ARSUSDA.GOV
+
+     Jean Baronas, Senior Manager
+     Department of Standards and Technology
+     Association for Information and Image Management (AIIM)
+     1100 Wayne Avenue, Suite 1100
+     Silver Spring, MD 20910
+     Phone:  (301) 587-8202
+     Fax:  (301) 587-2711
+
+     Patricia Battin, President
+     The Commission on Preservation and Access
+     1400 16th Street, N.W.
+     Suite 740
+     Washington, DC 20036-2217
+     Phone:  (202) 939-3400
+     Fax:  (202) 939-3407
+     E-mail:  CPA@GWUVM.BITNET
+
+     Howard Besser
+     Centre Canadien d'Architecture
+     (Canadian Center for Architecture)
+     1920, rue Baile
+     Montreal, Quebec H3H 2S6
+     CANADA
+     Phone:  (514) 939-7001
+     Fax:  (514) 939-7020
+     E-mail:  howard@lis.pitt.edu
+
+     Edwin B. Brownrigg, Executive Director
+     Memex Research Institute
+     422 Bonita Avenue
+     Roseville, CA 95678
+     Phone:  (916) 784-2298
+     Fax:  (916) 786-7559
+     E-mail:  BITNET:  MEMEX@CALSTATE.2
+
+     Eric M. Calaluca, Vice President
+     Chadwyck-Healey, Inc.
+     1101 King Street
+     Alexandria, VA 223l4
+     Phone:  (800) 752-05l5
+     Fax:  (703) 683-7589
+
+     James Daly
+     4015 Deepwood Road
+     Baltimore, MD 21218-1404
+     Phone:  (410) 235-0763
+
+     Ricky Erway, Associate Coordinator
+     American Memory
+     Library of Congress
+     Phone:  (202) 707-6233
+     Fax:  (202) 707-3764
+
+     Carl Fleischhauer, Coordinator
+     American Memory
+     Library of Congress
+     Phone:  (202) 707-6233
+     Fax:  (202) 707-3764
+
+     Joanne Freeman
+     2000 Jefferson Park Avenue, No. 7
+     Charlottesville, VA  22903
+
+     Prosser Gifford
+     Director for Scholarly Programs
+     Library of Congress
+     Phone:  (202) 707-1517
+     Fax:  (202) 707-9898
+     E-mail:  pgif@seq1.loc.gov
+
+     Jacqueline Hess, Director
+     National Demonstration Laboratory
+       for Interactive Information Technologies
+     Library of Congress
+     Phone:  (202) 707-4157
+     Fax:  (202) 707-2829
+
+     Susan Hockey, Director
+     Center for Electronic Texts in the Humanities (CETH)
+     Alexander Library
+     Rutgers University
+     169 College Avenue
+     New Brunswick, NJ 08903
+     Phone:  (908) 932-1384
+     Fax:  (908) 932-1386
+     E-mail:  hockey@zodiac.rutgers.edu
+
+     William L. Hooton, Vice President
+     Business & Technical Development
+       Imaging & Information Systems Group
+     I-NET
+     6430 Rockledge Drive, Suite 400
+     Bethesda, MD 208l7
+     Phone:  (301) 564-6750
+     Fax:  (513) 564-6867
+
+     Anne R. Kenney, Associate Director
+     Department of Preservation and Conservation
+     701 Olin Library
+     Cornell University
+     Ithaca, NY 14853
+     Phone:  (607) 255-6875
+     Fax:  (607) 255-9346
+     E-mail:  LYDY@CORNELLA.BITNET
+
+     Ronald L. Larsen
+     Associate Director for Information Technology
+     University of Maryland at College Park
+     Room B0224, McKeldin Library
+     College Park, MD 20742-7011
+     Phone:  (301) 405-9194
+     Fax:  (301) 314-9865
+     E-mail:  rlarsen@libr.umd.edu
+
+     Maria L. Lebron, Managing Editor
+     The Online Journal of Current Clinical Trials
+     l333 H Street, N.W.
+     Washington, DC 20005
+     Phone:  (202) 326-6735
+     Fax:  (202) 842-2868
+     E-mail:  PUBSAAAS@GWUVM.BITNET
+
+     Michael Lesk, Executive Director
+     Computer Science Research
+     Bell Communications Research, Inc.
+     Rm 2A-385
+     445 South Street
+     Morristown, NJ 07960-l9l0
+     Phone:  (201) 829-4070
+     Fax:  (201) 829-5981
+     E-mail:  lesk@bellcore.com (Internet) or bellcore!lesk (uucp)
+
+     Clifford A. Lynch
+     Director, Library Automation
+     University of California,
+        Office of the President
+     300 Lakeside Drive, 8th Floor
+     Oakland, CA 94612-3350
+     Phone:  (510) 987-0522
+     Fax:  (510) 839-3573
+     E-mail:  calur@uccmvsa
+
+     Avra Michelson
+     National Archives and Records Administration
+     NSZ Rm. 14N
+     7th & Pennsylvania, N.W.
+     Washington, D.C. 20408
+     Phone:  (202) 501-5544
+     Fax:  (202) 501-5533
+     E-mail:  tmi@cu.nih.gov
+
+     Elli Mylonas, Managing Editor
+     Perseus Project
+     Department of the Classics
+     Harvard University
+     319 Boylston Hall
+     Cambridge, MA 02138
+     Phone:  (617) 495-9025, (617) 495-0456 (direct)
+     Fax:  (617) 496-8886
+     E-mail:  Elli@IKAROS.Harvard.EDU or elli@wjh12.harvard.edu
+
+     David Woodley Packard
+     Packard Humanities Institute
+     300 Second Street, Suite 201
+     Los Altos, CA 94002
+     Phone:  (415) 948-0150 (PHI)
+     Fax:  (415) 948-5793
+
+     Lynne K. Personius, Assistant Director
+     Cornell Information Technologies for
+      Scholarly Information Sources
+     502 Olin Library
+     Cornell University
+     Ithaca, NY 14853
+     Phone:  (607) 255-3393
+     Fax:  (607) 255-9346
+     E-mail:  JRN@CORNELLC.BITNET
+
+     Marybeth Peters
+     Policy Planning Adviser to the
+       Register of Copyrights
+     Library of Congress
+     Office LM 403
+     Phone:  (202) 707-8350
+     Fax:  (202) 707-8366
+
+     C. Michael Sperberg-McQueen
+     Editor, Text Encoding Initiative
+     Computer Center (M/C 135)
+     University of Illinois at Chicago
+     Box 6998
+     Chicago, IL 60680
+     Phone:  (312) 413-0317
+     Fax:  (312) 996-6834
+     E-mail:  u35395@uicvm..cc.uic.edu or u35395@uicvm.bitnet
+
+     George R. Thoma, Chief
+     Communications Engineering Branch
+     National Library of Medicine
+     8600 Rockville Pike
+     Bethesda, MD 20894
+     Phone:  (301) 496-4496
+     Fax:  (301) 402-0341
+     E-mail:  thoma@lhc.nlm.nih.gov
+
+     Dorothy Twohig, Editor
+     The Papers of George Washington
+     504 Alderman Library
+     University of Virginia
+     Charlottesville, VA 22903-2498
+     Phone:  (804) 924-0523
+     Fax:  (804) 924-4337
+
+     Susan H. Veccia, Team leader
+     American Memory, User Evaluation
+     Library of Congress
+     American Memory Evaluation Project
+     Phone:  (202) 707-9104
+     Fax:  (202) 707-3764
+     E-mail:  svec@seq1.loc.gov
+
+     Donald J. Waters, Head
+     Systems Office
+     Yale University Library
+     New Haven, CT 06520
+     Phone:  (203) 432-4889
+     Fax:  (203) 432-7231
+     E-mail:  DWATERS@YALEVM.BITNET or DWATERS@YALEVM.YCC.YALE.EDU
+
+     Stuart Weibel, Senior Research Scientist
+     OCLC
+     6565 Frantz Road
+     Dublin, OH 43017
+     Phone:  (614) 764-608l
+     Fax:  (614) 764-2344
+     E-mail:  INTERNET:  Stu@rsch.oclc.org
+
+     Robert G. Zich
+     Special Assistant to the Associate Librarian
+       for Special Projects
+     Library of Congress
+     Phone:  (202) 707-6233
+     Fax:  (202) 707-3764
+     E-mail:  rzic@seq1.loc.gov
+
+     Judith A. Zidar, Coordinator
+     National Agricultural Text Digitizing Program
+     Information Systems Division
+     National Agricultural Library
+     10301 Baltimore Boulevard
+     Beltsville, MD 20705-2351
+     Phone:  (301) 504-6813 or 504-5853
+     Fax:  (301) 504-7473
+     E-mail:  INTERNET:  JZIDAR@ASRR.ARSUSDA.GOV
+
+
+OBSERVERS:
+
+     Helen Aguera, Program Officer
+     Division of Research
+     Room 318
+     National Endowment for the Humanities
+     1100 Pennsylvania Avenue, N.W.
+     Washington, D.C. 20506
+     Phone:  (202) 786-0358
+     Fax:  (202) 786-0243
+
+     M. Ellyn Blanton, Deputy Director
+     National Demonstration Laboratory
+       for Interactive Information Technologies
+     Library of Congress
+     Phone:  (202) 707-4157
+     Fax:  (202) 707-2829
+
+     Charles M. Dollar
+     National Archives and Records Administration
+     NSZ Rm. 14N
+     7th & Pennsylvania, N.W.
+     Washington, DC 20408
+     Phone:  (202) 501-5532
+     Fax:  (202) 501-5512
+
+     Jeffrey Field, Deputy to the Director
+     Division of Preservation and Access
+     Room 802
+     National Endowment for the Humanities
+     1100 Pennsylvania Avenue, N.W.
+     Washington, DC 20506
+     Phone:  (202) 786-0570
+     Fax:  (202) 786-0243
+
+     Lorrin Garson
+     American Chemical Society
+     Research and Development Department
+     1155 16th Street, N.W.
+     Washington, D.C. 20036
+     Phone:  (202) 872-4541
+     Fax:  E-mail:  INTERNET:  LRG96@ACS.ORG
+
+     William M. Holmes, Jr.
+     National Archives and Records Administration
+     NSZ Rm. 14N
+     7th & Pennsylvania, N.W.
+     Washington, DC 20408
+     Phone:  (202) 501-5540
+     Fax:  (202) 501-5512
+     E-mail:  WHOLMES@AMERICAN.EDU
+
+     Sperling Martin
+     Information Resource Management
+     20030 Doolittle Street
+     Gaithersburg, MD 20879
+     Phone:  (301) 924-1803
+
+     Michael Neuman, Director
+     The Center for Text and Technology
+     Academic Computing Center
+     238 Reiss Science Building
+     Georgetown University
+     Washington, DC 20057
+     Phone:  (202) 687-6096
+     Fax:  (202) 687-6003
+     E-mail:  neuman@guvax.bitnet, neuman@guvax.georgetown.edu
+
+     Barbara Paulson, Program Officer
+     Division of Preservation and Access
+     Room 802
+     National Endowment for the Humanities
+     1100 Pennsylvania Avenue, N.W.
+     Washington, DC 20506
+     Phone:  (202) 786-0577
+     Fax:  (202) 786-0243
+
+     Allen H. Renear
+     Senior Academic Planning Analyst
+     Brown University Computing and Information Services
+     115 Waterman Street
+     Campus Box 1885
+     Providence, R.I. 02912
+     Phone:  (401) 863-7312
+     Fax:  (401) 863-7329
+     E-mail:  BITNET:  Allen@BROWNVM or
+     INTERNET:  Allen@brownvm.brown.edu
+
+     Susan M. Severtson, President
+     Chadwyck-Healey, Inc.
+     1101 King Street
+     Alexandria, VA 223l4
+     Phone:  (800) 752-05l5
+     Fax:  (703) 683-7589
+
+     Frank Withrow
+     U.S. Department of Education
+     555 New Jersey Avenue, N.W.
+     Washington, DC 20208-5644
+     Phone:  (202) 219-2200
+     Fax:  (202) 219-2106
+
+
+(LC STAFF)
+
+     Linda L. Arret
+     Machine-Readable Collections Reading Room LJ 132
+     (202) 707-1490
+
+     John D. Byrum, Jr.
+     Descriptive Cataloging Division LM 540
+     (202) 707-5194
+
+     Mary Jane Cavallo
+     Science and Technology Division LA 5210
+     (202) 707-1219
+
+     Susan Thea David
+     Congressional Research Service LM 226
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+
+Note:  This file has been edited for use on computer networks.  This
+editing required the removal of diacritics, underlining, and fonts such
+as italics and bold.
+
+kde 11/92
+
+[A few of the italics (when used for emphasis) were replaced by CAPS mh]
+
+*End of The Project Gutenberg Etext of LOC WORKSHOP ON ELECTRONIC ETEXTS
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+
+This is the February 1992 Project Gutenberg release of:
+
+Paradise Lost by John Milton
+
+The oldest etext known to Project Gutenberg (ca. 1964-1965)
+(If you know of any older ones, please let us know.)
+
+
+Introduction  (one page)
+
+This etext was originally created in 1964-1965 according to Dr.
+Joseph Raben of Queens College, NY, to whom it is attributed by
+Project Gutenberg.  We had heard of this etext for years but it
+was not until 1991 that we actually managed to track it down to
+a specific location, and then it took months to convince people
+to let us have a copy, then more months for them actually to do
+the copying and get it to us.  Then another month to convert to
+something we could massage with our favorite 486 in DOS.  After
+that is was only a matter of days to get it into this shape you
+will see below.  The original was, of course, in CAPS only, and
+so were all the other etexts of the 60's and early 70's.  Don't
+let anyone fool you into thinking any etext with both upper and
+lower case is an original; all those original Project Gutenberg
+etexts were also in upper case and were translated or rewritten
+many times to get them into their current condition.  They have
+been worked on by many people throughout the world.
+
+In the course of our searches for Professor Raben and his etext
+we were never able to determine where copies were or which of a
+variety of editions he may have used as a source.  We did get a
+little information here and there, but even after we received a
+copy of the etext we were unwilling to release it without first
+determining that it was in fact Public Domain and finding Raben
+to verify this and get his permission.  Interested enough, in a
+totally unrelated action to our searches for him, the professor
+subscribed to the Project Gutenberg listserver and we happened,
+by accident, to notice his name. (We don't really look at every
+subscription request as the computers usually handle them.) The
+etext was then properly identified, copyright analyzed, and the
+current edition prepared.
+
+To give you an estimation of the difference in the original and
+what we have today:  the original was probably entered on cards
+commonly known at the time as "IBM cards" (Do Not Fold, Spindle
+or Mutilate) and probably took in excess of 100,000 of them.  A
+single card could hold 80 characters (hence 80 characters is an
+accepted standard for so many computer margins), and the entire
+original edition we received in all caps was over 800,000 chars
+in length, including line enumeration, symbols for caps and the
+punctuation marks, etc., since they were not available keyboard
+characters at the time (probably the keyboards operated at baud
+rates of around 113, meaning the typists had to type slowly for
+the keyboard to keep up).
+
+This is the second version of Paradise Lost released by Project
+Gutenberg.  The first was released as our October, 1991 etext.
+
+
+
+
+
+Paradise Lost
+
+
+
+
+Book I
+
+
+Of Man's first disobedience, and the fruit
+Of that forbidden tree whose mortal taste
+Brought death into the World, and all our woe,
+With loss of Eden, till one greater Man
+Restore us, and regain the blissful seat,
+Sing, Heavenly Muse, that, on the secret top
+Of Oreb, or of Sinai, didst inspire
+That shepherd who first taught the chosen seed
+In the beginning how the heavens and earth
+Rose out of Chaos: or, if Sion hill
+Delight thee more, and Siloa's brook that flowed
+Fast by the oracle of God, I thence
+Invoke thy aid to my adventurous song,
+That with no middle flight intends to soar
+Above th' Aonian mount, while it pursues
+Things unattempted yet in prose or rhyme.
+And chiefly thou, O Spirit, that dost prefer
+Before all temples th' upright heart and pure,
+Instruct me, for thou know'st; thou from the first
+Wast present, and, with mighty wings outspread,
+Dove-like sat'st brooding on the vast Abyss,
+And mad'st it pregnant: what in me is dark
+Illumine, what is low raise and support;
+That, to the height of this great argument,
+I may assert Eternal Providence,
+And justify the ways of God to men.
+  Say first--for Heaven hides nothing from thy view,
+Nor the deep tract of Hell--say first what cause
+Moved our grand parents, in that happy state,
+Favoured of Heaven so highly, to fall off
+From their Creator, and transgress his will
+For one restraint, lords of the World besides.
+Who first seduced them to that foul revolt?
+  Th' infernal Serpent; he it was whose guile,
+Stirred up with envy and revenge, deceived
+The mother of mankind, what time his pride
+Had cast him out from Heaven, with all his host
+Of rebel Angels, by whose aid, aspiring
+To set himself in glory above his peers,
+He trusted to have equalled the Most High,
+If he opposed, and with ambitious aim
+Against the throne and monarchy of God,
+Raised impious war in Heaven and battle proud,
+With vain attempt. Him the Almighty Power
+Hurled headlong flaming from th' ethereal sky,
+With hideous ruin and combustion, down
+To bottomless perdition, there to dwell
+In adamantine chains and penal fire,
+Who durst defy th' Omnipotent to arms.
+  Nine times the space that measures day and night
+To mortal men, he, with his horrid crew,
+Lay vanquished, rolling in the fiery gulf,
+Confounded, though immortal. But his doom
+Reserved him to more wrath; for now the thought
+Both of lost happiness and lasting pain
+Torments him: round he throws his baleful eyes,
+That witnessed huge affliction and dismay,
+Mixed with obdurate pride and steadfast hate.
+At once, as far as Angels ken, he views
+The dismal situation waste and wild.
+A dungeon horrible, on all sides round,
+As one great furnace flamed; yet from those flames
+No light; but rather darkness visible
+Served only to discover sights of woe,
+Regions of sorrow, doleful shades, where peace
+And rest can never dwell, hope never comes
+That comes to all, but torture without end
+Still urges, and a fiery deluge, fed
+With ever-burning sulphur unconsumed.
+Such place Eternal Justice has prepared
+For those rebellious; here their prison ordained
+In utter darkness, and their portion set,
+As far removed from God and light of Heaven
+As from the centre thrice to th' utmost pole.
+Oh how unlike the place from whence they fell!
+There the companions of his fall, o'erwhelmed
+With floods and whirlwinds of tempestuous fire,
+He soon discerns; and, weltering by his side,
+One next himself in power, and next in crime,
+Long after known in Palestine, and named
+Beelzebub. To whom th' Arch-Enemy,
+And thence in Heaven called Satan, with bold words
+Breaking the horrid silence, thus began:--
+  "If thou beest he--but O how fallen! how changed
+From him who, in the happy realms of light
+Clothed with transcendent brightness, didst outshine
+Myriads, though bright!--if he whom mutual league,
+United thoughts and counsels, equal hope
+And hazard in the glorious enterprise
+Joined with me once, now misery hath joined
+In equal ruin; into what pit thou seest
+From what height fallen: so much the stronger proved
+He with his thunder; and till then who knew
+The force of those dire arms? Yet not for those,
+Nor what the potent Victor in his rage
+Can else inflict, do I repent, or change,
+Though changed in outward lustre, that fixed mind,
+And high disdain from sense of injured merit,
+That with the Mightiest raised me to contend,
+And to the fierce contentions brought along
+Innumerable force of Spirits armed,
+That durst dislike his reign, and, me preferring,
+His utmost power with adverse power opposed
+In dubious battle on the plains of Heaven,
+And shook his throne. What though the field be lost?
+All is not lost--the unconquerable will,
+And study of revenge, immortal hate,
+And courage never to submit or yield:
+And what is else not to be overcome?
+That glory never shall his wrath or might
+Extort from me. To bow and sue for grace
+With suppliant knee, and deify his power
+Who, from the terror of this arm, so late
+Doubted his empire--that were low indeed;
+That were an ignominy and shame beneath
+This downfall; since, by fate, the strength of Gods,
+And this empyreal sybstance, cannot fail;
+Since, through experience of this great event,
+In arms not worse, in foresight much advanced,
+We may with more successful hope resolve
+To wage by force or guile eternal war,
+Irreconcilable to our grand Foe,
+Who now triumphs, and in th' excess of joy
+Sole reigning holds the tyranny of Heaven."
+  So spake th' apostate Angel, though in pain,
+Vaunting aloud, but racked with deep despair;
+And him thus answered soon his bold compeer:--
+  "O Prince, O Chief of many throned Powers
+That led th' embattled Seraphim to war
+Under thy conduct, and, in dreadful deeds
+Fearless, endangered Heaven's perpetual King,
+And put to proof his high supremacy,
+Whether upheld by strength, or chance, or fate,
+Too well I see and rue the dire event
+That, with sad overthrow and foul defeat,
+Hath lost us Heaven, and all this mighty host
+In horrible destruction laid thus low,
+As far as Gods and heavenly Essences
+Can perish: for the mind and spirit remains
+Invincible, and vigour soon returns,
+Though all our glory extinct, and happy state
+Here swallowed up in endless misery.
+But what if he our Conqueror (whom I now
+Of force believe almighty, since no less
+Than such could have o'erpowered such force as ours)
+Have left us this our spirit and strength entire,
+Strongly to suffer and support our pains,
+That we may so suffice his vengeful ire,
+Or do him mightier service as his thralls
+By right of war, whate'er his business be,
+Here in the heart of Hell to work in fire,
+Or do his errands in the gloomy Deep?
+What can it the avail though yet we feel
+Strength undiminished, or eternal being
+To undergo eternal punishment?"
+  Whereto with speedy words th' Arch-Fiend replied:--
+"Fallen Cherub, to be weak is miserable,
+Doing or suffering: but of this be sure--
+To do aught good never will be our task,
+But ever to do ill our sole delight,
+As being the contrary to his high will
+Whom we resist. If then his providence
+Out of our evil seek to bring forth good,
+Our labour must be to pervert that end,
+And out of good still to find means of evil;
+Which ofttimes may succeed so as perhaps
+Shall grieve him, if I fail not, and disturb
+His inmost counsels from their destined aim.
+But see! the angry Victor hath recalled
+His ministers of vengeance and pursuit
+Back to the gates of Heaven: the sulphurous hail,
+Shot after us in storm, o'erblown hath laid
+The fiery surge that from the precipice
+Of Heaven received us falling; and the thunder,
+Winged with red lightning and impetuous rage,
+Perhaps hath spent his shafts, and ceases now
+To bellow through the vast and boundless Deep.
+Let us not slip th' occasion, whether scorn
+Or satiate fury yield it from our Foe.
+Seest thou yon dreary plain, forlorn and wild,
+The seat of desolation, void of light,
+Save what the glimmering of these livid flames
+Casts pale and dreadful? Thither let us tend
+From off the tossing of these fiery waves;
+There rest, if any rest can harbour there;
+And, re-assembling our afflicted powers,
+Consult how we may henceforth most offend
+Our enemy, our own loss how repair,
+How overcome this dire calamity,
+What reinforcement we may gain from hope,
+If not, what resolution from despair."
+  Thus Satan, talking to his nearest mate,
+With head uplift above the wave, and eyes
+That sparkling blazed; his other parts besides
+Prone on the flood, extended long and large,
+Lay floating many a rood, in bulk as huge
+As whom the fables name of monstrous size,
+Titanian or Earth-born, that warred on Jove,
+Briareos or Typhon, whom the den
+By ancient Tarsus held, or that sea-beast
+Leviathan, which God of all his works
+Created hugest that swim th' ocean-stream.
+Him, haply slumbering on the Norway foam,
+The pilot of some small night-foundered skiff,
+Deeming some island, oft, as seamen tell,
+With fixed anchor in his scaly rind,
+Moors by his side under the lee, while night
+Invests the sea, and wished morn delays.
+So stretched out huge in length the Arch-fiend lay,
+Chained on the burning lake; nor ever thence
+Had risen, or heaved his head, but that the will
+And high permission of all-ruling Heaven
+Left him at large to his own dark designs,
+That with reiterated crimes he might
+Heap on himself damnation, while he sought
+Evil to others, and enraged might see
+How all his malice served but to bring forth
+Infinite goodness, grace, and mercy, shewn
+On Man by him seduced, but on himself
+Treble confusion, wrath, and vengeance poured.
+  Forthwith upright he rears from off the pool
+His mighty stature; on each hand the flames
+Driven backward slope their pointing spires, and,rolled
+In billows, leave i' th' midst a horrid vale.
+Then with expanded wings he steers his flight
+Aloft, incumbent on the dusky air,
+That felt unusual weight; till on dry land
+He lights--if it were land that ever burned
+With solid, as the lake with liquid fire,
+And such appeared in hue as when the force
+Of subterranean wind transprots a hill
+Torn from Pelorus, or the shattered side
+Of thundering Etna, whose combustible
+And fuelled entrails, thence conceiving fire,
+Sublimed with mineral fury, aid the winds,
+And leave a singed bottom all involved
+With stench and smoke. Such resting found the sole
+Of unblest feet. Him followed his next mate;
+Both glorying to have scaped the Stygian flood
+As gods, and by their own recovered strength,
+Not by the sufferance of supernal Power.
+  "Is this the region, this the soil, the clime,"
+Said then the lost Archangel, "this the seat
+That we must change for Heaven?--this mournful gloom
+For that celestial light? Be it so, since he
+Who now is sovereign can dispose and bid
+What shall be right: farthest from him is best
+Whom reason hath equalled, force hath made supreme
+Above his equals. Farewell, happy fields,
+Where joy for ever dwells! Hail, horrors! hail,
+Infernal world! and thou, profoundest Hell,
+Receive thy new possessor--one who brings
+A mind not to be changed by place or time.
+The mind is its own place, and in itself
+Can make a Heaven of Hell, a Hell of Heaven.
+What matter where, if I be still the same,
+And what I should be, all but less than he
+Whom thunder hath made greater? Here at least
+We shall be free; th' Almighty hath not built
+Here for his envy, will not drive us hence:
+Here we may reigh secure; and, in my choice,
+To reign is worth ambition, though in Hell:
+Better to reign in Hell than serve in Heaven.
+But wherefore let we then our faithful friends,
+Th' associates and co-partners of our loss,
+Lie thus astonished on th' oblivious pool,
+And call them not to share with us their part
+In this unhappy mansion, or once more
+With rallied arms to try what may be yet
+Regained in Heaven, or what more lost in Hell?"
+  So Satan spake; and him Beelzebub
+Thus answered:--"Leader of those armies bright
+Which, but th' Omnipotent, none could have foiled!
+If once they hear that voice, their liveliest pledge
+Of hope in fears and dangers--heard so oft
+In worst extremes, and on the perilous edge
+Of battle, when it raged, in all assaults
+Their surest signal--they will soon resume
+New courage and revive, though now they lie
+Grovelling and prostrate on yon lake of fire,
+As we erewhile, astounded and amazed;
+No wonder, fallen such a pernicious height!"
+  He scare had ceased when the superior Fiend
+Was moving toward the shore; his ponderous shield,
+Ethereal temper, massy, large, and round,
+Behind him cast. The broad circumference
+Hung on his shoulders like the moon, whose orb
+Through optic glass the Tuscan artist views
+At evening, from the top of Fesole,
+Or in Valdarno, to descry new lands,
+Rivers, or mountains, in her spotty globe.
+His spear--to equal which the tallest pine
+Hewn on Norwegian hills, to be the mast
+Of some great ammiral, were but a wand--
+He walked with, to support uneasy steps
+Over the burning marl, not like those steps
+On Heaven's azure; and the torrid clime
+Smote on him sore besides, vaulted with fire.
+Nathless he so endured, till on the beach
+Of that inflamed sea he stood, and called
+His legions--Angel Forms, who lay entranced
+Thick as autumnal leaves that strow the brooks
+In Vallombrosa, where th' Etrurian shades
+High over-arched embower; or scattered sedge
+Afloat, when with fierce winds Orion armed
+Hath vexed the Red-Sea coast, whose waves o'erthrew
+Busiris and his Memphian chivalry,
+While with perfidious hatred they pursued
+The sojourners of Goshen, who beheld
+From the safe shore their floating carcases
+And broken chariot-wheels. So thick bestrown,
+Abject and lost, lay these, covering the flood,
+Under amazement of their hideous change.
+He called so loud that all the hollow deep
+Of Hell resounded:--"Princes, Potentates,
+Warriors, the Flower of Heaven--once yours; now lost,
+If such astonishment as this can seize
+Eternal Spirits! Or have ye chosen this place
+After the toil of battle to repose
+Your wearied virtue, for the ease you find
+To slumber here, as in the vales of Heaven?
+Or in this abject posture have ye sworn
+To adore the Conqueror, who now beholds
+Cherub and Seraph rolling in the flood
+With scattered arms and ensigns, till anon
+His swift pursuers from Heaven-gates discern
+Th' advantage, and, descending, tread us down
+Thus drooping, or with linked thunderbolts
+Transfix us to the bottom of this gulf?
+Awake, arise, or be for ever fallen!"
+  They heard, and were abashed, and up they sprung
+Upon the wing, as when men wont to watch
+On duty, sleeping found by whom they dread,
+Rouse and bestir themselves ere well awake.
+Nor did they not perceive the evil plight
+In which they were, or the fierce pains not feel;
+Yet to their General's voice they soon obeyed
+Innumerable. As when the potent rod
+Of Amram's son, in Egypt's evil day,
+Waved round the coast, up-called a pitchy cloud
+Of locusts, warping on the eastern wind,
+That o'er the realm of impious Pharaoh hung
+Like Night, and darkened all the land of Nile;
+So numberless were those bad Angels seen
+Hovering on wing under the cope of Hell,
+'Twixt upper, nether, and surrounding fires;
+Till, as a signal given, th' uplifted spear
+Of their great Sultan waving to direct
+Their course, in even balance down they light
+On the firm brimstone, and fill all the plain:
+A multitude like which the populous North
+Poured never from her frozen loins to pass
+Rhene or the Danaw, when her barbarous sons
+Came like a deluge on the South, and spread
+Beneath Gibraltar to the Libyan sands.
+Forthwith, form every squadron and each band,
+The heads and leaders thither haste where stood
+Their great Commander--godlike Shapes, and Forms
+Excelling human; princely Dignities;
+And Powers that erst in Heaven sat on thrones,
+Though on their names in Heavenly records now
+Be no memorial, blotted out and rased
+By their rebellion from the Books of Life.
+Nor had they yet among the sons of Eve
+Got them new names, till, wandering o'er the earth,
+Through God's high sufferance for the trial of man,
+By falsities and lies the greatest part
+Of mankind they corrupted to forsake
+God their Creator, and th' invisible
+Glory of him that made them to transform
+Oft to the image of a brute, adorned
+With gay religions full of pomp and gold,
+And devils to adore for deities:
+Then were they known to men by various names,
+And various idols through the heathen world.
+  Say, Muse, their names then known, who first, who last,
+Roused from the slumber on that fiery couch,
+At their great Emperor's call, as next in worth
+Came singly where he stood on the bare strand,
+While the promiscuous crowd stood yet aloof?
+  The chief were those who, from the pit of Hell
+Roaming to seek their prey on Earth, durst fix
+Their seats, long after, next the seat of God,
+Their altars by his altar, gods adored
+Among the nations round, and durst abide
+Jehovah thundering out of Sion, throned
+Between the Cherubim; yea, often placed
+Within his sanctuary itself their shrines,
+Abominations; and with cursed things
+His holy rites and solemn feasts profaned,
+And with their darkness durst affront his light.
+First, Moloch, horrid king, besmeared with blood
+Of human sacrifice, and parents' tears;
+Though, for the noise of drums and timbrels loud,
+Their children's cries unheard that passed through fire
+To his grim idol. Him the Ammonite
+Worshiped in Rabba and her watery plain,
+In Argob and in Basan, to the stream
+Of utmost Arnon. Nor content with such
+Audacious neighbourhood, the wisest heart
+Of Solomon he led by fraoud to build
+His temple right against the temple of God
+On that opprobrious hill, and made his grove
+The pleasant valley of Hinnom, Tophet thence
+And black Gehenna called, the type of Hell.
+Next Chemos, th' obscene dread of Moab's sons,
+From Aroar to Nebo and the wild
+Of southmost Abarim; in Hesebon
+And Horonaim, Seon's real, beyond
+The flowery dale of Sibma clad with vines,
+And Eleale to th' Asphaltic Pool:
+Peor his other name, when he enticed
+Israel in Sittim, on their march from Nile,
+To do him wanton rites, which cost them woe.
+Yet thence his lustful orgies he enlarged
+Even to that hill of scandal, by the grove
+Of Moloch homicide, lust hard by hate,
+Till good Josiah drove them thence to Hell.
+With these came they who, from the bordering flood
+Of old Euphrates to the brook that parts
+Egypt from Syrian ground, had general names
+Of Baalim and Ashtaroth--those male,
+These feminine. For Spirits, when they please,
+Can either sex assume, or both; so soft
+And uncompounded is their essence pure,
+Not tried or manacled with joint or limb,
+Nor founded on the brittle strength of bones,
+Like cumbrous flesh; but, in what shape they choose,
+Dilated or condensed, bright or obscure,
+Can execute their airy purposes,
+And works of love or enmity fulfil.
+For those the race of Israel oft forsook
+Their Living Strength, and unfrequented left
+His righteous altar, bowing lowly down
+To bestial gods; for which their heads as low
+Bowed down in battle, sunk before the spear
+Of despicable foes. With these in troop
+Came Astoreth, whom the Phoenicians called
+Astarte, queen of heaven, with crescent horns;
+To whose bright image nigntly by the moon
+Sidonian virgins paid their vows and songs;
+In Sion also not unsung, where stood
+Her temple on th' offensive mountain, built
+By that uxorious king whose heart, though large,
+Beguiled by fair idolatresses, fell
+To idols foul. Thammuz came next behind,
+Whose annual wound in Lebanon allured
+The Syrian damsels to lament his fate
+In amorous ditties all a summer's day,
+While smooth Adonis from his native rock
+Ran purple to the sea, supposed with blood
+Of Thammuz yearly wounded: the love-tale
+Infected Sion's daughters with like heat,
+Whose wanton passions in the sacred proch
+Ezekiel saw, when, by the vision led,
+His eye surveyed the dark idolatries
+Of alienated Judah. Next came one
+Who mourned in earnest, when the captive ark
+Maimed his brute image, head and hands lopt off,
+In his own temple, on the grunsel-edge,
+Where he fell flat and shamed his worshippers:
+Dagon his name, sea-monster,upward man
+And downward fish; yet had his temple high
+Reared in Azotus, dreaded through the coast
+Of Palestine, in Gath and Ascalon,
+And Accaron and Gaza's frontier bounds.
+Him followed Rimmon, whose delightful seat
+Was fair Damascus, on the fertile banks
+Of Abbana and Pharphar, lucid streams.
+He also against the house of God was bold:
+A leper once he lost, and gained a king--
+Ahaz, his sottish conqueror, whom he drew
+God's altar to disparage and displace
+For one of Syrian mode, whereon to burn
+His odious offerings, and adore the gods
+Whom he had vanquished. After these appeared
+A crew who, under names of old renown--
+Osiris, Isis, Orus, and their train--
+With monstrous shapes and sorceries abused
+Fanatic Egypt and her priests to seek
+Their wandering gods disguised in brutish forms
+Rather than human. Nor did Israel scape
+Th' infection, when their borrowed gold composed
+The calf in Oreb; and the rebel king
+Doubled that sin in Bethel and in Dan,
+Likening his Maker to the grazed ox--
+Jehovah, who, in one night, when he passed
+From Egypt marching, equalled with one stroke
+Both her first-born and all her bleating gods.
+Belial came last; than whom a Spirit more lewd
+Fell not from Heaven, or more gross to love
+Vice for itself. To him no temple stood
+Or altar smoked; yet who more oft than he
+In temples and at altars, when the priest
+Turns atheist, as did Eli's sons, who filled
+With lust and violence the house of God?
+In courts and palaces he also reigns,
+And in luxurious cities, where the noise
+Of riot ascends above their loftiest towers,
+And injury and outrage; and, when night
+Darkens the streets, then wander forth the sons
+Of Belial, flown with insolence and wine.
+Witness the streets of Sodom, and that night
+In Gibeah, when the hospitable door
+Exposed a matron, to avoid worse rape.
+  These were the prime in order and in might:
+The rest were long to tell; though far renowned
+Th' Ionian gods--of Javan's issue held
+Gods, yet confessed later than Heaven and Earth,
+Their boasted parents;--Titan, Heaven's first-born,
+With his enormous brood, and birthright seized
+By younger Saturn: he from mightier Jove,
+His own and Rhea's son, like measure found;
+So Jove usurping reigned. These, first in Crete
+And Ida known, thence on the snowy top
+Of cold Olympus ruled the middle air,
+Their highest heaven; or on the Delphian cliff,
+Or in Dodona, and through all the bounds
+Of Doric land; or who with Saturn old
+Fled over Adria to th' Hesperian fields,
+And o'er the Celtic roamed the utmost Isles.
+  All these and more came flocking; but with looks
+Downcast and damp; yet such wherein appeared
+Obscure some glimpse of joy to have found their Chief
+Not in despair, to have found themselves not lost
+In loss itself; which on his countenance cast
+Like doubtful hue. But he, his wonted pride
+Soon recollecting, with high words, that bore
+Semblance of worth, not substance, gently raised
+Their fainting courage, and dispelled their fears.
+Then straight commands that, at the warlike sound
+Of trumpets loud and clarions, be upreared
+His mighty standard. That proud honour claimed
+Azazel as his right, a Cherub tall:
+Who forthwith from the glittering staff unfurled
+Th' imperial ensign; which, full high advanced,
+Shone like a meteor streaming to the wind,
+With gems and golden lustre rich emblazed,
+Seraphic arms and trophies; all the while
+Sonorous metal blowing martial sounds:
+At which the universal host up-sent
+A shout that tore Hell's concave, and beyond
+Frighted the reign of Chaos and old Night.
+All in a moment through the gloom were seen
+Ten thousand banners rise into the air,
+With orient colours waving: with them rose
+A forest huge of spears; and thronging helms
+Appeared, and serried shields in thick array
+Of depth immeasurable. Anon they move
+In perfect phalanx to the Dorian mood
+Of flutes and soft recorders--such as raised
+To height of noblest temper heroes old
+Arming to battle, and instead of rage
+Deliberate valour breathed, firm, and unmoved
+With dread of death to flight or foul retreat;
+Nor wanting power to mitigate and swage
+With solemn touches troubled thoughts, and chase
+Anguish and doubt and fear and sorrow and pain
+From mortal or immortal minds. Thus they,
+Breathing united force with fixed thought,
+Moved on in silence to soft pipes that charmed
+Their painful steps o'er the burnt soil. And now
+Advanced in view they stand--a horrid front
+Of dreadful length and dazzling arms, in guise
+Of warriors old, with ordered spear and shield,
+Awaiting what command their mighty Chief
+Had to impose. He through the armed files
+Darts his experienced eye, and soon traverse
+The whole battalion views--their order due,
+Their visages and stature as of gods;
+Their number last he sums. And now his heart
+Distends with pride, and, hardening in his strength,
+Glories: for never, since created Man,
+Met such embodied force as, named with these,
+Could merit more than that small infantry
+Warred on by cranes--though all the giant brood
+Of Phlegra with th' heroic race were joined
+That fought at Thebes and Ilium, on each side
+Mixed with auxiliar gods; and what resounds
+In fable or romance of Uther's son,
+Begirt with British and Armoric knights;
+And all who since, baptized or infidel,
+Jousted in Aspramont, or Montalban,
+Damasco, or Marocco, or Trebisond,
+Or whom Biserta sent from Afric shore
+When Charlemain with all his peerage fell
+By Fontarabbia. Thus far these beyond
+Compare of mortal prowess, yet observed
+Their dread Commander. He, above the rest
+In shape and gesture proudly eminent,
+Stood like a tower. His form had yet not lost
+All her original brightness, nor appeared
+Less than Archangel ruined, and th' excess
+Of glory obscured: as when the sun new-risen
+Looks through the horizontal misty air
+Shorn of his beams, or, from behind the moon,
+In dim eclipse, disastrous twilight sheds
+On half the nations, and with fear of change
+Perplexes monarchs. Darkened so, yet shone
+Above them all th' Archangel: but his face
+Deep scars of thunder had intrenched, and care
+Sat on his faded cheek, but under brows
+Of dauntless courage, and considerate pride
+Waiting revenge. Cruel his eye, but cast
+Signs of remorse and passion, to behold
+The fellows of his crime, the followers rather
+(Far other once beheld in bliss), condemned
+For ever now to have their lot in pain--
+Millions of Spirits for his fault amerced
+Of Heaven, and from eteranl splendours flung
+For his revolt--yet faithful how they stood,
+Their glory withered; as, when heaven's fire
+Hath scathed the forest oaks or mountain pines,
+With singed top their stately growth, though bare,
+Stands on the blasted heath. He now prepared
+To speak; whereat their doubled ranks they bend
+From wing to wing, and half enclose him round
+With all his peers: attention held them mute.
+Thrice he assayed, and thrice, in spite of scorn,
+Tears, such as Angels weep, burst forth: at last
+Words interwove with sighs found out their way:--
+  "O myriads of immortal Spirits! O Powers
+Matchless, but with th' Almighth!--and that strife
+Was not inglorious, though th' event was dire,
+As this place testifies, and this dire change,
+Hateful to utter. But what power of mind,
+Forseeing or presaging, from the depth
+Of knowledge past or present, could have feared
+How such united force of gods, how such
+As stood like these, could ever know repulse?
+For who can yet believe, though after loss,
+That all these puissant legions, whose exile
+Hath emptied Heaven, shall fail to re-ascend,
+Self-raised, and repossess their native seat?
+For me, be witness all the host of Heaven,
+If counsels different, or danger shunned
+By me, have lost our hopes. But he who reigns
+Monarch in Heaven till then as one secure
+Sat on his throne, upheld by old repute,
+Consent or custom, and his regal state
+Put forth at full, but still his strength concealed--
+Which tempted our attempt, and wrought our fall.
+Henceforth his might we know, and know our own,
+So as not either to provoke, or dread
+New war provoked: our better part remains
+To work in close design, by fraud or guile,
+What force effected not; that he no less
+At length from us may find, who overcomes
+By force hath overcome but half his foe.
+Space may produce new Worlds; whereof so rife
+There went a fame in Heaven that he ere long
+Intended to create, and therein plant
+A generation whom his choice regard
+Should favour equal to the Sons of Heaven.
+Thither, if but to pry, shall be perhaps
+Our first eruption--thither, or elsewhere;
+For this infernal pit shall never hold
+Celestial Spirits in bondage, nor th' Abyss
+Long under darkness cover. But these thoughts
+Full counsel must mature. Peace is despaired;
+For who can think submission? War, then, war
+Open or understood, must be resolved."
+  He spake; and, to confirm his words, outflew
+Millions of flaming swords, drawn from the thighs
+Of mighty Cherubim; the sudden blaze
+Far round illumined Hell. Highly they raged
+Against the Highest, and fierce with grasped arms
+Clashed on their sounding shields the din of war,
+Hurling defiance toward the vault of Heaven.
+  There stood a hill not far, whose grisly top
+Belched fire and rolling smoke; the rest entire
+Shone with a glossy scurf--undoubted sign
+That in his womb was hid metallic ore,
+The work of sulphur. Thither, winged with speed,
+A numerous brigade hastened: as when bands
+Of pioneers, with spade and pickaxe armed,
+Forerun the royal camp, to trench a field,
+Or cast a rampart. Mammon led them on--
+Mammon, the least erected Spirit that fell
+From Heaven; for even in Heaven his looks and thoughts
+Were always downward bent, admiring more
+The riches of heaven's pavement, trodden gold,
+Than aught divine or holy else enjoyed
+In vision beatific. By him first
+Men also, and by his suggestion taught,
+Ransacked the centre, and with impious hands
+Rifled the bowels of their mother Earth
+For treasures better hid. Soon had his crew
+Opened into the hill a spacious wound,
+And digged out ribs of gold. Let none admire
+That riches grow in Hell; that soil may best
+Deserve the precious bane. And here let those
+Who boast in mortal things, and wondering tell
+Of Babel, and the works of Memphian kings,
+Learn how their greatest monuments of fame
+And strength, and art, are easily outdone
+By Spirits reprobate, and in an hour
+What in an age they, with incessant toil
+And hands innumerable, scarce perform.
+Nigh on the plain, in many cells prepared,
+That underneath had veins of liquid fire
+Sluiced from the lake, a second multitude
+With wondrous art founded the massy ore,
+Severing each kind, and scummed the bullion-dross.
+A third as soon had formed within the ground
+A various mould, and from the boiling cells
+By strange conveyance filled each hollow nook;
+As in an organ, from one blast of wind,
+To many a row of pipes the sound-board breathes.
+Anon out of the earth a fabric huge
+Rose like an exhalation, with the sound
+Of dulcet symphonies and voices sweet--
+Built like a temple, where pilasters round
+Were set, and Doric pillars overlaid
+With golden architrave; nor did there want
+Cornice or frieze, with bossy sculptures graven;
+The roof was fretted gold. Not Babylon
+Nor great Alcairo such magnificence
+Equalled in all their glories, to enshrine
+Belus or Serapis their gods, or seat
+Their kings, when Egypt with Assyria strove
+In wealth and luxury. Th' ascending pile
+Stood fixed her stately height, and straight the doors,
+Opening their brazen folds, discover, wide
+Within, her ample spaces o'er the smooth
+And level pavement: from the arched roof,
+Pendent by subtle magic, many a row
+Of starry lamps and blazing cressets, fed
+With naptha and asphaltus, yielded light
+As from a sky. The hasty multitude
+Admiring entered; and the work some praise,
+And some the architect. His hand was known
+In Heaven by many a towered structure high,
+Where sceptred Angels held their residence,
+And sat as Princes, whom the supreme King
+Exalted to such power, and gave to rule,
+Each in his Hierarchy, the Orders bright.
+Nor was his name unheard or unadored
+In ancient Greece; and in Ausonian land
+Men called him Mulciber; and how he fell
+From Heaven they fabled, thrown by angry Jove
+Sheer o'er the crystal battlements: from morn
+To noon he fell, from noon to dewy eve,
+A summer's day, and with the setting sun
+Dropt from the zenith, like a falling star,
+On Lemnos, th' Aegaean isle. Thus they relate,
+Erring; for he with this rebellious rout
+Fell long before; nor aught aviled him now
+To have built in Heaven high towers; nor did he scape
+By all his engines, but was headlong sent,
+With his industrious crew, to build in Hell.
+  Meanwhile the winged Heralds, by command
+Of sovereign power, with awful ceremony
+And trumpet's sound, throughout the host proclaim
+A solemn council forthwith to be held
+At Pandemonium, the high capital
+Of Satan and his peers. Their summons called
+From every band and squared regiment
+By place or choice the worthiest: they anon
+With hundreds and with thousands trooping came
+Attended. All access was thronged; the gates
+And porches wide, but chief the spacious hall
+(Though like a covered field, where champions bold
+Wont ride in armed, and at the Soldan's chair
+Defied the best of Paynim chivalry
+To mortal combat, or career with lance),
+Thick swarmed, both on the ground and in the air,
+Brushed with the hiss of rustling wings. As bees
+In spring-time, when the Sun with Taurus rides.
+Pour forth their populous youth about the hive
+In clusters; they among fresh dews and flowers
+Fly to and fro, or on the smoothed plank,
+The suburb of their straw-built citadel,
+New rubbed with balm, expatiate, and confer
+Their state-affairs: so thick the airy crowd
+Swarmed and were straitened; till, the signal given,
+Behold a wonder! They but now who seemed
+In bigness to surpass Earth's giant sons,
+Now less than smallest dwarfs, in narrow room
+Throng numberless--like that pygmean race
+Beyond the Indian mount; or faery elves,
+Whose midnight revels, by a forest-side
+Or fountain, some belated peasant sees,
+Or dreams he sees, while overhead the Moon
+Sits arbitress, and nearer to the Earth
+Wheels her pale course: they, on their mirth and dance
+Intent, with jocund music charm his ear;
+At once with joy and fear his heart rebounds.
+Thus incorporeal Spirits to smallest forms
+Reduced their shapes immense, and were at large,
+Though without number still, amidst the hall
+Of that infernal court. But far within,
+And in their own dimensions like themselves,
+The great Seraphic Lords and Cherubim
+In close recess and secret conclave sat,
+A thousand demi-gods on golden seats,
+Frequent and full. After short silence then,
+And summons read, the great consult began.
+
+
+
+Book II
+
+
+High on a throne of royal state, which far
+Outshone the wealth or Ormus and of Ind,
+Or where the gorgeous East with richest hand
+Showers on her kings barbaric pearl and gold,
+Satan exalted sat, by merit raised
+To that bad eminence; and, from despair
+Thus high uplifted beyond hope, aspires
+Beyond thus high, insatiate to pursue
+Vain war with Heaven; and, by success untaught,
+His proud imaginations thus displayed:--
+  "Powers and Dominions, Deities of Heaven!--
+For, since no deep within her gulf can hold
+Immortal vigour, though oppressed and fallen,
+I give not Heaven for lost: from this descent
+Celestial Virtues rising will appear
+More glorious and more dread than from no fall,
+And trust themselves to fear no second fate!--
+Me though just right, and the fixed laws of Heaven,
+Did first create your leader--next, free choice
+With what besides in council or in fight
+Hath been achieved of merit--yet this loss,
+Thus far at least recovered, hath much more
+Established in a safe, unenvied throne,
+Yielded with full consent. The happier state
+In Heaven, which follows dignity, might draw
+Envy from each inferior; but who here
+Will envy whom the highest place exposes
+Foremost to stand against the Thunderer's aim
+Your bulwark, and condemns to greatest share
+Of endless pain? Where there is, then, no good
+For which to strive, no strife can grow up there
+From faction: for none sure will claim in Hell
+Precedence; none whose portion is so small
+Of present pain that with ambitious mind
+Will covet more! With this advantage, then,
+To union, and firm faith, and firm accord,
+More than can be in Heaven, we now return
+To claim our just inheritance of old,
+Surer to prosper than prosperity
+Could have assured us; and by what best way,
+Whether of open war or covert guile,
+We now debate. Who can advise may speak."
+  He ceased; and next him Moloch, sceptred king,
+Stood up--the strongest and the fiercest Spirit
+That fought in Heaven, now fiercer by despair.
+His trust was with th' Eternal to be deemed
+Equal in strength, and rather than be less
+Cared not to be at all; with that care lost
+Went all his fear: of God, or Hell, or worse,
+He recked not, and these words thereafter spake:--
+  "My sentence is for open war. Of wiles,
+More unexpert, I boast not: them let those
+Contrive who need, or when they need; not now.
+For, while they sit contriving, shall the rest--
+Millions that stand in arms, and longing wait
+The signal to ascend--sit lingering here,
+Heaven's fugitives, and for their dwelling-place
+Accept this dark opprobrious den of shame,
+The prison of his ryranny who reigns
+By our delay? No! let us rather choose,
+Armed with Hell-flames and fury, all at once
+O'er Heaven's high towers to force resistless way,
+Turning our tortures into horrid arms
+Against the Torturer; when, to meet the noise
+Of his almighty engine, he shall hear
+Infernal thunder, and, for lightning, see
+Black fire and horror shot with equal rage
+Among his Angels, and his throne itself
+Mixed with Tartarean sulphur and strange fire,
+His own invented torments. But perhaps
+The way seems difficult, and steep to scale
+With upright wing against a higher foe!
+Let such bethink them, if the sleepy drench
+Of that forgetful lake benumb not still,
+That in our porper motion we ascend
+Up to our native seat; descent and fall
+To us is adverse. Who but felt of late,
+When the fierce foe hung on our broken rear
+Insulting, and pursued us through the Deep,
+With what compulsion and laborious flight
+We sunk thus low? Th' ascent is easy, then;
+Th' event is feared! Should we again provoke
+Our stronger, some worse way his wrath may find
+To our destruction, if there be in Hell
+Fear to be worse destroyed! What can be worse
+Than to dwell here, driven out from bliss, condemned
+In this abhorred deep to utter woe!
+Where pain of unextinguishable fire
+Must exercise us without hope of end
+The vassals of his anger, when the scourge
+Inexorably, and the torturing hour,
+Calls us to penance? More destroyed than thus,
+We should be quite abolished, and expire.
+What fear we then? what doubt we to incense
+His utmost ire? which, to the height enraged,
+Will either quite consume us, and reduce
+To nothing this essential--happier far
+Than miserable to have eternal being!--
+Or, if our substance be indeed divine,
+And cannot cease to be, we are at worst
+On this side nothing; and by proof we feel
+Our power sufficient to disturb his Heaven,
+And with perpetual inroads to alarm,
+Though inaccessible, his fatal throne:
+Which, if not victory, is yet revenge."
+  He ended frowning, and his look denounced
+Desperate revenge, and battle dangerous
+To less than gods. On th' other side up rose
+Belial, in act more graceful and humane.
+A fairer person lost not Heaven; he seemed
+For dignity composed, and high exploit.
+But all was false and hollow; though his tongue
+Dropped manna, and could make the worse appear
+The better reason, to perplex and dash
+Maturest counsels: for his thoughts were low--
+ To vice industrious, but to nobler deeds
+Timorous and slothful. Yet he pleased the ear,
+And with persuasive accent thus began:--
+  "I should be much for open war, O Peers,
+As not behind in hate, if what was urged
+Main reason to persuade immediate war
+Did not dissuade me most, and seem to cast
+Ominous conjecture on the whole success;
+When he who most excels in fact of arms,
+In what he counsels and in what excels
+Mistrustful, grounds his courage on despair
+And utter dissolution, as the scope
+Of all his aim, after some dire revenge.
+First, what revenge? The towers of Heaven are filled
+With armed watch, that render all access
+Impregnable: oft on the bodering Deep
+Encamp their legions, or with obscure wing
+Scout far and wide into the realm of Night,
+Scorning surprise. Or, could we break our way
+By force, and at our heels all Hell should rise
+With blackest insurrection to confound
+Heaven's purest light, yet our great Enemy,
+All incorruptible, would on his throne
+Sit unpolluted, and th' ethereal mould,
+Incapable of stain, would soon expel
+Her mischief, and purge off the baser fire,
+Victorious. Thus repulsed, our final hope
+Is flat despair: we must exasperate
+Th' Almighty Victor to spend all his rage;
+And that must end us; that must be our cure--
+To be no more. Sad cure! for who would lose,
+Though full of pain, this intellectual being,
+Those thoughts that wander through eternity,
+To perish rather, swallowed up and lost
+In the wide womb of uncreated Night,
+Devoid of sense and motion? And who knows,
+Let this be good, whether our angry Foe
+Can give it, or will ever? How he can
+Is doubtful; that he never will is sure.
+Will he, so wise, let loose at once his ire,
+Belike through impotence or unaware,
+To give his enemies their wish, and end
+Them in his anger whom his anger saves
+To punish endless? 'Wherefore cease we, then?'
+Say they who counsel war; 'we are decreed,
+Reserved, and destined to eternal woe;
+Whatever doing, what can we suffer more,
+What can we suffer worse?' Is this, then, worst--
+Thus sitting, thus consulting, thus in arms?
+What when we fled amain, pursued and struck
+With Heaven's afflicting thunder, and besought
+The Deep to shelter us? This Hell then seemed
+A refuge from those wounds. Or when we lay
+Chained on the burning lake? That sure was worse.
+What if the breath that kindled those grim fires,
+Awaked, should blow them into sevenfold rage,
+And plunge us in the flames; or from above
+Should intermitted vengeance arm again
+His red right hand to plague us? What if all
+Her stores were opened, and this firmament
+Of Hell should spout her cataracts of fire,
+Impendent horrors, threatening hideous fall
+One day upon our heads; while we perhaps,
+Designing or exhorting glorious war,
+Caught in a fiery tempest, shall be hurled,
+Each on his rock transfixed, the sport and prey
+Or racking whirlwinds, or for ever sunk
+Under yon boiling ocean, wrapt in chains,
+There to converse with everlasting groans,
+Unrespited, unpitied, unreprieved,
+Ages of hopeless end? This would be worse.
+War, therefore, open or concealed, alike
+My voice dissuades; for what can force or guile
+With him, or who deceive his mind, whose eye
+Views all things at one view? He from Heaven's height
+All these our motions vain sees and derides,
+Not more almighty to resist our might
+Than wise to frustrate all our plots and wiles.
+Shall we, then, live thus vile--the race of Heaven
+Thus trampled, thus expelled, to suffer here
+Chains and these torments? Better these than worse,
+By my advice; since fate inevitable
+Subdues us, and omnipotent decree,
+The Victor's will. To suffer, as to do,
+Our strength is equal; nor the law unjust
+That so ordains. This was at first resolved,
+If we were wise, against so great a foe
+Contending, and so doubtful what might fall.
+I laugh when those who at the spear are bold
+And venturous, if that fail them, shrink, and fear
+What yet they know must follow--to endure
+Exile, or igominy, or bonds, or pain,
+The sentence of their Conqueror. This is now
+Our doom; which if we can sustain and bear,
+Our Supreme Foe in time may much remit
+His anger, and perhaps, thus far removed,
+Not mind us not offending, satisfied
+With what is punished; whence these raging fires
+Will slacken, if his breath stir not their flames.
+Our purer essence then will overcome
+Their noxious vapour; or, inured, not feel;
+Or, changed at length, and to the place conformed
+In temper and in nature, will receive
+Familiar the fierce heat; and, void of pain,
+This horror will grow mild, this darkness light;
+Besides what hope the never-ending flight
+Of future days may bring, what chance, what change
+Worth waiting--since our present lot appears
+For happy though but ill, for ill not worst,
+If we procure not to ourselves more woe."
+  Thus Belial, with words clothed in reason's garb,
+Counselled ignoble ease and peaceful sloth,
+Not peace; and after him thus Mammon spake:--
+  "Either to disenthrone the King of Heaven
+We war, if war be best, or to regain
+Our own right lost. Him to unthrone we then
+May hope, when everlasting Fate shall yield
+To fickle Chance, and Chaos judge the strife.
+The former, vain to hope, argues as vain
+The latter; for what place can be for us
+Within Heaven's bound, unless Heaven's Lord supreme
+We overpower? Suppose he should relent
+And publish grace to all, on promise made
+Of new subjection; with what eyes could we
+Stand in his presence humble, and receive
+Strict laws imposed, to celebrate his throne
+With warbled hyms, and to his Godhead sing
+Forced hallelujahs, while he lordly sits
+Our envied sovereign, and his altar breathes
+Ambrosial odours and ambrosial flowers,
+Our servile offerings? This must be our task
+In Heaven, this our delight. How wearisome
+Eternity so spent in worship paid
+To whom we hate! Let us not then pursue,
+By force impossible, by leave obtained
+Unacceptable, though in Heaven, our state
+Of splendid vassalage; but rather seek
+Our own good from ourselves, and from our own
+Live to ourselves, though in this vast recess,
+Free and to none accountable, preferring
+Hard liberty before the easy yoke
+Of servile pomp. Our greatness will appear
+Then most conspicuous when great things of small,
+Useful of hurtful, prosperous of adverse,
+We can create, and in what place soe'er
+Thrive under evil, and work ease out of pain
+Through labour and endurance. This deep world
+Of darkness do we dread? How oft amidst
+Thick clouds and dark doth Heaven's all-ruling Sire
+Choose to reside, his glory unobscured,
+And with the majesty of darkness round
+Covers his throne, from whence deep thunders roar.
+Mustering their rage, and Heaven resembles Hell!
+As he our darkness, cannot we his light
+Imitate when we please? This desert soil
+Wants not her hidden lustre, gems and gold;
+Nor want we skill or art from whence to raise
+Magnificence; and what can Heaven show more?
+Our torments also may, in length of time,
+Become our elements, these piercing fires
+As soft as now severe, our temper changed
+Into their temper; which must needs remove
+The sensible of pain. All things invite
+To peaceful counsels, and the settled state
+Of order, how in safety best we may
+Compose our present evils, with regard
+Of what we are and where, dismissing quite
+All thoughts of war. Ye have what I advise."
+  He scarce had finished, when such murmur filled
+Th' assembly as when hollow rocks retain
+The sound of blustering winds, which all night long
+Had roused the sea, now with hoarse cadence lull
+Seafaring men o'erwatched, whose bark by chance
+Or pinnace, anchors in a craggy bay
+After the tempest. Such applause was heard
+As Mammon ended, and his sentence pleased,
+Advising peace: for such another field
+They dreaded worse than Hell; so much the fear
+Of thunder and the sword of Michael
+Wrought still within them; and no less desire
+To found this nether empire, which might rise,
+By policy and long process of time,
+In emulation opposite to Heaven.
+Which when Beelzebub perceived--than whom,
+Satan except, none higher sat--with grave
+Aspect he rose, and in his rising seemed
+A pillar of state. Deep on his front engraven
+Deliberation sat, and public care;
+And princely counsel in his face yet shone,
+Majestic, though in ruin. Sage he stood
+With Atlantean shoulders, fit to bear
+The weight of mightiest monarchies; his look
+Drew audience and attention still as night
+Or summer's noontide air, while thus he spake:--
+  "Thrones and Imperial Powers, Offspring of Heaven,
+Ethereal Virtues! or these titles now
+Must we renounce, and, changing style, be called
+Princes of Hell? for so the popular vote
+Inclines--here to continue, and build up here
+A growing empire; doubtless! while we dream,
+And know not that the King of Heaven hath doomed
+This place our dungeon, not our safe retreat
+Beyond his potent arm, to live exempt
+From Heaven's high jurisdiction, in new league
+Banded against his throne, but to remain
+In strictest bondage, though thus far removed,
+Under th' inevitable curb, reserved
+His captive multitude. For he, to be sure,
+In height or depth, still first and last will reign
+Sole king, and of his kingdom lose no part
+By our revolt, but over Hell extend
+His empire, and with iron sceptre rule
+Us here, as with his golden those in Heaven.
+What sit we then projecting peace and war?
+War hath determined us and foiled with loss
+Irreparable; terms of peace yet none
+Vouchsafed or sought; for what peace will be given
+To us enslaved, but custody severe,
+And stripes and arbitrary punishment
+Inflicted? and what peace can we return,
+But, to our power, hostility and hate,
+Untamed reluctance, and revenge, though slow,
+Yet ever plotting how the Conqueror least
+May reap his conquest, and may least rejoice
+In doing what we most in suffering feel?
+Nor will occasion want, nor shall we need
+With dangerous expedition to invade
+Heaven, whose high walls fear no assault or siege,
+Or ambush from the Deep. What if we find
+Some easier enterprise? There is a place
+(If ancient and prophetic fame in Heaven
+Err not)--another World, the happy seat
+Of some new race, called Man, about this time
+To be created like to us, though less
+In power and excellence, but favoured more
+Of him who rules above; so was his will
+Pronounced among the Gods, and by an oath
+That shook Heaven's whole circumference confirmed.
+Thither let us bend all our thoughts, to learn
+What creatures there inhabit, of what mould
+Or substance, how endued, and what their power
+And where their weakness: how attempted best,
+By force of subtlety. Though Heaven be shut,
+And Heaven's high Arbitrator sit secure
+In his own strength, this place may lie exposed,
+The utmost border of his kingdom, left
+To their defence who hold it: here, perhaps,
+Some advantageous act may be achieved
+By sudden onset--either with Hell-fire
+To waste his whole creation, or possess
+All as our own, and drive, as we were driven,
+The puny habitants; or, if not drive,
+Seduce them to our party, that their God
+May prove their foe, and with repenting hand
+Abolish his own works. This would surpass
+Common revenge, and interrupt his joy
+In our confusion, and our joy upraise
+In his disturbance; when his darling sons,
+Hurled headlong to partake with us, shall curse
+Their frail original, and faded bliss--
+Faded so soon! Advise if this be worth
+Attempting, or to sit in darkness here
+Hatching vain empires." Thus beelzebub
+Pleaded his devilish counsel--first devised
+By Satan, and in part proposed: for whence,
+But from the author of all ill, could spring
+So deep a malice, to confound the race
+Of mankind in one root, and Earth with Hell
+To mingle and involve, done all to spite
+The great Creator? But their spite still serves
+His glory to augment. The bold design
+Pleased highly those infernal States, and joy
+Sparkled in all their eyes: with full assent
+They vote: whereat his speech he thus renews:--
+"Well have ye judged, well ended long debate,
+Synod of Gods, and, like to what ye are,
+Great things resolved, which from the lowest deep
+Will once more lift us up, in spite of fate,
+Nearer our ancient seat--perhaps in view
+Of those bright confines, whence, with neighbouring arms,
+And opportune excursion, we may chance
+Re-enter Heaven; or else in some mild zone
+Dwell, not unvisited of Heaven's fair light,
+Secure, and at the brightening orient beam
+Purge off this gloom: the soft delicious air,
+To heal the scar of these corrosive fires,
+Shall breathe her balm. But, first, whom shall we send
+In search of this new World? whom shall we find
+Sufficient? who shall tempt with wandering feet
+The dark, unbottomed, infinite Abyss,
+And through the palpable obscure find out
+His uncouth way, or spread his airy flight,
+Upborne with indefatigable wings
+Over the vast abrupt, ere he arrive
+The happy Isle? What strength, what art, can then
+Suffice, or what evasion bear him safe,
+Through the strict senteries and stations thick
+Of Angels watching round? Here he had need
+All circumspection: and we now no less
+Choice in our suffrage; for on whom we send
+The weight of all, and our last hope, relies."
+  This said, he sat; and expectation held
+His look suspense, awaiting who appeared
+To second, or oppose, or undertake
+The perilous attempt. But all sat mute,
+Pondering the danger with deep thoughts; and each
+In other's countenance read his own dismay,
+Astonished. None among the choice and prime
+Of those Heaven-warring champions could be found
+So hardy as to proffer or accept,
+Alone, the dreadful voyage; till, at last,
+Satan, whom now transcendent glory raised
+Above his fellows, with monarchal pride
+Conscious of highest worth, unmoved thus spake:--
+  "O Progeny of Heaven! Empyreal Thrones!
+With reason hath deep silence and demur
+Seized us, though undismayed. Long is the way
+And hard, that out of Hell leads up to light.
+Our prison strong, this huge convex of fire,
+Outrageous to devour, immures us round
+Ninefold; and gates of burning adamant,
+Barred over us, prohibit all egress.
+These passed, if any pass, the void profound
+Of unessential Night receives him next,
+Wide-gaping, and with utter loss of being
+Threatens him, plunged in that abortive gulf.
+If thence he scape, into whatever world,
+Or unknown region, what remains him less
+Than unknown dangers, and as hard escape?
+But I should ill become this throne, O Peers,
+And this imperial sovereignty, adorned
+With splendour, armed with power, if aught proposed
+And judged of public moment in the shape
+Of difficulty or danger, could deter
+Me from attempting. Wherefore do I assume
+These royalties, and not refuse to reign,
+Refusing to accept as great a share
+Of hazard as of honour, due alike
+To him who reigns, and so much to him due
+Of hazard more as he above the rest
+High honoured sits? Go, therefore, mighty Powers,
+Terror of Heaven, though fallen; intend at home,
+While here shall be our home, what best may ease
+The present misery, and render Hell
+More tolerable; if there be cure or charm
+To respite, or deceive, or slack the pain
+Of this ill mansion: intermit no watch
+Against a wakeful foe, while I abroad
+Through all the coasts of dark destruction seek
+Deliverance for us all. This enterprise
+None shall partake with me." Thus saying, rose
+The Monarch, and prevented all reply;
+Prudent lest, from his resolution raised,
+Others among the chief might offer now,
+Certain to be refused, what erst they feared,
+And, so refused, might in opinion stand
+His rivals, winning cheap the high repute
+Which he through hazard huge must earn. But they
+Dreaded not more th' adventure than his voice
+Forbidding; and at once with him they rose.
+Their rising all at once was as the sound
+Of thunder heard remote. Towards him they bend
+With awful reverence prone, and as a God
+Extol him equal to the Highest in Heaven.
+Nor failed they to express how much they praised
+That for the general safety he despised
+His own: for neither do the Spirits damned
+Lose all their virtue; lest bad men should boast
+Their specious deeds on earth, which glory excites,
+Or close ambition varnished o'er with zeal.
+  Thus they their doubtful consultations dark
+Ended, rejoicing in their matchless Chief:
+As, when from mountain-tops the dusky clouds
+Ascending, while the north wind sleeps, o'erspread
+Heaven's cheerful face, the louring element
+Scowls o'er the darkened landscape snow or shower,
+If chance the radiant sun, with farewell sweet,
+Extend his evening beam, the fields revive,
+The birds their notes renew, and bleating herds
+Attest their joy, that hill and valley rings.
+O shame to men! Devil with devil damned
+Firm concord holds; men only disagree
+Of creatures rational, though under hope
+Of heavenly grace, and, God proclaiming peace,
+Yet live in hatred, enmity, and strife
+Among themselves, and levy cruel wars
+Wasting the earth, each other to destroy:
+As if (which might induce us to accord)
+Man had not hellish foes enow besides,
+That day and night for his destruction wait!
+  The Stygian council thus dissolved; and forth
+In order came the grand infernal Peers:
+Midst came their mighty Paramount, and seemed
+Alone th' antagonist of Heaven, nor less
+Than Hell's dread Emperor, with pomp supreme,
+And god-like imitated state: him round
+A globe of fiery Seraphim enclosed
+With bright emblazonry, and horrent arms.
+Then of their session ended they bid cry
+With trumpet's regal sound the great result:
+Toward the four winds four speedy Cherubim
+Put to their mouths the sounding alchemy,
+By herald's voice explained; the hollow Abyss
+Heard far adn wide, and all the host of Hell
+With deafening shout returned them loud acclaim.
+Thence more at ease their minds, and somewhat raised
+By false presumptuous hope, the ranged Powers
+Disband; and, wandering, each his several way
+Pursues, as inclination or sad choice
+Leads him perplexed, where he may likeliest find
+Truce to his restless thoughts, and entertain
+The irksome hours, till his great Chief return.
+Part on the plain, or in the air sublime,
+Upon the wing or in swift race contend,
+As at th' Olympian games or Pythian fields;
+Part curb their fiery steeds, or shun the goal
+With rapid wheels, or fronted brigades form:
+As when, to warn proud cities, war appears
+Waged in the troubled sky, and armies rush
+To battle in the clouds; before each van
+Prick forth the airy knights, and couch their spears,
+Till thickest legions close; with feats of arms
+From either end of heaven the welkin burns.
+Others, with vast Typhoean rage, more fell,
+Rend up both rocks and hills, and ride the air
+In whirlwind; Hell scarce holds the wild uproar:--
+As when Alcides, from Oechalia crowned
+With conquest, felt th' envenomed robe, and tore
+Through pain up by the roots Thessalian pines,
+And Lichas from the top of Oeta threw
+Into th' Euboic sea. Others, more mild,
+Retreated in a silent valley, sing
+With notes angelical to many a harp
+Their own heroic deeds, and hapless fall
+By doom of battle, and complain that Fate
+Free Virtue should enthrall to Force or Chance.
+Their song was partial; but the harmony
+(What could it less when Spirits immortal sing?)
+Suspended Hell, and took with ravishment
+The thronging audience. In discourse more sweet
+(For Eloquence the Soul, Song charms the Sense)
+Others apart sat on a hill retired,
+In thoughts more elevate, and reasoned high
+Of Providence, Foreknowledge, Will, and Fate--
+Fixed fate, free will, foreknowledge absolute,
+And found no end, in wandering mazes lost.
+Of good and evil much they argued then,
+Of happiness and final misery,
+Passion and apathy, and glory and shame:
+Vain wisdom all, and false philosophy!--
+Yet, with a pleasing sorcery, could charm
+Pain for a while or anguish, and excite
+Fallacious hope, or arm th' obdured breast
+With stubborn patience as with triple steel.
+Another part, in squadrons and gross bands,
+On bold adventure to discover wide
+That dismal world, if any clime perhaps
+Might yield them easier habitation, bend
+Four ways their flying march, along the banks
+Of four infernal rivers, that disgorge
+Into the burning lake their baleful streams--
+Abhorred Styx, the flood of deadly hate;
+Sad Acheron of sorrow, black and deep;
+Cocytus, named of lamentation loud
+Heard on the rueful stream; fierce Phlegeton,
+Whose waves of torrent fire inflame with rage.
+Far off from these, a slow and silent stream,
+Lethe, the river of oblivion, rolls
+Her watery labyrinth, whereof who drinks
+Forthwith his former state and being forgets--
+Forgets both joy and grief, pleasure and pain.
+Beyond this flood a frozen continent
+Lies dark and wild, beat with perpetual storms
+Of whirlwind and dire hail, which on firm land
+Thaws not, but gathers heap, and ruin seems
+Of ancient pile; all else deep snow and ice,
+A gulf profound as that Serbonian bog
+Betwixt Damiata and Mount Casius old,
+Where armies whole have sunk: the parching air
+Burns frore, and cold performs th' effect of fire.
+Thither, by harpy-footed Furies haled,
+At certain revolutions all the damned
+Are brought; and feel by turns the bitter change
+Of fierce extremes, extremes by change more fierce,
+From beds of raging fire to starve in ice
+Their soft ethereal warmth, and there to pine
+Immovable, infixed, and frozen round
+Periods of time,--thence hurried back to fire.
+They ferry over this Lethean sound
+Both to and fro, their sorrow to augment,
+And wish and struggle, as they pass, to reach
+The tempting stream, with one small drop to lose
+In sweet forgetfulness all pain and woe,
+All in one moment, and so near the brink;
+But Fate withstands, and, to oppose th' attempt,
+Medusa with Gorgonian terror guards
+The ford, and of itself the water flies
+All taste of living wight, as once it fled
+The lip of Tantalus. Thus roving on
+In confused march forlorn, th' adventurous bands,
+With shuddering horror pale, and eyes aghast,
+Viewed first their lamentable lot, and found
+No rest. Through many a dark and dreary vale
+They passed, and many a region dolorous,
+O'er many a frozen, many a fiery alp,
+Rocks, caves, lakes, fens, bogs, dens, and shades of death--
+A universe of death, which God by curse
+Created evil, for evil only good;
+Where all life dies, death lives, and Nature breeds,
+Perverse, all monstrous, all prodigious things,
+Obominable, inutterable, and worse
+Than fables yet have feigned or fear conceived,
+Gorgons, and Hydras, and Chimeras dire.
+  Meanwhile the Adversary of God and Man,
+Satan, with thoughts inflamed of highest design,
+Puts on swift wings, and toward the gates of Hell
+Explores his solitary flight: sometimes
+He scours the right hand coast, sometimes the left;
+Now shaves with level wing the deep, then soars
+Up to the fiery concave towering high.
+As when far off at sea a fleet descried
+Hangs in the clouds, by equinoctial winds
+Close sailing from Bengala, or the isles
+Of Ternate and Tidore, whence merchants bring
+Their spicy drugs; they on the trading flood,
+Through the wide Ethiopian to the Cape,
+Ply stemming nightly toward the pole: so seemed
+Far off the flying Fiend. At last appear
+Hell-bounds, high reaching to the horrid roof,
+And thrice threefold the gates; three folds were brass,
+Three iron, three of adamantine rock,
+Impenetrable, impaled with circling fire,
+Yet unconsumed. Before the gates there sat
+On either side a formidable Shape.
+The one seemed woman to the waist, and fair,
+But ended foul in many a scaly fold,
+Voluminous and vast--a serpent armed
+With mortal sting. About her middle round
+A cry of Hell-hounds never-ceasing barked
+With wide Cerberean mouths full loud, and rung
+A hideous peal; yet, when they list, would creep,
+If aught disturbed their noise, into her womb,
+And kennel there; yet there still barked and howled
+Within unseen. Far less abhorred than these
+Vexed Scylla, bathing in the sea that parts
+Calabria from the hoarse Trinacrian shore;
+Nor uglier follow the night-hag, when, called
+In secret, riding through the air she comes,
+Lured with the smell of infant blood, to dance
+With Lapland witches, while the labouring moon
+Eclipses at their charms. The other Shape--
+If shape it might be called that shape had none
+Distinguishable in member, joint, or limb;
+Or substance might be called that shadow seemed,
+For each seemed either--black it stood as Night,
+Fierce as ten Furies, terrible as Hell,
+And shook a dreadful dart: what seemed his head
+The likeness of a kingly crown had on.
+Satan was now at hand, and from his seat
+The monster moving onward came as fast
+With horrid strides; Hell trembled as he strode.
+Th' undaunted Fiend what this might be admired--
+Admired, not feared (God and his Son except,
+Created thing naught valued he nor shunned),
+And with disdainful look thus first began:--
+  "Whence and what art thou, execrable Shape,
+That dar'st, though grim and terrible, advance
+Thy miscreated front athwart my way
+To yonder gates? Through them I mean to pass,
+That be assured, without leave asked of thee.
+Retire; or taste thy folly, and learn by proof,
+Hell-born, not to contend with Spirits of Heaven."
+  To whom the Goblin, full of wrath, replied:--
+"Art thou that traitor Angel? art thou he,
+Who first broke peace in Heaven and faith, till then
+Unbroken, and in proud rebellious arms
+Drew after him the third part of Heaven's sons,
+Conjured against the Highest--for which both thou
+And they, outcast from God, are here condemned
+To waste eternal days in woe and pain?
+And reckon'st thou thyself with Spirits of Heaven
+Hell-doomed, and breath'st defiance here and scorn,
+Where I reign king, and, to enrage thee more,
+Thy king and lord? Back to thy punishment,
+False fugitive; and to thy speed add wings,
+Lest with a whip of scorpions I pursue
+Thy lingering, or with one stroke of this dart
+Strange horror seize thee, and pangs unfelt before."
+  So spake the grisly Terror, and in shape,
+So speaking and so threatening, grew tenfold,
+More dreadful and deform. On th' other side,
+Incensed with indignation, Satan stood
+Unterrified, and like a comet burned,
+That fires the length of Ophiuchus huge
+In th' arctic sky, and from his horrid hair
+Shakes pestilence and war. Each at the head
+Levelled his deadly aim; their fatal hands
+No second stroke intend; and such a frown
+Each cast at th' other as when two black clouds,
+With heaven's artillery fraught, came rattling on
+Over the Caspian,--then stand front to front
+Hovering a space, till winds the signal blow
+To join their dark encounter in mid-air.
+So frowned the mighty combatants that Hell
+Grew darker at their frown; so matched they stood;
+For never but once more was wither like
+To meet so great a foe. And now great deeds
+Had been achieved, whereof all Hell had rung,
+Had not the snaky Sorceress, that sat
+Fast by Hell-gate and kept the fatal key,
+Risen, and with hideous outcry rushed between.
+  "O father, what intends thy hand," she cried,
+"Against thy only son? What fury, O son,
+Possesses thee to bend that mortal dart
+Against thy father's head? And know'st for whom?
+For him who sits above, and laughs the while
+At thee, ordained his drudge to execute
+Whate'er his wrath, which he calls justice, bids--
+His wrath, which one day will destroy ye both!"
+  She spake, and at her words the hellish Pest
+Forbore: then these to her Satan returned:--
+  "So strange thy outcry, and thy words so strange
+Thou interposest, that my sudden hand,
+Prevented, spares to tell thee yet by deeds
+What it intends, till first I know of thee
+What thing thou art, thus double-formed, and why,
+In this infernal vale first met, thou call'st
+Me father, and that phantasm call'st my son.
+I know thee not, nor ever saw till now
+Sight more detestable than him and thee."
+  T' whom thus the Portress of Hell-gate replied:--
+"Hast thou forgot me, then; and do I seem
+Now in thine eye so foul?--once deemed so fair
+In Heaven, when at th' assembly, and in sight
+Of all the Seraphim with thee combined
+In bold conspiracy against Heaven's King,
+All on a sudden miserable pain
+Surprised thee, dim thine eyes and dizzy swum
+In darkness, while thy head flames thick and fast
+Threw forth, till on the left side opening wide,
+Likest to thee in shape and countenance bright,
+Then shining heavenly fair, a goddess armed,
+Out of thy head I sprung. Amazement seized
+All th' host of Heaven; back they recoiled afraid
+At first, and called me Sin, and for a sign
+Portentous held me; but, familiar grown,
+I pleased, and with attractive graces won
+The most averse--thee chiefly, who, full oft
+Thyself in me thy perfect image viewing,
+Becam'st enamoured; and such joy thou took'st
+With me in secret that my womb conceived
+A growing burden. Meanwhile war arose,
+And fields were fought in Heaven: wherein remained
+(For what could else?) to our Almighty Foe
+Clear victory; to our part loss and rout
+Through all the Empyrean. Down they fell,
+Driven headlong from the pitch of Heaven, down
+Into this Deep; and in the general fall
+I also: at which time this powerful key
+Into my hands was given, with charge to keep
+These gates for ever shut, which none can pass
+Without my opening. Pensive here I sat
+Alone; but long I sat not, till my womb,
+Pregnant by thee, and now excessive grown,
+Prodigious motion felt and rueful throes.
+At last this odious offspring whom thou seest,
+Thine own begotten, breaking violent way,
+Tore through my entrails, that, with fear and pain
+Distorted, all my nether shape thus grew
+Transformed: but he my inbred enemy
+Forth issued, brandishing his fatal dart,
+Made to destroy. I fled, and cried out Death!
+Hell trembled at the hideous name, and sighed
+From all her caves, and back resounded Death!
+I fled; but he pursued (though more, it seems,
+Inflamed with lust than rage), and, swifter far,
+Me overtook, his mother, all dismayed,
+And, in embraces forcible and foul
+Engendering with me, of that rape begot
+These yelling monsters, that with ceaseless cry
+Surround me, as thou saw'st--hourly conceived
+And hourly born, with sorrow infinite
+To me; for, when they list, into the womb
+That bred them they return, and howl, and gnaw
+My bowels, their repast; then, bursting forth
+Afresh, with conscious terrors vex me round,
+That rest or intermission none I find.
+Before mine eyes in opposition sits
+Grim Death, my son and foe, who set them on,
+And me, his parent, would full soon devour
+For want of other prey, but that he knows
+His end with mine involved, and knows that I
+Should prove a bitter morsel, and his bane,
+Whenever that shall be: so Fate pronounced.
+But thou, O father, I forewarn thee, shun
+His deadly arrow; neither vainly hope
+To be invulnerable in those bright arms,
+Through tempered heavenly; for that mortal dint,
+Save he who reigns above, none can resist."
+  She finished; and the subtle Fiend his lore
+Soon learned, now milder, and thus answered smooth:--
+  "Dear daughter--since thou claim'st me for thy sire,
+And my fair son here show'st me, the dear pledge
+Of dalliance had with thee in Heaven, and joys
+Then sweet, now sad to mention, through dire change
+Befallen us unforeseen, unthought-of--know,
+I come no enemy, but to set free
+From out this dark and dismal house of pain
+Both him and thee, and all the heavenly host
+Of Spirits that, in our just pretences armed,
+Fell with us from on high. From them I go
+This uncouth errand sole, and one for all
+Myself expose, with lonely steps to tread
+Th' unfounded Deep, and through the void immense
+To search, with wandering quest, a place foretold
+Should be--and, by concurring signs, ere now
+Created vast and round--a place of bliss
+In the purlieus of Heaven; and therein placed
+A race of upstart creatures, to supply
+Perhaps our vacant room, though more removed,
+Lest Heaven, surcharged with potent multitude,
+Might hap to move new broils. Be this, or aught
+Than this more secret, now designed, I haste
+To know; and, this once known, shall soon return,
+And bring ye to the place where thou and Death
+Shall dwell at ease, and up and down unseen
+Wing silently the buxom air, embalmed
+With odours. There ye shall be fed and filled
+Immeasurably; all things shall be your prey."
+  He ceased; for both seemed highly pleased, and Death
+Grinned horrible a ghastly smile, to hear
+His famine should be filled, and blessed his maw
+Destined to that good hour. No less rejoiced
+His mother bad, and thus bespake her sire:--
+  "The key of this infernal Pit, by due
+And by command of Heaven's all-powerful King,
+I keep, by him forbidden to unlock
+These adamantine gates; against all force
+Death ready stands to interpose his dart,
+Fearless to be o'ermatched by living might.
+But what owe I to his commands above,
+Who hates me, and hath hither thrust me down
+Into this gloom of Tartarus profound,
+To sit in hateful office here confined,
+Inhabitant of Heaven and heavenly born--
+Here in perpetual agony and pain,
+With terrors and with clamours compassed round
+Of mine own brood, that on my bowels feed?
+Thou art my father, thou my author, thou
+My being gav'st me; whom should I obey
+But thee? whom follow? Thou wilt bring me soon
+To that new world of light and bliss, among
+The gods who live at ease, where I shall reign
+At thy right hand voluptuous, as beseems
+Thy daughter and thy darling, without end."
+  Thus saying, from her side the fatal key,
+Sad instrument of all our woe, she took;
+And, towards the gate rolling her bestial train,
+Forthwith the huge portcullis high up-drew,
+Which, but herself, not all the Stygian Powers
+Could once have moved; then in the key-hole turns
+Th' intricate wards, and every bolt and bar
+Of massy iron or solid rock with ease
+Unfastens. On a sudden open fly,
+With impetuous recoil and jarring sound,
+Th' infernal doors, and on their hinges grate
+Harsh thunder, that the lowest bottom shook
+Of Erebus. She opened; but to shut
+Excelled her power: the gates wide open stood,
+That with extended wings a bannered host,
+Under spread ensigns marching, mibht pass through
+With horse and chariots ranked in loose array;
+So wide they stood, and like a furnace-mouth
+Cast forth redounding smoke and ruddy flame.
+Before their eyes in sudden view appear
+The secrets of the hoary Deep--a dark
+Illimitable ocean, without bound,
+Without dimension; where length, breadth, and height,
+And time, and place, are lost; where eldest Night
+And Chaos, ancestors of Nature, hold
+Eternal anarchy, amidst the noise
+Of endless wars, and by confusion stand.
+For Hot, Cold, Moist, and Dry, four champions fierce,
+Strive here for mastery, and to battle bring
+Their embryon atoms: they around the flag
+Of each his faction, in their several clans,
+Light-armed or heavy, sharp, smooth, swift, or slow,
+Swarm populous, unnumbered as the sands
+Of Barca or Cyrene's torrid soil,
+Levied to side with warring winds, and poise
+Their lighter wings. To whom these most adhere
+He rules a moment: Chaos umpire sits,
+And by decision more embroils the fray
+By which he reigns: next him, high arbiter,
+Chance governs all. Into this wild Abyss,
+The womb of Nature, and perhaps her grave,
+Of neither sea, nor shore, nor air, nor fire,
+But all these in their pregnant causes mixed
+Confusedly, and which thus must ever fight,
+Unless th' Almighty Maker them ordain
+His dark materials to create more worlds--
+Into this wild Abyss the wary Fiend
+Stood on the brink of Hell and looked a while,
+Pondering his voyage; for no narrow frith
+He had to cross. Nor was his ear less pealed
+With noises loud and ruinous (to compare
+Great things with small) than when Bellona storms
+With all her battering engines, bent to rase
+Some capital city; or less than if this frame
+Of Heaven were falling, and these elements
+In mutiny had from her axle torn
+The steadfast Earth. At last his sail-broad vans
+He spread for flight, and, in the surging smoke
+Uplifted, spurns the ground; thence many a league,
+As in a cloudy chair, ascending rides
+Audacious; but, that seat soon failing, meets
+A vast vacuity. All unawares,
+Fluttering his pennons vain, plumb-down he drops
+Ten thousand fathom deep, and to this hour
+Down had been falling, had not, by ill chance,
+The strong rebuff of some tumultuous cloud,
+Instinct with fire and nitre, hurried him
+As many miles aloft. That fury stayed--
+Quenched in a boggy Syrtis, neither sea,
+Nor good dry land--nigh foundered, on he fares,
+Treading the crude consistence, half on foot,
+Half flying; behoves him now both oar and sail.
+As when a gryphon through the wilderness
+With winged course, o'er hill or moory dale,
+Pursues the Arimaspian, who by stealth
+Had from his wakeful custody purloined
+The guarded gold; so eagerly the Fiend
+O'er bog or steep, through strait, rough, dense, or rare,
+With head, hands, wings, or feet, pursues his way,
+And swims, or sinks, or wades, or creeps, or flies.
+At length a universal hubbub wild
+Of stunning sounds, and voices all confused,
+Borne through the hollow dark, assaults his ear
+With loudest vehemence. Thither he plies
+Undaunted, to meet there whatever Power
+Or Spirit of the nethermost Abyss
+Might in that noise reside, of whom to ask
+Which way the nearest coast of darkness lies
+Bordering on light; when straight behold the throne
+Of Chaos, and his dark pavilion spread
+Wide on the wasteful Deep! With him enthroned
+Sat sable-vested Night, eldest of things,
+The consort of his reign; and by them stood
+Orcus and Ades, and the dreaded name
+Of Demogorgon; Rumour next, and Chance,
+And Tumult, and Confusion, all embroiled,
+And Discord with a thousand various mouths.
+  T' whom Satan, turning boldly, thus:--"Ye Powers
+And Spirtis of this nethermost Abyss,
+Chaos and ancient Night, I come no spy
+With purpose to explore or to disturb
+The secrets of your realm; but, by constraint
+Wandering this darksome desert, as my way
+Lies through your spacious empire up to light,
+Alone and without guide, half lost, I seek,
+What readiest path leads where your gloomy bounds
+Confine with Heaven; or, if some other place,
+From your dominion won, th' Ethereal King
+Possesses lately, thither to arrive
+I travel this profound. Direct my course:
+Directed, no mean recompense it brings
+To your behoof, if I that region lost,
+All usurpation thence expelled, reduce
+To her original darkness and your sway
+(Which is my present journey), and once more
+Erect the standard there of ancient Night.
+Yours be th' advantage all, mine the revenge!"
+  Thus Satan; and him thus the Anarch old,
+With faltering speech and visage incomposed,
+Answered:  "I know thee, stranger, who thou art--  ***
+That mighty leading Angel, who of late
+Made head against Heaven's King, though overthrown.
+I saw and heard; for such a numerous host
+Fled not in silence through the frighted Deep,
+With ruin upon ruin, rout on rout,
+Confusion worse confounded; and Heaven-gates
+Poured out by millions her victorious bands,
+Pursuing. I upon my frontiers here
+Keep residence; if all I can will serve
+That little which is left so to defend,
+Encroached on still through our intestine broils
+Weakening the sceptre of old Night: first, Hell,
+Your dungeon, stretching far and wide beneath;
+Now lately Heaven and Earth, another world
+Hung o'er my realm, linked in a golden chain
+To that side Heaven from whence your legions fell!
+If that way be your walk, you have not far;
+So much the nearer danger. Go, and speed;
+Havoc, and spoil, and ruin, are my gain."
+  He ceased; and Satan stayed not to reply,
+But, glad that now his sea should find a shore,
+With fresh alacrity and force renewed
+Springs upward, like a pyramid of fire,
+Into the wild expanse, and through the shock
+Of fighting elements, on all sides round
+Environed, wins his way; harder beset
+And more endangered than when Argo passed
+Through Bosporus betwixt the justling rocks,
+Or when Ulysses on the larboard shunned
+Charybdis, and by th' other whirlpool steered.
+So he with difficulty and labour hard
+Moved on, with difficulty and labour he;
+But, he once passed, soon after, when Man fell,
+Strange alteration! Sin and Death amain,
+Following his track (such was the will of Heaven)
+Paved after him a broad and beaten way
+Over the dark Abyss, whose boiling gulf
+Tamely endured a bridge of wondrous length,
+From Hell continued, reaching th' utmost orb
+Of this frail World; by which the Spirits perverse
+With easy intercourse pass to and fro
+To tempt or punish mortals, except whom
+God and good Angels guard by special grace.
+  But now at last the sacred influence
+Of light appears, and from the walls of Heaven
+Shoots far into the bosom of dim Night
+A glimmering dawn. Here Nature first begins
+Her farthest verge, and Chaos to retire,
+As from her outmost works, a broken foe,
+With tumult less and with less hostile din;
+That Satan with less toil, and now with ease,
+Wafts on the calmer wave by dubious light,
+And, like a weather-beaten vessel, holds
+Gladly the port, though shrouds and tackle torn;
+Or in the emptier waste, resembling air,
+Weighs his spread wings, at leisure to behold
+Far off th' empyreal Heaven, extended wide
+In circuit, undetermined square or round,
+With opal towers and battlements adorned
+Of living sapphire, once his native seat;
+And, fast by, hanging in a golden chain,
+This pendent World, in bigness as a star
+Of smallest magnitude close by the moon.
+Thither, full fraught with mischievous revenge,
+Accursed, and in a cursed hour, he hies.
+
+
+
+Book III
+
+
+Hail, holy Light, offspring of Heaven firstborn,
+Or of the Eternal coeternal beam
+May I express thee unblam'd?  since God is light,
+And never but in unapproached light
+Dwelt from eternity, dwelt then in thee
+Bright effluence of bright essence increate.
+Or hear"st thou rather pure ethereal stream,
+Whose fountain who shall tell?  before the sun,
+Before the Heavens thou wert, and at the voice
+Of God, as with a mantle, didst invest  ***
+The rising world of waters dark and deep,
+Won from the void and formless infinite.
+Thee I re-visit now with bolder wing,
+Escap'd the Stygian pool, though long detain'd
+In that obscure sojourn, while in my flight
+Through utter and through middle darkness borne,
+With other notes than to the Orphean lyre
+I sung of Chaos and eternal Night;
+Taught by the heavenly Muse to venture down
+The dark descent, and up to re-ascend,
+Though hard and rare:  Thee I revisit safe,
+And feel thy sovran vital lamp; but thou
+Revisit'st not these eyes, that roll in vain
+To find thy piercing ray, and find no dawn;
+So  thick a drop serene hath quench'd their orbs,
+Or dim suffusion veil'd.  Yet not the more
+Cease I to wander, where the Muses haunt,
+Clear spring, or shady grove, or sunny hill,
+Smit with the love of sacred song; but chief
+Thee, Sion, and the flowery brooks beneath,
+That wash thy hallow'd feet, and warbling flow,
+Nightly I visit:  nor sometimes forget
+So were I equall'd with them in renown,
+Thy sovran command, that Man should find grace;
+Blind Thamyris, and blind Maeonides,
+And Tiresias, and Phineus, prophets old:
+Then feed on thoughts, that voluntary move
+Harmonious numbers; as the wakeful bird
+Sings darkling, and in shadiest covert hid
+Tunes her nocturnal note.  Thus with the year
+Seasons return; but not to me returns
+Day, or the sweet approach of even or morn,
+Or sight of vernal bloom, or summer's rose,
+Or flocks, or herds, or human face divine;
+But cloud instead, and ever-during dark
+Surrounds me, from the cheerful ways of men
+Cut off, and for the book of knowledge fair
+Presented with a universal blank
+Of nature's works to me expung'd and ras'd,
+And wisdom at one entrance quite shut out.
+So much the rather thou, celestial Light,
+Shine inward, and the mind through all her powers
+Irradiate; there plant eyes, all mist from thence
+Purge and disperse, that I may see and tell
+Of things invisible to mortal sight.
+Now had the Almighty Father from above,
+From the pure empyrean where he sits
+High thron'd above all highth, bent down his eye
+His own works and their works at once to view:
+About him all the Sanctities of Heaven
+Stood thick as stars, and from his sight receiv'd
+Beatitude past utterance; on his right
+The radiant image of his glory sat,
+His only son; on earth he first beheld
+Our two first parents, yet the only two
+Of mankind in the happy garden plac'd
+Reaping immortal fruits of joy and love,
+Uninterrupted joy, unrivall'd love,
+In blissful solitude; he then survey'd
+Hell and the gulf between, and Satan there
+Coasting the wall of Heaven on this side Night
+In the dun air sublime, and ready now
+To stoop with wearied wings, and willing feet,
+On the bare outside of this world, that seem'd
+Firm land imbosom'd, without firmament,
+Uncertain which, in ocean or in air.
+Him God beholding from his prospect high,
+Wherein past, present, future, he beholds,
+Thus to his only Son foreseeing spake.
+Only begotten Son, seest thou what rage
+Transports our Adversary?  whom no bounds
+Prescrib'd no bars of Hell, nor all the chains
+Heap'd on him there, nor yet the main abyss
+Wide interrupt, can hold; so bent he seems
+On desperate revenge, that shall redound
+Upon his own rebellious head.  And now,
+Through all restraint broke loose, he wings his way
+Not far off Heaven, in the precincts of light,
+Directly towards the new created world,
+And man there plac'd, with purpose to assay
+If him by force he can destroy, or, worse,
+By some false guile pervert; and shall pervert;
+For man will hearken to his glozing lies,
+And easily transgress the sole command,
+Sole pledge of his obedience:  So will fall
+He and his faithless progeny:  Whose fault?
+Whose but his own?  ingrate, he had of me
+All he could have; I made him just and right,
+Sufficient to have stood, though free to fall.
+Such I created all the ethereal Powers
+And Spirits, both them who stood, and them who fail'd;
+Freely they stood who stood, and fell who fell.
+Not free, what proof could they have given sincere
+Of true allegiance, constant faith or love,
+Where only what they needs must do appear'd,
+Not what they would?  what praise could they receive?
+What pleasure I from such obedience paid,
+When will and reason (reason also is choice)
+Useless and vain, of freedom both despoil'd,
+Made passive both, had serv'd necessity,
+Not me?  they therefore, as to right belong$ 'd,
+So were created, nor can justly accuse
+Their Maker, or their making, or their fate,
+As if predestination over-rul'd
+Their will dispos'd by absolute decree
+Or high foreknowledge they themselves decreed
+Their own revolt, not I; if I foreknew,
+Foreknowledge had no influence on their fault,
+Which had no less proved certain unforeknown.
+So without least impulse or shadow of fate,
+Or aught by me immutably foreseen,
+They trespass, authors to themselves in all
+Both what they judge, and what they choose; for so
+I form'd them free: and free they must remain,
+Till they enthrall themselves; I else must change
+Their nature, and revoke the high decree
+Unchangeable, eternal, which ordain'd
+$THeir freedom: they themselves ordain'd their fall.
+The first sort by their own suggestion fell,
+Self-tempted, self-deprav'd:  Man falls, deceiv'd
+By the other first:  Man therefore shall find grace,
+The other none:  In mercy and justice both,
+Through Heaven and Earth, so shall my glory excel;
+But Mercy, first and last, shall brightest shine.
+Thus while God spake, ambrosial fragrance fill'd
+All Heaven, and in the blessed Spirits elect
+Sense of new joy ineffable diffus'd.
+Beyond compare the Son of God was seen
+Most glorious; in him all his Father shone
+Substantially express'd; and in his face
+Divine compassion visibly appear'd,
+Love without end, and without measure grace,
+Which uttering, thus he to his Father spake.
+O Father, gracious was that word which clos'd
+Thy sovran command, that Man should find grace;
+, that Man should find grace;
+For which both Heaven and earth shall high extol
+Thy praises, with the innumerable sound
+Of hymns and sacred songs, wherewith thy throne
+Encompass'd shall resound thee ever blest.
+For should Man finally be lost, should Man,
+Thy creature late so lov'd, thy youngest son,
+Fall circumvented thus by fraud, though join'd
+With his own folly?  that be from thee far,
+That far be from thee, Father, who art judge
+Of all things made, and judgest only right.
+Or shall the Adversary thus obtain
+His end, and frustrate thine?  shall he fulfill
+His malice, and thy goodness bring to nought,
+Or proud return, though to his heavier doom,
+Yet with revenge accomplish'd, and to Hell
+Draw after him the whole race of mankind,
+By him corrupted?  or wilt thou thyself
+Abolish thy creation, and unmake
+For him, what for thy glory thou hast made?
+So should thy goodness and thy greatness both
+Be question'd and blasphem'd without defence.
+To whom the great Creator thus replied.
+O son, in whom my soul hath chief delight,
+Son of my bosom, Son who art alone.
+My word, my wisdom, and effectual might,
+All hast thou spoken as my thoughts are, all
+As my eternal purpose hath decreed;
+Man shall not quite be lost, but sav'd who will;
+Yet not of will in him, but grace in me
+Freely vouchsaf'd; once more I will renew
+His lapsed powers, though forfeit; and enthrall'd
+By sin to foul exorbitant desires;
+Upheld by me, yet once more he shall stand
+On even ground against his mortal foe;
+By me upheld, that he may know how frail
+His fallen condition is, and to me owe
+All his deliverance, and to none but me.
+Some I have chosen of peculiar grace,
+Elect above the rest; so is my will:
+The rest shall hear me call, and oft be warn'd
+Their sinful state, and to appease betimes
+The incensed Deity, while offer'd grace
+Invites; for I will clear their senses dark,
+What may suffice, and soften stony hearts
+To pray, repent, and bring obedience due.
+To prayer, repentance, and obedience due,
+Though but endeavour'd with sincere intent,
+Mine ear shall not be slow, mine eye not shut.
+And I will place within them as a guide,
+My umpire Conscience; whom if they will hear,
+Light after light, well us'd, they shall attain,
+And to the end, persisting, safe arrive.
+This my long sufferance, and my day of grace,
+They who neglect and scorn, shall never taste;
+But hard be harden'd, blind be blinded more,
+That they may stumble on, and deeper fall;
+And none but such from mercy I exclude.
+But yet all is not done; Man disobeying,
+Disloyal, breaks his fealty, and sins
+Against the high supremacy of Heaven,
+Affecting God-head, and, so losing all,
+To expiate his treason hath nought left,
+But to destruction sacred and devote,
+He, with his whole posterity, must die,
+Die he or justice must; unless for him
+Some other able, and as willing, pay
+The rigid satisfaction, death for death.
+Say, heavenly Powers, where shall we find such love?
+Which of you will be mortal, to redeem
+Man's mortal crime, and just the unjust to save?
+Dwells in all Heaven charity so dear?
+And silence was in Heaven: $ on Man's behalf
+He ask'd, but all the heavenly quire stood mute,
+Patron or intercessour none appear'd,
+Much less that durst upon his own head draw
+The deadly forfeiture, and ransom set.
+And now without redemption all mankind
+Must have been lost, adjudg'd to Death and Hell
+By doom severe, had not the Son of God,
+In whom the fulness dwells of love divine,
+His dearest mediation thus renew'd.
+Father, thy word is past, Man shall find grace;
+And shall grace not find means, that finds her way,
+The speediest of thy winged messengers,
+To visit all thy creatures, and to all
+Comes unprevented, unimplor'd, unsought?
+Happy for Man, so coming; he her aid
+Can never seek, once dead in sins, and lost;
+Atonement for himself, or offering meet,
+Indebted and undone, hath none to bring;
+Behold me then:  me for him, life for life
+I offer: on me let thine anger fall;
+Account me Man; I for his sake will leave
+ Thy bosom, and this glory next to thee
+ Freely put off, and for him lastly die
+ Well pleased; on me let Death wreak all his rage.
+ Under his gloomy power I shall not long
+ Lie vanquished. Thou hast given me to possess
+ Life in myself for ever; by thee I live;
+ Though now to Death I yield, and am his due,
+ All that of me can die, yet, that debt paid,
+ $ thou wilt not leave me in the loathsome grave
+ His prey, nor suffer my unspotted soul
+ For ever with corruption there to dwell;
+ But I shall rise victorious, and subdue
+ My vanquisher, spoiled of his vaunted spoil.
+ Death his death's wound shall then receive, and stoop
+ Inglorious, of his mortal sting disarmed;
+ I through the ample air in triumph high
+ Shall lead Hell captive maugre Hell, and show
+The powers of darkness bound. Thou, at the sight
+ Pleased, out of Heaven shalt look down and smile,
+ While, by thee raised, I ruin all my foes;
+ Death last, and with his carcase glut the grave;
+ Then, with the multitude of my redeemed,
+ Shall enter Heaven, long absent, and return,
+ Father, to see thy face, wherein no cloud
+ Of anger shall remain, but peace assured
+ And reconcilement: wrath shall be no more
+ Thenceforth, but in thy presence joy entire.
+ His words here ended; but his meek aspect
+ Silent yet spake, and breathed immortal love
+ To mortal men, above which only shone
+ Filial obedience: as a sacrifice
+ Glad to be offered, he attends the will
+ Of his great Father. Admiration seized
+ All Heaven, what this might mean, and whither tend,
+ Wondering; but soon th' Almighty thus replied.
+ O thou in Heaven and Earth the only peace
+ Found out for mankind under wrath, O thou
+ My sole complacence! Well thou know'st how dear
+ To me are all my works; nor Man the least,
+ Though last created, that for him I spare
+ Thee from my bosom and right hand, to save,
+ By losing thee a while, the whole race lost.
+
+     00021053
+ Thou, therefore, whom thou only canst redeem,
+ Their nature also to thy nature join;
+ And be thyself Man among men on Earth,
+ Made flesh, when time shall be, of virgin seed,
+ By wondrous birth; be thou in Adam's room
+The head of all mankind, though Adam's son.
+As in him perish all men, so in thee,
+As from a second root, shall be restored
+As many as are restored, without thee none.
+His crime makes guilty all his sons; thy merit,
+Imputed, shall absolve them who renounce
+Their own both righteous and unrighteous deeds,
+And live in thee transplanted, and from thee
+Receive new life.  So Man, as is most just,
+Shall satisfy for Man, be judged and die,
+And dying rise, and rising with him raise
+His brethren, ransomed with his own dear life.
+So heavenly love shall outdo hellish hate,
+Giving to death, and dying to redeem,
+So dearly to redeem what hellish hate
+So easily destroyed, and still destroys
+In those who, when they may, accept not grace.
+Nor shalt thou, by descending to assume
+Man's nature, lessen or degrade thine own.
+Because thou hast, though throned in highest bliss
+Equal to God, and equally enjoying
+God-like fruition, quitted all, to save
+A world from utter loss, and hast been found
+By merit more than birthright Son of God,
+Found worthiest to be so by being good,
+Far more than great or high; because in thee
+Love hath abounded more than glory abounds;
+Therefore thy humiliation shall exalt
+With thee thy manhood also to this throne:
+Here shalt thou sit incarnate, here shalt reign
+Both God and Man, Son both of God and Man,
+Anointed universal King; all power
+I give thee; reign for ever, and assume
+Thy merits; under thee, as head supreme,
+Thrones, Princedoms, Powers, Dominions, I reduce:
+All knees to thee shall bow, of them that bide
+In Heaven, or Earth, or under Earth in Hell.
+When thou, attended gloriously from Heaven,
+Shalt in the sky appear, and from thee send
+The summoning Arch-Angels to proclaim
+Thy dread tribunal; forthwith from all winds,
+The living, and forthwith the cited dead
+Of all past ages, to the general doom
+Shall hasten; such a peal shall rouse their sleep.
+Then, all thy saints assembled, thou shalt judge
+Bad Men and Angels; they, arraigned, shall sink
+Beneath thy sentence; Hell, her numbers full,
+Thenceforth shall be for ever shut.  Mean while
+The world shall burn, and from her ashes spring
+New Heaven and Earth, wherein the just shall dwell,
+And, after all their tribulations long,
+See golden days, fruitful of golden deeds,
+With joy and peace triumphing, and fair truth.
+Then thou thy regal scepter shalt lay by,
+For regal scepter then no more shall need,
+God shall be all in all.  But, all ye Gods,
+Adore him, who to compass all this dies;
+Adore the Son, and honour him as me.
+No sooner had the Almighty ceased, but all
+The multitude of Angels, with a shout
+Loud as from numbers without number, sweet
+As from blest voices, uttering joy, Heaven rung
+With jubilee, and loud Hosannas filled
+The eternal regions:  Lowly reverent
+Towards either throne they bow, and to the ground
+With solemn adoration down they cast
+Their crowns inwove with amarant and gold;
+Immortal amarant, a flower which once
+In Paradise, fast by the tree of life,
+Began to bloom; but soon for man's offence
+To Heaven removed, where first it grew, there grows,
+And flowers aloft shading the fount of life,
+And where the river of bliss through midst of Heaven
+Rolls o'er Elysian flowers her amber stream;
+With these that never fade the Spirits elect
+Bind their resplendent locks inwreathed with beams;
+Now in loose garlands thick thrown off, the bright
+Pavement, that like a sea of jasper shone,
+Impurpled with celestial roses smiled.
+Then, crowned again, their golden harps they took,
+Harps ever tuned, that glittering by their side
+Like quivers hung, and with preamble sweet
+Of charming symphony they introduce
+Their sacred song, and waken raptures high;
+No voice exempt, no voice but well could join
+Melodious part, such concord is in Heaven.
+Thee, Father, first they sung Omnipotent,
+Immutable, Immortal, Infinite,
+Eternal King; the Author of all being,
+Fonntain of light, thyself invisible
+Amidst the glorious brightness where thou sit'st
+Throned inaccessible, but when thou shadest
+The full blaze of thy beams, and, through a cloud
+Drawn round about thee like a radiant shrine,
+Dark with excessive bright thy skirts appear,
+Yet dazzle Heaven, that brightest Seraphim
+Approach not, but with both wings veil their eyes.
+Thee next they sang of all creation first,
+Begotten Son, Divine Similitude,
+In whose conspicuous countenance, without cloud
+Made visible, the Almighty Father shines,
+Whom else no creature can behold; on thee
+Impressed the effulgence of his glory abides,
+Transfused on thee his ample Spirit rests.
+He Heaven of Heavens and all the Powers therein
+By thee created; and by thee threw down
+The aspiring Dominations:  Thou that day
+Thy Father's dreadful thunder didst not spare,
+Nor stop thy flaming chariot-wheels, that shook
+Heaven's everlasting frame, while o'er the necks
+Thou drovest of warring Angels disarrayed.
+Back from pursuit thy Powers with loud acclaim
+Thee only extolled, Son of thy Father's might,
+To execute fierce vengeance on his foes,
+Not so on Man:  Him through their malice fallen,
+Father of mercy and grace, thou didst not doom
+So strictly, but much more to pity incline:
+No sooner did thy dear and only Son
+Perceive thee purposed not to doom frail Man
+So strictly, but much more to pity inclined,
+He to appease thy wrath, and end the strife
+Of mercy and justice in thy face discerned,
+Regardless of the bliss wherein he sat
+Second to thee, offered himself to die
+For Man's offence.  O unexampled love,
+Love no where to be found less than Divine!
+Hail, Son of God, Saviour of Men!  Thy name
+Shall be the copious matter of my song
+Henceforth, and never shall my heart thy praise
+Forget, nor from thy Father's praise disjoin.
+Thus they in Heaven, above the starry sphere,
+Their happy hours in joy and hymning spent.
+Mean while upon the firm opacous globe
+Of this round world, whose first convex divides
+The luminous inferiour orbs, enclosed
+From Chaos, and the inroad of Darkness old,
+Satan alighted walks:  A globe far off
+It seemed, now seems a boundless continent
+Dark, waste, and wild, under the frown of Night
+Starless exposed, and ever-threatening storms
+Of Chaos blustering round, inclement sky;
+Save on that side which from the wall of Heaven,
+Though distant far, some small reflection gains
+Of glimmering air less vexed with tempest loud:
+Here walked the Fiend at large in spacious field.
+As when a vultur on Imaus bred,
+Whose snowy ridge the roving Tartar bounds,
+Dislodging from a region scarce of prey
+To gorge the flesh of lambs or yeanling kids,
+On hills where flocks are fed, flies toward the springs
+Of Ganges or Hydaspes, Indian streams;
+But in his way lights on the barren plains
+Of Sericana, where Chineses drive
+With sails and wind their cany waggons light:
+So, on this windy sea of land, the Fiend
+Walked up and down alone, bent on his prey;
+Alone, for other creature in this place,
+Living or lifeless, to be found was none;
+None yet, but store hereafter from the earth
+Up hither like aereal vapours flew
+Of all things transitory and vain, when sin
+With vanity had filled the works of men:
+Both all things vain, and all who in vain things
+Built their fond hopes of glory or lasting fame,
+Or happiness in this or the other life;
+All who have their reward on earth, the fruits
+Of painful superstition and blind zeal,
+Nought seeking but the praise of men, here find
+Fit retribution, empty as their deeds;
+All the unaccomplished works of Nature's hand,
+Abortive, monstrous, or unkindly mixed,
+Dissolved on earth, fleet hither, and in vain,
+Till final dissolution, wander here;
+Not in the neighbouring moon as some have dreamed;
+Those argent fields more likely habitants,
+Translated Saints, or middle Spirits hold
+Betwixt the angelical and human kind.
+Hither of ill-joined sons and daughters born
+First from the ancient world those giants came
+With many a vain exploit, though then renowned:
+The builders next of Babel on the plain
+Of Sennaar, and still with vain design,
+New Babels, had they wherewithal, would build:
+Others came single; he, who, to be deemed
+A God, leaped fondly into Aetna flames,
+Empedocles; and he, who, to enjoy
+Plato's Elysium, leaped into the sea,
+Cleombrotus; and many more too long,
+Embryos, and idiots, eremites, and friars
+White, black, and gray, with all their trumpery.
+Here pilgrims roam, that strayed so far to seek
+In Golgotha him dead, who lives in Heaven;
+And they, who to be sure of Paradise,
+Dying, put on the weeds of Dominick,
+Or in Franciscan think to pass disguised;
+They pass the planets seven, and pass the fixed,
+And that crystalling sphere whose balance weighs
+The trepidation talked, and that first moved;
+And now Saint Peter at Heaven's wicket seems
+To wait them with his keys, and now at foot
+Of Heaven's ascent they lift their feet, when lo
+A violent cross wind from either coast
+Blows them transverse, ten thousand leagues awry
+Into the devious air:  Then might ye see
+Cowls, hoods, and habits, with their wearers, tost
+And fluttered into rags; then reliques, beads,
+Indulgences, dispenses, pardons, bulls,
+The sport of winds:  All these, upwhirled aloft,
+Fly o'er the backside of the world far off
+Into a Limbo large and broad, since called
+The Paradise of Fools, to few unknown
+Long after; now unpeopled, and untrod.
+All this dark globe the Fiend found as he passed,
+And long he wandered, till at last a gleam
+Of dawning light turned thither-ward in haste
+His travelled steps: far distant he descries
+Ascending by degrees magnificent
+Up to the wall of Heaven a structure high;
+At top whereof, but far more rich, appeared
+The work as of a kingly palace-gate,
+With frontispiece of diamond and gold
+Embellished; thick with sparkling orient gems
+The portal shone, inimitable on earth
+By model, or by shading pencil, drawn.
+These stairs were such as whereon Jacob saw
+Angels ascending and descending, bands
+Of guardians bright, when he from Esau fled
+To Padan-Aram, in the field of Luz
+Dreaming by night under the open sky
+And waking cried,  This is the gate of Heaven.
+Each stair mysteriously was meant, nor stood
+There always, but drawn up to Heaven sometimes
+Viewless; and underneath a bright sea flowed
+Of jasper, or of liquid pearl, whereon
+Who after came from earth, failing arrived
+Wafted by Angels, or flew o'er the lake
+Rapt in a chariot drawn by fiery steeds.
+The stairs were then let down, whether to dare
+The Fiend by easy ascent, or aggravate
+His sad exclusion from the doors of bliss:
+Direct against which opened from beneath,
+Just o'er the blissful seat of Paradise,
+A passage down to the Earth, a passage wide,
+Wider by far than that of after-times
+Over mount Sion, and, though that were large,
+Over the Promised Land to God so dear;
+By which, to visit oft those happy tribes,
+On high behests his angels to and fro
+Passed frequent, and his eye with choice regard
+From Paneas, the fount of Jordan's flood,
+To Beersaba, where the Holy Land
+Borders on Egypt and the Arabian shore;
+So wide the opening seemed, where bounds were set
+To darkness, such as bound the ocean wave.
+Satan from hence, now on the lower stair,
+That scaled by steps of gold to Heaven-gate,
+Looks down with wonder at the sudden view
+Of all this world at once.  As when a scout,
+Through dark?;nd desart ways with?oeril gone
+All?might,?;t?kast by break of cheerful dawn
+Obtains the brow of some high-climbing hill,
+Which to his eye discovers unaware
+The goodly prospect of some foreign land
+First seen, or some renowned metropolis
+With glistering spires and pinnacles adorned,
+Which now the rising sun gilds with his beams:
+Such wonder seised, though after Heaven seen,
+The Spirit malign, but much more envy seised,
+At sight of all this world beheld so fair.
+Round he surveys (and well might, where he stood
+So high above the circling canopy
+Of night's extended shade,) from eastern point
+Of Libra to the fleecy star that bears
+Andromeda far off Atlantick seas
+Beyond the horizon; then from pole to pole
+He views in breadth, and without longer pause
+Down right into the world's first region throws
+His flight precipitant, and winds with ease
+Through the pure marble air his oblique way
+Amongst innumerable stars, that shone
+Stars distant, but nigh hand seemed other worlds;
+Or other worlds they seemed, or happy isles,
+Like those Hesperian gardens famed of old,
+Fortunate fields, and groves, and flowery vales,
+Thrice happy isles; but who dwelt happy there
+He staid not to inquire:  Above them all
+The golden sun, in splendour likest Heaven,
+Allured his eye; thither his course he bends
+Through the calm firmament, (but up or down,
+By center, or eccentrick, hard to tell,
+Or longitude,) where the great luminary
+Aloof the vulgar constellations thick,
+That from his lordly eye keep distance due,
+Dispenses light from far; they, as they move
+Their starry dance in numbers that compute
+Days, months, and years, towards his all-cheering lamp
+Turn swift their various motions, or are turned
+By his magnetick beam, that gently warms
+The universe, and to each inward part
+With gentle penetration, though unseen,
+Shoots invisible virtue even to the deep;
+So wonderously was set his station bright.
+There lands the Fiend, a spot like which perhaps
+Astronomer in the sun's lucent orb
+Through his glazed optick tube yet never saw.
+The place he found beyond expression bright,
+Compared with aught on earth, metal or stone;
+Not all parts like, but all alike informed
+With radiant light, as glowing iron with fire;
+If metal, part seemed gold, part silver clear;
+If stone, carbuncle most or chrysolite,
+Ruby or topaz, to the twelve that shone
+In Aaron's breast-plate, and a stone besides
+Imagined rather oft than elsewhere seen,
+That stone, or like to that which here below
+Philosophers in vain so long have sought,
+In vain, though by their powerful art they bind
+Volatile Hermes, and call up unbound
+In various shapes old Proteus from the sea,
+Drained through a limbeck to his native form.
+What wonder then if fields and regions here
+Breathe forth Elixir pure, and rivers run
+Potable gold, when with one virtuous touch
+The arch-chemick sun, so far from us remote,
+Produces, with terrestrial humour mixed,
+Here in the dark so many precious things
+Of colour glorious, and effect so rare?
+Here matter new to gaze the Devil met
+Undazzled; far and wide his eye commands;
+For sight no obstacle found here, nor shade,
+But all sun-shine, as when his beams at noon
+Culminate from the equator, as they now
+Shot upward still direct, whence no way round
+Shadow from body opaque can fall; and the air,
+No where so clear, sharpened his visual ray
+To objects distant far, whereby he soon
+Saw within ken a glorious Angel stand,
+The same whom John saw also in the sun:
+His back was turned, but not his brightness hid;
+Of beaming sunny rays a golden tiar
+Circled his head, nor less his locks behind
+Illustrious on his shoulders fledge with wings
+Lay waving round; on some great charge employed
+He seemed, or fixed in cogitation deep.
+Glad was the Spirit impure, as now in hope
+To find who might direct his wandering flight
+To Paradise, the happy seat of Man,
+His journey's end and our beginning woe.
+But first he casts to change his proper shape,
+Which else might work him danger or delay:
+And now a stripling Cherub he appears,
+Not of the prime, yet such as in his face
+Youth smiled celestial, and to every limb
+Suitable grace diffused, so well he feigned:
+Under a coronet his flowing hair
+In curls on either cheek played; wings he wore
+Of many a coloured plume, sprinkled with gold;
+His habit fit for speed succinct, and held
+Before his decent steps a silver wand.
+He drew not nigh unheard; the Angel bright,
+Ere he drew nigh, his radiant visage turned,
+Admonished by his ear, and straight was known
+The Arch-Angel Uriel, one of the seven
+Who in God's presence, nearest to his throne,
+Stand ready at command, and are his eyes
+That run through all the Heavens, or down to the Earth
+Bear his swift errands over moist and dry,
+O'er sea and land: him Satan thus accosts.
+Uriel, for thou of those seven Spirits that stand
+In sight of God's high throne, gloriously bright,
+The first art wont his great authentick will
+Interpreter through highest Heaven to bring,
+Where all his sons thy embassy attend;
+And here art likeliest by supreme decree
+Like honour to obtain, and as his eye
+To visit oft this new creation round;
+Unspeakable desire to see, and know
+All these his wonderous works, but chiefly Man,
+His chief delight and favour, him for whom
+All these his works so wonderous he ordained,
+Hath brought me from the quires of Cherubim
+Alone thus wandering.  Brightest Seraph, tell
+In which of all these shining orbs hath Man
+His fixed seat, or fixed seat hath none,
+But all these shining orbs his choice to dwell;
+That I may find him, and with secret gaze
+Or open admiration him behold,
+On whom the great Creator hath bestowed
+Worlds, and on whom hath all these graces poured;
+That both in him and all things, as is meet,
+The universal Maker we may praise;
+Who justly hath driven out his rebel foes
+To deepest Hell, and, to repair that loss,
+Created this new happy race of Men
+To serve him better:  Wise are all his ways.
+So spake the false dissembler unperceived;
+For neither Man nor Angel can discern
+Hypocrisy, the only evil that walks
+Invisible, except to God alone,
+By his permissive will, through Heaven and Earth:
+And oft, though wisdom wake, suspicion sleeps
+At wisdom's gate, and to simplicity
+Resigns her charge, while goodness thinks no ill
+Where no ill seems:  Which now for once beguiled
+Uriel, though regent of the sun, and held
+The sharpest-sighted Spirit of all in Heaven;
+Who to the fraudulent impostor foul,
+In his uprightness, answer thus returned.
+Fair Angel, thy desire, which tends to know
+The works of God, thereby to glorify
+The great Work-master, leads to no excess
+That reaches blame, but rather merits praise
+The more it seems excess, that led thee hither
+From thy empyreal mansion thus alone,
+To witness with thine eyes what some perhaps,
+Contented with report, hear only in Heaven:
+For wonderful indeed are all his works,
+Pleasant to know, and worthiest to be all
+Had in remembrance always with delight;
+But what created mind can comprehend
+Their number, or the wisdom infinite
+That brought them forth, but hid their causes deep?
+I saw when at his word the formless mass,
+This world's material mould, came to a heap:
+Confusion heard his voice, and wild uproar
+Stood ruled, stood vast infinitude confined;
+Till at his second bidding Darkness fled,
+Light shone, and order from disorder sprung:
+Swift to their several quarters hasted then
+The cumbrous elements, earth, flood, air, fire;
+And this ethereal quintessence of Heaven
+Flew upward, spirited with various forms,
+That rolled orbicular, and turned to stars
+Numberless, as thou seest, and how they move;
+Each had his place appointed, each his course;
+The rest in circuit walls this universe.
+Look downward on that globe, whose hither side
+With light from hence, though but reflected, shines;
+That place is Earth, the seat of Man; that light
+His day, which else, as the other hemisphere,
+Night would invade; but there the neighbouring moon
+So call that opposite fair star) her aid
+Timely interposes, and her monthly round
+Still ending, still renewing, through mid Heaven,
+With borrowed light her countenance triform
+Hence fills and empties to enlighten the Earth,
+And in her pale dominion checks the night.
+That spot, to which I point, is Paradise,
+Adam's abode; those lofty shades, his bower.
+Thy way thou canst not miss, me mine requires.
+Thus said, he turned; and Satan, bowing low,
+As to superiour Spirits is wont in Heaven,
+Where honour due and reverence none neglects,
+Took leave, and toward the coast of earth beneath,
+Down from the ecliptick, sped with hoped success,
+Throws his steep flight in many an aery wheel;
+Nor staid, till on Niphates' top he lights.
+
+
+
+Book IV
+
+
+O, for that warning voice, which he, who saw
+The Apocalypse, heard cry in Heaven aloud,
+Then when the Dragon, put to second rout,
+Came furious down to be revenged on men,
+Woe to the inhabitants on earth! that now,
+While time was, our first parents had been warned
+The coming of their secret foe, and 'scaped,
+Haply so 'scaped his mortal snare:  For now
+Satan, now first inflamed with rage, came down,
+The tempter ere the accuser of mankind,
+To wreak on innocent frail Man his loss
+Of that first battle, and his flight to Hell:
+Yet, not rejoicing in his speed, though bold
+Far off and fearless, nor with cause to boast,
+Begins his dire attempt; which nigh the birth
+Now rolling boils in his tumultuous breast,
+And like a devilish engine back recoils
+Upon himself; horrour and doubt distract
+His troubled thoughts, and from the bottom stir
+The Hell within him; for within him Hell
+He brings, and round about him, nor from Hell
+One step, no more than from himself, can fly
+By change of place:  Now conscience wakes despair,
+That slumbered; wakes the bitter memory
+Of what he was, what is, and what must be
+Worse; of worse deeds worse sufferings must ensue.
+Sometimes towards Eden, which now in his view
+Lay pleasant, his grieved look he fixes sad;
+Sometimes towards Heaven, and the full-blazing sun,
+Which now sat high in his meridian tower:
+Then, much revolving, thus in sighs began.
+O thou, that, with surpassing glory crowned,
+Lookest from thy sole dominion like the God
+Of this new world; at whose sight all the stars
+Hide their diminished heads; to thee I call,
+But with no friendly voice, and add thy name,
+Of Sun! to tell thee how I hate thy beams,
+That bring to my remembrance from what state
+I fell, how glorious once above thy sphere;
+Till pride and worse ambition threw me down
+Warring in Heaven against Heaven's matchless King:
+Ah, wherefore! he deserved no such return
+From me, whom he created what I was
+In that bright eminence, and with his good
+Upbraided none; nor was his service hard.
+What could be less than to afford him praise,
+The easiest recompence, and pay him thanks,
+How due! yet all his good proved ill in me,
+And wrought but malice; lifted up so high
+I sdeined subjection, and thought one step higher
+Would set me highest, and in a moment quit
+The debt immense of endless gratitude,
+So burdensome still paying, still to owe,
+Forgetful what from him I still received,
+And understood not that a grateful mind
+By owing owes not, but still pays, at once
+Indebted and discharged; what burden then
+O, had his powerful destiny ordained
+Me some inferiour Angel, I had stood
+Then happy; no unbounded hope had raised
+Ambition!  Yet why not some other Power
+As great might have aspired, and me, though mean,
+Drawn to his part; but other Powers as great
+Fell not, but stand unshaken, from within
+Or from without, to all temptations armed.
+Hadst thou the same free will and power to stand?
+Thou hadst: whom hast thou then or what to accuse,
+But Heaven's free love dealt equally to all?
+Be then his love accursed, since love or hate,
+To me alike, it deals eternal woe.
+Nay, cursed be thou; since against his thy will
+Chose freely what it now so justly rues.
+Me miserable! which way shall I fly
+Infinite wrath, and infinite despair?
+Which way I fly is Hell; myself am Hell;
+And, in the lowest deep, a lower deep
+Still threatening to devour me opens wide,
+To which the Hell I suffer seems a Heaven.
+O, then, at last relent:  Is there no place
+Left for repentance, none for pardon left?
+None left but by submission; and that word
+Disdain forbids me, and my dread of shame
+Among the Spirits beneath, whom I seduced
+With other promises and other vaunts
+Than to submit, boasting I could subdue
+The Omnipotent.  Ay me! they little know
+How dearly I abide that boast so vain,
+Under what torments inwardly I groan,
+While they adore me on the throne of Hell.
+With diadem and scepter high advanced,
+The lower still I fall, only supreme
+In misery:  Such joy ambition finds.
+But say I could repent, and could obtain,
+By act of grace, my former state; how soon
+Would highth recall high thoughts, how soon unsay
+What feigned submission swore?  Ease would recant
+Vows made in pain, as violent and void.
+For never can true reconcilement grow,
+Where wounds of deadly hate have pierced so deep:
+Which would but lead me to a worse relapse
+And heavier fall:  so should I purchase dear
+Short intermission bought with double smart.
+This knows my Punisher; therefore as far
+From granting he, as I from begging, peace;
+All hope excluded thus, behold, in stead
+Mankind created, and for him this world.
+So farewell, hope; and with hope farewell, fear;
+Farewell, remorse! all good to me is lost;
+Evil, be thou my good; by thee at least
+Divided empire with Heaven's King I hold,
+By thee, and more than half perhaps will reign;
+As Man ere long, and this new world, shall know.
+Thus while he spake, each passion dimmed his face
+Thrice changed with pale, ire, envy, and despair;
+Which marred his borrowed visage, and betrayed
+Him counterfeit, if any eye beheld.
+For heavenly minds from such distempers foul
+Are ever clear.  Whereof he soon aware,
+Each perturbation smoothed with outward calm,
+Artificer of fraud; and was the first
+That practised falsehood under saintly show,
+Deep malice to conceal, couched with revenge:
+Yet not enough had practised to deceive
+Uriel once warned; whose eye pursued him down
+ The way he went, and on the Assyrian mount
+ Saw him disfigured, more than could befall
+ Spirit of happy sort; his gestures fierce
+ He marked and mad demeanour, then alone,
+ As he supposed, all unobserved, unseen.
+ So on he fares, and to the border comes
+ Of Eden, where delicious Paradise,
+ Now nearer, crowns with her enclosure green,
+ As with a rural mound, the champaign head
+ Of a steep wilderness, whose hairy sides
+Access denied; and overhead upgrew
+ Insuperable height of loftiest shade,
+ Cedar, and pine, and fir, and branching palm,
+ A sylvan scene, and, as the ranks ascend,
+ Shade above shade, a woody theatre
+ Of stateliest view. Yet higher than their tops
+ The verdurous wall of Paradise upsprung;
+
+    00081429
+Which to our general sire gave prospect large
+Into his nether empire neighbouring round.
+And higher than that wall a circling row
+Of goodliest trees, loaden with fairest fruit,
+Blossoms and fruits at once of golden hue,
+Appeared, with gay enamelled colours mixed:
+On which the sun more glad impressed his beams
+Than in fair evening cloud, or humid bow,
+When God hath showered the earth; so lovely seemed
+That landskip:  And of pure now purer air
+Meets his approach, and to the heart inspires
+Vernal delight and joy, able to drive
+All sadness but despair:  Now gentle gales,
+Fanning their odoriferous wings, dispense
+Native perfumes, and whisper whence they stole
+Those balmy spoils.  As when to them who fail
+Beyond the Cape of Hope, and now are past
+Mozambick, off at sea north-east winds blow
+Sabean odours from the spicy shore
+Of Araby the blest; with such delay
+Well pleased they slack their course, and many a league
+Cheered with the grateful smell old Ocean smiles:
+So entertained those odorous sweets the Fiend,
+Who came their bane; though with them better pleased
+Than Asmodeus with the fishy fume
+That drove him, though enamoured, from the spouse
+Of Tobit's son, and with a vengeance sent
+From Media post to Egypt, there fast bound.
+Now to the ascent of that steep savage hill
+Satan had journeyed on, pensive and slow;
+But further way found none, so thick entwined,
+As one continued brake, the undergrowth
+Of shrubs and tangling bushes had perplexed
+All path of man or beast that passed that way.
+One gate there only was, and that looked east
+On the other side: which when the arch-felon saw,
+Due entrance he disdained; and, in contempt,
+At one flight bound high over-leaped all bound
+Of hill or highest wall, and sheer within
+Lights on his feet.  As when a prowling wolf,
+Whom hunger drives to seek new haunt for prey,
+Watching where shepherds pen their flocks at eve
+In hurdled cotes amid the field secure,
+Leaps o'er the fence with ease into the fold:
+Or as a thief, bent to unhoard the cash
+Of some rich burgher, whose substantial doors,
+Cross-barred and bolted fast, fear no assault,
+In at the window climbs, or o'er the tiles:
+So clomb this first grand thief into God's fold;
+So since into his church lewd hirelings climb.
+Thence up he flew, and on the tree of life,
+The middle tree and highest there that grew,
+Sat like a cormorant; yet not true life
+Thereby regained, but sat devising death
+To them who lived; nor on the virtue thought
+Of that life-giving plant, but only used
+For prospect, what well used had been the pledge
+Of immortality.  So little knows
+Any, but God alone, to value right
+The good before him, but perverts best things
+To worst abuse, or to their meanest use.
+Beneath him with new wonder now he views,
+To all delight of human sense exposed,
+In narrow room, Nature's whole wealth, yea more,
+A Heaven on Earth:  For blissful Paradise
+Of God the garden was, by him in the east
+Of Eden planted; Eden stretched her line
+From Auran eastward to the royal towers
+Of great Seleucia, built by Grecian kings,
+Of where the sons of Eden long before
+Dwelt in Telassar:  In this pleasant soil
+His far more pleasant garden God ordained;
+Out of the fertile ground he caused to grow
+All trees of noblest kind for sight, smell, taste;
+And all amid them stood the tree of life,
+High eminent, blooming ambrosial fruit
+Of vegetable gold; and next to life,
+Our death, the tree of knowledge, grew fast by,
+Knowledge of good bought dear by knowing ill.
+Southward through Eden went a river large,
+Nor changed his course, but through the shaggy hill
+Passed underneath ingulfed; for God had thrown
+That mountain as his garden-mould high raised
+Upon the rapid current, which, through veins
+Of porous earth with kindly thirst up-drawn,
+Rose a fresh fountain, and with many a rill
+Watered the garden; thence united fell
+Down the steep glade, and met the nether flood,
+Which from his darksome passage now appears,
+And now, divided into four main streams,
+Runs diverse, wandering many a famous realm
+And country, whereof here needs no account;
+But rather to tell how, if Art could tell,
+How from that sapphire fount the crisped brooks,
+Rolling on orient pearl and sands of gold,
+With mazy errour under pendant shades
+Ran nectar, visiting each plant, and fed
+Flowers worthy of Paradise, which not nice Art
+In beds and curious knots, but Nature boon
+Poured forth profuse on hill, and dale, and plain,
+Both where the morning sun first warmly smote
+The open field, and where the unpierced shade
+Imbrowned the noontide bowers:  Thus was this place
+A happy rural seat of various view;
+Groves whose rich trees wept odorous gums and balm,
+Others whose fruit, burnished with golden rind,
+Hung amiable, Hesperian fables true,
+If true, here only, and of delicious taste:
+Betwixt them lawns, or level downs, and flocks
+Grazing the tender herb, were interposed,
+Or palmy hillock; or the flowery lap
+Of some irriguous valley spread her store,
+Flowers of all hue, and without thorn the rose:
+Another side, umbrageous grots and caves
+Of cool recess, o'er which the mantling vine
+Lays forth her purple grape, and gently creeps
+Luxuriant; mean while murmuring waters fall
+Down the slope hills, dispersed, or in a lake,
+That to the fringed bank with myrtle crowned
+Her crystal mirrour holds, unite their streams.
+The birds their quire apply; airs, vernal airs,
+Breathing the smell of field and grove, attune
+The trembling leaves, while universal Pan,
+Knit with the Graces and the Hours in dance,
+Led on the eternal Spring.  Not that fair field
+Of Enna, where Proserpine gathering flowers,
+Herself a fairer flower by gloomy Dis
+Was gathered, which cost Ceres all that pain
+To seek her through the world; nor that sweet grove
+Of Daphne by Orontes, and the inspired
+Castalian spring, might with this Paradise
+Of Eden strive; nor that Nyseian isle
+Girt with the river Triton, where old Cham,
+Whom Gentiles Ammon call and Libyan Jove,
+Hid Amalthea, and her florid son
+Young Bacchus, from his stepdame Rhea's eye;
+Nor where Abassin kings their issue guard,
+Mount Amara, though this by some supposed
+True Paradise under the Ethiop line
+By Nilus' head, enclosed with shining rock,
+A whole day's journey high, but wide remote
+From this Assyrian garden, where the Fiend
+Saw, undelighted, all delight, all kind
+Of living creatures, new to sight, and strange
+Two of far nobler shape, erect and tall,
+Godlike erect, with native honour clad
+In naked majesty seemed lords of all:
+And worthy seemed; for in their looks divine
+The image of their glorious Maker shone,
+Truth, wisdom, sanctitude severe and pure,
+(Severe, but in true filial freedom placed,)
+Whence true authority in men; though both
+Not equal, as their sex not equal seemed;
+For contemplation he and valour formed;
+For softness she and sweet attractive grace;
+He for God only, she for God in him:
+His fair large front and eye sublime declared
+Absolute rule; and hyacinthine locks
+Round from his parted forelock manly hung
+Clustering, but not beneath his shoulders broad:
+She, as a veil, down to the slender waist
+Her unadorned golden tresses wore
+Dishevelled, but in wanton ringlets waved
+As the vine curls her tendrils, which implied
+Subjection, but required with gentle sway,
+And by her yielded, by him best received,
+Yielded with coy submission, modest pride,
+And sweet, reluctant, amorous delay.
+Nor those mysterious parts were then concealed;
+Then was not guilty shame, dishonest shame
+Of nature's works, honour dishonourable,
+Sin-bred, how have ye troubled all mankind
+With shows instead, mere shows of seeming pure,
+And banished from man's life his happiest life,
+Simplicity and spotless innocence!
+So passed they naked on, nor shunned the sight
+Of God or Angel; for they thought no ill:
+So hand in hand they passed, the loveliest pair,
+That ever since in love's embraces met;
+Adam the goodliest man of men since born
+His sons, the fairest of her daughters Eve.
+Under a tuft of shade that on a green
+Stood whispering soft, by a fresh fountain side
+They sat them down; and, after no more toil
+Of their sweet gardening labour than sufficed
+To recommend cool Zephyr, and made ease
+More easy, wholesome thirst and appetite
+More grateful, to their supper-fruits they fell,
+Nectarine fruits which the compliant boughs
+Yielded them, side-long as they sat recline
+On the soft downy bank damasked with flowers:
+The savoury pulp they chew, and in the rind,
+Still as they thirsted, scoop the brimming stream;
+Nor gentle purpose, nor endearing smiles
+Wanted, nor youthful dalliance, as beseems
+Fair couple, linked in happy nuptial league,
+Alone as they.  About them frisking played
+All beasts of the earth, since wild, and of all chase
+In wood or wilderness, forest or den;
+Sporting the lion ramped, and in his paw
+Dandled the kid; bears, tigers, ounces, pards,
+Gambolled before them; the unwieldy elephant,
+To make them mirth, used all his might, and wreathed
+His?kithetmroboscis; close the serpent sly,
+Insinuating, wove with Gordian twine
+His braided train, and of his fatal guile
+Gave proof unheeded; others on the grass
+Couched, and now filled with pasture gazing sat,
+Or bedward ruminating; for the sun,
+Declined, was hasting now with prone career
+To the ocean isles, and in the ascending scale
+Of Heaven the stars that usher evening rose:
+When Satan still in gaze, as first he stood,
+Scarce thus at length failed speech recovered sad.
+O Hell! what do mine eyes with grief behold!
+Into our room of bliss thus high advanced
+Creatures of other mould, earth-born perhaps,
+Not Spirits, yet to heavenly Spirits bright
+Little inferiour; whom my thoughts pursue
+With wonder, and could love, so lively shines
+In them divine resemblance, and such grace
+The hand that formed them on their shape hath poured.
+Ah! gentle pair, ye little think how nigh
+Your change approaches, when all these delights
+Will vanish, and deliver ye to woe;
+More woe, the more your taste is now of joy;
+Happy, but for so happy ill secured
+Long to continue, and this high seat your Heaven
+Ill fenced for Heaven to keep out such a foe
+As now is entered; yet no purposed foe
+To you, whom I could pity thus forlorn,
+Though I unpitied:  League with you I seek,
+And mutual amity, so strait, so close,
+That I with you must dwell, or you with me
+Henceforth; my dwelling haply may not please,
+Like this fair Paradise, your sense; yet such
+Accept your Maker's work; he gave it me,
+Which I as freely give:  Hell shall unfold,
+To entertain you two, her widest gates,
+And send forth all her kings; there will be room,
+Not like these narrow limits, to receive
+Your numerous offspring; if no better place,
+Thank him who puts me loth to this revenge
+On you who wrong me not for him who wronged.
+And should I at your harmless innocence
+Melt, as I do, yet publick reason just,
+Honour and empire with revenge enlarged,
+By conquering this new world, compels me now
+To do what else, though damned, I should abhor.
+So spake the Fiend, and with necessity,
+The tyrant's plea, excused his devilish deeds.
+Then from his lofty stand on that high tree
+Down he alights among the sportful herd
+Of those four-footed kinds, himself now one,
+Now other, as their shape served best his end
+Nearer to view his prey, and, unespied,
+To mark what of their state he more might learn,
+By word or action marked. About them round
+A lion now he stalks with fiery glare;
+Then as a tiger, who by chance hath spied
+In some purlieu two gentle fawns at play,
+Straight couches close, then, rising, changes oft
+His couchant watch, as one who chose his ground,
+Whence rushing, he might surest seize them both,
+Griped in each paw: when, Adam first of men
+To first of women Eve thus moving speech,
+Turned him, all ear to hear new utterance flow.
+Sole partner, and sole part, of all these joys,
+Dearer thyself than all; needs must the Power
+That made us, and for us this ample world,
+Be infinitely good, and of his good
+As liberal and free as infinite;
+That raised us from the dust, and placed us here
+In all this happiness, who at his hand
+Have nothing merited, nor can perform
+Aught whereof he hath need; he who requires
+From us no other service than to keep
+This one, this easy charge, of all the trees
+In Paradise that bear delicious fruit
+So various, not to taste that only tree
+Of knowledge, planted by the tree of life;
+So near grows death to life, whate'er death is,
+Some dreadful thing no doubt; for well thou knowest
+God hath pronounced it death to taste that tree,
+The only sign of our obedience left,
+Among so many signs of power and rule
+Conferred upon us, and dominion given
+Over all other creatures that possess
+Earth, air, and sea.  Then let us not think hard
+One easy prohibition, who enjoy
+Free leave so large to all things else, and choice
+Unlimited of manifold delights:
+But let us ever praise him, and extol
+His bounty, following our delightful task,
+To prune these growing plants, and tend these flowers,
+Which were it toilsome, yet with thee were sweet.
+To whom thus Eve replied.  O thou for whom
+And from whom I was formed, flesh of thy flesh,
+And without whom am to no end, my guide
+And head! what thou hast said is just and right.
+For we to him indeed all praises owe,
+And daily thanks; I chiefly, who enjoy
+So far the happier lot, enjoying thee
+Pre-eminent by so much odds, while thou
+Like consort to thyself canst no where find.
+That day I oft remember, when from sleep
+I first awaked, and found myself reposed
+Under a shade on flowers, much wondering where
+And what I was, whence thither brought, and how.
+Not distant far from thence a murmuring sound
+Of waters issued from a cave, and spread
+Into a liquid plain, then stood unmoved
+Pure as the expanse of Heaven; I thither went
+With unexperienced thought, and laid me down
+On the green bank, to look into the clear
+Smooth lake, that to me seemed another sky.
+As I bent down to look, just opposite
+A shape within the watery gleam appeared,
+Bending to look on me:  I started back,
+It started back; but pleased I soon returned,
+Pleased it returned as soon with answering looks
+Of sympathy and love:  There I had fixed
+Mine eyes till now, and pined with vain desire,
+Had not a voice thus warned me;  'What thou seest,
+'What there thou seest, fair Creature, is thyself;
+'With thee it came and goes: but follow me,
+'And I will bring thee where no shadow stays
+'Thy coming, and thy soft embraces, he
+'Whose image thou art; him thou shalt enjoy
+'Inseparably thine, to him shalt bear
+'Multitudes like thyself, and thence be called
+'Mother of human race.'  What could I do,
+But follow straight, invisibly thus led?
+Till I espied thee, fair indeed and tall,
+Under a platane; yet methought less fair,
+Less winning soft, less amiably mild,
+Than that smooth watery image:  Back I turned;
+Thou following cryedst aloud, 'Return, fair Eve;
+'Whom flyest thou?  whom thou flyest, of him thou art,
+'His flesh, his bone; to give thee being I lent
+'Out of my side to thee, nearest my heart,
+'Substantial life, to have thee by my side
+'Henceforth an individual solace dear;
+'Part of my soul I seek thee, and thee claim
+'My other half:'  With that thy gentle hand
+Seised mine:  I yielded;and from that time see
+How beauty is excelled by manly grace,
+And wisdom, which alone is truly fair.
+So spake our general mother, and with eyes
+Of conjugal attraction unreproved,
+And meek surrender, half-embracing leaned
+On our first father; half her swelling breast
+Naked met his, under the flowing gold
+Of her loose tresses hid: he in delight
+Both of her beauty, and submissive charms,
+Smiled with superiour love, as Jupiter
+On Juno smiles, when he impregns the clouds
+That shed Mayflowers; and pressed her matron lip
+With kisses pure:  Aside the Devil turned
+For envy; yet with jealous leer malign
+Eyed them askance, and to himself thus plained.
+Sight hateful, sight tormenting! thus these two,
+Imparadised in one another's arms,
+The happier Eden, shall enjoy their fill
+Of bliss on bliss; while I to Hell am thrust,
+Where neither joy nor love, but fierce desire,
+Among our other torments not the least,
+Still unfulfilled with pain of longing pines.
+Yet let me not forget what I have gained
+From their own mouths:  All is not theirs, it seems;
+One fatal tree there stands, of knowledge called,
+Forbidden them to taste:  Knowledge forbidden
+Suspicious, reasonless.  Why should their Lord
+Envy them that?  Can it be sin to know?
+Can it be death?  And do they only stand
+By ignorance?  Is that their happy state,
+The proof of their obedience and their faith?
+O fair foundation laid whereon to build
+Their ruin! hence I will excite their minds
+With more desire to know, and to reject
+Envious commands, invented with design
+To keep them low, whom knowledge might exalt
+Equal with Gods: aspiring to be such,
+They taste and die:  What likelier can ensue
+But first with narrow search I must walk round
+This garden, and no corner leave unspied;
+A chance but chance may lead where I may meet
+Some wandering Spirit of Heaven by fountain side,
+Or in thick shade retired, from him to draw
+What further would be learned.  Live while ye may,
+Yet happy pair; enjoy, till I return,
+Short pleasures, for long woes are to succeed!
+So saying, his proud step he scornful turned,
+But with sly circumspection, and began
+Through wood, through waste, o'er hill, o'er dale, his roam
+Mean while in utmost longitude, where Heaven
+With earth and ocean meets, the setting sun
+Slowly descended, and with right aspect
+Against the eastern gate of Paradise
+Levelled his evening rays:  It was a rock
+Of alabaster, piled up to the clouds,
+Conspicuous far, winding with one ascent
+Accessible from earth, one entrance high;
+The rest was craggy cliff, that overhung
+Still as it rose, impossible to climb.
+Betwixt these rocky pillars Gabriel sat,
+Chief of the angelick guards, awaiting night;
+About him exercised heroick games
+The unarmed youth of Heaven, but nigh at hand
+Celestial armoury, shields, helms, and spears,
+Hung high with diamond flaming, and with gold.
+Thither came Uriel, gliding through the even
+On a sun-beam, swift as a shooting star
+In autumn thwarts the night, when vapours fired
+Impress the air, and shows the mariner
+From what point of his compass to beware
+Impetuous winds:  He thus began in haste.
+Gabriel, to thee thy course by lot hath given
+Charge and strict watch, that to this happy place
+No evil thing approach or enter in.
+This day at highth of noon came to my sphere
+A Spirit, zealous, as he seemed, to know
+More of the Almighty's works, and chiefly Man,
+God's latest image:  I described his way
+Bent all on speed, and marked his aery gait;
+But in the mount that lies from Eden north,
+Where he first lighted, soon discerned his looks
+Alien from Heaven, with passions foul obscured:
+Mine eye pursued him still, but under shade
+Lost sight of him:  One of the banished crew,
+I fear, hath ventured from the deep, to raise
+New troubles; him thy care must be to find.
+To whom the winged warriour thus returned.
+Uriel, no wonder if thy perfect sight,
+Amid the sun's bright circle where thou sitst,
+See far and wide:  In at this gate none pass
+The vigilance here placed, but such as come
+Well known from Heaven; and since meridian hour
+No creature thence:  If Spirit of other sort,
+So minded, have o'er-leaped these earthly bounds
+On purpose, hard thou knowest it to exclude
+Spiritual substance with corporeal bar.
+But if within the circuit of these walks,
+In whatsoever shape he lurk, of whom
+Thou tellest, by morrow dawning I shall know.
+So promised he; and Uriel to his charge
+Returned on that bright beam, whose point now raised
+Bore him slope downward to the sun now fallen
+Beneath the Azores; whether the prime orb,
+Incredible how swift, had thither rolled
+Diurnal, or this less volubil earth,
+By shorter flight to the east, had left him there
+Arraying with reflected purple and gold
+The clouds that on his western throne attend.
+Now came still Evening on, and Twilight gray
+Had in her sober livery all things clad;
+Silence accompanied; for beast and bird,
+They to their grassy couch, these to their nests
+Were slunk, all but the wakeful nightingale;
+She all night long her amorous descant sung;
+Silence was pleased:  Now glowed the firmament
+With living sapphires:  Hesperus, that led
+The starry host, rode brightest, till the moon,
+Rising in clouded majesty, at length
+Apparent queen unveiled her peerless light,
+And o'er the dark her silver mantle threw.
+When Adam thus to Eve.  Fair Consort, the hour
+Of night, and all things now retired to rest,
+Mind us of like repose; since God hath set
+Labour and rest, as day and night, to men
+Successive; and the timely dew of sleep,
+Now falling with soft slumbrous weight, inclines
+Our eye-lids:  Other creatures all day long
+Rove idle, unemployed, and less need rest;
+Man hath his daily work of body or mind
+Appointed, which declares his dignity,
+And the regard of Heaven on all his ways;
+While other animals unactive range,
+And of their doings God takes no account.
+To-morrow, ere fresh morning streak the east
+With first approach of light, we must be risen,
+And at our pleasant labour, to reform
+Yon flowery arbours, yonder alleys green,
+Our walk at noon, with branches overgrown,
+That mock our scant manuring, and require
+More hands than ours to lop their wanton growth:
+Those blossoms also, and those dropping gums,
+That lie bestrown, unsightly and unsmooth,
+Ask riddance, if we mean to tread with ease;
+Mean while, as Nature wills, night bids us rest.
+To whom thus Eve, with perfect beauty adorned
+My Author and Disposer, what thou bidst
+Unargued I obey:  So God ordains;
+God is thy law, thou mine:  To know no more
+Is woman's happiest knowledge, and her praise.
+With thee conversing I forget all time;
+All seasons, and their change, all please alike.
+Sweet is the breath of Morn, her rising sweet,
+With charm of earliest birds:  pleasant the sun,
+When first on this delightful land he spreads
+His orient beams, on herb, tree, fruit, and flower,
+Glistering with dew; fragrant the fertile earth
+After soft showers; and sweet the coming on
+Of grateful Evening mild; then silent Night,
+With this her solemn bird, and this fair moon,
+And these the gems of Heaven, her starry train:
+But neither breath of Morn, when she ascends
+With charm of earliest birds; nor rising sun
+On this delightful land; nor herb, fruit, flower,
+Glistering with dew; nor fragrance after showers;
+Nor grateful Evening mild; nor silent Night,
+With this her solemn bird, nor walk by moon,
+Or glittering star-light, without thee is sweet.
+But wherefore all night long shine these? for whom
+This glorious sight, when sleep hath shut all eyes?
+To whom our general ancestor replied.
+Daughter of God and Man, accomplished Eve,
+These have their course to finish round the earth,
+By morrow evening, and from land to land
+In order, though to nations yet unborn,
+Ministring light prepared, they set and rise;
+Lest total Darkness should by night regain
+Her old possession, and extinguish life
+In Nature and all things; which these soft fires
+Not only enlighten, but with kindly heat
+Of various influence foment and warm,
+Temper or nourish, or in part shed down
+Their stellar virtue on all kinds that grow
+On earth, made hereby apter to receive
+Perfection from the sun's more potent ray.
+These then, though unbeheld in deep of night,
+Shine not in vain; nor think, though men were none,
+That Heaven would want spectators, God want praise:
+Millions of spiritual creatures walk the earth
+Unseen, both when we wake, and when we sleep:
+All these with ceaseless praise his works behold
+Both day and night:  How often from the steep
+Of echoing hill or thicket have we heard
+Celestial voices to the midnight air,
+Sole, or responsive each to others note,
+Singing their great Creator? oft in bands
+While they keep watch, or nightly rounding walk,
+With heavenly touch of instrumental sounds
+In full harmonick number joined, their songs
+Divide the night, and lift our thoughts to Heaven.
+Thus talking, hand in hand alone they passed
+On to their blissful bower: it was a place
+Chosen by the sovran Planter, when he framed
+All things to Man's delightful use; the roof
+Of thickest covert was inwoven shade
+Laurel and myrtle, and what higher grew
+Of firm and fragrant leaf; on either side
+Acanthus, and each odorous bushy shrub,
+Fenced up the verdant wall; each beauteous flower,
+Iris all hues, roses, and jessamin,
+Reared high their flourished heads between, and wrought
+Mosaick; underfoot the violet,
+Crocus, and hyacinth, with rich inlay
+Broidered the ground, more coloured than with stone
+Of costliest emblem:  Other creature here,
+Bird, beast, insect, or worm, durst enter none,
+Such was their awe of Man.  In shadier bower
+More sacred and sequestered, though but feigned,
+Pan or Sylvanus never slept, nor Nymph
+Nor Faunus haunted.  Here, in close recess,
+With flowers, garlands, and sweet-smelling herbs,
+Espoused Eve decked first her nuptial bed;
+And heavenly quires the hymenaean sung,
+What day the genial Angel to our sire
+Brought her in naked beauty more adorned,
+More lovely, than Pandora, whom the Gods
+Endowed with all their gifts, and O! too like
+In sad event, when to the unwiser son
+Of Japhet brought by Hermes, she ensnared
+Mankind with her fair looks, to be avenged
+On him who had stole Jove's authentick fire.
+Thus, at their shady lodge arrived, both stood,
+Both turned, and under open sky adored
+The God that made both sky, air, earth, and heaven,
+Which they beheld, the moon's resplendent globe,
+And starry pole:  Thou also madest the night,
+Maker Omnipotent, and thou the day,
+Which we, in our appointed work employed,
+Have finished, happy in our mutual help
+And mutual love, the crown of all our bliss
+Ordained by thee; and this delicious place
+For us too large, where thy abundance wants
+Partakers, and uncropt falls to the ground.
+But thou hast promised from us two a race
+To fill the earth, who shall with us extol
+Thy goodness infinite, both when we wake,
+And when we seek, as now, thy gift of sleep.
+This said unanimous, and other rites
+Observing none, but adoration pure
+Which God likes best, into their inmost bower
+Handed they went; and, eased the putting off
+These troublesome disguises which we wear,
+Straight side by side were laid; nor turned, I ween,
+Adam from his fair spouse, nor Eve the rites
+Mysterious of connubial love refused:
+Whatever hypocrites austerely talk
+Of purity, and place, and innocence,
+Defaming as impure what God declares
+Pure, and commands to some, leaves free to all.
+Our Maker bids encrease; who bids abstain
+But our Destroyer, foe to God and Man?
+Hail, wedded Love, mysterious law, true source
+Of human offspring, sole propriety
+In Paradise of all things common else!
+By thee adulterous Lust was driven from men
+Among the bestial herds to range; by thee
+Founded in reason, loyal, just, and pure,
+Relations dear, and all the charities
+Of father, son, and brother, first were known.
+Far be it, that I should write thee sin or blame,
+Or think thee unbefitting holiest place,
+Perpetual fountain of domestick sweets,
+Whose bed is undefiled and chaste pronounced,
+Present, or past, as saints and patriarchs used.
+Here Love his golden shafts employs, here lights
+His constant lamp, and waves his purple wings,
+Reigns here and revels; not in the bought smile
+Of harlots, loveless, joyless, unendeared,
+Casual fruition; nor in court-amours,
+Mixed dance, or wanton mask, or midnight ball,
+Or serenate, which the starved lover sings
+To his proud fair, best quitted with disdain.
+These, lulled by nightingales, embracing slept,
+And on their naked limbs the flowery roof
+Showered roses, which the morn repaired.  Sleep on,
+Blest pair; and O!yet happiest, if ye seek
+No happier state, and know to know no more.
+Now had night measured with her shadowy cone
+Half way up hill this vast sublunar vault,
+And from their ivory port the Cherubim,
+Forth issuing at the accustomed hour, stood armed
+To their night watches in warlike parade;
+When Gabriel to his next in power thus spake.
+Uzziel, half these draw off, and coast the south
+With strictest watch; these other wheel the north;
+Our circuit meets full west.  As flame they part,
+Half wheeling to the shield, half to the spear.
+From these, two strong and subtle Spirits he called
+That near him stood, and gave them thus in charge.
+Ithuriel and Zephon, with winged speed
+Search through this garden, leave unsearched no nook;
+But chiefly where those two fair creatures lodge,
+Now laid perhaps asleep, secure of harm.
+This evening from the sun's decline arrived,
+Who tells of some infernal Spirit seen
+Hitherward bent (who could have thought?) escaped
+The bars of Hell, on errand bad no doubt:
+Such, where ye find, seise fast, and hither bring.
+So saying, on he led his radiant files,
+Dazzling the moon; these to the bower direct
+In search of whom they sought:  Him there they found
+Squat like a toad, close at the ear of Eve,
+Assaying by his devilish art to reach
+The organs of her fancy, and with them forge
+Illusions, as he list, phantasms and dreams;
+Or if, inspiring venom, he might taint
+The animal spirits, that from pure blood arise
+Like gentle breaths from rivers pure, thence raise
+At least distempered, discontented thoughts,
+Vain hopes, vain aims, inordinate desires,
+Blown up with high conceits ingendering pride.
+Him thus intent Ithuriel with his spear
+Touched lightly; for no falshood can endure
+Touch of celestial temper, but returns
+Of force to its own likeness:  Up he starts
+Discovered and surprised.  As when a spark
+Lights on a heap of nitrous powder, laid
+Fit for the tun some magazine to store
+Against a rumoured war, the smutty grain,
+With sudden blaze diffused, inflames the air;
+So started up in his own shape the Fiend.
+Back stept those two fair Angels, half amazed
+So sudden to behold the grisly king;
+Yet thus, unmoved with fear, accost him soon.
+Which of those rebel Spirits adjudged to Hell
+Comest thou, escaped thy prison? and, transformed,
+Why sat'st thou like an enemy in wait,
+Here watching at the head of these that sleep?
+Know ye not then said Satan, filled with scorn,
+Know ye not me? ye knew me once no mate
+For you, there sitting where ye durst not soar:
+Not to know me argues yourselves unknown,
+The lowest of your throng; or, if ye know,
+Why ask ye, and superfluous begin
+Your message, like to end as much in vain?
+To whom thus Zephon, answering scorn with scorn.
+Think not, revolted Spirit, thy shape the same,
+Or undiminished brightness to be known,
+As when thou stoodest in Heaven upright and pure;
+That glory then, when thou no more wast good,
+Departed from thee; and thou resemblest now
+Thy sin and place of doom obscure and foul.
+But come, for thou, be sure, shalt give account
+To him who sent us, whose charge is to keep
+This place inviolable, and these from harm.
+So spake the Cherub; and his grave rebuke,
+Severe in youthful beauty, added grace
+Invincible:  Abashed the Devil stood,
+And felt how awful goodness is, and saw
+Virtue in her shape how lovely; saw, and pined
+His loss; but chiefly to find here observed
+His lustre visibly impaired; yet seemed
+Undaunted.  If I must contend, said he,
+Best with the best, the sender, not the sent,
+Or all at once; more glory will be won,
+Or less be lost.  Thy fear, said Zephon bold,
+Will save us trial what the least can do
+Single against thee wicked, and thence weak.
+The Fiend replied not, overcome with rage;
+But, like a proud steed reined, went haughty on,
+Champing his iron curb:  To strive or fly
+He held it vain; awe from above had quelled
+His heart, not else dismayed.  Now drew they nigh
+The western point, where those half-rounding guards
+Just met, and closing stood in squadron joined,
+A waiting next command.  To whom their Chief,
+Gabriel, from the front thus called aloud.
+O friends!  I hear the tread of nimble feet
+Hasting this way, and now by glimpse discern
+Ithuriel and Zephon through the shade;
+And with them comes a third of regal port,
+But faded splendour wan; who by his gait
+And fierce demeanour seems the Prince of Hell,
+Not likely to part hence without contest;
+Stand firm, for in his look defiance lours.
+He scarce had ended, when those two approached,
+And brief related whom they brought, where found,
+How busied, in what form and posture couched.
+To whom with stern regard thus Gabriel spake.
+Why hast thou, Satan, broke the bounds prescribed
+To thy transgressions, and disturbed the charge
+Of others, who approve not to transgress
+By thy example, but have power and right
+To question thy bold entrance on this place;
+Employed, it seems, to violate sleep, and those
+Whose dwelling God hath planted here in bliss!
+To whom thus Satan with contemptuous brow.
+Gabriel? thou hadst in Heaven the esteem of wise,
+And such I held thee; but this question asked
+Puts me in doubt.  Lives there who loves his pain!
+Who would not, finding way, break loose from Hell,
+Though thither doomed!  Thou wouldst thyself, no doubt
+And boldly venture to whatever place
+Farthest from pain, where thou mightst hope to change
+Torment with ease, and soonest recompense
+Dole with delight, which in this place I sought;
+To thee no reason, who knowest only good,
+But evil hast not tried: and wilt object
+His will who bounds us!  Let him surer bar
+His iron gates, if he intends our stay
+In that dark durance:  Thus much what was asked.
+The rest is true, they found me where they say;
+But that implies not violence or harm.
+Thus he in scorn.  The warlike Angel moved,
+Disdainfully half smiling, thus replied.
+O loss of one in Heaven to judge of wise
+Since Satan fell, whom folly overthrew,
+And now returns him from his prison 'scaped,
+Gravely in doubt whether to hold them wise
+Or not, who ask what boldness brought him hither
+Unlicensed from his bounds in Hell prescribed;
+So wise he judges it to fly from pain
+However, and to 'scape his punishment!
+So judge thou still, presumptuous! till the wrath,
+Which thou incurrest by flying, meet thy flight
+Sevenfold, and scourge that wisdom back to Hell,
+Which taught thee yet no better, that no pain
+Can equal anger infinite provoked.
+But wherefore thou alone? wherefore with thee
+Came not all hell broke loose? or thou than they
+Less hardy to endure?  Courageous Chief!
+The first in flight from pain! hadst thou alleged
+To thy deserted host this cause of flight,
+Thou surely hadst not come sole fugitive.
+To which the Fiend thus answered, frowning stern.
+Not that I less endure, or shrink from pain,
+Insulting Angel! well thou knowest I stood
+Thy fiercest, when in battle to thy aid
+The blasting vollied thunder made all speed,
+And seconded thy else not dreaded spear.
+But still thy words at random, as before,
+Argue thy inexperience what behoves
+From hard assays and ill successes past
+A faithful leader, not to hazard all
+Through ways of danger by himself untried:
+I, therefore, I alone first undertook
+To wing the desolate abyss, and spy
+This new created world, whereof in Hell
+Fame is not silent, here in hope to find
+Better abode, and my afflicted Powers
+To settle here on earth, or in mid air;
+Though for possession put to try once more
+What thou and thy gay legions dare against;
+Whose easier business were to serve their Lord
+High up in Heaven, with songs to hymn his throne,
+And practised distances to cringe, not fight,
+To whom the warriour Angel soon replied.
+To say and straight unsay, pretending first
+Wise to fly pain, professing next the spy,
+Argues no leader but a liear traced,
+Satan, and couldst thou faithful add?  O name,
+O sacred name of faithfulness profaned!
+Faithful to whom? to thy rebellious crew?
+Army of Fiends, fit body to fit head.
+Was this your discipline and faith engaged,
+Your military obedience, to dissolve
+Allegiance to the acknowledged Power supreme?
+And thou, sly hypocrite, who now wouldst seem
+Patron of liberty, who more than thou
+Once fawned, and cringed, and servily adored
+Heaven's awful Monarch? wherefore, but in hope
+To dispossess him, and thyself to reign?
+But mark what I arreed thee now, Avant;
+Fly neither whence thou fledst!  If from this hour
+Within these hallowed limits thou appear,
+Back to the infernal pit I drag thee chained,
+And seal thee so, as henceforth not to scorn
+The facile gates of Hell too slightly barred.
+So threatened he; but Satan to no threats
+Gave heed, but waxing more in rage replied.
+Then when I am thy captive talk of chains,
+Proud limitary Cherub! but ere then
+Far heavier load thyself expect to feel
+From my prevailing arm, though Heaven's King
+Ride on thy wings, and thou with thy compeers,
+Us'd to the yoke, drawest his triumphant wheels
+In progress through the road of Heaven star-paved.
+While thus he spake, the angelick squadron bright
+Turned fiery red, sharpening in mooned horns
+Their phalanx, and began to hem him round
+With ported spears, as thick as when a field
+Of Ceres ripe for harvest waving bends
+Her bearded grove of ears, which way the wind
+Sways them; the careful plowman doubting stands,
+Left on the threshing floor his hopeless sheaves
+Prove chaff.  On the other side, Satan, alarmed,
+Collecting all his might, dilated stood,
+Like Teneriff or Atlas, unremoved:
+His stature reached the sky, and on his crest
+Sat Horrour plumed; nor wanted in his grasp
+What seemed both spear and shield:  Now dreadful deeds
+Might have ensued, nor only Paradise
+In this commotion, but the starry cope
+Of Heaven perhaps, or all the elements
+At least had gone to wrack, disturbed and torn
+With violence of this conflict, had not soon
+The Eternal, to prevent such horrid fray,
+Hung forth in Heaven his golden scales, yet seen
+Betwixt Astrea and the Scorpion sign,
+Wherein all things created first he weighed,
+The pendulous round earth with balanced air
+In counterpoise, now ponders all events,
+Battles and realms:  In these he put two weights,
+The sequel each of parting and of fight:
+The latter quick up flew, and kicked the beam,
+Which Gabriel spying, thus bespake the Fiend.
+Satan, I know thy strength, and thou knowest mine;
+Neither our own, but given:  What folly then
+To boast what arms can do? since thine no more
+Than Heaven permits, nor mine, though doubled now
+To trample thee as mire:  For proof look up,
+And read thy lot in yon celestial sign;
+Where thou art weighed, and shown how light, how weak,
+If thou resist.  The Fiend looked up, and knew
+His mounted scale aloft:  Nor more;but fled
+Murmuring, and with him fled the shades of night.
+
+
+
+Book V
+
+
+Now Morn, her rosy steps in the eastern clime
+Advancing, sowed the earth with orient pearl,
+When Adam waked, so customed; for his sleep
+Was aery-light, from pure digestion bred,
+And temperate vapours bland, which the only sound
+Of leaves and fuming rills, Aurora's fan,
+Lightly dispersed, and the shrill matin song
+Of birds on every bough; so much the more
+His wonder was to find unwakened Eve
+With tresses discomposed, and glowing cheek,
+As through unquiet rest:  He, on his side
+Leaning half raised, with looks of cordial love
+Hung over her enamoured, and beheld
+Beauty, which, whether waking or asleep,
+Shot forth peculiar graces; then with voice
+Mild, as when Zephyrus on Flora breathes,
+Her hand soft touching, whispered thus.  Awake,
+My fairest, my espoused, my latest found,
+Heaven's last best gift, my ever new delight!
+Awake:  The morning shines, and the fresh field
+Calls us; we lose the prime, to mark how spring
+Our tender plants, how blows the citron grove,
+What drops the myrrh, and what the balmy reed,
+How nature paints her colours, how the bee
+Sits on the bloom extracting liquid sweet.
+Such whispering waked her, but with startled eye
+On Adam, whom embracing, thus she spake.
+O sole in whom my thoughts find all repose,
+My glory, my perfection! glad I see
+Thy face, and morn returned; for I this night
+(Such night till this I never passed) have dreamed,
+If dreamed, not, as I oft am wont, of thee,
+Works of day past, or morrow's next design,
+But of offence and trouble, which my mind
+Knew never till this irksome night:  Methought,
+Close at mine ear one called me forth to walk
+With gentle voice;  I thought it thine: It said,
+'Why sleepest thou, Eve? now is the pleasant time,
+'The cool, the silent, save where silence yields
+'To the night-warbling bird, that now awake
+'Tunes sweetest his love-laboured song; now reigns
+'Full-orbed the moon, and with more pleasing light
+'Shadowy sets off the face of things; in vain,
+'If none regard; Heaven wakes with all his eyes,
+'Whom to behold but thee, Nature's desire?
+'In whose sight all things joy, with ravishment
+'Attracted by thy beauty still to gaze.'
+I rose as at thy call, but found thee not;
+To find thee I directed then my walk;
+And on, methought, alone I passed through ways
+That brought me on a sudden to the tree
+Of interdicted knowledge: fair it seemed,
+Much fairer to my fancy than by day:
+And, as I wondering looked, beside it stood
+One shaped and winged like one of those from Heaven
+By us oft seen; his dewy locks distilled
+Ambrosia; on that tree he also gazed;
+And 'O fair plant,' said he, 'with fruit surcharged,
+'Deigns none to ease thy load, and taste thy sweet,
+'Nor God, nor Man?  Is knowledge so despised?
+'Or envy, or what reserve forbids to taste?
+'Forbid who will, none shall from me withhold
+'Longer thy offered good; why else set here?
+This said, he paused not, but with venturous arm
+He plucked, he tasted; me damp horrour chilled
+At such bold words vouched with a deed so bold:
+But he thus, overjoyed; 'O fruit divine,
+'Sweet of thyself, but much more sweet thus cropt,
+'Forbidden here, it seems, as only fit
+'For Gods, yet able to make Gods of Men:
+'And why not Gods of Men; since good, the more
+'Communicated, more abundant grows,
+'The author not impaired, but honoured more?
+'Here, happy creature, fair angelick Eve!
+'Partake thou also; happy though thou art,
+'Happier thou mayest be, worthier canst not be:
+'Taste this, and be henceforth among the Gods
+'Thyself a Goddess, not to earth confined,
+'But sometimes in the air, as we, sometimes
+'Ascend to Heaven, by merit thine, and see
+'What life the Gods live there, and such live thou!'
+So saying, he drew nigh, and to me held,
+Even to my mouth of that same fruit held part
+Which he had plucked; the pleasant savoury smell
+So quickened appetite, that I, methought,
+Could not but taste.  Forthwith up to the clouds
+With him I flew, and underneath beheld
+The earth outstretched immense, a prospect wide
+And various:  Wondering at my flight and change
+To this high exaltation; suddenly
+My guide was gone, and I, methought, sunk down,
+And fell asleep; but O, how glad I waked
+To find this but a dream!  Thus Eve her night
+Related, and thus Adam answered sad.
+Best image of myself, and dearer half,
+The trouble of thy thoughts this night in sleep
+Affects me equally; nor can I like
+This uncouth dream, of evil sprung, I fear;
+Yet evil whence? in thee can harbour none,
+Created pure.  But know that in the soul
+Are many lesser faculties, that serve
+Reason as chief; among these Fancy next
+Her office holds; of all external things
+Which the five watchful senses represent,
+She forms imaginations, aery shapes,
+Which Reason, joining or disjoining, frames
+All what we affirm or what deny, and call
+Our knowledge or opinion; then retires
+Into her private cell, when nature rests.
+Oft in her absence mimick Fancy wakes
+To imitate her; but, misjoining shapes,
+Wild work produces oft, and most in dreams;
+Ill matching words and deeds long past or late.
+Some such resemblances, methinks, I find
+Of our last evening's talk, in this thy dream,
+But with addition strange; yet be not sad.
+Evil into the mind of God or Man
+May come and go, so unreproved, and leave
+No spot or blame behind:  Which gives me hope
+That what in sleep thou didst abhor to dream,
+Waking thou never will consent to do.
+Be not disheartened then, nor cloud those looks,
+That wont to be more cheerful and serene,
+Than when fair morning first smiles on the world;
+And let us to our fresh employments rise
+Among the groves, the fountains, and the flowers
+That open now their choisest bosomed smells,
+Reserved from night, and kept for thee in store.
+So cheered he his fair spouse, and she was cheered;
+But silently a gentle tear let fall
+From either eye, and wiped them with her hair;
+Two other precious drops that ready stood,
+Each in their crystal sluice, he ere they fell
+Kissed, as the gracious signs of sweet remorse
+And pious awe, that feared to have offended.
+So all was cleared, and to the field they haste.
+But first, from under shady arborous roof
+Soon as they forth were come to open sight
+Of day-spring, and the sun, who, scarce up-risen,
+With wheels yet hovering o'er the ocean-brim,
+Shot parallel to the earth his dewy ray,
+Discovering in wide landskip all the east
+Of Paradise and Eden's happy plains,
+Lowly they bowed adoring, and began
+Their orisons, each morning duly paid
+In various style; for neither various style
+Nor holy rapture wanted they to praise
+Their Maker, in fit strains pronounced, or sung
+Unmeditated; such prompt eloquence
+Flowed from their lips, in prose or numerous verse,
+More tuneable than needed lute or harp
+To add more sweetness; and they thus began.
+These are thy glorious works, Parent of good,
+Almighty!  Thine this universal frame,
+Thus wonderous fair;  Thyself how wonderous then!
+Unspeakable, who sitst above these heavens
+To us invisible, or dimly seen
+In these thy lowest works; yet these declare
+Thy goodness beyond thought, and power divine.
+Speak, ye who best can tell, ye sons of light,
+Angels; for ye behold him, and with songs
+And choral symphonies, day without night,
+Circle his throne rejoicing; ye in Heaven
+On Earth join all ye Creatures to extol
+Him first, him last, him midst, and without end.
+Fairest of stars, last in the train of night,
+If better thou belong not to the dawn,
+Sure pledge of day, that crownest the smiling morn
+With thy bright circlet, praise him in thy sphere,
+While day arises, that sweet hour of prime.
+Thou Sun, of this great world both eye and soul,
+Acknowledge him thy greater; sound his praise
+In thy eternal course, both when thou climbest,
+And when high noon hast gained, and when thou fallest.
+Moon, that now meetest the orient sun, now flyest,
+With the fixed Stars, fixed in their orb that flies;
+And ye five other wandering Fires, that move
+In mystick dance not without song, resound
+His praise, who out of darkness called up light.
+Air, and ye Elements, the eldest birth
+Of Nature's womb, that in quaternion run
+Perpetual circle, multiform; and mix
+And nourish all things; let your ceaseless change
+Vary to our great Maker still new praise.
+Ye Mists and Exhalations, that now rise
+From hill or steaming lake, dusky or gray,
+Till the sun paint your fleecy skirts with gold,
+In honour to the world's great Author rise;
+Whether to deck with clouds the uncoloured sky,
+Or wet the thirsty earth with falling showers,
+Rising or falling still advance his praise.
+His praise, ye Winds, that from four quarters blow,
+Breathe soft or loud; and, wave your tops, ye Pines,
+With every plant, in sign of worship wave.
+Fountains, and ye that warble, as ye flow,
+Melodious murmurs, warbling tune his praise.
+Join voices, all ye living Souls:  Ye Birds,
+That singing up to Heaven-gate ascend,
+Bear on your wings and in your notes his praise.
+Ye that in waters glide, and ye that walk
+The earth, and stately tread, or lowly creep;
+Witness if I be silent, morn or even,
+To hill, or valley, fountain, or fresh shade,
+Made vocal by my song, and taught his praise.
+Hail, universal Lord, be bounteous still
+To give us only good; and if the night
+Have gathered aught of evil, or concealed,
+Disperse it, as now light dispels the dark!
+So prayed they innocent, and to their thoughts
+Firm peace recovered soon, and wonted calm.
+On to their morning's rural work they haste,
+Among sweet dews and flowers; where any row
+Of fruit-trees over-woody reached too far
+Their pampered boughs, and needed hands to check
+Fruitless embraces: or they led the vine
+To wed her elm; she, spoused, about him twines
+Her marriageable arms, and with him brings
+Her dower, the adopted clusters, to adorn
+His barren leaves.  Them thus employed beheld
+With pity Heaven's high King, and to him called
+Raphael, the sociable Spirit, that deigned
+To travel with Tobias, and secured
+His marriage with the seventimes-wedded maid.
+Raphael, said he, thou hearest what stir on Earth
+Satan, from Hell 'scaped through the darksome gulf,
+Hath raised in Paradise; and how disturbed
+This night the human pair; how he designs
+In them at once to ruin all mankind.
+Go therefore, half this day as friend with friend
+Converse with Adam, in what bower or shade
+Thou findest him from the heat of noon retired,
+To respite his day-labour with repast,
+Or with repose; and such discourse bring on,
+As may advise him of his happy state,
+Happiness in his power left free to will,
+Left to his own free will, his will though free,
+Yet mutable; whence warn him to beware
+He swerve not, too secure:  Tell him withal
+His danger, and from whom; what enemy,
+Late fallen himself from Heaven, is plotting now
+The fall of others from like state of bliss;
+By violence? no, for that shall be withstood;
+But by deceit and lies:  This let him know,
+Lest, wilfully transgressing, he pretend
+Surprisal, unadmonished, unforewarned.
+So spake the Eternal Father, and fulfilled
+All justice:  Nor delayed the winged Saint
+After his charge received; but from among
+Thousand celestial Ardours, where he stood
+Veiled with his gorgeous wings, up springing light,
+Flew through the midst of Heaven; the angelick quires,
+On each hand parting, to his speed gave way
+Through all the empyreal road; till, at the gate
+Of Heaven arrived, the gate self-opened wide
+On golden hinges turning, as by work
+Divine the sovran Architect had framed.
+From hence no cloud, or, to obstruct his sight,
+Star interposed, however small he sees,
+Not unconformed to other shining globes,
+Earth, and the garden of God, with cedars crowned
+Above all hills.  As when by night the glass
+Of Galileo, less assured, observes
+Imagined lands and regions in the moon:
+Or pilot, from amidst the Cyclades
+Delos or Samos first appearing, kens
+A cloudy spot.  Down thither prone in flight
+He speeds, and through the vast ethereal sky
+Sails between worlds and worlds, with steady wing
+Now on the polar winds, then with quick fan
+Winnows the buxom air; till, within soar
+Of towering eagles, to all the fowls he seems
+A phoenix, gazed by all as that sole bird,
+When, to enshrine his reliques in the Sun's
+Bright temple, to Egyptian Thebes he flies.
+At once on the eastern cliff of Paradise
+He lights, and to his proper shape returns
+A Seraph winged:  Six wings he wore, to shade
+His lineaments divine; the pair that clad
+Each shoulder broad, came mantling o'er his breast
+With regal ornament; the middle pair
+Girt like a starry zone his waist, and round
+Skirted his loins and thighs with downy gold
+And colours dipt in Heaven; the third his feet
+Shadowed from either heel with feathered mail,
+Sky-tinctured grain.  Like Maia's son he stood,
+And shook his plumes, that heavenly fragrance filled
+The circuit wide.  Straight knew him all the bands
+Of Angels under watch; and to his state,
+And to his message high, in honour rise;
+For on some message high they guessed him bound.
+Their glittering tents he passed, and now is come
+Into the blissful field, through groves of myrrh,
+And flowering odours, cassia, nard, and balm;
+A wilderness of sweets; for Nature here
+Wantoned as in her prime, and played at will
+Her virgin fancies pouring forth more sweet,
+Wild above rule or art, enormous bliss.
+Him through the spicy forest onward come
+Adam discerned, as in the door he sat
+Of his cool bower, while now the mounted sun
+Shot down direct his fervid rays to warm
+Earth's inmost womb, more warmth than Adam needs:
+And Eve within, due at her hour prepared
+For dinner savoury fruits, of taste to please
+True appetite, and not disrelish thirst
+Of nectarous draughts between, from milky stream,
+Berry or grape:  To whom thus Adam called.
+Haste hither, Eve, and worth thy sight behold
+Eastward among those trees, what glorious shape
+Comes this way moving; seems another morn
+Risen on mid-noon; some great behest from Heaven
+To us perhaps he brings, and will vouchsafe
+This day to be our guest.  But go with speed,
+And, what thy stores contain, bring forth, and pour
+Abundance, fit to honour and receive
+Our heavenly stranger:  Well we may afford
+Our givers their own gifts, and large bestow
+From large bestowed, where Nature multiplies
+Her fertile growth, and by disburthening grows
+More fruitful, which instructs us not to spare.
+To whom thus Eve.  Adam, earth's hallowed mould,
+Of God inspired! small store will serve, where store,
+All seasons, ripe for use hangs on the stalk;
+Save what by frugal storing firmness gains
+To nourish, and superfluous moist consumes:
+But I will haste, and from each bough and brake,
+Each plant and juciest gourd, will pluck such choice
+To entertain our Angel-guest, as he
+Beholding shall confess, that here on Earth
+God hath dispensed his bounties as in Heaven.
+So saying, with dispatchful looks in haste
+She turns, on hospitable thoughts intent
+What choice to choose for delicacy best,
+What order, so contrived as not to mix
+Tastes, not well joined, inelegant, but bring
+Taste after taste upheld with kindliest change;
+Bestirs her then, and from each tender stalk
+Whatever Earth, all-bearing mother, yields
+In India East or West, or middle shore
+In Pontus or the Punick coast, or where
+Alcinous reigned, fruit of all kinds, in coat
+Rough, or smooth rind, or bearded husk, or shell,
+She gathers, tribute large, and on the board
+Heaps with unsparing hand; for drink the grape
+She crushes, inoffensive must, and meaths
+From many a berry, and from sweet kernels pressed
+She tempers dulcet creams; nor these to hold
+Wants her fit vessels pure; then strows the ground
+With rose and odours from the shrub unfumed.
+Mean while our primitive great sire, to meet
+His God-like guest, walks forth, without more train
+Accompanied than with his own complete
+Perfections; in himself was all his state,
+More solemn than the tedious pomp that waits
+On princes, when their rich retinue long
+Of horses led, and grooms besmeared with gold,
+Dazzles the croud, and sets them all agape.
+Nearer his presence Adam, though not awed,
+Yet with submiss approach and reverence meek,
+As to a superiour nature bowing low,
+Thus said.  Native of Heaven, for other place
+None can than Heaven such glorious shape contain;
+Since, by descending from the thrones above,
+Those happy places thou hast deigned a while
+To want, and honour these, vouchsafe with us
+Two only, who yet by sovran gift possess
+This spacious ground, in yonder shady bower
+To rest; and what the garden choicest bears
+To sit and taste, till this meridian heat
+Be over, and the sun more cool decline.
+Whom thus the angelick Virtue answered mild.
+Adam, I therefore came; nor art thou such
+Created, or such place hast here to dwell,
+As may not oft invite, though Spirits of Heaven,
+To visit thee; lead on then where thy bower
+O'ershades; for these mid-hours, till evening rise,
+I have at will.  So to the sylvan lodge
+They came, that like Pomona's arbour smiled,
+With flowerets decked, and fragrant smells; but Eve,
+Undecked save with herself, more lovely fair
+Than Wood-Nymph, or the fairest Goddess feigned
+Of three that in mount Ida naked strove,
+Stood to entertain her guest from Heaven; no veil
+She needed, virtue-proof; no thought infirm
+Altered her cheek.  On whom the Angel Hail
+Bestowed, the holy salutation used
+Long after to blest Mary, second Eve.
+Hail, Mother of Mankind, whose fruitful womb
+Shall fill the world more numerous with thy sons,
+Than with these various fruits the trees of God
+Have heaped this table!--Raised of grassy turf
+Their table was, and mossy seats had round,
+And on her ample square from side to side
+All autumn piled, though spring and autumn here
+Danced hand in hand.  A while discourse they hold;
+No fear lest dinner cool; when thus began
+Our author.  Heavenly stranger, please to taste
+These bounties, which our Nourisher, from whom
+All perfect good, unmeasured out, descends,
+To us for food and for delight hath caused
+The earth to yield; unsavoury food perhaps
+To spiritual natures; only this I know,
+That one celestial Father gives to all.
+To whom the Angel.  Therefore what he gives
+(Whose praise be ever sung) to Man in part
+Spiritual, may of purest Spirits be found
+No ingrateful food:  And food alike those pure
+Intelligential substances require,
+As doth your rational; and both contain
+Within them every lower faculty
+Of sense, whereby they hear, see, smell, touch, taste,
+Tasting concoct, digest, assimilate,
+And corporeal to incorporeal turn.
+For know, whatever was created, needs
+To be sustained and fed:  Of elements
+The grosser feeds the purer, earth the sea,
+Earth and the sea feed air, the air those fires
+Ethereal, and as lowest first the moon;
+Whence in her visage round those spots, unpurged
+Vapours not yet into her substance turned.
+Nor doth the moon no nourishment exhale
+From her moist continent to higher orbs.
+The sun that light imparts to all, receives
+From all his alimental recompence
+In humid exhalations, and at even
+Sups with the ocean.  Though in Heaven the trees
+Of life ambrosial fruitage bear, and vines
+Yield nectar; though from off the boughs each morn
+We brush mellifluous dews, and find the ground
+Covered with pearly grain:  Yet God hath here
+Varied his bounty so with new delights,
+As may compare with Heaven; and to taste
+Think not I shall be nice.  So down they sat,
+And to their viands fell; nor seemingly
+The Angel, nor in mist, the common gloss
+Of Theologians; but with keen dispatch
+Of real hunger, and concoctive heat
+To transubstantiate:  What redounds, transpires
+Through Spirits with ease; nor wonder;if by fire
+Of sooty coal the empirick alchemist
+Can turn, or holds it possible to turn,
+Metals of drossiest ore to perfect gold,
+As from the mine.  Mean while at table Eve
+Ministered naked, and their flowing cups
+With pleasant liquours crowned:  O innocence
+Deserving Paradise! if ever, then,
+Then had the sons of God excuse to have been
+Enamoured at that sight; but in those hearts
+Love unlibidinous reigned, nor jealousy
+Was understood, the injured lover's hell.
+Thus when with meats and drinks they had sufficed,
+Not burdened nature, sudden mind arose
+In Adam, not to let the occasion pass
+Given him by this great conference to know
+Of things above his world, and of their being
+Who dwell in Heaven, whose excellence he saw
+Transcend his own so far; whose radiant forms,
+Divine effulgence, whose high power, so far
+Exceeded human; and his wary speech
+Thus to the empyreal minister he framed.
+Inhabitant with God, now know I well
+Thy favour, in this honour done to Man;
+Under whose lowly roof thou hast vouchsafed
+To enter, and these earthly fruits to taste,
+Food not of Angels, yet accepted so,
+As that more willingly thou couldst not seem
+At Heaven's high feasts to have fed: yet what compare
+To whom the winged Hierarch replied.
+O Adam, One Almighty is, from whom
+All things proceed, and up to him return,
+If not depraved from good, created all
+Such to perfection, one first matter all,
+Endued with various forms, various degrees
+Of substance, and, in things that live, of life;
+But more refined, more spiritous, and pure,
+As nearer to him placed, or nearer tending
+Each in their several active spheres assigned,
+Till body up to spirit work, in bounds
+Proportioned to each kind.  So from the root
+Springs lighter the green stalk, from thence the leaves
+More aery, last the bright consummate flower
+Spirits odorous breathes: flowers and their fruit,
+Man's nourishment, by gradual scale sublimed,
+To vital spirits aspire, to animal,
+To intellectual; give both life and sense,
+Fancy and understanding; whence the soul
+Reason receives, and reason is her being,
+Discursive, or intuitive; discourse
+Is oftest yours, the latter most is ours,
+Differing but in degree, of kind the same.
+Wonder not then, what God for you saw good
+If I refuse not, but convert, as you
+To proper substance.  Time may come, when Men
+With Angels may participate, and find
+No inconvenient diet, nor too light fare;
+And from these corporal nutriments perhaps
+Your bodies may at last turn all to spirit,
+Improved by tract of time, and, winged, ascend
+Ethereal, as we; or may, at choice,
+Here or in heavenly Paradises dwell;
+If ye be found obedient, and retain
+Unalterably firm his love entire,
+Whose progeny you are.  Mean while enjoy
+Your fill what happiness this happy state
+Can comprehend, incapable of more.
+To whom the patriarch of mankind replied.
+O favourable Spirit, propitious guest,
+Well hast thou taught the way that might direct
+Our knowledge, and the scale of nature set
+From center to circumference; whereon,
+In contemplation of created things,
+By steps we may ascend to God.  But say,
+What meant that caution joined, If ye be found
+Obedient?  Can we want obedience then
+To him, or possibly his love desert,
+Who formed us from the dust and placed us here
+Full to the utmost measure of what bliss
+Human desires can seek or apprehend?
+To whom the Angel.  Son of Heaven and Earth,
+Attend!  That thou art happy, owe to God;
+That thou continuest such, owe to thyself,
+That is, to thy obedience; therein stand.
+This was that caution given thee; be advised.
+God made thee perfect, not immutable;
+And good he made thee, but to persevere
+He left it in thy power; ordained thy will
+By nature free, not over-ruled by fate
+Inextricable, or strict necessity:
+Our voluntary service he requires,
+Not our necessitated; such with him
+Finds no acceptance, nor can find; for how
+Can hearts, not free, be tried whether they serve
+Willing or no, who will but what they must
+By destiny, and can no other choose?
+Myself, and all the angelick host, that stand
+In sight of God, enthroned, our happy state
+Hold, as you yours, while our obedience holds;
+On other surety none:  Freely we serve,
+Because we freely love, as in our will
+To love or not; in this we stand or fall:
+And some are fallen, to disobedience fallen,
+And so from Heaven to deepest Hell; O fall
+From what high state of bliss, into what woe!
+To whom our great progenitor.  Thy words
+Attentive, and with more delighted ear,
+Divine instructer, I have heard, than when
+Cherubick songs by night from neighbouring hills
+Aereal musick send:  Nor knew I not
+To be both will and deed created free;
+Yet that we never shall forget to love
+Our Maker, and obey him whose command
+Single is yet so just, my constant thoughts
+Assured me, and still assure:  Though what thou tellest
+Hath passed in Heaven, some doubt within me move,
+But more desire to hear, if thou consent,
+The full relation, which must needs be strange,
+Worthy of sacred silence to be heard;
+And we have yet large day, for scarce the sun
+Hath finished half his journey, and scarce begins
+His other half in the great zone of Heaven.
+Thus Adam made request; and Raphael,
+After short pause assenting, thus began.
+High matter thou enjoinest me, O prime of men,
+Sad task and hard:  For how shall I relate
+To human sense the invisible exploits
+Of warring Spirits? how, without remorse,
+The ruin of so many glorious once
+And perfect while they stood? how last unfold
+The secrets of another world, perhaps
+Not lawful to reveal? yet for thy good
+This is dispensed; and what surmounts the reach
+Of human sense, I shall delineate so,
+By likening spiritual to corporal forms,
+As may express them best; though what if Earth
+Be but a shadow of Heaven, and things therein
+Each to other like, more than on earth is thought?
+As yet this world was not, and Chaos wild
+Reigned where these Heavens now roll, where Earth now rests
+Upon her center poised; when on a day
+(For time, though in eternity, applied
+To motion, measures all things durable
+By present, past, and future,) on such day
+As Heaven's great year brings forth, the empyreal host
+Of Angels by imperial summons called,
+Innumerable before the Almighty's throne
+Forthwith, from all the ends of Heaven, appeared
+Under their Hierarchs in orders bright:
+Ten thousand thousand ensigns high advanced,
+Standards and gonfalons 'twixt van and rear
+Stream in the air, and for distinction serve
+Of hierarchies, of orders, and degrees;
+Or in their glittering tissues bear imblazed
+Holy memorials, acts of zeal and love
+Recorded eminent.  Thus when in orbs
+Of circuit inexpressible they stood,
+Orb within orb, the Father Infinite,
+By whom in bliss imbosomed sat the Son,
+Amidst as from a flaming mount, whose top
+Brightness had made invisible, thus spake.
+Hear, all ye Angels, progeny of light,
+Thrones, Dominations, Princedoms, Virtues, Powers;
+Hear my decree, which unrevoked shall stand.
+This day I have begot whom I declare
+My only Son, and on this holy hill
+Him have anointed, whom ye now behold
+At my right hand; your head I him appoint;
+And by myself have sworn, to him shall bow
+All knees in Heaven, and shall confess him Lord:
+Under his great vice-gerent reign abide
+United, as one individual soul,
+For ever happy:  Him who disobeys,
+Me disobeys, breaks union, and that day,
+Cast out from God and blessed vision, falls
+Into utter darkness, deep ingulfed, his place
+Ordained without redemption, without end.
+So spake the Omnipotent, and with his words
+All seemed well pleased; all seemed, but were not all.
+That day, as other solemn days, they spent
+In song and dance about the sacred hill;
+Mystical dance, which yonder starry sphere
+Of planets, and of fixed, in all her wheels
+Resembles nearest, mazes intricate,
+Eccentrick, intervolved, yet regular
+Then most, when most irregular they seem;
+And in their motions harmony divine
+So smooths her charming tones, that God's own ear
+Listens delighted.  Evening now approached,
+(For we have also our evening and our morn,
+We ours for change delectable, not need;)
+Forthwith from dance to sweet repast they turn
+Desirous; all in circles as they stood,
+Tables are set, and on a sudden piled
+With Angels food, and rubied nectar flows
+In pearl, in diamond, and massy gold,
+Fruit of delicious vines, the growth of Heaven.
+On flowers reposed, and with fresh flowerets crowned,
+They eat, they drink, and in communion sweet
+Quaff immortality and joy, secure
+Of surfeit, where full measure only bounds
+Excess, before the all-bounteous King, who showered
+With copious hand, rejoicing in their joy.
+Now when ambrosial night with clouds exhaled
+From that high mount of God, whence light and shade
+Spring both, the face of brightest Heaven had changed
+To grateful twilight, (for night comes not there
+In darker veil,) and roseat dews disposed
+All but the unsleeping eyes of God to rest;
+Wide over all the plain, and wider far
+Than all this globous earth in plain outspread,
+(Such are the courts of God) the angelick throng,
+Dispersed in bands and files, their camp extend
+By living streams among the trees of life,
+Pavilions numberless, and sudden reared,
+Celestial tabernacles, where they slept
+Fanned with cool winds; save those, who, in their course,
+Melodious hymns about the sovran throne
+Alternate all night long: but not so waked
+Satan; so call him now, his former name
+Is heard no more in Heaven; he of the first,
+If not the first Arch-Angel, great in power,
+In favour and pre-eminence, yet fraught
+With envy against the Son of God, that day
+Honoured by his great Father, and proclaimed
+Messiah King anointed, could not bear
+Through pride that sight, and thought himself impaired.
+Deep malice thence conceiving and disdain,
+Soon as midnight brought on the dusky hour
+Friendliest to sleep and silence, he resolved
+With all his legions to dislodge, and leave
+Unworshipt, unobeyed, the throne supreme,
+Contemptuous; and his next subordinate
+Awakening, thus to him in secret spake.
+Sleepest thou, Companion dear?  What sleep can close
+Thy eye-lids? and rememberest what decree
+Of yesterday, so late hath passed the lips
+Of Heaven's Almighty.  Thou to me thy thoughts
+Wast wont, I mine to thee was wont to impart;
+Both waking we were one; how then can now
+Thy sleep dissent?  New laws thou seest imposed;
+New laws from him who reigns, new minds may raise
+In us who serve, new counsels to debate
+What doubtful may ensue:  More in this place
+To utter is not safe.  Assemble thou
+Of all those myriads which we lead the chief;
+Tell them, that by command, ere yet dim night
+Her shadowy cloud withdraws, I am to haste,
+And all who under me their banners wave,
+Homeward, with flying march, where we possess
+The quarters of the north; there to prepare
+Fit entertainment to receive our King,
+The great Messiah, and his new commands,
+Who speedily through all the hierarchies
+Intends to pass triumphant, and give laws.
+So spake the false Arch-Angel, and infused
+Bad influence into the unwary breast
+Of his associate:  He together calls,
+Or several one by one, the regent Powers,
+Under him Regent; tells, as he was taught,
+That the Most High commanding, now ere night,
+Now ere dim night had disincumbered Heaven,
+The great hierarchal standard was to move;
+Tells the suggested cause, and casts between
+Ambiguous words and jealousies, to sound
+Or taint integrity:  But all obeyed
+The wonted signal, and superiour voice
+Of their great Potentate; for great indeed
+His name, and high was his degree in Heaven;
+His countenance, as the morning-star that guides
+The starry flock, allured them, and with lies
+Drew after him the third part of Heaven's host.
+Mean while the Eternal eye, whose sight discerns
+Abstrusest thoughts, from forth his holy mount,
+And from within the golden lamps that burn
+Nightly before him, saw without their light
+Rebellion rising; saw in whom, how spread
+Among the sons of morn, what multitudes
+Were banded to oppose his high decree;
+And, smiling, to his only Son thus said.
+Son, thou in whom my glory I behold
+In full resplendence, Heir of all my might,
+Nearly it now concerns us to be sure
+Of our Omnipotence, and with what arms
+We mean to hold what anciently we claim
+Of deity or empire:  Such a foe
+Is rising, who intends to erect his throne
+Equal to ours, throughout the spacious north;
+Nor so content, hath in his thought to try
+In battle, what our power is, or our right.
+Let us advise, and to this hazard draw
+With speed what force is left, and all employ
+In our defence; lest unawares we lose
+This our high place, our sanctuary, our hill.
+To whom the Son with calm aspect and clear,
+Lightning divine, ineffable, serene,
+Made answer.  Mighty Father, thou thy foes
+Justly hast in derision, and, secure,
+Laughest at their vain designs and tumults vain,
+Matter to me of glory, whom their hate
+Illustrates, when they see all regal power
+Given me to quell their pride, and in event
+Know whether I be dextrous to subdue
+Thy rebels, or be found the worst in Heaven.
+So spake the Son; but Satan, with his Powers,
+Far was advanced on winged speed; an host
+Innumerable as the stars of night,
+Or stars of morning, dew-drops, which the sun
+Impearls on every leaf and every flower.
+Regions they passed, the mighty regencies
+Of Seraphim, and Potentates, and Thrones,
+In their triple degrees; regions to which
+All thy dominion, Adam, is no more
+Than what this garden is to all the earth,
+And all the sea, from one entire globose
+Stretched into longitude; which having passed,
+At length into the limits of the north
+They came; and Satan to his royal seat
+High on a hill, far blazing, as a mount
+Raised on a mount, with pyramids and towers
+From diamond quarries hewn, and rocks of gold;
+The palace of great Lucifer, (so call
+That structure in the dialect of men
+Interpreted,) which not long after, he
+Affecting all equality with God,
+In imitation of that mount whereon
+Messiah was declared in sight of Heaven,
+The Mountain of the Congregation called;
+For thither he assembled all his train,
+Pretending so commanded to consult
+About the great reception of their King,
+Thither to come, and with calumnious art
+Of counterfeited truth thus held their ears.
+Thrones, Dominations, Princedoms, Virtues, Powers;
+If these magnifick titles yet remain
+Not merely titular, since by decree
+Another now hath to himself engrossed
+All power, and us eclipsed under the name
+Of King anointed, for whom all this haste
+Of midnight-march, and hurried meeting here,
+This only to consult how we may best,
+With what may be devised of honours new,
+Receive him coming to receive from us
+Knee-tribute yet unpaid, prostration vile!
+Too much to one! but double how endured,
+To one, and to his image now proclaimed?
+But what if better counsels might erect
+Our minds, and teach us to cast off this yoke?
+Will ye submit your necks, and choose to bend
+The supple knee?  Ye will not, if I trust
+To know ye right, or if ye know yourselves
+Natives and sons of Heaven possessed before
+By none; and if not equal all, yet free,
+Equally free; for orders and degrees
+Jar not with liberty, but well consist.
+Who can in reason then, or right, assume
+Monarchy over such as live by right
+His equals, if in power and splendour less,
+In freedom equal? or can introduce
+Law and edict on us, who without law
+Err not? much less for this to be our Lord,
+And look for adoration, to the abuse
+Of those imperial titles, which assert
+Our being ordained to govern, not to serve.
+Thus far his bold discourse without controul
+Had audience; when among the Seraphim
+Abdiel, than whom none with more zeal adored
+The Deity, and divine commands obeyed,
+Stood up, and in a flame of zeal severe
+The current of his fury thus opposed.
+O argument blasphemous, false, and proud!
+Words which no ear ever to hear in Heaven
+Expected, least of all from thee,  Ingrate,
+In place thyself so high above thy peers.
+Canst thou with impious obloquy condemn
+The just decree of God, pronounced and sworn,
+That to his only Son, by right endued
+With regal scepter, every soul in Heaven
+Shall bend the knee, and in that honour due
+Confess him rightful King? unjust, thou sayest,
+Flatly unjust, to bind with laws the free,
+And equal over equals to let reign,
+One over all with unsucceeded power.
+Shalt thou give law to God? shalt thou dispute
+With him the points of liberty, who made
+Thee what thou art, and formed the Powers of Heaven
+Such as he pleased, and circumscribed their being?
+Yet, by experience taught, we know how good,
+And of our good and of our dignity
+How provident he is; how far from thought
+To make us less, bent rather to exalt
+Our happy state, under one head more near
+United.  But to grant it thee unjust,
+That equal over equals monarch reign:
+Thyself, though great and glorious, dost thou count,
+Or all angelick nature joined in one,
+Equal to him begotten Son? by whom,
+As by his Word, the Mighty Father made
+All things, even thee; and all the Spirits of Heaven
+By him created in their bright degrees,
+Crowned them with glory, and to their glory named
+Thrones, Dominations, Princedoms, Virtues, Powers,
+Essential Powers; nor by his reign obscured,
+But more illustrious made; since he the head
+One of our number thus reduced becomes;
+His laws our laws; all honour to him done
+Returns our own.  Cease then this impious rage,
+And tempt not these; but hasten to appease
+The incensed Father, and the incensed Son,
+While pardon may be found in time besought.
+So spake the fervent Angel; but his zeal
+None seconded, as out of season judged,
+Or singular and rash:  Whereat rejoiced
+The Apostate, and, more haughty, thus replied.
+That we were formed then sayest thou? and the work
+Of secondary hands, by task transferred
+From Father to his Son? strange point and new!
+Doctrine which we would know whence learned: who saw
+When this creation was? rememberest thou
+Thy making, while the Maker gave thee being?
+We know no time when we were not as now;
+Know none before us, self-begot, self-raised
+By our own quickening power, when fatal course
+Had circled his full orb, the birth mature
+Of this our native Heaven, ethereal sons.
+Our puissance is our own; our own right hand
+Shall teach us highest deeds, by proof to try
+Who is our equal:  Then thou shalt behold
+Whether by supplication we intend
+Address, and to begirt the almighty throne
+Beseeching or besieging.  This report,
+These tidings carry to the anointed King;
+And fly, ere evil intercept thy flight.
+He said; and, as the sound of waters deep,
+Hoarse murmur echoed to his words applause
+Through the infinite host; nor less for that
+The flaming Seraph fearless, though alone
+Encompassed round with foes, thus answered bold.
+O alienate from God, O Spirit accursed,
+Forsaken of all good!  I see thy fall
+Determined, and thy hapless crew involved
+In this perfidious fraud, contagion spread
+Both of thy crime and punishment:  Henceforth
+No more be troubled how to quit the yoke
+Of God's Messiah; those indulgent laws
+Will not be now vouchsafed; other decrees
+Against thee are gone forth without recall;
+That golden scepter, which thou didst reject,
+Is now an iron rod to bruise and break
+Thy disobedience.  Well thou didst advise;
+Yet not for thy advice or threats I fly
+These wicked tents devoted, lest the wrath
+Impendent, raging into sudden flame,
+Distinguish not:  For soon expect to feel
+His thunder on thy head, devouring fire.
+Then who created thee lamenting learn,
+When who can uncreate thee thou shalt know.
+So spake the Seraph Abdiel, faithful found
+Among the faithless, faithful only he;
+Among innumerable false, unmoved,
+Unshaken, unseduced, unterrified,
+His loyalty he kept, his love, his zeal;
+Nor number, nor example, with him wrought
+To swerve from truth, or change his constant mind,
+Though single.  From amidst them forth he passed,
+Long way through hostile scorn, which he sustained
+Superiour, nor of violence feared aught;
+And, with retorted scorn, his back he turned
+On those proud towers to swift destruction doomed.
+
+
+
+Book VI
+
+
+All night the dreadless Angel, unpursued,
+Through Heaven's wide champain held his way; till Morn,
+Waked by the circling Hours, with rosy hand
+Unbarred the gates of light.  There is a cave
+Within the mount of God, fast by his throne,
+Where light and darkness in perpetual round
+Lodge and dislodge by turns, which makes through Heaven
+Grateful vicissitude, like day and night;
+Light issues forth, and at the other door
+Obsequious darkness enters, till her hour
+To veil the Heaven, though darkness there might well
+Seem twilight here:  And now went forth the Morn
+Such as in highest Heaven arrayed in gold
+Empyreal; from before her vanished Night,
+Shot through with orient beams; when all the plain
+Covered with thick embattled squadrons bright,
+Chariots, and flaming arms, and fiery steeds,
+Reflecting blaze on blaze, first met his view:
+War he perceived, war in procinct; and found
+Already known what he for news had thought
+To have reported:  Gladly then he mixed
+Among those friendly Powers, who him received
+With joy and acclamations loud, that one,
+That of so many myriads fallen, yet one
+Returned not lost.  On to the sacred hill
+They led him high applauded, and present
+Before the seat supreme; from whence a voice,
+From midst a golden cloud, thus mild was heard.
+Servant of God. Well done; well hast thou fought
+The better fight, who single hast maintained
+Against revolted multitudes the cause
+Of truth, in word mightier than they in arms;
+And for the testimony of truth hast borne
+Universal reproach, far worse to bear
+Than violence; for this was all thy care
+To stand approved in sight of God, though worlds
+Judged thee perverse:  The easier conquest now
+Remains thee, aided by this host of friends,
+Back on thy foes more glorious to return,
+Than scorned thou didst depart; and to subdue
+By force, who reason for their law refuse,
+Right reason for their law, and for their King
+Messiah, who by right of merit reigns.
+Go, Michael, of celestial armies prince,
+And thou, in military prowess next,
+Gabriel, lead forth to battle these my sons
+Invincible; lead forth my armed Saints,
+By thousands and by millions, ranged for fight,
+Equal in number to that Godless crew
+Rebellious:  Them with fire and hostile arms
+Fearless assault; and, to the brow of Heaven
+Pursuing, drive them out from God and bliss,
+Into their place of punishment, the gulf
+Of Tartarus, which ready opens wide
+His fiery Chaos to receive their fall.
+So spake the Sovran Voice, and clouds began
+To darken all the hill, and smoke to roll
+In dusky wreaths, reluctant flames, the sign
+Of wrath awaked; nor with less dread the loud
+Ethereal trumpet from on high 'gan blow:
+At which command the Powers militant,
+That stood for Heaven, in mighty quadrate joined
+Of union irresistible, moved on
+In silence their bright legions, to the sound
+Of instrumental harmony, that breathed
+Heroick ardour to adventurous deeds
+Under their God-like leaders, in the cause
+Of God and his Messiah.  On they move
+Indissolubly firm; nor obvious hill,
+Nor straitening vale, nor wood, nor stream, divides
+Their perfect ranks; for high above the ground
+Their march was, and the passive air upbore
+Their nimble tread; as when the total kind
+Of birds, in orderly array on wing,
+Came summoned over Eden to receive
+Their names of thee; so over many a tract
+Of Heaven they marched, and many a province wide,
+Tenfold the length of this terrene:  At last,
+Far in the horizon to the north appeared
+From skirt to skirt a fiery region, stretched
+In battailous aspect, and nearer view
+Bristled with upright beams innumerable
+Of rigid spears, and helmets thronged, and shields
+Various, with boastful argument portrayed,
+The banded Powers of Satan hasting on
+With furious expedition; for they weened
+That self-same day, by fight or by surprise,
+To win the mount of God, and on his throne
+To set the Envier of his state, the proud
+Aspirer; but their thoughts proved fond and vain
+In the mid way:  Though strange to us it seemed
+At first, that Angel should with Angel war,
+And in fierce hosting meet, who wont to meet
+So oft in festivals of joy and love
+Unanimous, as sons of one great Sire,
+Hymning the Eternal Father:  But the shout
+Of battle now began, and rushing sound
+Of onset ended soon each milder thought.
+High in the midst, exalted as a God,
+The Apostate in his sun-bright chariot sat,
+Idol of majesty divine, enclosed
+With flaming Cherubim, and golden shields;
+Then lighted from his gorgeous throne, for now
+"twixt host and host but narrow space was left,
+A dreadful interval, and front to front
+Presented stood in terrible array
+Of hideous length:  Before the cloudy van,
+On the rough edge of battle ere it joined,
+Satan, with vast and haughty strides advanced,
+Came towering, armed in adamant and gold;
+Abdiel that sight endured not, where he stood
+Among the mightiest, bent on highest deeds,
+And thus his own undaunted heart explores.
+O Heaven! that such resemblance of the Highest
+Should yet remain, where faith and realty
+Remain not:  Wherefore should not strength and might
+There fail where virtue fails, or weakest prove
+Where boldest, though to fight unconquerable?
+His puissance, trusting in the Almighty's aid,
+I mean to try, whose reason I have tried
+Unsound and false; nor is it aught but just,
+That he, who in debate of truth hath won,
+Should win in arms, in both disputes alike
+Victor; though brutish that contest and foul,
+When reason hath to deal with force, yet so
+Most reason is that reason overcome.
+So pondering, and from his armed peers
+Forth stepping opposite, half-way he met
+His daring foe, at this prevention more
+Incensed, and thus securely him defied.
+Proud, art thou met? thy hope was to have reached
+The highth of thy aspiring unopposed,
+The throne of God unguarded, and his side
+Abandoned, at the terrour of thy power
+Or potent tongue:  Fool!not to think how vain
+Against the Omnipotent to rise in arms;
+Who out of smallest things could, without end,
+Have raised incessant armies to defeat
+Thy folly; or with solitary hand
+Reaching beyond all limit, at one blow,
+Unaided, could have finished thee, and whelmed
+Thy legions under darkness:  But thou seest
+All are not of thy train; there be, who faith
+Prefer, and piety to God, though then
+To thee not visible, when I alone
+Seemed in thy world erroneous to dissent
+From all:  My sect thou seest;now learn too late
+How few sometimes may know, when thousands err.
+Whom the grand foe, with scornful eye askance,
+Thus answered.  Ill for thee, but in wished hour
+Of my revenge, first sought for, thou returnest
+From flight, seditious Angel! to receive
+Thy merited reward, the first assay
+Of this right hand provoked, since first that tongue,
+Inspired with contradiction, durst oppose
+A third part of the Gods, in synod met
+Their deities to assert; who, while they feel
+Vigour divine within them, can allow
+Omnipotence to none.  But well thou comest
+Before thy fellows, ambitious to win
+From me some plume, that thy success may show
+Destruction to the rest:  This pause between,
+(Unanswered lest thou boast) to let thee know,
+At first I thought that Liberty and Heaven
+To heavenly souls had been all one; but now
+I see that most through sloth had rather serve,
+Ministring Spirits, trained up in feast and song!
+Such hast thou armed, the minstrelsy of Heaven,
+Servility with freedom to contend,
+As both their deeds compared this day shall prove.
+To whom in brief thus Abdiel stern replied.
+Apostate! still thou errest, nor end wilt find
+Of erring, from the path of truth remote:
+Unjustly thou depravest it with the name
+Of servitude, to serve whom God ordains,
+Or Nature:  God and Nature bid the same,
+When he who rules is worthiest, and excels
+Them whom he governs.  This is servitude,
+To serve the unwise, or him who hath rebelled
+Against his worthier, as thine now serve thee,
+Thyself not free, but to thyself enthralled;
+Yet lewdly darest our ministring upbraid.
+Reign thou in Hell, thy kingdom; let me serve
+In Heaven God ever blest, and his divine
+Behests obey, worthiest to be obeyed;
+Yet chains in Hell, not realms, expect:  Mean while
+From me returned, as erst thou saidst, from flight,
+This greeting on thy impious crest receive.
+So saying, a noble stroke he lifted high,
+Which hung not, but so swift with tempest fell
+On the proud crest of Satan, that no sight,
+Nor motion of swift thought, less could his shield,
+Such ruin intercept:  Ten paces huge
+He back recoiled; the tenth on bended knee
+His massy spear upstaid; as if on earth
+Winds under ground, or waters forcing way,
+Sidelong had pushed a mountain from his seat,
+Half sunk with all his pines.  Amazement seised
+The rebel Thrones, but greater rage, to see
+Thus foiled their mightiest; ours joy filled, and shout,
+Presage of victory, and fierce desire
+Of battle:  Whereat Michael bid sound
+The Arch-Angel trumpet; through the vast of Heaven
+It sounded, and the faithful armies rung
+Hosanna to the Highest:  Nor stood at gaze
+The adverse legions, nor less hideous joined
+The horrid shock.  Now storming fury rose,
+And clamour such as heard in Heaven till now
+Was never; arms on armour clashing brayed
+Horrible discord, and the madding wheels
+Of brazen chariots raged; dire was the noise
+Of conflict; over head the dismal hiss
+Of fiery darts in flaming vollies flew,
+And flying vaulted either host with fire.
+So under fiery cope together rushed
+Both battles main, with ruinous assault
+And inextinguishable rage.  All Heaven
+Resounded; and had Earth been then, all Earth
+Had to her center shook.  What wonder? when
+Millions of fierce encountering Angels fought
+On either side, the least of whom could wield
+These elements, and arm him with the force
+Of all their regions:  How much more of power
+Army against army numberless to raise
+Dreadful combustion warring, and disturb,
+Though not destroy, their happy native seat;
+Had not the Eternal King Omnipotent,
+From his strong hold of Heaven, high over-ruled
+And limited their might; though numbered such
+As each divided legion might have seemed
+A numerous host; in strength each armed hand
+A legion; led in fight, yet leader seemed
+Each warriour single as in chief, expert
+When to advance, or stand, or turn the sway
+Of battle, open when, and when to close
+The ridges of grim war:  No thought of flight,
+None of retreat, no unbecoming deed
+That argued fear; each on himself relied,
+As only in his arm the moment lay
+Of victory:  Deeds of eternal fame
+Were done, but infinite; for wide was spread
+That war and various; sometimes on firm ground
+A standing fight, then, soaring on main wing,
+Tormented all the air; all air seemed then
+Conflicting fire.  Long time in even scale
+The battle hung; till Satan, who that day
+Prodigious power had shown, and met in arms
+No equal, ranging through the dire attack
+Of fighting Seraphim confused, at length
+Saw where the sword of Michael smote, and felled
+Squadrons at once; with huge two-handed sway
+Brandished aloft, the horrid edge came down
+Wide-wasting; such destruction to withstand
+He hasted, and opposed the rocky orb
+Of tenfold adamant, his ample shield,
+A vast circumference.  At his approach
+The great Arch-Angel from his warlike toil
+Surceased, and glad, as hoping here to end
+Intestine war in Heaven, the arch-foe subdued
+Or captive dragged in chains, with hostile frown
+And visage all inflamed first thus began.
+Author of evil, unknown till thy revolt,
+Unnamed in Heaven, now plenteous as thou seest
+These acts of hateful strife, hateful to all,
+Though heaviest by just measure on thyself,
+And thy  adherents:  How hast thou disturbed
+Heaven's blessed peace, and into nature brought
+Misery, uncreated till the crime
+Of thy rebellion! how hast thou instilled
+Thy malice into thousands, once upright
+And faithful, now proved false!  But think not here
+To trouble holy rest; Heaven casts thee out
+From all her confines.  Heaven, the seat of bliss,
+Brooks not the works of violence and war.
+Hence then, and evil go with thee along,
+Thy offspring, to the place of evil, Hell;
+Thou and thy wicked crew! there mingle broils,
+Ere this avenging sword begin thy doom,
+Or some more sudden vengeance, winged from God,
+Precipitate thee with augmented pain.
+So spake the Prince of Angels; to whom thus
+The Adversary.  Nor think thou with wind
+Of aery threats to awe whom yet with deeds
+Thou canst not.  Hast thou turned the least of these
+To flight, or if to fall, but that they rise
+Unvanquished, easier to transact with me
+That thou shouldst hope, imperious, and with threats
+To chase me hence? err not, that so shall end
+The strife which thou callest evil, but we style
+The strife of glory; which we mean to win,
+Or turn this Heaven itself into the Hell
+Thou fablest; here however to dwell free,
+If not to reign:  Mean while thy utmost force,
+And join him named Almighty to thy aid,
+I fly not, but have sought thee far and nigh.
+They ended parle, and both addressed for fight
+Unspeakable; for who, though with the tongue
+Of Angels, can relate, or to what things
+Liken on earth conspicuous, that may lift
+Human imagination to such highth
+Of Godlike power? for likest Gods they seemed,
+Stood they or moved, in stature, motion, arms,
+Fit to decide the empire of great Heaven.
+Now waved their fiery swords, and in the air
+Made horrid circles; two broad suns their shields
+Blazed opposite, while Expectation stood
+In horrour:  From each hand with speed retired,
+Where erst was thickest fight, the angelick throng,
+And left large field, unsafe within the wind
+Of such commotion; such as, to set forth
+Great things by small, if, nature's concord broke,
+Among the constellations war were sprung,
+Two planets, rushing from aspect malign
+Of fiercest opposition, in mid sky
+Should combat, and their jarring spheres confound.
+Together both with next to almighty arm
+Up-lifted imminent, one stroke they aimed
+That might determine, and not need repeat,
+As not of power at once; nor odds appeared
+In might or swift prevention:  But the sword
+Of Michael from the armoury of God
+Was given him tempered so, that neither keen
+Nor solid might resist that edge: it met
+The sword of Satan, with steep force to smite
+Descending, and in half cut sheer; nor staid,
+But with swift wheel reverse, deep entering, shared
+All his right side:  Then Satan first knew pain,
+And writhed him to and fro convolved; so sore
+The griding sword with discontinuous wound
+Passed through him:  But the ethereal substance closed,
+Not long divisible; and from the gash
+A stream of necturous humour issuing flowed
+Sanguine, such as celestial Spirits may bleed,
+And all his armour stained, ere while so bright.
+Forthwith on all sides to his aid was run
+By Angels many and strong, who interposed
+Defence, while others bore him on their shields
+Back to his chariot, where it stood retired
+From off the files of war:  There they him laid
+Gnashing for anguish, and despite, and shame,
+To find himself not matchless, and his pride
+Humbled by such rebuke, so far beneath
+His confidence to equal God in power.
+Yet soon he healed; for Spirits that live throughout
+Vital in every part, not as frail man
+In entrails, heart of head, liver or reins,
+Cannot but by annihilating die;
+Nor in their liquid texture mortal wound
+Receive, no more than can the fluid air:
+All heart they live, all head, all eye, all ear,
+All intellect, all sense; and, as they please,
+They limb themselves, and colour, shape, or size
+Assume, as?kikes them best, condense or rare.
+Mean while in other parts like deeds deserved
+Memorial, where the might of Gabriel fought,
+And with fierce ensigns pierced the deep array
+Of Moloch, furious king; who him defied,
+And at his chariot-wheels to drag him bound
+Threatened, nor from the Holy One of Heaven
+Refrained his tongue blasphemous; but anon
+Down cloven to the waist, with shattered arms
+And uncouth pain fled bellowing.  On each wing
+Uriel, and Raphael, his vaunting foe,
+Though huge, and in a rock of diamond armed,
+Vanquished Adramelech, and Asmadai,
+Two potent Thrones, that to be less than Gods
+Disdained, but meaner thoughts learned in their flight,
+Mangled with ghastly wounds through plate and mail.
+Nor stood unmindful Abdiel to annoy
+The atheist crew, but with redoubled blow
+Ariel, and Arioch, and the violence
+Of Ramiel scorched and blasted, overthrew.
+I might relate of thousands, and their names
+Eternize here on earth; but those elect
+Angels, contented with their fame in Heaven,
+Seek not the praise of men:  The other sort,
+In might though wonderous and in acts of war,
+Nor of renown less eager, yet by doom
+Cancelled from Heaven and sacred memory,
+Nameless in dark oblivion let them dwell.
+For strength from truth divided, and from just,
+Illaudable, nought merits but dispraise
+And ignominy; yet to glory aspires
+Vain-glorious, and through infamy seeks fame:
+Therefore eternal silence be their doom.
+And now, their mightiest quelled, the battle swerved,
+With many an inroad gored; deformed rout
+Entered, and foul disorder; all the ground
+With shivered armour strown, and on a heap
+Chariot and charioteer lay overturned,
+And fiery-foaming steeds; what stood, recoiled
+O'er-wearied, through the faint Satanick host
+Defensive scarce, or with pale fear surprised,
+Then first with fear surprised, and sense of pain,
+Fled ignominious, to such evil brought
+By sin of disobedience; till that hour
+Not liable to fear, or flight, or pain.
+Far otherwise the inviolable Saints,
+In cubick phalanx firm, advanced entire,
+Invulnerable, impenetrably armed;
+Such high advantages their innocence
+Gave them above their foes; not to have sinned,
+Not to have disobeyed; in fight they stood
+Unwearied, unobnoxious to be pained
+By wound, though from their place by violence moved,
+Now Night her course began, and, over Heaven
+Inducing darkness, grateful truce imposed,
+And silence on the odious din of war:
+Under her cloudy covert both retired,
+Victor and vanquished:  On the foughten field
+Michael and his Angels prevalent
+Encamping, placed in guard their watches round,
+Cherubick waving fires:  On the other part,
+Satan with his rebellious disappeared,
+Far in the dark dislodged; and, void of rest,
+His potentates to council called by night;
+And in the midst thus undismayed began.
+O now in danger tried, now known in arms
+Not to be overpowered, Companions dear,
+Found worthy not of liberty alone,
+Too mean pretence! but what we more affect,
+Honour, dominion, glory, and renown;
+Who have sustained one day in doubtful fight,
+(And if one day, why not eternal days?)
+What Heaven's Lord had powerfullest to send
+Against us from about his throne, and judged
+Sufficient to subdue us to his will,
+But proves not so:  Then fallible, it seems,
+Of future we may deem him, though till now
+Omniscient thought.  True is, less firmly armed,
+Some disadvantage we endured and pain,
+Till now not known, but, known, as soon contemned;
+Since now we find this our empyreal form
+Incapable of mortal injury,
+Imperishable, and, though pierced with wound,
+Soon closing, and by native vigour healed.
+Of evil then so small as easy think
+The remedy; perhaps more valid arms,
+Weapons more violent, when next we meet,
+May serve to better us, and worse our foes,
+Or equal what between us made the odds,
+In nature none:  If other hidden cause
+Left them superiour, while we can preserve
+Unhurt our minds, and understanding sound,
+Due search and consultation will disclose.
+He sat; and in the assembly next upstood
+Nisroch, of Principalities the prime;
+As one he stood escaped from cruel fight,
+Sore toiled, his riven arms to havock hewn,
+And cloudy in aspect thus answering spake.
+Deliverer from new Lords, leader to free
+Enjoyment of our right as Gods; yet hard
+For Gods, and too unequal work we find,
+Against unequal arms to fight in pain,
+Against unpained, impassive; from which evil
+Ruin must needs ensue; for what avails
+Valour or strength, though matchless, quelled with pain
+Which all subdues, and makes remiss the hands
+Of mightiest?  Sense of pleasure we may well
+Spare out of life perhaps, and not repine,
+But live content, which is the calmest life:
+But pain is perfect misery, the worst
+Of evils, and, excessive, overturns
+All patience.  He, who therefore can invent
+With what more forcible we may offend
+Our yet unwounded enemies, or arm
+Ourselves with like defence, to me deserves
+No less than for deliverance what we owe.
+Whereto with look composed Satan replied.
+Not uninvented that, which thou aright
+Believest so main to our success, I bring.
+Which of us who beholds the bright surface
+Of this ethereous mould whereon we stand,
+This continent of spacious Heaven, adorned
+With plant, fruit, flower ambrosial, gems, and gold;
+Whose eye so superficially surveys
+These things, as not to mind from whence they grow
+Deep under ground, materials dark and crude,
+Of spiritous and fiery spume, till touched
+With Heaven's ray, and tempered, they shoot forth
+So beauteous, opening to the ambient light?
+These in their dark nativity the deep
+Shall yield us, pregnant with infernal flame;
+Which, into hollow engines, long and round,
+Thick rammed, at the other bore with touch of fire
+Dilated and infuriate, shall send forth
+From far, with thundering noise, among our foes
+Such implements of mischief, as shall dash
+To pieces, and o'erwhelm whatever stands
+Adverse, that they shall fear we have disarmed
+The Thunderer of his only dreaded bolt.
+Nor long shall be our labour; yet ere dawn,
+Effect shall end our wish.  Mean while revive;
+Abandon fear; to strength and counsel joined
+Think nothing hard, much less to be despaired.
+He ended, and his words their drooping cheer
+Enlightened, and their languished hope revived.
+The invention all admired, and each, how he
+To be the inventer missed; so easy it seemed
+Once found, which yet unfound most would have thought
+Impossible:  Yet, haply, of thy race
+In future days, if malice should abound,
+Some one intent on mischief, or inspired
+With devilish machination, might devise
+Like instrument to plague the sons of men
+For sin, on war and mutual slaughter bent.
+Forthwith from council to the work they flew;
+None arguing stood; innumerable hands
+Were ready; in a moment up they turned
+Wide the celestial soil, and saw beneath
+The originals of nature in their crude
+Conception; sulphurous and nitrous foam
+They found, they mingled, and, with subtle art,
+Concocted and adusted they reduced
+To blackest grain, and into store conveyed:
+Part hidden veins digged up (nor hath this earth
+Entrails unlike) of mineral and stone,
+Whereof to found their engines and their balls
+Of missive ruin; part incentive reed
+Provide, pernicious with one touch to fire.
+So all ere day-spring, under conscious night,
+Secret they finished, and in order set,
+With silent circumspection, unespied.
+Now when fair morn orient in Heaven appeared,
+Up rose the victor-Angels, and to arms
+The matin trumpet sung:  In arms they stood
+Of golden panoply, refulgent host,
+Soon banded; others from the dawning hills
+Look round, and scouts each coast light-armed scour,
+Each quarter to descry the distant foe,
+Where lodged, or whither fled, or if for fight,
+In motion or in halt:  Him soon they met
+Under spread ensigns moving nigh, in slow
+But firm battalion; back with speediest sail
+Zophiel, of Cherubim the swiftest wing,
+Came flying, and in mid air aloud thus cried.
+Arm, Warriours, arm for fight; the foe at hand,
+Whom fled we thought, will save us long pursuit
+This day; fear not his flight;so thick a cloud
+He comes, and settled in his face I see
+Sad resolution, and secure:  Let each
+His adamantine coat gird well, and each
+Fit well his helm, gripe fast his orbed shield,
+Borne even or high; for this day will pour down,
+If I conjecture aught, no drizzling shower,
+But rattling storm of arrows barbed with fire.
+So warned he them, aware themselves, and soon
+In order, quit of all impediment;
+Instant without disturb they took alarm,
+And onward moved embattled:  When behold!
+Not distant far with heavy pace the foe
+Approaching gross and huge, in hollow cube
+Training his devilish enginery, impaled
+On every side with shadowing squadrons deep,
+To hide the fraud.  At interview both stood
+A while; but suddenly at head appeared
+Satan, and thus was heard commanding loud.
+Vanguard, to right and left the front unfold;
+That all may see who hate us, how we seek
+Peace and composure, and with open breast
+Stand ready to receive them, if they like
+Our overture; and turn not back perverse:
+But that I doubt; however witness, Heaven!
+Heaven, witness thou anon! while we discharge
+Freely our part: ye, who appointed stand
+Do as you have in charge, and briefly touch
+What we propound, and loud that all may hear!
+So scoffing in ambiguous words, he scarce
+Had ended; when to right and left the front
+Divided, and to either flank retired:
+Which to our eyes discovered, new and strange,
+A triple mounted row of pillars laid
+On wheels (for like to pillars most they seemed,
+Or hollowed bodies made of oak or fir,
+With branches lopt, in wood or mountain felled,)
+Brass, iron, stony mould, had not their mouths
+With hideous orifice gaped on us wide,
+Portending hollow truce:  At each behind
+A Seraph stood, and in his hand a reed
+Stood waving tipt with fire; while we, suspense,
+Collected stood within our thoughts amused,
+Not long; for sudden all at once their reeds
+Put forth, and to a narrow vent applied
+With nicest touch.  Immediate in a flame,
+But soon obscured with smoke, all Heaven appeared,
+From those deep-throated engines belched, whose roar
+Embowelled with outrageous noise the air,
+And all her entrails tore, disgorging foul
+Their devilish glut, chained thunderbolts and hail
+Of iron globes; which, on the victor host
+Levelled, with such impetuous fury smote,
+That, whom they hit, none on their feet might stand,
+Though standing else as rocks, but down they fell
+By thousands, Angel on Arch-Angel rolled;
+The sooner for their arms; unarmed, they might
+Have easily, as Spirits, evaded swift
+By quick contraction or remove; but now
+Foul dissipation followed, and forced rout;
+Nor served it to relax their serried files.
+What should they do? if on they rushed, repulse
+Repeated, and indecent overthrow
+Doubled, would render them yet more despised,
+And to their foes a laughter; for in view
+Stood ranked of Seraphim another row,
+In posture to displode their second tire
+Of thunder:  Back defeated to return
+They worse abhorred.  Satan beheld their plight,
+And to his mates thus in derision called.
+O Friends! why come not on these victors proud
+Ere while they fierce were coming; and when we,
+To entertain them fair with open front
+And breast, (what could we more?) propounded terms
+Of composition, straight they changed their minds,
+Flew off, and into strange vagaries fell,
+As they would dance; yet for a dance they seemed
+Somewhat extravagant and wild; perhaps
+For joy of offered peace:  But I suppose,
+If our proposals once again were heard,
+We should compel them to a quick result.
+To whom thus Belial, in like gamesome mood.
+Leader! the terms we sent were terms of weight,
+Of hard contents, and full of force urged home;
+Such as we might perceive amused them all,
+And stumbled many:  Who receives them right,
+Had need from head to foot well understand;
+Not understood, this gift they have besides,
+They show us when our foes walk not upright.
+So they among themselves in pleasant vein
+Stood scoffing, hightened in their thoughts beyond
+All doubt of victory:  Eternal Might
+To match with their inventions they presumed
+So easy, and of his thunder made a scorn,
+And all his host derided, while they stood
+A while in trouble:  But they stood not long;
+Rage prompted them at length, and found them arms
+Against such hellish mischief fit to oppose.
+Forthwith (behold the excellence, the power,
+Which God hath in his mighty Angels placed!)
+Their arms away they threw, and to the hills
+(For Earth hath this variety from Heaven
+Of pleasure situate in hill and dale,)
+Light as the lightning glimpse they ran, they flew;
+From their foundations loosening to and fro,
+They plucked the seated hills, with all their load,
+Rocks, waters, woods, and by the shaggy tops
+Up-lifting bore them in their hands:  Amaze,
+Be sure, and terrour, seized the rebel host,
+When coming towards them so dread they saw
+The bottom of the mountains upward turned;
+Till on those cursed engines' triple-row
+They saw them whelmed, and all their confidence
+Under the weight of mountains buried deep;
+Themselves invaded next, and on their heads
+Main promontories flung, which in the air
+Came shadowing, and oppressed whole legions armed;
+Their armour helped their harm, crushed in and bruised
+Into their substance pent, which wrought them pain
+Implacable, and many a dolorous groan;
+Long struggling underneath, ere they could wind
+Out of such prison, though Spirits of purest light,
+Purest at first, now gross by sinning grown.
+The rest, in imitation, to like arms
+Betook them, and the neighbouring hills uptore:
+So hills amid the air encountered hills,
+Hurled to and fro with jaculation dire;
+That under ground they fought in dismal shade;
+Infernal noise! war seemed a civil game
+To this uproar; horrid confusion heaped
+Upon confusion rose:  And now all Heaven
+Had gone to wrack, with ruin overspread;
+Had not the Almighty Father, where he sits
+Shrined in his sanctuary of Heaven secure,
+Consulting on the sum of things, foreseen
+This tumult, and permitted all, advised:
+That his great purpose he might so fulfil,
+To honour his anointed Son avenged
+Upon his enemies, and to declare
+All power on him transferred:  Whence to his Son,
+The Assessour of his throne, he thus began.
+Effulgence of my glory, Son beloved,
+Son, in whose face invisible is beheld
+Visibly, what by Deity I am;
+And in whose hand what by decree I do,
+Second Omnipotence! two days are past,
+Two days, as we compute the days of Heaven,
+Since Michael and his Powers went forth to tame
+These disobedient:  Sore hath been their fight,
+As likeliest was, when two such foes met armed;
+For to themselves I left them; and thou knowest,
+Equal in their creation they were formed,
+Save what sin hath impaired; which yet hath wrought
+Insensibly, for I suspend their doom;
+Whence in perpetual fight they needs must last
+Endless, and no solution will be found:
+War wearied hath performed what war can do,
+And to disordered rage let loose the reins
+With mountains, as with weapons, armed; which makes
+Wild work in Heaven, and dangerous to the main.
+Two days are therefore past, the third is thine;
+For thee I have ordained it; and thus far
+Have suffered, that the glory may be thine
+Of ending this great war, since none but Thou
+Can end it.  Into thee such virtue and grace
+Immense I have transfused, that all may know
+In Heaven and Hell thy power above compare;
+And, this perverse commotion governed thus,
+To manifest thee worthiest to be Heir
+Of all things; to be Heir, and to be King
+By sacred unction, thy deserved right.
+Go then, Thou Mightiest, in thy Father's might;
+Ascend my chariot, guide the rapid wheels
+That shake Heaven's basis, bring forth all my war,
+My bow and thunder, my almighty arms
+Gird on, and sword upon thy puissant thigh;
+Pursue these sons of darkness, drive them out
+From all Heaven's bounds into the utter deep:
+There let them learn, as likes them, to despise
+God, and Messiah his anointed King.
+He said, and on his Son with rays direct
+Shone full; he all his Father full expressed
+Ineffably into his face received;
+And thus the Filial Godhead answering spake.
+O Father, O Supreme of heavenly Thrones,
+First, Highest, Holiest, Best; thou always seek'st
+To glorify thy Son, I always thee,
+As is most just:  This I my glory account,
+My exaltation, and my whole delight,
+That thou, in me well pleased, declarest thy will
+Fulfilled, which to fulfil is all my bliss.
+Scepter and power, thy giving, I assume,
+And gladlier shall resign, when in the end
+Thou shalt be all in all, and I in thee
+For ever; and in me all whom thou lovest:
+But whom thou hatest, I hate, and can put on
+Thy terrours, as I put thy mildness on,
+Image of thee in all things; and shall soon,
+Armed with thy might, rid Heaven of these rebelled;
+To their prepared ill mansion driven down,
+To chains of darkness, and the undying worm;
+That from thy just obedience could revolt,
+Whom to obey is happiness entire.
+Then shall thy Saints unmixed, and from the impure
+Far separate, circling thy holy mount,
+Unfeigned Halleluiahs to thee sing,
+Hymns of high praise, and I among them Chief.
+So said, he, o'er his scepter bowing, rose
+From the right hand of Glory where he sat;
+And the third sacred morn began to shine,
+Dawning through Heaven.  Forth rushed with whirlwind sound
+The chariot of Paternal Deity,
+Flashing thick flames, wheel within wheel undrawn,
+Itself instinct with Spirit, but convoyed
+By four Cherubick shapes; four faces each
+Had wonderous; as with stars, their bodies all
+And wings were set with eyes; with eyes the wheels
+Of beryl, and careering fires between;
+Over their heads a crystal firmament,
+Whereon a sapphire throne, inlaid with pure
+Amber, and colours of the showery arch.
+He, in celestial panoply all armed
+Of radiant Urim, work divinely wrought,
+Ascended; at his right hand Victory
+Sat eagle-winged; beside him hung his bow
+And quiver with three-bolted thunder stored;
+And from about him fierce effusion rolled
+Of smoke, and bickering flame, and sparkles dire:
+Attended with ten thousand thousand Saints,
+He onward came; far off his coming shone;
+And twenty thousand (I their number heard)
+Chariots of God, half on each hand, were seen;
+He on the wings of Cherub rode sublime
+On the crystalline sky, in sapphire throned,
+Illustrious far and wide; but by his own
+First seen:  Them unexpected joy surprised,
+When the great ensign of Messiah blazed
+Aloft by Angels borne, his sign in Heaven;
+Under whose conduct Michael soon reduced
+His army, circumfused on either wing,
+Under their Head imbodied all in one.
+Before him Power Divine his way prepared;
+At his command the uprooted hills retired
+Each to his place; they heard his voice, and went
+Obsequious; Heaven his wonted face renewed,
+And with fresh flowerets hill and valley smiled.
+This saw his hapless foes, but stood obdured,
+And to rebellious fight rallied their Powers,
+Insensate, hope conceiving from despair.
+In heavenly Spirits could such perverseness dwell?
+But to convince the proud what signs avail,
+Or wonders move the obdurate to relent?
+They, hardened more by what might most reclaim,
+Grieving to see his glory, at the sight
+Took envy; and, aspiring to his highth,
+Stood re-embattled fierce, by force or fraud
+Weening to prosper, and at length prevail
+Against God and Messiah, or to fall
+In universal ruin last; and now
+To final battle drew, disdaining flight,
+Or faint retreat; when the great Son of God
+To all his host on either hand thus spake.
+Stand still in bright array, ye Saints; here stand,
+Ye Angels armed; this day from battle rest:
+Faithful hath been your warfare, and of God
+Accepted, fearless in his righteous cause;
+And as ye have received, so have ye done,
+Invincibly:  But of this cursed crew
+The punishment to other hand belongs;
+Vengeance is his, or whose he sole appoints:
+Number to this day's work is not ordained,
+Nor multitude; stand only, and behold
+God's indignation on these godless poured
+By me; not you, but me, they have despised,
+Yet envied; against me is all their rage,
+Because the Father, to whom in Heaven s'preme
+Kingdom, and power, and glory appertains,
+Hath honoured me, according to his will.
+Therefore to me their doom he hath assigned;
+That they may have their wish, to try with me
+In battle which the stronger proves; they all,
+Or I alone against them; since by strength
+They measure all, of other excellence
+Not emulous, nor care who them excels;
+Nor other strife with them do I vouchsafe.
+So spake the Son, and into terrour changed
+His countenance too severe to be beheld,
+And full of wrath bent on his enemies.
+At once the Four spread out their starry wings
+With dreadful shade contiguous, and the orbs
+Of his fierce chariot rolled, as with the sound
+Of torrent floods, or of a numerous host.
+He on his impious foes right onward drove,
+Gloomy as night; under his burning wheels
+The stedfast empyrean shook throughout,
+All but the throne itself of God.  Full soon
+Among them he arrived; in his right hand
+Grasping ten thousand thunders, which he sent
+Before him, such as in their souls infixed
+Plagues:  They, astonished, all resistance lost,
+All courage; down their idle weapons dropt:
+O'er shields, and helms, and helmed heads he rode
+Of Thrones and mighty Seraphim prostrate,
+That wished the mountains now might be again
+Thrown on them, as a shelter from his ire.
+Nor less on either side tempestuous fell
+His arrows, from the fourfold-visaged Four
+Distinct with eyes, and from the living wheels
+Distinct alike with multitude of eyes;
+One Spirit in them ruled; and every eye
+Glared lightning, and shot forth pernicious fire
+Among the accursed, that withered all their strength,
+And of their wonted vigour left them drained,
+Exhausted, spiritless, afflicted, fallen.
+Yet half his strength he put not forth, but checked
+His thunder in mid volley; for he meant
+Not to destroy, but root them out of Heaven:
+The overthrown he raised, and as a herd
+Of goats or timorous flock together thronged
+Drove them before him thunder-struck, pursued
+With terrours, and with furies, to the bounds
+And crystal wall of Heaven; which, opening wide,
+Rolled inward, and a spacious gap disclosed
+Into the wasteful deep:  The monstrous sight
+Struck them with horrour backward, but far worse
+Urged them behind:  Headlong themselves they threw
+Down from the verge of Heaven; eternal wrath
+Burnt after them to the bottomless pit.
+Hell heard the unsufferable noise, Hell saw
+Heaven ruining from Heaven, and would have fled
+Affrighted; but strict Fate had cast too deep
+Her dark foundations, and too fast had bound.
+Nine days they fell:  Confounded Chaos roared,
+And felt tenfold confusion in their fall
+Through his wild anarchy, so huge a rout
+Incumbered him with ruin:  Hell at last
+Yawning received them whole, and on them closed;
+Hell, their fit habitation, fraught with fire
+Unquenchable, the house of woe and pain.
+Disburdened Heaven rejoiced, and soon repaired
+Her mural breach, returning whence it rolled.
+Sole victor, from the expulsion of his foes,
+Messiah his triumphal chariot turned:
+To meet him all his Saints, who silent stood
+Eye-witnesses of his almighty acts,
+With jubilee advanced; and, as they went,
+Shaded with branching palm, each Order bright,
+Sung triumph, and him sung victorious King,
+Son, Heir, and Lord, to him dominion given,
+Worthiest to reign:  He, celebrated, rode
+Triumphant through mid Heaven, into the courts
+And temple of his Mighty Father throned
+On high; who into glory him received,
+Where now he sits at the right hand of bliss.
+Thus, measuring things in Heaven by things on Earth,
+At thy request, and that thou mayest beware
+By what is past, to thee I have revealed
+What might have else to human race been hid;
+The discord which befel, and war in Heaven
+Among the angelick Powers, and the deep fall
+Of those too high aspiring, who rebelled
+With Satan; he who envies now thy state,
+Who now is plotting how he may seduce
+Thee also from obedience, that, with him
+Bereaved of happiness, thou mayest partake
+His punishment, eternal misery;
+Which would be all his solace and revenge,
+As a despite done against the Most High,
+Thee once to gain companion of his woe.
+But listen not to his temptations, warn
+Thy weaker; let it profit thee to have heard,
+By terrible example, the reward
+Of disobedience; firm they might have stood,
+Yet fell; remember, and fear to transgress.
+
+
+
+Book VII
+
+
+Descend from Heaven, Urania, by that name
+If rightly thou art called, whose voice divine
+Following, above the Olympian hill I soar,
+Above the flight of Pegasean wing!
+The meaning, not the name, I call: for thou
+Nor of the Muses nine, nor on the top
+Of old Olympus dwellest; but, heavenly-born,
+Before the hills appeared, or fountain flowed,
+Thou with eternal Wisdom didst converse,
+Wisdom thy sister, and with her didst play
+In presence of the Almighty Father, pleased
+With thy celestial song.  Up led by thee
+Into the Heaven of Heavens I have presumed,
+An earthly guest, and drawn empyreal air,
+Thy tempering: with like safety guided down
+Return me to my native element:
+Lest from this flying steed unreined, (as once
+Bellerophon, though from a lower clime,)
+Dismounted, on the Aleian field I fall,
+Erroneous there to wander, and forlorn.
+Half yet remains unsung, but narrower bound
+Within the visible diurnal sphere;
+Standing on earth, not rapt above the pole,
+More safe I sing with mortal voice, unchanged
+To hoarse or mute, though fallen on evil days,
+On evil days though fallen, and evil tongues;
+In darkness, and with dangers compassed round,
+And solitude; yet not alone, while thou
+Visitest my slumbers nightly, or when morn
+Purples the east: still govern thou my song,
+Urania, and fit audience find, though few.
+But drive far off the barbarous dissonance
+Of Bacchus and his revellers, the race
+Of that wild rout that tore the Thracian bard
+In Rhodope, where woods and rocks had ears
+To rapture, till the savage clamour drowned
+Both harp and voice; nor could the Muse defend
+Her son.  So fail not thou, who thee implores:
+For thou art heavenly, she an empty dream.
+Say, Goddess, what ensued when Raphael,
+The affable Arch-Angel, had forewarned
+Adam, by dire example, to beware
+Apostasy, by what befel in Heaven
+To those apostates; lest the like befall
+In Paradise to Adam or his race,
+Charged not to touch the interdicted tree,
+If they transgress, and slight that sole command,
+So easily obeyed amid the choice
+Of all tastes else to please their appetite,
+Though wandering.  He, with his consorted Eve,
+The story heard attentive, and was filled
+With admiration and deep muse, to hear
+Of things so high and strange; things, to their thought
+So unimaginable, as hate in Heaven,
+And war so near the peace of God in bliss,
+With such confusion: but the evil, soon
+Driven back, redounded as a flood on those
+From whom it sprung; impossible to mix
+With blessedness.  Whence Adam soon repealed
+The doubts that in his heart arose: and now
+Led on, yet sinless, with desire to know
+What nearer might concern him, how this world
+Of Heaven and Earth conspicuous first began;
+When, and whereof created; for what cause;
+What within Eden, or without, was done
+Before his memory; as one whose drouth
+Yet scarce allayed still eyes the current stream,
+Whose liquid murmur heard new thirst excites,
+Proceeded thus to ask his heavenly guest.
+Great things, and full of wonder in our ears,
+Far differing from this world, thou hast revealed,
+Divine interpreter! by favour sent
+Down from the empyrean, to forewarn
+Us timely of what might else have been our loss,
+Unknown, which human knowledge could not reach;
+For which to the infinitely Good we owe
+Immortal thanks, and his admonishment
+Receive, with solemn purpose to observe
+Immutably his sovran will, the end
+Of what we are.  But since thou hast vouchsafed
+Gently, for our instruction, to impart
+Things above earthly thought, which yet concerned
+Our knowing, as to highest wisdom seemed,
+Deign to descend now lower, and relate
+What may no less perhaps avail us known,
+How first began this Heaven which we behold
+Distant so high, with moving fires adorned
+Innumerable; and this which yields or fills
+All space, the ambient air wide interfused
+Embracing round this floried Earth; what cause
+Moved the Creator, in his holy rest
+Through all eternity, so late to build
+In Chaos; and the work begun, how soon
+Absolved; if unforbid thou mayest unfold
+What we, not to explore the secrets ask
+Of his eternal empire, but the more
+To magnify his works, the more we know.
+And the great light of day yet wants to run
+Much of his race though steep; suspense in Heaven,
+Held by thy voice, thy potent voice, he hears,
+And longer will delay to hear thee tell
+His generation, and the rising birth
+Of Nature from the unapparent Deep:
+Or if the star of evening and the moon
+Haste to thy audience, Night with her will bring,
+Silence; and Sleep, listening to thee, will watch;
+Or we can bid his absence, till thy song
+End, and dismiss thee ere the morning shine.
+Thus Adam his illustrious guest besought:
+And thus the Godlike Angel answered mild.
+This also thy request, with caution asked,
+Obtain; though to recount almighty works
+What words or tongue of Seraph can suffice,
+Or heart of man suffice to comprehend?
+Yet what thou canst attain, which best may serve
+To glorify the Maker, and infer
+Thee also happier, shall not be withheld
+Thy hearing; such commission from above
+I have received, to answer thy desire
+Of knowledge within bounds; beyond, abstain
+To ask; nor let thine own inventions hope
+Things not revealed, which the invisible King,
+Only Omniscient, hath suppressed in night;
+To none communicable in Earth or Heaven:
+Enough is left besides to search and know.
+But knowledge is as food, and needs no less
+Her temperance over appetite, to know
+In measure what the mind may well contain;
+Oppresses else with surfeit, and soon turns
+Wisdom to folly, as nourishment to wind.
+Know then, that, after Lucifer from Heaven
+(So call him, brighter once amidst the host
+Of Angels, than that star the stars among,)
+Fell with his flaming legions through the deep
+Into his place, and the great Son returned
+Victorious with his Saints, the Omnipotent
+Eternal Father from his throne beheld
+Their multitude, and to his Son thus spake.
+At least our envious Foe hath failed, who thought
+All like himself rebellious, by whose aid
+This inaccessible high strength, the seat
+Of Deity supreme, us dispossessed,
+He trusted to have seised, and into fraud
+Drew many, whom their place knows here no more:
+Yet far the greater part have kept, I see,
+Their station; Heaven, yet populous, retains
+Number sufficient to possess her realms
+Though wide, and this high temple to frequent
+With ministeries due, and solemn rites:
+But, lest his heart exalt him in the harm
+Already done, to have dispeopled Heaven,
+My damage fondly deemed, I can repair
+That detriment, if such it be to lose
+Self-lost; and in a moment will create
+Another world, out of one man a race
+Of men innumerable, there to dwell,
+Not here; till, by degrees of merit raised,
+They open to themselves at length the way
+Up hither, under long obedience tried;
+And Earth be changed to Heaven, and Heaven to Earth,
+One kingdom, joy and union without end.
+Mean while inhabit lax, ye Powers of Heaven;
+And thou my Word, begotten Son, by thee
+This I perform; speak thou, and be it done!
+My overshadowing Spirit and Might with thee
+I send along; ride forth, and bid the Deep
+Within appointed bounds be Heaven and Earth;
+Boundless the Deep, because I Am who fill
+Infinitude, nor vacuous the space.
+Though I, uncircumscribed myself, retire,
+And put not forth my goodness, which is free
+To act or not, Necessity and Chance
+Approach not me, and what I will is Fate.
+So spake the Almighty, and to what he spake
+His Word, the Filial Godhead, gave effect.
+Immediate are the acts of God, more swift
+Than time or motion, but to human ears
+Cannot without process of speech be told,
+So told as earthly notion can receive.
+Great triumph and rejoicing was in Heaven,
+When such was heard declared the Almighty's will;
+Glory they sung to the Most High, good will
+To future men, and in their dwellings peace;
+Glory to Him, whose just avenging ire
+Had driven out the ungodly from his sight
+And the habitations of the just; to Him
+Glory and praise, whose wisdom had ordained
+Good out of evil to create; instead
+Of Spirits malign, a better race to bring
+Into their vacant room, and thence diffuse
+His good to worlds and ages infinite.
+So sang the Hierarchies:  Mean while the Son
+On his great expedition now appeared,
+Girt with Omnipotence, with radiance crowned
+Of Majesty Divine; sapience and love
+Immense, and all his Father in him shone.
+About his chariot numberless were poured
+Cherub, and Seraph, Potentates, and Thrones,
+And Virtues, winged Spirits, and chariots winged
+From the armoury of God; where stand of old
+Myriads, between two brazen mountains lodged
+Against a solemn day, harnessed at hand,
+Celestial equipage; and now came forth
+Spontaneous, for within them Spirit lived,
+Attendant on their Lord:  Heaven opened wide
+Her ever-during gates, harmonious sound
+On golden hinges moving, to let forth
+The King of Glory, in his powerful Word
+And Spirit, coming to create new worlds.
+On heavenly ground they stood; and from the shore
+They viewed the vast immeasurable abyss
+Outrageous as a sea, dark, wasteful, wild,
+Up from the bottom turned by furious winds
+And surging waves, as mountains, to assault
+Heaven's highth, and with the center mix the pole.
+Silence, ye troubled Waves, and thou Deep, peace,
+Said then the Omnifick Word; your discord end!
+Nor staid; but, on the wings of Cherubim
+Uplifted, in paternal glory rode
+Far into Chaos, and the world unborn;
+For Chaos heard his voice:  Him all his train
+Followed in bright procession, to behold
+Creation, and the wonders of his might.
+Then staid the fervid wheels, and in his hand
+He took the golden compasses, prepared
+In God's eternal store, to circumscribe
+This universe, and all created things:
+One foot he centered, and the other turned
+Round through the vast profundity obscure;
+And said, Thus far extend, thus far thy bounds,
+This be thy just circumference, O World!
+Thus God the Heaven created, thus the Earth,
+Matter unformed and void:  Darkness profound
+Covered the abyss: but on the watery calm
+His brooding wings the Spirit of God outspread,
+And vital virtue infused, and vital warmth
+Throughout the fluid mass; but downward purged
+The black tartareous cold infernal dregs,
+Adverse to life: then founded, then conglobed
+Like things to like; the rest to several place
+Disparted, and between spun out the air;
+And Earth self-balanced on her center hung.
+Let there be light, said God; and forthwith Light
+Ethereal, first of things, quintessence pure,
+Sprung from the deep; and from her native east
+To journey through the aery gloom began,
+Sphered in a radiant cloud, for yet the sun
+Was not; she in a cloudy tabernacle
+Sojourned the while.  God saw the light was good;
+And light from darkness by the hemisphere
+Divided: light the Day, and darkness Night,
+He named.  Thus was the first day even and morn:
+Nor past uncelebrated, nor unsung
+By the celestial quires, when orient light
+Exhaling first from darkness they beheld;
+Birth-day of Heaven and Earth; with joy and shout
+The hollow universal orb they filled,
+And touched their golden harps, and hymning praised
+God and his works; Creator him they sung,
+Both when first evening was, and when first morn.
+Again, God said,  Let there be firmament
+Amid the waters, and let it divide
+The waters from the waters; and God made
+The firmament, expanse of liquid, pure,
+Transparent, elemental air, diffused
+In circuit to the uttermost convex
+Of this great round; partition firm and sure,
+The waters underneath from those above
+Dividing: for as earth, so he the world
+Built on circumfluous waters calm, in wide
+Crystalline ocean, and the loud misrule
+Of Chaos far removed; lest fierce extremes
+Contiguous might distemper the whole frame:
+And Heaven he named the Firmament:  So even
+And morning chorus sung the second day.
+The Earth was formed, but in the womb as yet
+Of waters, embryon immature involved,
+Appeared not: over all the face of Earth
+Main ocean flowed, not idle; but, with warm
+Prolifick humour softening all her globe,
+Fermented the great mother to conceive,
+Satiate with genial moisture; when God said,
+Be gathered now ye waters under Heaven
+Into one place, and let dry land appear.
+Immediately the mountains huge appear
+Emergent, and their broad bare backs upheave
+Into the clouds; their tops ascend the sky:
+So high as heaved the tumid hills, so low
+Down sunk a hollow bottom broad and deep,
+Capacious bed of waters:  Thither they
+Hasted with glad precipitance, uprolled,
+As drops on dust conglobing from the dry:
+Part rise in crystal wall, or ridge direct,
+For haste; such flight the great command impressed
+On the swift floods:  As armies at the call
+Of trumpet (for of armies thou hast heard)
+Troop to their standard; so the watery throng,
+Wave rolling after wave, where way they found,
+If steep, with torrent rapture, if through plain,
+Soft-ebbing; nor withstood them rock or hill;
+But they, or under ground, or circuit wide
+With serpent errour wandering, found their way,
+And on the washy oose deep channels wore;
+Easy, ere God had bid the ground be dry,
+All but within those banks, where rivers now
+Stream, and perpetual draw their humid train.
+The dry land, Earth; and the great receptacle
+Of congregated waters, he called Seas:
+And saw that it was good; and said, Let the Earth
+Put forth the verdant grass, herb yielding seed,
+And fruit-tree yielding fruit after her kind,
+Whose seed is in herself upon the Earth.
+He scarce had said, when the bare Earth, till then
+Desart and bare, unsightly, unadorned,
+Brought forth the tender grass, whose verdure clad
+Her universal face with pleasant green;
+Then herbs of every leaf, that sudden flowered
+Opening their various colours, and made gay
+Her bosom, smelling sweet: and, these scarce blown,
+Forth flourished thick the clustering vine, forth crept
+The swelling gourd, up stood the corny reed
+Embattled in her field, and the humble shrub,
+And bush with frizzled hair implicit:  Last
+Rose, as in dance, the stately trees, and spread
+Their branches hung with copious fruit, or gemmed
+Their blossoms:  With high woods the hills were crowned;
+With tufts the valleys, and each fountain side;
+With borders long the rivers: that Earth now
+Seemed like to Heaven, a seat where Gods might dwell,
+Or wander with delight, and love to haunt
+Her sacred shades: though God had yet not rained
+Upon the Earth, and man to till the ground
+None was; but from the Earth a dewy mist
+Went up, and watered all the ground, and each
+Plant of the field; which, ere it was in the Earth,
+God made, and every herb, before it grew
+On the green stem:  God saw that it was good:
+So even and morn recorded the third day.
+Again the Almighty spake, Let there be lights
+High in the expanse of Heaven, to divide
+The day from night; and let them be for signs,
+For seasons, and for days, and circling years;
+And let them be for lights, as I ordain
+Their office in the firmament of Heaven,
+To give light on the Earth; and it was so.
+And God made two great lights, great for their use
+To Man, the greater to have rule by day,
+The less by night, altern; and made the stars,
+And set them in the firmament of Heaven
+To illuminate the Earth, and rule the day
+In their vicissitude, and rule the night,
+And light from darkness to divide.  God saw,
+Surveying his great work, that it was good:
+For of celestial bodies first the sun
+A mighty sphere he framed, unlightsome first,
+Though of ethereal mould: then formed the moon
+Globose, and every magnitude of stars,
+And sowed with stars the Heaven, thick as a field:
+Of light by far the greater part he took,
+Transplanted from her cloudy shrine, and placed
+In the sun's orb, made porous to receive
+And drink the liquid light; firm to retain
+Her gathered beams, great palace now of light.
+Hither, as to their fountain, other stars
+Repairing, in their golden urns draw light,
+And hence the morning-planet gilds her horns;
+By tincture or reflection they augment
+Their small peculiar, though from human sight
+So far remote, with diminution seen,
+First in his east the glorious lamp was seen,
+Regent of day, and all the horizon round
+Invested with bright rays, jocund to run
+His longitude through Heaven's high road; the gray
+Dawn, and the Pleiades, before him danced,
+Shedding sweet influence:  Less bright the moon,
+But opposite in levelled west was set,
+His mirrour, with full face borrowing her light
+From him; for other light she needed none
+In that aspect, and still that distance keeps
+Till night; then in the east her turn she shines,
+Revolved on Heaven's great axle, and her reign
+With thousand lesser lights dividual holds,
+With thousand thousand stars, that then appeared
+Spangling the hemisphere:  Then first adorned
+With their bright luminaries that set and rose,
+Glad evening and glad morn crowned the fourth day.
+And God said, Let the waters generate
+Reptile with spawn abundant, living soul:
+And let fowl fly above the Earth, with wings
+Displayed on the open firmament of Heaven.
+And God created the great whales, and each
+Soul living, each that crept, which plenteously
+The waters generated by their kinds;
+And every bird of wing after his kind;
+And saw that it was good, and blessed them, saying.
+Be fruitful, multiply, and in the seas,
+And lakes, and running streams, the waters fill;
+And let the fowl be multiplied, on the Earth.
+Forthwith the sounds and seas, each creek and bay,
+With fry innumerable swarm, and shoals
+Of fish that with their fins, and shining scales,
+Glide under the green wave, in sculls that oft
+Bank the mid sea: part single, or with mate,
+Graze the sea-weed their pasture, and through groves
+Of coral stray; or, sporting with quick glance,
+Show to the sun their waved coats dropt with gold;
+Or, in their pearly shells at ease, attend
+Moist nutriment; or under rocks their food
+In jointed armour watch: on smooth the seal
+And bended dolphins play: part huge of bulk
+Wallowing unwieldy, enormous in their gait,
+Tempest the ocean: there leviathan,
+Hugest of living creatures, on the deep
+Stretched like a promontory sleeps or swims,
+And seems a moving land; and at his gills
+Draws in, and at his trunk spouts out, a sea.
+Mean while the tepid caves, and fens, and shores,
+Their brood as numerous hatch, from the egg that soon
+Bursting with kindly rupture forth disclosed
+Their callow young; but feathered soon and fledge
+They summed their pens; and, soaring the air sublime,
+With clang despised the ground, under a cloud
+In prospect; there the eagle and the stork
+On cliffs and cedar tops their eyries build:
+Part loosely wing the region, part more wise
+In common, ranged in figure, wedge their way,
+Intelligent of seasons, and set forth
+Their aery caravan, high over seas
+Flying, and over lands, with mutual wing
+Easing their flight; so steers the prudent crane
+Her annual voyage, borne on winds; the air
+Floats as they pass, fanned with unnumbered plumes:
+From branch to branch the smaller birds with song
+Solaced the woods, and spread their painted wings
+Till even; nor then the solemn nightingale
+Ceased warbling, but all night tun'd her soft lays:
+Others, on silver lakes and rivers, bathed
+Their downy breast; the swan with arched neck,
+Between her white wings mantling proudly, rows
+Her state with oary feet; yet oft they quit
+The dank, and, rising on stiff pennons, tower
+The mid aereal sky:  Others on ground
+Walked firm; the crested cock whose clarion sounds
+The silent hours, and the other whose gay train
+Adorns him, coloured with the florid hue
+Of rainbows and starry eyes.  The waters thus
+With fish replenished, and the air with fowl,
+Evening and morn solemnized the fifth day.
+The sixth, and of creation last, arose
+With evening harps and matin; when God said,
+Let the Earth bring forth soul living in her kind,
+Cattle, and creeping things, and beast of the Earth,
+Each in their kind.  The Earth obeyed, and straight
+Opening her fertile womb teemed at a birth
+Innumerous living creatures, perfect forms,
+Limbed and full grown:  Out of the ground up rose,
+As from his lair, the wild beast where he wons
+In forest wild, in thicket, brake, or den;
+Among the trees in pairs they rose, they walked:
+The cattle in the fields and meadows green:
+Those rare and solitary, these in flocks
+Pasturing at once, and in broad herds upsprung.
+The grassy clods now calved; now half appeared
+The tawny lion, pawing to get free
+His hinder parts, then springs as broke from bonds,
+And rampant shakes his brinded mane; the ounce,
+The libbard, and the tiger, as the mole
+Rising, the crumbled earth above them threw
+In hillocks:  The swift stag from under ground
+Bore up his branching head:  Scarce from his mould
+Behemoth biggest born of earth upheaved
+His vastness:  Fleeced the flocks and bleating rose,
+As plants:  Ambiguous between sea and land
+The river-horse, and scaly crocodile.
+At once came forth whatever creeps the ground,
+Insect or worm: those waved their limber fans
+For wings, and smallest lineaments exact
+In all the liveries decked of summer's pride
+With spots of gold and purple, azure and green:
+These, as a line, their long dimension drew,
+Streaking the ground with sinuous trace; not all
+Minims of nature; some of serpent-kind,
+Wonderous in length and corpulence, involved
+Their snaky folds, and added wings.  First crept
+The parsimonious emmet, provident
+Of future; in small room large heart enclosed;
+Pattern of just equality perhaps
+Hereafter, joined in her popular tribes
+Of commonalty:  Swarming next appeared
+The female bee, that feeds her husband drone
+Deliciously, and builds her waxen cells
+With honey stored:  The rest are numberless,
+And thou their natures knowest, and gavest them names,
+Needless to thee repeated; nor unknown
+The serpent, subtlest beast of all the field,
+Of huge extent sometimes, with brazen eyes
+And hairy mane terrifick, though to thee
+Not noxious, but obedient at thy call.
+Now Heaven in all her glory shone, and rolled
+Her motions, as the great first Mover's hand
+First wheeled their course:  Earth in her rich attire
+Consummate lovely smiled; air, water, earth,
+By fowl, fish, beast, was flown, was swum, was walked,
+Frequent; and of the sixth day yet remained:
+There wanted yet the master-work, the end
+Of all yet done; a creature, who, not prone
+And brute as other creatures, but endued
+With sanctity of reason, might erect
+His stature, and upright with front serene
+Govern the rest, self-knowing; and from thence
+Magnanimous to correspond with Heaven,
+But grateful to acknowledge whence his good
+Descends, thither with heart, and voice, and eyes
+Directed in devotion, to adore
+And worship God Supreme, who made him chief
+Of all his works:  therefore the Omnipotent
+Eternal Father (for where is not he
+Present?) thus to his Son audibly spake.
+Let us make now Man in our image, Man
+In our similitude, and let them rule
+Over the fish and fowl of sea and air,
+Beast of the field, and over all the Earth,
+And every creeping thing that creeps the ground.
+This said, he formed thee, Adam, thee, O Man,
+Dust of the ground, and in thy nostrils breathed
+The breath of life; in his own image he
+Created thee, in the image of God
+Express; and thou becamest a living soul.
+Male he created thee; but thy consort
+Female, for race; then blessed mankind, and said,
+Be fruitful, multiply, and fill the Earth;
+Subdue it, and throughout dominion hold
+Over fish of the sea, and fowl of the air,
+And every living thing that moves on the Earth.
+Wherever thus created, for no place
+Is yet distinct by name, thence, as thou knowest,
+He brought thee into this delicious grove,
+This garden, planted with the trees of God,
+Delectable both to behold and taste;
+And freely all their pleasant fruit for food
+Gave thee; all sorts are here that all the Earth yields,
+Variety without end; but of the tree,
+Which, tasted, works knowledge of good and evil,
+Thou mayest not; in the day thou eatest, thou diest;
+Death is the penalty imposed; beware,
+And govern well thy appetite; lest Sin
+Surprise thee, and her black attendant Death.
+Here finished he, and all that he had made
+Viewed, and behold all was entirely good;
+So even and morn accomplished the sixth day:
+Yet not till the Creator from his work
+Desisting, though unwearied, up returned,
+Up to the Heaven of Heavens, his high abode;
+Thence to behold this new created world,
+The addition of his empire, how it showed
+In prospect from his throne, how good, how fair,
+Answering his great idea.  Up he rode
+Followed with acclamation, and the sound
+Symphonious of ten thousand harps, that tuned
+Angelick harmonies:  The earth, the air
+Resounded, (thou rememberest, for thou heardst,)
+The heavens and all the constellations rung,
+The planets in their station listening stood,
+While the bright pomp ascended jubilant.
+Open, ye everlasting gates! they sung,
+Open, ye Heavens! your living doors;let in
+The great Creator from his work returned
+Magnificent, his six days work, a World;
+Open, and henceforth oft; for God will deign
+To visit oft the dwellings of just men,
+Delighted; and with frequent intercourse
+Thither will send his winged messengers
+On errands of supernal grace.  So sung
+The glorious train ascending:  He through Heaven,
+That opened wide her blazing portals, led
+To God's eternal house direct the way;
+A broad and ample road, whose dust is gold
+And pavement stars, as stars to thee appear,
+Seen in the galaxy, that milky way,
+Which nightly, as a circling zone, thou seest
+Powdered with stars.  And now on Earth the seventh
+Evening arose in Eden, for the sun
+Was set, and twilight from the east came on,
+Forerunning night; when at the holy mount
+Of Heaven's high-seated top, the imperial throne
+Of Godhead, fixed for ever firm and sure,
+The Filial Power arrived, and sat him down
+With his great Father; for he also went
+Invisible, yet staid, (such privilege
+Hath Omnipresence) and the work ordained,
+Author and End of all things; and, from work
+Now resting, blessed and hallowed the seventh day,
+As resting on that day from all his work,
+But not in silence holy kept: the harp
+Had work and rested not; the solemn pipe,
+And dulcimer, all organs of sweet stop,
+All sounds on fret by string or golden wire,
+Tempered soft tunings, intermixed with voice
+Choral or unison: of incense clouds,
+Fuming from golden censers, hid the mount.
+Creation and the six days acts they sung:
+Great are thy works, Jehovah! infinite
+Thy power! what thought can measure thee, or tongue
+Relate thee!  Greater now in thy return
+Than from the giant Angels:  Thee that day
+Thy thunders magnified; but to create
+Is greater than created to destroy.
+Who can impair thee, Mighty King, or bound
+Thy empire!  Easily the proud attempt
+Of Spirits apostate, and their counsels vain,
+Thou hast repelled; while impiously they thought
+Thee to diminish, and from thee withdraw
+The number of thy worshippers.  Who seeks
+To lessen thee, against his purpose serves
+To manifest the more thy might: his evil
+Thou usest, and from thence createst more good.
+Witness this new-made world, another Heaven
+From Heaven-gate not far, founded in view
+On the clear hyaline, the glassy sea;
+Of amplitude almost immense, with stars
+Numerous, and every star perhaps a world
+Of destined habitation; but thou knowest
+Their seasons: among these the seat of Men,
+Earth, with her nether ocean circumfused,
+Their pleasant dwelling-place.  Thrice happy Men,
+And sons of Men, whom God hath thus advanced!
+Created in his image, there to dwell
+And worship him; and in reward to rule
+Over his works, on earth, in sea, or air,
+And multiply a race of worshippers
+Holy and just:  Thrice happy, if they know
+Their happiness, and persevere upright!
+So sung they, and the empyrean rung
+With halleluiahs:  Thus was sabbath kept.
+And thy request think now fulfilled, that asked
+How first this world and face of things began,
+And what before thy memory was done
+From the beginning; that posterity,
+Informed by thee, might know:  If else thou seekest
+Aught, not surpassing human measure, say.
+
+
+
+Book VIII
+
+
+The Angel ended, and in Adam's ear
+So charming left his voice, that he a while
+Thought him still speaking, still stood fixed to hear;
+Then, as new waked, thus gratefully replied.
+What thanks sufficient, or what recompence
+Equal, have I to render thee, divine
+Historian, who thus largely hast allayed
+The thirst I had of knowledge, and vouchsafed
+This friendly condescension to relate
+Things, else by me unsearchable; now heard
+With wonder, but delight, and, as is due,
+With glory attributed to the high
+Creator!  Something yet of doubt remains,
+Which only thy solution can resolve.
+When I behold this goodly frame, this world,
+Of Heaven and Earth consisting; and compute
+Their magnitudes; this Earth, a spot, a grain,
+An atom, with the firmament compared
+And all her numbered stars, that seem to roll
+Spaces incomprehensible, (for such
+Their distance argues, and their swift return
+Diurnal,) merely to officiate light
+Round this opacous Earth, this punctual spot,
+One day and night; in all her vast survey
+Useless besides; reasoning I oft admire,
+How Nature wise and frugal could commit
+Such disproportions, with superfluous hand
+So many nobler bodies to create,
+Greater so manifold, to this one use,
+For aught appears, and on their orbs impose
+Such restless revolution day by day
+Repeated; while the sedentary Earth,
+That better might with far less compass move,
+Served by more noble than herself, attains
+Her end without least motion, and receives,
+As tribute, such a sumless journey brought
+Of incorporeal speed, her warmth and light;
+Speed, to describe whose swiftness number fails.
+So spake our sire, and by his countenance seemed
+Entering on studious thoughts abstruse; which Eve
+Perceiving, where she sat retired in sight,
+With lowliness majestick from her seat,
+And grace that won who saw to wish her stay,
+Rose, and went forth among her fruits and flowers,
+To visit how they prospered, bud and bloom,
+Her nursery; they at her coming sprung,
+And, touched by her fair tendance, gladlier grew.
+Yet went she not, as not with such discourse
+Delighted, or not capable her ear
+Of what was high: such pleasure she reserved,
+Adam relating, she sole auditress;
+Her husband the relater she preferred
+Before the Angel, and of him to ask
+Chose rather; he, she knew, would intermix
+Grateful digressions, and solve high dispute
+With conjugal caresses: from his lip
+Not words alone pleased her.  O! when meet now
+Such pairs, in love and mutual honour joined?
+With Goddess-like demeanour forth she went,
+Not unattended; for on her, as Queen,
+A pomp of winning Graces waited still,
+And from about her shot darts of desire
+Into all eyes, to wish her still in sight.
+And Raphael now, to Adam's doubt proposed,
+Benevolent and facile thus replied.
+To ask or search, I blame thee not; for Heaven
+Is as the book of God before thee set,
+Wherein to read his wonderous works, and learn
+His seasons, hours, or days, or months, or years:
+This to attain, whether Heaven move or Earth,
+Imports not, if thou reckon right; the rest
+From Man or Angel the great Architect
+Did wisely to conceal, and not divulge
+His secrets to be scanned by them who ought
+Rather admire; or, if they list to try
+Conjecture, he his fabrick of the Heavens
+Hath left to their disputes, perhaps to move
+His laughter at their quaint opinions wide
+Hereafter; when they come to model Heaven
+And calculate the stars, how they will wield
+The mighty frame; how build, unbuild, contrive
+To save appearances; how gird the sphere
+With centrick and eccentrick scribbled o'er,
+Cycle and epicycle, orb in orb:
+Already by thy reasoning this I guess,
+Who art to lead thy offspring, and supposest
+That bodies bright and greater should not serve
+The less not bright, nor Heaven such journeys run,
+Earth sitting still, when she alone receives
+The benefit:  Consider first, that great
+Or bright infers not excellence: the Earth
+Though, in comparison of Heaven, so small,
+Nor glistering, may of solid good contain
+More plenty than the sun that barren shines;
+Whose virtue on itself works no effect,
+But in the fruitful Earth; there first received,
+His beams, unactive else, their vigour find.
+Yet not to Earth are those bright luminaries
+Officious; but to thee, Earth's habitant.
+And for the Heaven's wide circuit, let it speak
+The Maker's high magnificence, who built
+So spacious, and his line stretched out so far;
+That Man may know he dwells not in his own;
+An edifice too large for him to fill,
+Lodged in a small partition; and the rest
+Ordained for uses to his Lord best known.
+The swiftness of those circles attribute,
+Though numberless, to his Omnipotence,
+That to corporeal substances could add
+Speed almost spiritual:  Me thou thinkest not slow,
+Who since the morning-hour set out from Heaven
+Where God resides, and ere mid-day arrived
+In Eden; distance inexpressible
+By numbers that have name.  But this I urge,
+Admitting motion in the Heavens, to show
+Invalid that which thee to doubt it moved;
+Not that I so affirm, though so it seem
+To thee who hast thy dwelling here on Earth.
+God, to remove his ways from human sense,
+Placed Heaven from Earth so far, that earthly sight,
+If it presume, might err in things too high,
+And no advantage gain.  What if the sun
+Be center to the world; and other stars,
+By his attractive virtue and their own
+Incited, dance about him various rounds?
+Their wandering course now high, now low, then hid,
+Progressive, retrograde, or standing still,
+In six thou seest; and what if seventh to these
+The planet earth, so stedfast though she seem,
+Insensibly three different motions move?
+Which else to several spheres thou must ascribe,
+Moved contrary with thwart obliquities;
+Or save the sun his labour, and that swift
+Nocturnal and diurnal rhomb supposed,
+Invisible else above all stars, the wheel
+Of day and night; which needs not thy belief,
+If earth, industrious of herself, fetch day
+Travelling east, and with her part averse
+From the sun's beam meet night, her other part
+Still luminous by his ray.  What if that light,
+Sent from her through the wide transpicuous air,
+To the terrestrial moon be as a star,
+Enlightening her by day, as she by night
+This earth? reciprocal, if land be there,
+Fields and inhabitants:  Her spots thou seest
+As clouds, and clouds may rain, and rain produce
+Fruits in her softened soil for some to eat
+Allotted there; and other suns perhaps,
+With their attendant moons, thou wilt descry,
+Communicating male and female light;
+Which two great sexes animate the world,
+Stored in each orb perhaps with some that live.
+For such vast room in Nature unpossessed
+By living soul, desart and desolate,
+Only to shine, yet scarce to contribute
+Each orb a glimpse of light, conveyed so far
+Down to this habitable, which returns
+Light back to them, is obvious to dispute.
+But whether thus these things, or whether not;
+But whether the sun, predominant in Heaven,
+Rise on the earth; or earth rise on the sun;
+He from the east his flaming road begin;
+Or she from west her silent course advance,
+With inoffensive pace that spinning sleeps
+On her soft axle, while she paces even,
+And bears thee soft with the smooth hair along;
+Sollicit not thy thoughts with matters hid;
+Leave them to God above; him serve, and fear!
+Of other creatures, as him pleases best,
+Wherever placed, let him dispose; joy thou
+In what he gives to thee, this Paradise
+And thy fair Eve; Heaven is for thee too high
+To know what passes there; be lowly wise:
+Think only what concerns thee, and thy being;
+Dream not of other worlds, what creatures there
+Live, in what state, condition, or degree;
+Contented that thus far hath been revealed
+Not of Earth only, but of highest Heaven.
+To whom thus Adam, cleared of doubt, replied.
+How fully hast thou satisfied me, pure
+Intelligence of Heaven, Angel serene!
+And, freed from intricacies, taught to live
+The easiest way; nor with perplexing thoughts
+To interrupt the sweet of life, from which
+God hath bid dwell far off all anxious cares,
+And not molest us; unless we ourselves
+Seek them with wandering thoughts, and notions vain.
+But apt the mind or fancy is to rove
+Unchecked, and of her roving is no end;
+Till warned, or by experience taught, she learn,
+That, not to know at large of things remote
+From use, obscure and subtle; but, to know
+That which before us lies in daily life,
+Is the prime wisdom:  What is more, is fume,
+Or emptiness, or fond impertinence:
+And renders us, in things that most concern,
+Unpractised, unprepared, and still to seek.
+Therefore from this high pitch let us descend
+A lower flight, and speak of things at hand
+Useful; whence, haply, mention may arise
+Of something not unseasonable to ask,
+By sufferance, and thy wonted favour, deigned.
+Thee I have heard relating what was done
+Ere my remembrance: now, hear me relate
+My story, which perhaps thou hast not heard;
+And day is not yet spent; till then thou seest
+How subtly to detain thee I devise;
+Inviting thee to hear while I relate;
+Fond! were it not in hope of thy reply:
+For, while I sit with thee, I seem in Heaven;
+And sweeter thy discourse is to my ear
+Than fruits of palm-tree pleasantest to thirst
+And hunger both, from labour, at the hour
+Of sweet repast; they satiate, and soon fill,
+Though pleasant; but thy words, with grace divine
+Imbued, bring to their sweetness no satiety.
+To whom thus Raphael answered heavenly meek.
+Nor are thy lips ungraceful, Sire of men,
+Nor tongue ineloquent; for God on thee
+Abundantly his gifts hath also poured
+Inward and outward both, his image fair:
+Speaking, or mute, all comeliness and grace
+Attends thee; and each word, each motion, forms;
+Nor less think we in Heaven of thee on Earth
+Than of our fellow-servant, and inquire
+Gladly into the ways of God with Man:
+For God, we see, hath honoured thee, and set
+On Man his equal love:  Say therefore on;
+For I that day was absent, as befel,
+Bound on a voyage uncouth and obscure,
+Far on excursion toward the gates of Hell;
+Squared in full legion (such command we had)
+To see that none thence issued forth a spy,
+Or enemy, while God was in his work;
+Lest he, incensed at such eruption bold,
+Destruction with creation might have mixed.
+Not that they durst without his leave attempt;
+But us he sends upon his high behests
+For state, as Sovran King; and to inure
+Our prompt obedience.  Fast we found, fast shut,
+The dismal gates, and barricadoed strong;
+But long ere our approaching heard within
+Noise, other than the sound of dance or song,
+Torment, and loud lament, and furious rage.
+Glad we returned up to the coasts of light
+Ere sabbath-evening: so we had in charge.
+But thy relation now; for I attend,
+Pleased with thy words no less than thou with mine.
+So spake the Godlike Power, and thus our Sire.
+For Man to tell how human life began
+Is hard; for who himself beginning knew
+Desire with thee still longer to converse
+Induced me.  As new waked from soundest sleep,
+Soft on the flowery herb I found me laid,
+In balmy sweat; which with his beams the sun
+Soon dried, and on the reeking moisture fed.
+Straight toward Heaven my wondering eyes I turned,
+And gazed a while the ample sky; till, raised
+By quick instinctive motion, up I sprung,
+As thitherward endeavouring, and upright
+Stood on my feet: about me round I saw
+Hill, dale, and shady woods, and sunny plains,
+And liquid lapse of murmuring streams; by these,
+Creatures that lived and moved, and walked, or flew;
+Birds on the branches warbling; all things smiled;
+With fragrance and with joy my heart o'erflowed.
+Myself I then perused, and limb by limb
+Surveyed, and sometimes went, and sometimes ran
+With supple joints, as lively vigour led:
+But who I was, or where, or from what cause,
+Knew not; to speak I tried, and forthwith spake;
+My tongue obeyed, and readily could name
+Whate'er I saw.  Thou Sun, said I, fair light,
+And thou enlightened Earth, so fresh and gay,
+Ye Hills, and Dales, ye Rivers, Woods, and Plains,
+And ye that live and move, fair Creatures, tell,
+Tell, if ye saw, how I came thus, how here?--
+Not of myself;--by some great Maker then,
+In goodness and in power pre-eminent:
+Tell me, how may I know him, how adore,
+From whom I have that thus I move and live,
+And feel that I am happier than I know.--
+While thus I called, and strayed I knew not whither,
+From where I first drew air, and first beheld
+This happy light; when, answer none returned,
+On a green shady bank, profuse of flowers,
+Pensive I sat me down:  There gentle sleep
+First found me, and with soft oppression seised
+My droused sense, untroubled, though I thought
+I then was passing to my former state
+Insensible, and forthwith to dissolve:
+When suddenly stood at my head a dream,
+Whose inward apparition gently moved
+My fancy to believe I yet had being,
+And lived:  One came, methought, of shape divine,
+And said, 'Thy mansion wants thee, Adam; rise,
+'First Man, of men innumerable ordained
+'First Father! called by thee, I come thy guide
+'To the garden of bliss, thy seat prepared.'
+So saying, by the hand he took me raised,
+And over fields and waters, as in air
+Smooth-sliding without step, last led me up
+A woody mountain; whose high top was plain,
+A circuit wide, enclosed, with goodliest trees
+Planted, with walks, and bowers; that what I saw
+Of Earth before scarce pleasant seemed.  Each tree,
+Loaden with fairest fruit that hung to the eye
+Tempting, stirred in me sudden appetite
+To pluck and eat; whereat I waked, and found
+Before mine eyes all real, as the dream
+Had lively shadowed:  Here had new begun
+My wandering, had not he, who was my guide
+Up hither, from among the trees appeared,
+Presence Divine.  Rejoicing, but with awe,
+In adoration at his feet I fell
+Submiss:  He reared me, and 'Whom thou soughtest I am,'
+Said mildly, 'Author of all this thou seest
+'Above, or round about thee, or beneath.
+'This Paradise I give thee, count it thine
+'To till and keep, and of the fruit to eat:
+'Of every tree that in the garden grows
+'Eat freely with glad heart; fear here no dearth:
+'But of the tree whose operation brings
+'Knowledge of good and ill, which I have set
+'The pledge of thy obedience and thy faith,
+'Amid the garden by the tree of life,
+'Remember what I warn thee, shun to taste,
+'And shun the bitter consequence: for know,
+'The day thou eatest thereof, my sole command
+'Transgressed, inevitably thou shalt die,
+'From that day mortal; and this happy state
+'Shalt lose, expelled from hence into a world
+'Of woe and sorrow.'  Sternly he pronounced
+The rigid interdiction, which resounds
+Yet dreadful in mine ear, though in my choice
+Not to incur; but soon his clear aspect
+Returned, and gracious purpose thus renewed.
+'Not only these fair bounds, but all the Earth
+'To thee and to thy race I give; as lords
+'Possess it, and all things that therein live,
+'Or live in sea, or air; beast, fish, and fowl.
+'In sign whereof, each bird and beast behold
+'After their kinds; I bring them to receive
+'From thee their names, and pay thee fealty
+'With low subjection; understand the same
+'Of fish within their watery residence,
+'Not hither summoned, since they cannot change
+'Their element, to draw the thinner air.'
+As thus he spake, each bird and beast behold
+Approaching two and two; these cowering low
+With blandishment; each bird stooped on his wing.
+I named them, as they passed, and understood
+Their nature, with such knowledge God endued
+My sudden apprehension:  But in these
+I found not what methought I wanted still;
+And to the heavenly Vision thus presumed.
+O, by what name, for thou above all these,
+Above mankind, or aught than mankind higher,
+Surpassest far my naming; how may I
+Adore thee, Author of this universe,
+And all this good to man? for whose well being
+So amply, and with hands so liberal,
+Thou hast provided all things:  But with me
+I see not who partakes.  In solitude
+What happiness, who can enjoy alone,
+Or, all enjoying, what contentment find?
+Thus I presumptuous; and the Vision bright,
+As with a smile more brightened, thus replied.
+What callest thou solitude?  Is not the Earth
+With various living creatures, and the air
+Replenished, and all these at thy command
+To come and play before thee?  Knowest thou not
+Their language and their ways?  They also know,
+And reason not contemptibly:  With these
+Find pastime, and bear rule; thy realm is large.
+So spake the Universal Lord, and seemed
+So ordering:  I, with leave of speech implored,
+And humble deprecation, thus replied.
+Let not my words offend thee, Heavenly Power;
+My Maker, be propitious while I speak.
+Hast thou not made me here thy substitute,
+And these inferiour far beneath me set?
+Among unequals what society
+Can sort, what harmony, or true delight?
+Which must be mutual, in proportion due
+Given and received; but, in disparity
+The one intense, the other still remiss,
+Cannot well suit with either, but soon prove
+Tedious alike:  Of fellowship I speak
+Such as I seek, fit to participate
+All rational delight: wherein the brute
+Cannot be human consort:  They rejoice
+Each with their kind, lion with lioness;
+So fitly them in pairs thou hast combined:
+Much less can bird with beast, or fish with fowl
+So well converse, nor with the ox the ape;
+Worse then can man with beast, and least of all.
+Whereto the Almighty answered, not displeased.
+A nice and subtle happiness, I see,
+Thou to thyself proposest, in the choice
+Of thy associates, Adam! and wilt taste
+No pleasure, though in pleasure, solitary.
+What thinkest thou then of me, and this my state?
+Seem I to thee sufficiently possessed
+Of happiness, or not? who am alone
+From all eternity; for none I know
+Second to me or like, equal much less.
+How have I then with whom to hold converse,
+Save with the creatures which I made, and those
+To me inferiour, infinite descents
+Beneath what other creatures are to thee?
+He ceased; I lowly answered.  To attain
+The highth and depth of thy eternal ways
+All human thoughts come short, Supreme of things!
+Thou in thyself art perfect, and in thee
+Is no deficience found:  Not so is Man,
+But in degree; the cause of his desire
+By conversation with his like to help
+Or solace his defects.  No need that thou
+Shouldst propagate, already Infinite;
+And through all numbers absolute, though One:
+But Man by number is to manifest
+His single imperfection, and beget
+Like of his like, his image multiplied,
+In unity defective; which requires
+Collateral love, and dearest amity.
+Thou in thy secresy although alone,
+Best with thyself accompanied, seekest not
+Social communication; yet, so pleased,
+Canst raise thy creature to what highth thou wilt
+Of union or communion, deified:
+I, by conversing, cannot these erect
+From prone; nor in their ways complacence find.
+Thus I emboldened spake, and freedom used
+Permissive, and acceptance found; which gained
+This answer from the gracious Voice Divine.
+Thus far to try thee, Adam, I was pleased;
+And find thee knowing, not of beasts alone,
+Which thou hast rightly named, but of thyself;
+Expressing well the spirit within thee free,
+My image, not imparted to the brute;
+Whose fellowship therefore unmeet for thee
+Good reason was thou freely shouldst dislike;
+And be so minded still:  I, ere thou spakest,
+Knew it not good for Man to be alone;
+And no such company as then thou sawest
+Intended thee; for trial only brought,
+To see how thou couldest judge of fit and meet:
+What next I bring shall please thee, be assured,
+Thy likeness, thy fit help, thy other self,
+Thy wish exactly to thy heart's desire.
+He ended, or I heard no more; for now
+My earthly by his heavenly overpowered,
+Which it had long stood under, strained to the highth
+In that celestial colloquy sublime,
+As with an object that excels the sense
+Dazzled and spent, sunk down; and sought repair
+Of sleep, which instantly fell on me, called
+By Nature as in aid, and closed mine eyes.
+Mine eyes he closed, but open left the cell
+Of fancy, my internal sight; by which,
+Abstract as in a trance, methought I saw,
+Though sleeping, where I lay, and saw the shape
+Still glorious before whom awake I stood:
+Who stooping opened my left side, and took
+From thence a rib, with cordial spirits warm,
+And life-blood streaming fresh; wide was the wound,
+But suddenly with flesh filled up and healed:
+The rib he formed and fashioned with his hands;
+Under his forming hands a creature grew,
+Man-like, but different sex; so lovely fair,
+That what seemed fair in all the world, seemed now
+Mean, or in her summed up, in her contained
+And in her looks; which from that time infused
+Sweetness into my heart, unfelt before,
+And into all things from her air inspired
+The spirit of love and amorous delight.
+She disappeared, and left me dark; I waked
+To find her, or for ever to deplore
+Her loss, and other pleasures all abjure:
+When out of hope, behold her, not far off,
+Such as I saw her in my dream, adorned
+With what all Earth or Heaven could bestow
+To make her amiable:  On she came,
+Led by her heavenly Maker, though unseen,
+And guided by his voice; nor uninformed
+Of nuptial sanctity, and marriage rites:
+Grace was in all her steps, Heaven in her eye,
+In every gesture dignity and love.
+I, overjoyed, could not forbear aloud.
+This turn hath made amends; thou hast fulfilled
+Thy words, Creator bounteous and benign,
+Giver of all things fair! but fairest this
+Of all thy gifts! nor enviest.  I now see
+Bone of my bone, flesh of my flesh, myself
+Before me:  Woman is her name;of Man
+Extracted: for this cause he shall forego
+Father and mother, and to his wife adhere;
+And they shall be one flesh, one heart, one soul.
+She heard me thus; and though divinely brought,
+Yet innocence, and virgin modesty,
+Her virtue, and the conscience of her worth,
+That would be wooed, and not unsought be won,
+Not obvious, not obtrusive, but, retired,
+The more desirable; or, to say all,
+Nature herself, though pure of sinful thought,
+Wrought in her so, that, seeing me, she turned:
+I followed her; she what was honour knew,
+And with obsequious majesty approved
+My pleaded reason.  To the nuptial bower
+I led her blushing like the morn: All Heaven,
+And happy constellations, on that hour
+Shed their selectest influence; the Earth
+Gave sign of gratulation, and each hill;
+Joyous the birds; fresh gales and gentle airs
+Whispered it to the woods, and from their wings
+Flung rose, flung odours from the spicy shrub,
+Disporting, till the amorous bird of night
+Sung spousal, and bid haste the evening-star
+On his hill top, to light the bridal lamp.
+Thus have I told thee all my state, and brought
+My story to the sum of earthly bliss,
+Which I enjoy; and must confess to find
+In all things else delight indeed, but such
+As, used or not, works in the mind no change,
+Nor vehement desire; these delicacies
+I mean of taste, sight, smell, herbs, fruits, and flowers,
+Walks, and the melody of birds: but here
+Far otherwise, transported I behold,
+Transported touch; here passion first I felt,
+Commotion strange! in all enjoyments else
+Superiour and unmoved; here only weak
+Against the charm of Beauty's powerful glance.
+Or Nature failed in me, and left some part
+Not proof enough such object to sustain;
+Or, from my side subducting, took perhaps
+More than enough; at least on her bestowed
+Too much of ornament, in outward show
+Elaborate, of inward less exact.
+For well I understand in the prime end
+Of Nature her the inferiour, in the mind
+And inward faculties, which most excel;
+In outward also her resembling less
+His image who made both, and less expressing
+The character of that dominion given
+O'er other creatures:  Yet when I approach
+Her loveliness, so absolute she seems
+And in herself complete, so well to know
+Her own, that what she wills to do or say,
+Seems wisest, virtuousest, discreetest, best:
+All higher knowledge in her presence falls
+Degraded;  Wisdom in discourse with her
+Loses discountenanced, and like Folly shows;
+Authority and Reason on her wait,
+As one intended first, not after made
+Occasionally; and, to consummate all,
+Greatness of mind and Nobleness their seat
+Build in her loveliest, and create an awe
+About her, as a guard angelick placed.
+To whom the Angel with contracted brow.
+Accuse not Nature, she hath done her part;
+Do thou but thine; and be not diffident
+Of Wisdom; she deserts thee not, if thou
+Dismiss not her, when most thou needest her nigh,
+By attributing overmuch to things
+Less excellent, as thou thyself perceivest.
+For, what admirest thou, what transports thee so,
+An outside? fair, no doubt, and worthy well
+Thy cherishing, thy honouring, and thy love;
+Not thy subjection:  Weigh with her thyself;
+Then value:  Oft-times nothing profits more
+Than self-esteem, grounded on just and right
+Well managed; of that skill the more thou knowest,
+The more she will acknowledge thee her head,
+And to realities yield all her shows:
+Made so adorn for thy delight the more,
+So awful, that with honour thou mayest love
+Thy mate, who sees when thou art seen least wise.
+But if the sense of touch, whereby mankind
+Is propagated, seem such dear delight
+Beyond all other; think the same vouchsafed
+To cattle and each beast; which would not be
+To them made common and divulged, if aught
+Therein enjoyed were worthy to subdue
+The soul of man, or passion in him move.
+What higher in her society thou findest
+Attractive, human, rational, love still;
+In loving thou dost well, in passion not,
+Wherein true love consists not:  Love refines
+The thoughts, and heart enlarges; hath his seat
+In reason, and is judicious; is the scale
+By which to heavenly love thou mayest ascend,
+Not sunk in carnal pleasure; for which cause,
+Among the beasts no mate for thee was found.
+To whom thus, half abashed, Adam replied.
+Neither her outside formed so fair, nor aught
+In procreation common to all kinds,
+(Though higher of the genial bed by far,
+And with mysterious reverence I deem,)
+So much delights me, as those graceful acts,
+Those thousand decencies, that daily flow
+From all her words and actions mixed with love
+And sweet compliance, which declare unfeigned
+Union of mind, or in us both one soul;
+Harmony to behold in wedded pair
+More grateful than harmonious sound to the ear.
+Yet these subject not; I to thee disclose
+What inward thence I feel, not therefore foiled,
+Who meet with various objects, from the sense
+Variously representing; yet, still free,
+Approve the best, and follow what I approve.
+To love, thou blamest me not; for Love, thou sayest,
+Leads up to Heaven, is both the way and guide;
+Bear with me then, if lawful what I ask:
+Love not the heavenly Spirits, and how their love
+Express they? by looks only? or do they mix
+Irradiance, virtual or immediate touch?
+To whom the Angel, with a smile that glowed
+Celestial rosy red, Love's proper hue,
+Answered.  Let it suffice thee that thou knowest
+Us happy, and without love no happiness.
+Whatever pure thou in the body enjoyest,
+(And pure thou wert created) we enjoy
+In eminence; and obstacle find none
+Of membrane, joint, or limb, exclusive bars;
+Easier than air with air, if Spirits embrace,
+Total they mix, union of pure with pure
+Desiring, nor restrained conveyance need,
+As flesh to mix with flesh, or soul with soul.
+But I can now no more; the parting sun
+Beyond the Earth's green Cape and verdant Isles
+Hesperian sets, my signal to depart.
+Be strong, live happy, and love!  But, first of all,
+Him, whom to love is to obey, and keep
+His great command; take heed lest passion sway
+Thy judgement to do aught, which else free will
+Would not admit: thine, and of all thy sons,
+The weal or woe in thee is placed; beware!
+I in thy persevering shall rejoice,
+And all the Blest:  Stand fast;to stand or fall
+Free in thine own arbitrement it lies.
+Perfect within, no outward aid require;
+And all temptation to transgress repel.
+So saying, he arose; whom Adam thus
+Followed with benediction.  Since to part,
+Go, heavenly guest, ethereal Messenger,
+Sent from whose sovran goodness I adore!
+Gentle to me and affable hath been
+Thy condescension, and shall be honoured ever
+With grateful memory:  Thou to mankind
+Be good and friendly still, and oft return!
+So parted they; the Angel up to Heaven
+From the thick shade, and Adam to his bower.
+
+
+
+Book IX
+
+
+No more of talk where God or Angel guest
+With Man, as with his friend, familiar us'd,
+To sit indulgent, and with him partake
+Rural repast; permitting him the while
+Venial discourse unblam'd. I now must change
+Those notes to tragick; foul distrust, and breach
+Disloyal on the part of Man, revolt,
+And disobedience: on the part of Heaven
+Now alienated, distance and distaste,
+Anger and just rebuke, and judgement given,
+That brought into this world a world of woe,
+Sin and her shadow Death, and Misery
+Death's harbinger: Sad talk!yet argument
+Not less but more heroick than the wrath
+Of stern Achilles on his foe pursued
+Thrice fugitive about Troy wall; or rage
+Of Turnus for Lavinia disespous'd;
+Or Neptune's ire, or Juno's, that so long
+Perplexed the Greek, and Cytherea's son:
+
+   00482129
+If answerable style I can obtain
+Of my celestial patroness, who deigns
+Her nightly visitation unimplor'd,
+And dictates to me slumbering; or inspires
+Easy my unpremeditated verse:
+Since first this subject for heroick song
+Pleas'd me long choosing, and beginning late;
+Not sedulous by nature to indite
+Wars, hitherto the only argument
+Heroick deem'd chief mastery to dissect
+With long and tedious havock fabled knights
+In battles feign'd; the better fortitude
+Of patience and heroick martyrdom
+Unsung; or to describe races and games,
+Or tilting furniture, imblazon'd shields,
+Impresses quaint, caparisons and steeds,
+Bases and tinsel trappings, gorgeous knights
+At joust and tournament; then marshall'd feast
+Serv'd up in hall with sewers and seneshals;
+The skill of artifice or office mean,
+Not that which justly gives heroick name
+To person, or to poem.  Me, of these
+Nor skill'd nor studious, higher argument
+Remains; sufficient of itself to raise
+That name, unless an age too late, or cold
+Climate, or years, damp my intended wing
+Depress'd; and much they may, if all be mine,
+Not hers, who brings it nightly to my ear.
+The sun was sunk, and after him the star
+Of Hesperus, whose office is to bring
+Twilight upon the earth, short arbiter
+"twixt day and night, and now from end to end
+Night's hemisphere had veil'd the horizon round:
+When satan, who late fled before the threats
+Of Gabriel out of Eden, now improv'd
+In meditated fraud and malice, bent
+On Man's destruction, maugre what might hap
+Of heavier on himself, fearless returned
+From compassing the earth; cautious of day,
+Since Uriel, regent of the sun, descried
+His entrance, and foreworned the Cherubim
+That kept their watch; thence full of anguish driven,
+The space of seven continued nights he rode
+With darkness; thrice the equinoctial line
+He circled; four times crossed the car of night
+From pole to pole, traversing each colure;
+On the eighth returned; and, on the coast averse
+From entrance or Cherubick watch, by stealth
+Found unsuspected way.  There was a place,
+Now not, though sin, not time, first wrought the change,
+Where Tigris, at the foot of Paradise,
+Into a gulf shot under ground, till part
+Rose up a fountain by the tree of life:
+In with the river sunk, and with it rose
+Satan, involved in rising mist; then sought
+Where to lie hid; sea he had searched, and land,
+From Eden over Pontus and the pool
+Maeotis, up beyond the river Ob;
+Downward as far antarctick; and in length,
+West from Orontes to the ocean barred
+At Darien ; thence to the land where flows
+Ganges and Indus: Thus the orb he roamed
+With narrow search; and with inspection deep
+Considered every creature, which of all
+Most opportune might serve his wiles; and found
+The Serpent subtlest beast of all the field.
+Him after long debate, irresolute
+Of thoughts revolved, his final sentence chose
+Fit vessel, fittest imp of fraud, in whom
+To enter, and his dark suggestions hide
+From sharpest sight: for, in the wily snake
+Whatever sleights, none would suspicious mark,
+As from his wit and native subtlety
+Proceeding; which, in other beasts observed,
+Doubt might beget of diabolick power
+Active within, beyond the sense of brute.
+Thus he resolved, but first from inward grief
+His bursting passion into plaints thus poured.
+More justly, seat worthier of Gods, as built
+With second thoughts, reforming what was old!
+O Earth, how like to Heaven, if not preferred
+For what God, after better, worse would build?
+Terrestrial Heaven, danced round by other Heavens
+That shine, yet bear their bright officious lamps,
+Light above light, for thee alone, as seems,
+In thee concentring all their precious beams
+Of sacred influence!  As God in Heaven
+Is center, yet extends to all; so thou,
+Centring, receivest from all those orbs: in thee,
+Not in themselves, all their known virtue appears
+Productive in herb, plant, and nobler birth
+Of creatures animate with gradual life
+Of growth, sense, reason, all summed up in Man.
+With what delight could I have walked thee round,
+If I could joy in aught, sweet interchange
+Of hill, and valley, rivers, woods, and plains,
+Now land, now sea and shores with forest crowned,
+Rocks, dens, and caves!  But I in none of these
+Find place or refuge; and the more I see
+Pleasures about me, so much more I feel
+Torment within me, as from the hateful siege
+Of contraries: all good to me becomes
+Bane, and in Heaven much worse would be my state.
+But neither here seek I, no nor in Heaven
+To dwell, unless by mastering Heaven's Supreme;
+Nor hope to be myself less miserable
+By what I seek, but others to make such
+As I, though thereby worse to me redound:
+For only in destroying I find ease
+To my relentless thoughts; and, him destroyed,
+Or won to what may work his utter loss,
+For whom all this was made, all this will soon
+Follow, as to him linked in weal or woe;
+In woe then; that destruction wide may range:
+To me shall be the glory sole among
+The infernal Powers, in one day to have marred
+What he, Almighty styled, six nights and days
+Continued making; and who knows how long
+Before had been contriving? though perhaps
+Not longer than since I, in one night, freed
+From servitude inglorious well nigh half
+The angelick name, and thinner left the throng
+Of his adorers: He, to be avenged,
+And to repair his numbers thus impaired,
+Whether such virtue spent of old now failed
+More Angels to create, if they at least
+Are his created, or, to spite us more,
+Determined to advance into our room
+A creature formed of earth, and him endow,
+Exalted from so base original,
+With heavenly spoils, our spoils: What he decreed,
+He effected; Man he made, and for him built
+Magnificent this world, and earth his seat,
+Him lord pronounced; and, O indignity!
+Subjected to his service angel-wings,
+And flaming ministers to watch and tend
+Their earthly charge: Of these the vigilance
+I dread; and, to elude, thus wrapt in mist
+Of midnight vapour glide obscure, and pry
+In every bush and brake, where hap may find
+The serpent sleeping; in whose mazy folds
+To hide me, and the dark intent I bring.
+O foul descent! that I, who erst contended
+With Gods to sit the highest, am now constrained
+Into a beast; and, mixed with bestial slime,
+This essence to incarnate and imbrute,
+That to the highth of Deity aspired!
+But what will not ambition and revenge
+Descend to?  Who aspires, must down as low
+As high he soared; obnoxious, first or last,
+To basest things.  Revenge, at first though sweet,
+Bitter ere long, back on itself recoils:
+Let it; I reck not, so it light well aimed,
+Since higher I fall short, on him who next
+Provokes my envy, this new favourite
+Of Heaven, this man of clay, son of despite,
+Whom, us the more to spite, his Maker raised
+From dust: Spite then with spite is best repaid.
+So saying, through each thicket dank or dry,
+Like a black mist low-creeping, he held on
+His midnight-search, where soonest he might find
+The serpent; him fast-sleeping soon he found
+In labyrinth of many a round self-rolled,
+His head the midst, well stored with subtile wiles:
+Not yet in horrid shade or dismal den,
+Nor nocent yet; but, on the grassy herb,
+Fearless unfeared he slept: in at his mouth
+The Devil entered; and his brutal sense,
+In heart or head, possessing, soon inspired
+With act intelligential; but his sleep
+Disturbed not, waiting close the approach of morn.
+Now, when as sacred light began to dawn
+In Eden on the humid flowers, that breathed
+Their morning incense, when all things, that breathe,
+From the Earth's great altar send up silent praise
+To the Creator, and his nostrils fill
+With grateful smell, forth came the human pair,
+And joined their vocal worship to the quire
+Of creatures wanting voice; that done, partake
+The season prime for sweetest scents and airs:
+Then commune, how that day they best may ply
+Their growing work: for much their work out-grew
+The hands' dispatch of two gardening so wide,
+And Eve first to her husband thus began.
+Adam, well may we labour still to dress
+This garden, still to tend plant, herb, and flower,
+Our pleasant task enjoined; but, till more hands
+Aid us, the work under our labour grows,
+Luxurious by restraint; what we by day
+Lop overgrown, or prune, or prop, or bind,
+One night or two with wanton growth derides
+Tending to wild.  Thou therefore now advise,
+Or bear what to my mind first thoughts present:
+Let us divide our labours; thou, where choice
+Leads thee, or where most needs, whether to wind
+The woodbine round this arbour, or direct
+The clasping ivy where to climb; while I,
+In yonder spring of roses intermixed
+With myrtle, find what to redress till noon:
+For, while so near each other thus all day
+Our task we choose, what wonder if so near
+Looks intervene and smiles, or object new
+Casual discourse draw on; which intermits
+Our day's work, brought to little, though begun
+Early, and the hour of supper comes unearned?
+To whom mild answer Adam thus returned.
+Sole Eve, associate sole, to me beyond
+Compare above all living creatures dear!
+Well hast thou motioned, well thy thoughts employed,
+How we might best fulfil the work which here
+God hath assigned us; nor of me shalt pass
+Unpraised: for nothing lovelier can be found
+In woman, than to study houshold good,
+And good works in her husband to promote.
+Yet not so strictly hath our Lord imposed
+Labour, as to debar us when we need
+Refreshment, whether food, or talk between,
+Food of the mind, or this sweet intercourse
+Of looks and smiles; for smiles from reason flow,
+To brute denied, and are of love the food;
+Love, not the lowest end of human life.
+For not to irksome toil, but to delight,
+He made us, and delight to reason joined.
+These paths and bowers doubt not but our joint hands
+Will keep from wilderness with ease, as wide
+As we need walk, till younger hands ere long
+Assist us; But, if much converse perhaps
+Thee satiate, to short absence I could yield:
+For solitude sometimes is best society,
+And short retirement urges sweet return.
+But other doubt possesses me, lest harm
+Befall thee severed from me; for thou knowest
+What hath been warned us, what malicious foe
+Envying our happiness, and of his own
+Despairing, seeks to work us woe and shame
+By sly assault; and somewhere nigh at hand
+Watches, no doubt, with greedy hope to find
+His wish and best advantage, us asunder;
+Hopeless to circumvent us joined, where each
+To other speedy aid might lend at need:
+Whether his first design be to withdraw
+Our fealty from God, or to disturb
+Conjugal love, than which perhaps no bliss
+Enjoyed by us excites his envy more;
+Or this, or worse, leave not the faithful side
+That gave thee being, still shades thee, and protects.
+The wife, where danger or dishonour lurks,
+Safest and seemliest by her husband stays,
+Who guards her, or with her the worst endures.
+To whom the virgin majesty of Eve,
+As one who loves, and some unkindness meets,
+With sweet austere composure thus replied.
+Offspring of Heaven and Earth, and all Earth's Lord!
+That such an enemy we have, who seeks
+Our ruin, both by thee informed I learn,
+And from the parting Angel over-heard,
+As in a shady nook I stood behind,
+Just then returned at shut of evening flowers.
+But, that thou shouldst my firmness therefore doubt
+To God or thee, because we have a foe
+May tempt it, I expected not to hear.
+His violence thou fearest not, being such
+As we, not capable of death or pain,
+Can either not receive, or can repel.
+His fraud is then thy fear; which plain infers
+Thy equal fear, that my firm faith and love
+Can by his fraud be shaken or seduced;
+Thoughts, which how found they harbour in thy breast,
+Adam, mis-thought of her to thee so dear?
+To whom with healing words Adam replied.
+Daughter of God and Man, immortal Eve!
+For such thou art; from sin and blame entire:
+Not diffident of thee do I dissuade
+Thy absence from my sight, but to avoid
+The attempt itself, intended by our foe.
+For he who tempts, though in vain, at least asperses
+The tempted with dishonour foul; supposed
+Not incorruptible of faith, not proof
+Against temptation: Thou thyself with scorn
+And anger wouldst resent the offered wrong,
+Though ineffectual found: misdeem not then,
+If such affront I labour to avert
+From thee alone, which on us both at once
+The enemy, though bold, will hardly dare;
+Or daring, first on me the assault shall light.
+Nor thou his malice and false guile contemn;
+Subtle he needs must be, who could seduce
+Angels; nor think superfluous other's aid.
+I, from the influence of thy looks, receive
+Access in every virtue; in thy sight
+More wise, more watchful, stronger, if need were
+Of outward strength; while shame, thou looking on,
+Shame to be overcome or over-reached,
+Would utmost vigour raise, and raised unite.
+Why shouldst not thou like sense within thee feel
+When I am present, and thy trial choose
+With me, best witness of thy virtue tried?
+So spake domestick Adam in his care
+And matrimonial love; but Eve, who thought
+Less attributed to her faith sincere,
+Thus her reply with accent sweet renewed.
+If this be our condition, thus to dwell
+In narrow circuit straitened by a foe,
+Subtle or violent, we not endued
+Single with like defence, wherever met;
+How are we happy, still in fear of harm?
+But harm precedes not sin: only our foe,
+Tempting, affronts us with his foul esteem
+Of our integrity: his foul esteem
+Sticks no dishonour on our front, but turns
+Foul on himself; then wherefore shunned or feared
+By us? who rather double honour gain
+From his surmise proved false; find peace within,
+Favour from Heaven, our witness, from the event.
+And what is faith, love, virtue, unassayed
+Alone, without exteriour help sustained?
+Let us not then suspect our happy state
+Left so imperfect by the Maker wise,
+As not secure to single or combined.
+Frail is our happiness, if this be so,
+And Eden were no Eden, thus exposed.
+To whom thus Adam fervently replied.
+O Woman, best are all things as the will
+Of God ordained them: His creating hand
+Nothing imperfect or deficient left
+Of all that he created, much less Man,
+Or aught that might his happy state secure,
+Secure from outward force; within himself
+The danger lies, yet lies within his power:
+Against his will he can receive no harm.
+But God left free the will; for what obeys
+Reason, is free; and Reason he made right,
+But bid her well be ware, and still erect;
+Lest, by some fair-appearing good surprised,
+She dictate false; and mis-inform the will
+To do what God expressly hath forbid.
+Not then mistrust, but tender love, enjoins,
+That I should mind thee oft; and mind thou me.
+Firm we subsist, yet possible to swerve;
+Since Reason not impossibly may meet
+Some specious object by the foe suborned,
+And fall into deception unaware,
+Not keeping strictest watch, as she was warned.
+Seek not temptation then, which to avoid
+Were better, and most likely if from me
+Thou sever not: Trial will come unsought.
+Wouldst thou approve thy constancy, approve
+First thy obedience; the other who can know,
+Not seeing thee attempted, who attest?
+But, if thou think, trial unsought may find
+Us both securer than thus warned thou seemest,
+Go; for thy stay, not free, absents thee more;
+Go in thy native innocence, rely
+On what thou hast of virtue; summon all!
+For God towards thee hath done his part, do thine.
+So spake the patriarch of mankind; but Eve
+Persisted; yet submiss, though last, replied.
+With thy permission then, and thus forewarned
+Chiefly by what thy own last reasoning words
+Touched only; that our trial, when least sought,
+May find us both perhaps far less prepared,
+The willinger I go, nor much expect
+A foe so proud will first the weaker seek;
+So bent, the more shall shame him his repulse.
+Thus saying, from her husband's hand her hand
+Soft she withdrew; and, like a Wood-Nymph light,
+Oread or Dryad, or of Delia's train,
+Betook her to the groves; but Delia's self
+In gait surpassed, and Goddess-like deport,
+Though not as she with bow and quiver armed,
+But with such gardening tools as Art yet rude,
+Guiltless of fire, had formed, or Angels brought.
+To Pales, or Pomona, thus adorned,
+Likest she seemed, Pomona when she fled
+Vertumnus, or to Ceres in her prime,
+Yet virgin of Proserpina from Jove.
+Her long with ardent look his eye pursued
+Delighted, but desiring more her stay.
+Oft he to her his charge of quick return
+Repeated; she to him as oft engaged
+To be returned by noon amid the bower,
+And all things in best order to invite
+Noontide repast, or afternoon's repose.
+O much deceived, much failing, hapless Eve,
+Of thy presumed return! event perverse!
+Thou never from that hour in Paradise
+Foundst either sweet repast, or sound repose;
+Such ambush, hid among sweet flowers and shades,
+Waited with hellish rancour imminent
+To intercept thy way, or send thee back
+Despoiled of innocence, of faith, of bliss!
+For now, and since first break of dawn, the Fiend,
+Mere serpent in appearance, forth was come;
+And on his quest, where likeliest he might find
+The only two of mankind, but in them
+The whole included race, his purposed prey.
+In bower and field he sought, where any tuft
+Of grove or garden-plot more pleasant lay,
+Their tendance, or plantation for delight;
+By fountain or by shady rivulet
+He sought them both, but wished his hap might find
+Eve separate; he wished, but not with hope
+Of what so seldom chanced; when to his wish,
+Beyond his hope, Eve separate he spies,
+Veiled in a cloud of fragrance, where she stood,
+Half spied, so thick the roses blushing round
+About her glowed, oft stooping to support
+Each flower of slender stalk, whose head, though gay
+Carnation, purple, azure, or specked with gold,
+Hung drooping unsustained; them she upstays
+Gently with myrtle band, mindless the while
+Herself, though fairest unsupported flower,
+From her best prop so far, and storm so nigh.
+Nearer he drew, and many a walk traversed
+Of stateliest covert, cedar, pine, or palm;
+Then voluble and bold, now hid, now seen,
+Among thick-woven arborets, and flowers
+Imbordered on each bank, the hand of Eve:
+Spot more delicious than those gardens feigned
+Or of revived Adonis, or renowned
+Alcinous, host of old Laertes' son;
+Or that, not mystick, where the sapient king
+Held dalliance with his fair Egyptian spouse.
+Much he the place admired, the person more.
+As one who long in populous city pent,
+Where houses thick and sewers annoy the air,
+Forth issuing on a summer's morn, to breathe
+Among the pleasant villages and farms
+Adjoined, from each thing met conceives delight;
+The smell of grain, or tedded grass, or kine,
+Or dairy, each rural sight, each rural sound;
+If chance, with nymph-like step, fair virgin pass,
+What pleasing seemed, for her now pleases more;
+She most, and in her look sums all delight:
+Such pleasure took the Serpent to behold
+This flowery plat, the sweet recess of Eve
+Thus early, thus alone: Her heavenly form
+Angelick, but more soft, and feminine,
+Her graceful innocence, her every air
+Of gesture, or least action, overawed
+His malice, and with rapine sweet bereaved
+His fierceness of the fierce intent it brought:
+That space the Evil-one abstracted stood
+From his own evil, and for the time remained
+Stupidly good; of enmity disarmed,
+Of guile, of hate, of envy, of revenge:
+But the hot Hell that always in him burns,
+Though in mid Heaven, soon ended his delight,
+And tortures him now more, the more he sees
+Of pleasure, not for him ordained: then soon
+Fierce hate he recollects, and all his thoughts
+Of mischief, gratulating, thus excites.
+Thoughts, whither have ye led me! with what sweet
+Compulsion thus transported, to forget
+What hither brought us! hate, not love;nor hope
+Of Paradise for Hell, hope here to taste
+Of pleasure; but all pleasure to destroy,
+Save what is in destroying; other joy
+To me is lost.  Then, let me not let pass
+Occasion which now smiles; behold alone
+The woman, opportune to all attempts,
+Her husband, for I view far round, not nigh,
+Whose higher intellectual more I shun,
+And strength, of courage haughty, and of limb
+Heroick built, though of terrestrial mould;
+Foe not informidable! exempt from wound,
+I not; so much hath Hell debased, and pain
+Enfeebled me, to what I was in Heaven.
+She fair, divinely fair, fit love for Gods!
+Not terrible, though terrour be in love
+And beauty, not approached by stronger hate,
+Hate stronger, under show of love well feigned;
+The way which to her ruin now I tend.
+So spake the enemy of mankind, enclosed
+In serpent, inmate bad! and toward Eve
+Addressed his way: not with indented wave,
+Prone on the ground, as since; but on his rear,
+Circular base of rising folds, that towered
+Fold above fold, a surging maze! his head
+Crested aloft, and carbuncle his eyes;
+With burnished neck of verdant gold, erect
+Amidst his circling spires, that on the grass
+Floated redundant: pleasing was his shape
+And lovely; never since of serpent-kind
+Lovelier, not those that in Illyria changed,
+Hermione and Cadmus, or the god
+In Epidaurus; nor to which transformed
+Ammonian Jove, or Capitoline, was seen;
+He with Olympias; this with her who bore
+Scipio, the highth of Rome.  With tract oblique
+At first, as one who sought access, but feared
+To interrupt, side-long he works his way.
+As when a ship, by skilful steersmen wrought
+Nigh river's mouth or foreland, where the wind
+Veers oft, as oft so steers, and shifts her sail:
+So varied he, and of his tortuous train
+Curled many a wanton wreath in sight of Eve,
+To lure her eye; she, busied, heard the sound
+Of rusling leaves, but minded not, as used
+To such disport before her through the field,
+From every beast; more duteous at her call,
+Than at Circean call the herd disguised.
+He, bolder now, uncalled before her stood,
+But as in gaze admiring: oft he bowed
+His turret crest, and sleek enamelled neck,
+Fawning; and licked the ground whereon she trod.
+His gentle dumb expression turned at length
+The eye of Eve to mark his play; he, glad
+Of her attention gained, with serpent-tongue
+Organick, or impulse of vocal air,
+His fraudulent temptation thus began.
+Wonder not, sovran Mistress, if perhaps
+Thou canst, who art sole wonder! much less arm
+Thy looks, the Heaven of mildness, with disdain,
+Displeased that I approach thee thus, and gaze
+Insatiate; I thus single;nor have feared
+Thy awful brow, more awful thus retired.
+Fairest resemblance of thy Maker fair,
+Thee all things living gaze on, all things thine
+By gift, and thy celestial beauty adore
+With ravishment beheld! there best beheld,
+Where universally admired; but here
+In this enclosure wild, these beasts among,
+Beholders rude, and shallow to discern
+Half what in thee is fair, one man except,
+Who sees thee? and what is one? who should be seen
+A Goddess among Gods, adored and served
+By Angels numberless, thy daily train.
+So glozed the Tempter, and his proem tuned:
+Into the heart of Eve his words made way,
+Though at the voice much marvelling; at length,
+Not unamazed, she thus in answer spake.
+What may this mean? language of man pronounced
+By tongue of brute, and human sense expressed?
+The first, at least, of these I thought denied
+To beasts; whom God, on their creation-day,
+Created mute to all articulate sound:
+The latter I demur; for in their looks
+Much reason, and in their actions, oft appears.
+Thee, Serpent, subtlest beast of all the field
+I knew, but not with human voice endued;
+Redouble then this miracle, and say,
+How camest thou speakable of mute, and how
+To me so friendly grown above the rest
+Of brutal kind, that daily are in sight?
+Say, for such wonder claims attention due.
+To whom the guileful Tempter thus replied.
+Empress of this fair world, resplendent Eve!
+Easy to me it is to tell thee all
+What thou commandest; and right thou shouldst be obeyed:
+I was at first as other beasts that graze
+The trodden herb, of abject thoughts and low,
+As was my food; nor aught but food discerned
+Or sex, and apprehended nothing high:
+Till, on a day roving the field, I chanced
+A goodly tree far distant to behold
+Loaden with fruit of fairest colours mixed,
+Ruddy and gold: I nearer drew to gaze;
+When from the boughs a savoury odour blown,
+Grateful to appetite, more pleased my sense
+Than smell of sweetest fennel, or the teats
+Of ewe or goat dropping with milk at even,
+Unsucked of lamb or kid, that tend their play.
+To satisfy the sharp desire I had
+Of tasting those fair apples, I resolved
+Not to defer; hunger and thirst at once,
+Powerful persuaders, quickened at the scent
+Of that alluring fruit, urged me so keen.
+About the mossy trunk I wound me soon;
+For, high from ground, the branches would require
+Thy utmost reach or Adam's: Round the tree
+All other beasts that saw, with like desire
+Longing and envying stood, but could not reach.
+Amid the tree now got, where plenty hung
+Tempting so nigh, to pluck and eat my fill
+I spared not; for, such pleasure till that hour,
+At feed or fountain, never had I found.
+Sated at length, ere long I might perceive
+Strange alteration in me, to degree
+Of reason in my inward powers; and speech
+Wanted not long; though to this shape retained.
+Thenceforth to speculations high or deep
+I turned my thoughts, and with capacious mind
+Considered all things visible in Heaven,
+Or Earth, or Middle; all things fair and good:
+But all that fair and good in thy divine
+Semblance, and in thy beauty's heavenly ray,
+United I beheld; no fair to thine
+Equivalent or second! which compelled
+Me thus, though importune perhaps, to come
+And gaze, and worship thee of right declared
+Sovran of creatures, universal Dame!
+So talked the spirited sly Snake; and Eve,
+Yet more amazed, unwary thus replied.
+Serpent, thy overpraising leaves in doubt
+The virtue of that fruit, in thee first proved:
+But say, where grows the tree? from hence how far?
+For many are the trees of God that grow
+In Paradise, and various, yet unknown
+To us; in such abundance lies our choice,
+As leaves a greater store of fruit untouched,
+Still hanging incorruptible, till men
+Grow up to their provision, and more hands
+Help to disburden Nature of her birth.
+To whom the wily Adder, blithe and glad.
+Empress, the way is ready, and not long;
+Beyond a row of myrtles, on a flat,
+Fast by a fountain, one small thicket past
+Of blowing myrrh and balm: if thou accept
+My conduct, I can bring thee thither soon
+Lead then, said Eve.  He, leading, swiftly rolled
+In tangles, and made intricate seem straight,
+To mischief swift.  Hope elevates, and joy
+Brightens his crest; as when a wandering fire,
+Compact of unctuous vapour, which the night
+Condenses, and the cold environs round,
+Kindled through agitation to a flame,
+Which oft, they say, some evil Spirit attends,
+Hovering and blazing with delusive light,
+Misleads the amazed night-wanderer from his way
+To bogs and mires, and oft through pond or pool;
+There swallowed up and lost, from succour far.
+So glistered the dire Snake, and into fraud
+Led Eve, our credulous mother, to the tree
+Of prohibition, root of all our woe;
+Which when she saw, thus to her guide she spake.
+Serpent, we might have spared our coming hither,
+Fruitless to me, though fruit be here to excess,
+The credit of whose virtue rest with thee;
+Wonderous indeed, if cause of such effects.
+But of this tree we may not taste nor touch;
+God so commanded, and left that command
+Sole daughter of his voice; the rest, we live
+Law to ourselves; our reason is our law.
+To whom the Tempter guilefully replied.
+Indeed! hath God then said that of the fruit
+Of all these garden-trees ye shall not eat,
+Yet Lords declared of all in earth or air$?
+To whom thus Eve, yet sinless.  Of the fruit
+Of each tree in the garden we may eat;
+But of the fruit of this fair tree amidst
+The garden, God hath said, Ye shall not eat
+Thereof, nor shall ye touch it, lest ye die.
+She scarce had said, though brief, when now more bold
+The Tempter, but with show of zeal and love
+To Man, and indignation at his wrong,
+New part puts on; and, as to passion moved,
+Fluctuates disturbed, yet comely and in act
+Raised, as of some great matter to begin.
+As when of old some orator renowned,
+In Athens or free Rome, where eloquence
+Flourished, since mute! to some great cause addressed,
+Stood in himself collected; while each part,
+Motion, each act, won audience ere the tongue;
+Sometimes in highth began, as no delay
+Of preface brooking, through his zeal of right:
+So standing, moving, or to highth up grown,
+The Tempter, all impassioned, thus began.
+O sacred, wise, and wisdom-giving Plant,
+Mother of science! now I feel thy power
+Within me clear; not only to discern
+Things in their causes, but to trace the ways
+Of highest agents, deemed however wise.
+Queen of this universe! do not believe
+Those rigid threats of death: ye shall not die:
+How should you? by the fruit? it gives you life
+To knowledge; by the threatener? look on me,
+Me, who have touched and tasted; yet both live,
+And life more perfect have attained than Fate
+Meant me, by venturing higher than my lot.
+Shall that be shut to Man, which to the Beast
+Is open? or will God incense his ire
+For such a petty trespass? and not praise
+Rather your dauntless virtue, whom the pain
+Of death denounced, whatever thing death be,
+Deterred not from achieving what might lead
+To happier life, knowledge of good and evil;
+Of good, how just? of evil, if what is evil
+Be real, why not known, since easier shunned?
+God therefore cannot hurt ye, and be just;
+Not just, not God; not feared then, nor obeyed:
+Your fear itself of death removes the fear.
+Why then was this forbid?  Why, but to awe;
+Why, but to keep ye low and ignorant,
+His worshippers?  He knows that in the day
+Ye eat thereof, your eyes that seem so clear,
+Yet are but dim, shall perfectly be then
+Opened and cleared, and ye shall be as Gods,
+Knowing both good and evil, as they know.
+That ye shall be as Gods, since I as Man,
+Internal Man, is but proportion meet;
+I, of brute, human; ye, of human, Gods.
+So ye shall die perhaps, by putting off
+Human, to put on Gods; death to be wished,
+Though threatened, which no worse than this can bring.
+And what are Gods, that Man may not become
+As they, participating God-like food?
+The Gods are first, and that advantage use
+On our belief, that all from them proceeds:
+I question it; for this fair earth I see,
+Warmed by the sun, producing every kind;
+Them, nothing: if they all things, who enclosed
+Knowledge of good and evil in this tree,
+That whoso eats thereof, forthwith attains
+Wisdom without their leave? and wherein lies
+The offence, that Man should thus attain to know?
+What can your knowledge hurt him, or this tree
+Impart against his will, if all be his?
+Or is it envy? and can envy dwell
+In heavenly breasts?  These, these, and many more
+Causes import your need of this fair fruit.
+Goddess humane, reach then, and freely taste!
+He ended; and his words, replete with guile,
+Into her heart too easy entrance won:
+Fixed on the fruit she gazed, which to behold
+Might tempt alone; and in her ears the sound
+Yet rung of his persuasive words, impregned
+With reason, to her seeming, and with truth:
+Mean while the hour of noon drew on, and waked
+An eager appetite, raised by the smell
+So savoury of that fruit, which with desire,
+Inclinable now grown to touch or taste,
+Solicited her longing eye; yet first
+Pausing a while, thus to herself she mused.
+Great are thy virtues, doubtless, best of fruits,
+Though kept from man, and worthy to be admired;
+Whose taste, too long forborn, at first assay
+Gave elocution to the mute, and taught
+The tongue not made for speech to speak thy praise:
+Thy praise he also, who forbids thy use,
+Conceals not from us, naming thee the tree
+Of knowledge, knowledge both of good and evil;
+Forbids us then to taste! but his forbidding
+Commends thee more, while it infers the good
+By thee communicated, and our want:
+For good unknown sure is not had; or, had
+And yet unknown, is as not had at all.
+In plain then, what forbids he but to know,
+Forbids us good, forbids us to be wise?
+Such prohibitions bind not.  But, if death
+Bind us with after-bands, what profits then
+Our inward freedom?  In the day we eat
+Of this fair fruit, our doom is, we shall die!
+How dies the Serpent? he hath eaten and lives,
+And knows, and speaks, and reasons, and discerns,
+Irrational till then.  For us alone
+Was death invented? or to us denied
+This intellectual food, for beasts reserved?
+For beasts it seems: yet that one beast which first
+Hath tasted envies not, but brings with joy
+The good befallen him, author unsuspect,
+Friendly to man, far from deceit or guile.
+What fear I then? rather, what know to fear
+Under this ignorance of good and evil,
+Of God or death, of law or penalty?
+Here grows the cure of all, this fruit divine,
+Fair to the eye, inviting to the taste,
+Of virtue to make wise:  What hinders then
+To reach, and feed at once both body and mind?
+So saying, her rash hand in evil hour
+Forth reaching to the fruit, she plucked, she eat!
+Earth felt the wound; and Nature from her seat,
+Sighing through all her works, gave signs of woe,
+That all was lost.  Back to the thicket slunk
+The guilty Serpent; and well might;for Eve,
+Intent now wholly on her taste, nought else
+Regarded; such delight till then, as seemed,
+In fruit she never tasted, whether true
+Or fancied so, through expectation high
+Of knowledge; not was Godhead from her thought.
+Greedily she ingorged without restraint,
+And knew not eating death:  Satiate at length,
+And hightened as with wine, jocund and boon,
+Thus to herself she pleasingly began.
+O sovran, virtuous, precious of all trees
+In Paradise! of operation blest
+To sapience, hitherto obscured, infamed.
+And thy fair fruit let hang, as to no end
+Created; but henceforth my early care,
+Not without song, each morning, and due praise,
+Shall tend thee, and the fertile burden ease
+Of thy full branches offered free to all;
+Till, dieted by thee, I grow mature
+In knowledge, as the Gods, who all things know;
+Though others envy what they cannot give:
+For, had the gift been theirs, it had not here
+Thus grown.  Experience, next, to thee I owe,
+Best guide; not following thee, I had remained
+In ignorance; thou openest wisdom's way,
+And givest access, though secret she retire.
+And I perhaps am secret: Heaven is high,
+High, and remote to see from thence distinct
+Each thing on Earth; and other care perhaps
+May have diverted from continual watch
+Our great Forbidder, safe with all his spies
+About him.  But to Adam in what sort
+Shall I appear? shall I to him make known
+As yet my change, and give him to partake
+Full happiness with me, or rather not,
+But keeps the odds of knowledge in my power
+Without copartner? so to add what wants
+In female sex, the more to draw his love,
+And render me more equal; and perhaps,
+A thing not undesirable, sometime
+Superiour; for, inferiour, who is free
+This may be well:  But what if God have seen,
+And death ensue? then I shall be no more!
+And Adam, wedded to another Eve,
+Shall live with her enjoying, I extinct;
+A death to think!  Confirmed then I resolve,
+Adam shall share with me in bliss or woe:
+So dear I love him, that with him all deaths
+I could endure, without him live no life.
+So saying, from the tree her step she turned;
+But first low reverence done, as to the Power
+That dwelt within, whose presence had infused
+Into the plant sciential sap, derived
+From nectar, drink of Gods.  Adam the while,
+Waiting desirous her return, had wove
+Of choicest flowers a garland, to adorn
+Her tresses, and her rural labours crown;
+As reapers oft are wont their harvest-queen.
+Great joy he promised to his thoughts, and new
+Solace in her return, so long delayed:
+Yet oft his heart, divine of something ill,
+Misgave him; he the faltering measure felt;
+And forth to meet her went, the way she took
+That morn when first they parted: by the tree
+Of knowledge he must pass; there he her met,
+Scarce from the tree returning; in her hand
+A bough of fairest fruit, that downy smiled,
+New gathered, and ambrosial smell diffused.
+To him she hasted; in her face excuse
+Came prologue, and apology too prompt;
+Which, with bland words at will, she thus addressed.
+Hast thou not wondered, Adam, at my stay?
+Thee I have missed, and thought it long, deprived
+Thy presence; agony of love till now
+Not felt, nor shall be twice; for never more
+Mean I to try, what rash untried I sought,
+The pain of absence from thy sight.  But strange
+Hath been the cause, and wonderful to hear:
+This tree is not, as we are told, a tree
+Of danger tasted, nor to evil unknown
+Opening the way, but of divine effect
+To open eyes, and make them Gods who taste;
+And hath been tasted such:  The serpent wise,
+Or not restrained as we, or not obeying,
+Hath eaten of the fruit; and is become,
+Not dead, as we are threatened, but thenceforth
+Endued with human voice and human sense,
+Reasoning to admiration; and with me
+Persuasively hath so prevailed, that I
+Have also tasted, and have also found
+The effects to correspond; opener mine eyes,
+Dim erst, dilated spirits, ampler heart,
+And growing up to Godhead; which for thee
+Chiefly I sought, without thee can despise.
+For bliss, as thou hast part, to me is bliss;
+Tedious, unshared with thee, and odious soon.
+Thou therefore also taste, that equal lot
+May join us, equal joy, as equal love;
+Lest, thou not tasting, different degree
+Disjoin us, and I then too late renounce
+Deity for thee, when Fate will not permit.
+Thus Eve with countenance blithe her story told;
+But in her cheek distemper flushing glowed.
+On the other side Adam, soon as he heard
+The fatal trespass done by Eve, amazed,
+Astonied stood and blank, while horrour chill
+Ran through his veins, and all his joints relaxed;
+From his slack hand the garland wreathed for Eve
+Down dropt, and all the faded roses shed:
+Speechless he stood and pale, till thus at length
+First to himself he inward silence broke.
+O fairest of Creation, last and best
+Of all God's works, Creature in whom excelled
+Whatever can to sight or thought be formed,
+Holy, divine, good, amiable, or sweet!
+How art thou lost! how on a sudden lost,
+Defaced, deflowered, and now to death devote!
+Rather, how hast thou yielded to transgress
+The strict forbiddance, how to violate
+The sacred fruit forbidden!  Some cursed fraud
+Of enemy hath beguiled thee, yet unknown,
+And me with thee hath ruined; for with thee
+Certain my resolution is to die:
+How can I live without thee! how forego
+Thy sweet converse, and love so dearly joined,
+To live again in these wild woods forlorn!
+Should God create another Eve, and I
+Another rib afford, yet loss of thee
+Would never from my heart: no, no!I feel
+The link of Nature draw me: flesh of flesh,
+Bone of my bone thou art, and from thy state
+Mine never shall be parted, bliss or woe.
+So having said, as one from sad dismay
+Recomforted, and after thoughts disturbed
+Submitting to what seemed remediless,
+Thus in calm mood his words to Eve he turned.
+Bold deed thou hast presumed, adventurous Eve,
+And peril great provoked, who thus hast dared,
+Had it been only coveting to eye
+That sacred fruit, sacred to abstinence,
+Much more to taste it under ban to touch.
+But past who can recall, or done undo?
+Not God Omnipotent, nor Fate; yet so
+Perhaps thou shalt not die, perhaps the fact
+Is not so heinous now, foretasted fruit,
+Profaned first by the serpent, by him first
+Made common, and unhallowed, ere our taste;
+Nor yet on him found deadly; yet he lives;
+Lives, as thou saidst, and gains to live, as Man,
+Higher degree of life; inducement strong
+To us, as likely tasting to attain
+Proportional ascent; which cannot be
+But to be Gods, or Angels, demi-Gods.
+Nor can I think that God, Creator wise,
+Though threatening, will in earnest so destroy
+Us his prime creatures, dignified so high,
+Set over all his works; which in our fall,
+For us created, needs with us must fail,
+Dependant made; so God shall uncreate,
+Be frustrate, do, undo, and labour lose;
+Not well conceived of God, who, though his power
+Creation could repeat, yet would be loth
+Us to abolish, lest the Adversary
+Triumph, and say; "Fickle their state whom God
+"Most favours; who can please him long? Me first
+"He ruined, now Mankind; whom will he next?"
+Matter of scorn, not to be given the Foe.
+However I with thee have fixed my lot,
+Certain to undergo like doom:  If death
+Consort with thee, death is to me as life;
+So forcible within my heart I feel
+The bond of Nature draw me to my own;
+My own in thee, for what thou art is mine;
+Our state cannot be severed; we are one,
+One flesh; to lose thee were to lose myself.
+So Adam; and thus Eve to him replied.
+O glorious trial of exceeding love,
+Illustrious evidence, example high!
+Engaging me to emulate; but, short
+Of thy perfection, how shall I attain,
+Adam, from whose dear side I boast me sprung,
+And gladly of our union hear thee speak,
+One heart, one soul in both; whereof good proof
+This day affords, declaring thee resolved,
+Rather than death, or aught than death more dread,
+Shall separate us, linked in love so dear,
+To undergo with me one guilt, one crime,
+If any be, of tasting this fair fruit;
+Whose virtue for of good still good proceeds,
+Direct, or by occasion, hath presented
+This happy trial of thy love, which else
+So eminently never had been known?
+Were it I thought death menaced would ensue
+This my attempt, I would sustain alone
+The worst, and not persuade thee, rather die
+Deserted, than oblige thee with a fact
+Pernicious to thy peace; chiefly assured
+Remarkably so late of thy so true,
+So faithful, love unequalled: but I feel
+Far otherwise the event; not death, but life
+Augmented, opened eyes, new hopes, new joys,
+Taste so divine, that what of sweet before
+Hath touched my sense, flat seems to this, and harsh.
+On my experience, Adam, freely taste,
+And fear of death deliver to the winds.
+So saying, she embraced him, and for joy
+Tenderly wept; much won, that he his love
+Had so ennobled, as of choice to incur
+Divine displeasure for her sake, or death.
+In recompence for such compliance bad
+Such recompence best merits from the bough
+She gave him of that fair enticing fruit
+With liberal hand: he scrupled not to eat,
+Against his better knowledge; not deceived,
+But fondly overcome with female charm.
+Earth trembled from her entrails, as again
+In pangs; and Nature gave a second groan;
+Sky loured; and, muttering thunder, some sad drops
+Wept at completing of the mortal sin
+Original: while Adam took no thought,
+Eating his fill; nor Eve to iterate
+Her former trespass feared, the more to sooth
+Him with her loved society; that now,
+As with new wine intoxicated both,
+They swim in mirth, and fancy that they feel
+Divinity within them breeding wings,
+Wherewith to scorn the earth:  But that false fruit
+Far other operation first displayed,
+Carnal desire inflaming; he on Eve
+Began to cast lascivious eyes; she him
+As wantonly repaid; in lust they burn:
+Till Adam thus 'gan Eve to dalliance move.
+Eve, now I see thou art exact of taste,
+And elegant, of sapience no small part;
+Since to each meaning savour we apply,
+And palate call judicious; I the praise
+Yield thee, so well this day thou hast purveyed.
+Much pleasure we have lost, while we abstained
+From this delightful fruit, nor known till now
+True relish, tasting; if such pleasure be
+In things to us forbidden, it might be wished,
+For this one tree had been forbidden ten.
+But come, so well refreshed, now let us play,
+As meet is, after such delicious fare;
+For never did thy beauty, since the day
+I saw thee first and wedded thee, adorned
+With all perfections, so inflame my sense
+With ardour to enjoy thee, fairer now
+Than ever; bounty of this virtuous tree!
+So said he, and forbore not glance or toy
+Of amorous intent; well understood
+Of Eve, whose eye darted contagious fire.
+Her hand he seised; and to a shady bank,
+Thick over-head with verdant roof imbowered,
+He led her nothing loth; flowers were the couch,
+Pansies, and violets, and asphodel,
+And hyacinth;  Earth's freshest softest lap.
+There they their fill of love and love's disport
+Took largely, of their mutual guilt the seal,
+The solace of their sin; till dewy sleep
+Oppressed them, wearied with their amorous play,
+Soon as the force of that fallacious fruit,
+That with exhilarating vapour bland
+About their spirits had played, and inmost powers
+Made err, was now exhaled; and grosser sleep,
+Bred of unkindly fumes, with conscious dreams
+Incumbered, now had left them; up they rose
+As from unrest; and, each the other viewing,
+Soon found their eyes how opened, and their minds
+How darkened; innocence, that as a veil
+Had shadowed them from knowing ill, was gone;
+Just confidence, and native righteousness,
+And honour, from about them, naked left
+To guilty Shame; he covered, but his robe
+Uncovered more.  So rose the Danite strong,
+Herculean Samson, from the harlot-lap
+Of Philistean Dalilah, and waked
+Shorn of his strength.  They destitute and bare
+Of all their virtue:  Silent, and in face
+Confounded, long they sat, as strucken mute:
+Till Adam, though not less than Eve abashed,
+At length gave utterance to these words constrained.
+O Eve, in evil hour thou didst give ear
+To that false worm, of whomsoever taught
+To counterfeit Man's voice; true in our fall,
+False in our promised rising; since our eyes
+Opened we find indeed, and find we know
+Both good and evil; good lost, and evil got;
+Bad fruit of knowledge, if this be to know;
+Which leaves us naked thus, of honour void,
+Of innocence, of faith, of purity,
+Our wonted ornaments now soiled and stained,
+And in our faces evident the signs
+Of foul concupiscence; whence evil store;
+Even shame, the last of evils; of the first
+Be sure then.--How shall I behold the face
+Henceforth of God or Angel, erst with joy
+And rapture so oft beheld?  Those heavenly shapes
+Will dazzle now this earthly with their blaze
+Insufferably bright.  O! might I here
+In solitude live savage; in some glade
+Obscured, where highest woods, impenetrable
+To star or sun-light, spread their umbrage broad
+And brown as evening:  Cover me, ye Pines!
+Ye Cedars, with innumerable boughs
+Hide me, where I may never see them more!--
+But let us now, as in bad plight, devise
+What best may for the present serve to hide
+The parts of each from other, that seem most
+To shame obnoxious, and unseemliest seen;
+Some tree, whose broad smooth leaves together sewed,
+And girded on our loins, may cover round
+Those middle parts; that this new comer, Shame,
+There sit not, and reproach us as unclean.
+So counselled he, and both together went
+Into the thickest wood; there soon they chose
+The fig-tree; not that kind for fruit renowned,
+But such as at this day, to Indians known,
+In Malabar or Decan spreads her arms
+Branching so broad and long, that in the ground
+The bended twigs take root, and daughters grow
+About the mother tree, a pillared shade
+High over-arched, and echoing walks between:
+There oft the Indian herdsman, shunning heat,
+Shelters in cool, and tends his pasturing herds
+At loop-holes cut through thickest shade:  Those leaves
+They gathered, broad as Amazonian targe;
+And, with what skill they had, together sewed,
+To gird their waist; vain covering, if to hide
+Their guilt and dreaded shame!  O, how unlike
+To that first naked glory!  Such of late
+Columbus found the American, so girt
+With feathered cincture; naked else, and wild
+Among the trees on isles and woody shores.
+Thus fenced, and, as they thought, their shame in part
+Covered, but not at rest or ease of mind,
+They sat them down to weep; nor only tears
+Rained at their eyes, but high winds worse within
+Began to rise, high passions, anger, hate,
+Mistrust, suspicion, discord; and shook sore
+Their inward state of mind, calm region once
+And full of peace, now tost and turbulent:
+For Understanding ruled not, and the Will
+Heard not her lore; both in subjection now
+To sensual Appetite, who from beneath
+Usurping over sovran Reason claimed
+Superiour sway: From thus distempered breast,
+Adam, estranged in look and altered style,
+Speech intermitted thus to Eve renewed.
+Would thou hadst hearkened to my words, and staid
+With me, as I besought thee, when that strange
+Desire of wandering, this unhappy morn,
+I know not whence possessed thee; we had then
+Remained still happy; not, as now, despoiled
+Of all our good; shamed, naked, miserable!
+Let none henceforth seek needless cause to approve
+The faith they owe; when earnestly they seek
+Such proof, conclude, they then begin to fail.
+To whom, soon moved with touch of blame, thus Eve.
+What words have passed thy lips, Adam severe!
+Imputest thou that to my default, or will
+Of wandering, as thou callest it, which who knows
+But might as ill have happened thou being by,
+Or to thyself perhaps?  Hadst thou been there,
+Or here the attempt, thou couldst not have discerned
+Fraud in the Serpent, speaking as he spake;
+No ground of enmity between us known,
+Why he should mean me ill, or seek to harm.
+Was I to have never parted from thy side?
+As good have grown there still a lifeless rib.
+Being as I am, why didst not thou, the head,
+Command me absolutely not to go,
+Going into such danger, as thou saidst?
+Too facile then, thou didst not much gainsay;
+Nay, didst permit, approve, and fair dismiss.
+Hadst thou been firm and fixed in thy dissent,
+Neither had I transgressed, nor thou with me.
+To whom, then first incensed, Adam replied.
+Is this the love, is this the recompence
+Of mine to thee, ingrateful Eve! expressed
+Immutable, when thou wert lost, not I;
+Who might have lived, and joyed immortal bliss,
+Yet willingly chose rather death with thee?
+And am I now upbraided as the cause
+Of thy transgressing?  Not enough severe,
+It seems, in thy restraint:  What could I more
+I warned thee, I admonished thee, foretold
+The danger, and the lurking enemy
+That lay in wait; beyond this, had been force;
+And force upon free will hath here no place.
+But confidence then bore thee on; secure
+Either to meet no danger, or to find
+Matter of glorious trial; and perhaps
+I also erred, in overmuch admiring
+What seemed in thee so perfect, that I thought
+No evil durst attempt thee; but I rue
+The errour now, which is become my crime,
+And thou the accuser.  Thus it shall befall
+Him, who, to worth in women overtrusting,
+Lets her will rule: restraint she will not brook;
+And, left to herself, if evil thence ensue,
+She first his weak indulgence will accuse.
+Thus they in mutual accusation spent
+The fruitless hours, but neither self-condemning;
+And of their vain contest appeared no end.
+
+
+
+Book X
+
+
+Mean while the heinous and despiteful act
+Of Satan, done in Paradise; and how
+He, in the serpent, had perverted Eve,
+Her husband she, to taste the fatal fruit,
+Was known in Heaven; for what can 'scape the eye
+Of God all-seeing, or deceive his heart
+Omniscient? who, in all things wise and just,
+Hindered not Satan to attempt the mind
+Of Man, with strength entire and free will armed,
+Complete to have discovered and repulsed
+Whatever wiles of foe or seeming friend.
+For still they knew, and ought to have still remembered,
+The high injunction, not to taste that fruit,
+Whoever tempted; which they not obeying,
+(Incurred what could they less?) the penalty;
+And, manifold in sin, deserved to fall.
+Up into Heaven from Paradise in haste
+The angelick guards ascended, mute, and sad,
+For Man; for of his state by this they knew,
+Much wondering how the subtle Fiend had stolen
+Entrance unseen.  Soon as the unwelcome news
+From Earth arrived at Heaven-gate, displeased
+All were who heard; dim sadness did not spare
+That time celestial visages, yet, mixed
+With pity, violated not their bliss.
+About the new-arrived, in multitudes
+The ethereal people ran, to hear and know
+How all befel:  They towards the throne supreme,
+Accountable, made haste, to make appear,
+With righteous plea, their utmost vigilance
+And easily approved; when the Most High
+Eternal Father, from his secret cloud,
+Amidst in thunder uttered thus his voice.
+Assembled Angels, and ye Powers returned
+From unsuccessful charge; be not dismayed,
+Nor troubled at these tidings from the earth,
+Which your sincerest care could not prevent;
+Foretold so lately what would come to pass,
+When first this tempter crossed the gulf from Hell.
+I told ye then he should prevail, and speed
+On his bad errand; Man should be seduced,
+And flattered out of all, believing lies
+Against his Maker; no decree of mine
+Concurring to necessitate his fall,
+Or touch with lightest moment of impulse
+His free will, to her own inclining left
+In even scale.  But fallen he is; and now
+What rests, but that the mortal sentence pass
+On his transgression,--death denounced that day?
+Which he presumes already vain and void,
+Because not yet inflicted, as he feared,
+By some immediate stroke; but soon shall find
+Forbearance no acquittance, ere day end.
+Justice shall not return as bounty scorned.
+But whom send I to judge them? whom but thee,
+Vicegerent Son?  To thee I have transferred
+All judgement, whether in Heaven, or Earth, or Hell.
+Easy it may be seen that I intend
+Mercy colleague with justice, sending thee
+Man's friend, his Mediator, his designed
+Both ransom and Redeemer voluntary,
+And destined Man himself to judge Man fallen.
+So spake the Father; and, unfolding bright
+Toward the right hand his glory, on the Son
+Blazed forth unclouded Deity: He full
+Resplendent all his Father manifest
+Expressed, and thus divinely answered mild.
+Father Eternal, thine is to decree;
+Mine, both in Heaven and Earth, to do thy will
+Supreme; that thou in me, thy Son beloved,
+Mayest ever rest well pleased.  I go to judge
+On earth these thy transgressours; but thou knowest,
+Whoever judged, the worst on me must light,
+When time shall be; for so I undertook
+Before thee; and, not repenting, this obtain
+Of right, that I may mitigate their doom
+On me derived; yet I shall temper so
+Justice with mercy, as may illustrate most
+Them fully satisfied, and thee appease.
+Attendance none shall need, nor train, where none
+Are to behold the judgement, but the judged,
+Those two; the third best absent is condemned,
+Convict by flight, and rebel to all law:
+Conviction to the serpent none belongs.
+Thus saying, from his radiant seat he rose
+Of high collateral glory: Him Thrones, and Powers,
+Princedoms, and Dominations ministrant,
+Accompanied to Heaven-gate; from whence
+Eden, and all the coast, in prospect lay.
+Down he descended straight; the speed of Gods
+Time counts not, though with swiftest minutes winged.
+Now was the sun in western cadence low
+From noon, and gentle airs, due at their hour,
+To fan the earth now waked, and usher in
+The evening cool; when he, from wrath more cool,
+Came the mild Judge, and Intercessour both,
+To sentence Man:  The voice of God they heard
+Now walking in the garden, by soft winds
+Brought to their ears, while day declined; they heard,
+And from his presence hid themselves among
+The thickest trees, both man and wife; till God,
+Approaching, thus to Adam called aloud.
+Where art thou, Adam, wont with joy to meet
+My coming seen far off?  I miss thee here,
+Not pleased, thus entertained with solitude,
+Where obvious duty ere while appeared unsought:
+Or come I less conspicuous, or what change
+Absents thee, or what chance detains?--Come forth!
+He came; and with him Eve, more loth, though first
+To offend; discountenanced both, and discomposed;
+Love was not in their looks, either to God,
+Or to each other; but apparent guilt,
+And shame, and perturbation, and despair,
+Anger, and obstinacy, and hate, and guile.
+Whence Adam, faltering long, thus answered brief.
+I heard thee in the garden, and of thy voice
+Afraid, being naked, hid myself.  To whom
+The gracious Judge without revile replied.
+My voice thou oft hast heard, and hast not feared,
+But still rejoiced; how is it now become
+So dreadful to thee?  That thou art naked, who
+Hath told thee?  Hast thou eaten of the tree,
+Whereof I gave thee charge thou shouldst not eat?
+To whom thus Adam sore beset replied.
+O Heaven! in evil strait this day I stand
+Before my Judge; either to undergo
+Myself the total crime, or to accuse
+My other self, the partner of my life;
+Whose failing, while her faith to me remains,
+I should conceal, and not expose to blame
+By my complaint: but strict necessity
+Subdues me, and calamitous constraint;
+Lest on my head both sin and punishment,
+However insupportable, be all
+Devolved; though should I hold my peace, yet thou
+Wouldst easily detect what I conceal.--
+This Woman, whom thou madest to be my help,
+And gavest me as thy perfect gift, so good,
+So fit, so acceptable, so divine,
+That from her hand I could suspect no ill,
+And what she did, whatever in itself,
+Her doing seemed to justify the deed;
+She gave me of the tree, and I did eat.
+To whom the Sovran Presence thus replied.
+Was she thy God, that her thou didst obey
+Before his voice? or was she made thy guide,
+Superiour, or but equal, that to her
+Thou didst resign thy manhood, and the place
+Wherein God set thee above her made of thee,
+And for thee, whose perfection far excelled
+Hers in all real dignity?  Adorned
+She was indeed, and lovely, to attract
+Thy love, not thy subjection; and her gifts
+Were such, as under government well seemed;
+Unseemly to bear rule; which was thy part
+And person, hadst thou known thyself aright.
+So having said, he thus to Eve in few.
+Say, Woman, what is this which thou hast done?
+To whom sad Eve, with shame nigh overwhelmed,
+Confessing soon, yet not before her Judge
+Bold or loquacious, thus abashed replied.
+The Serpent me beguiled, and I did eat.
+Which when the Lord God heard, without delay
+To judgement he proceeded on the accused
+Serpent, though brute; unable to transfer
+The guilt on him, who made him instrument
+Of mischief, and polluted from the end
+Of his creation; justly then accursed,
+As vitiated in nature:  More to know
+Concerned not Man, (since he no further knew)
+Nor altered his offence; yet God at last
+To Satan first in sin his doom applied,
+Though in mysterious terms, judged as then best:
+And on the Serpent thus his curse let fall.
+Because thou hast done this, thou art accursed
+Above all cattle, each beast of the field;
+Upon thy belly groveling thou shalt go,
+And dust shalt eat all the days of thy life.
+Between thee and the woman I will put
+Enmity, and between thine and her seed;
+Her seed shall bruise thy head, thou bruise his heel.
+So spake this oracle, then verified
+When Jesus, Son of Mary, second Eve,
+Saw Satan fall, like lightning, down from Heaven,
+Prince of the air; then, rising from his grave
+Spoiled Principalities and Powers, triumphed
+In open show; and, with ascension bright,
+Captivity led captive through the air,
+The realm itself of Satan, long usurped;
+Whom he shall tread at last under our feet;
+Even he, who now foretold his fatal bruise;
+And to the Woman thus his sentence turned.
+Thy sorrow I will greatly multiply
+By thy conception; children thou shalt bring
+In sorrow forth; and to thy husband's will
+Thine shall submit; he over thee shall rule.
+On Adam last thus judgement he pronounced.
+Because thou hast hearkened to the voice of thy wife,
+And eaten of the tree, concerning which
+I charged thee, saying, Thou shalt not eat thereof:
+Cursed is the ground for thy sake; thou in sorrow
+Shalt eat thereof, all the days of thy life;
+Thorns also and thistles it shall bring thee forth
+Unbid; and thou shalt eat the herb of the field;
+In the sweat of thy face shalt thou eat bread,
+Till thou return unto the ground; for thou
+Out of the ground wast taken, know thy birth,
+For dust thou art, and shalt to dust return.
+So judged he Man, both Judge and Saviour sent;
+And the instant stroke of death, denounced that day,
+Removed far off; then, pitying how they stood
+Before him naked to the air, that now
+Must suffer change, disdained not to begin
+Thenceforth the form of servant to assume;
+As when he washed his servants feet; so now,
+As father of his family, he clad
+Their nakedness with skins of beasts, or slain,
+Or as the snake with youthful coat repaid;
+And thought not much to clothe his enemies;
+Nor he their outward only with the skins
+Of beasts, but inward nakedness, much more.
+Opprobrious, with his robe of righteousness,
+Arraying, covered from his Father's sight.
+To him with swift ascent he up returned,
+Into his blissful bosom reassumed
+In glory, as of old; to him appeased
+All, though all-knowing, what had passed with Man
+Recounted, mixing intercession sweet.
+Mean while, ere thus was sinned and judged on Earth,
+Within the gates of Hell sat Sin and Death,
+In counterview within the gates, that now
+Stood open wide, belching outrageous flame
+Far into Chaos, since the Fiend passed through,
+Sin opening; who thus now to Death began.
+O Son, why sit we here each other viewing
+Idly, while Satan, our great author, thrives
+In other worlds, and happier seat provides
+For us, his offspring dear?  It cannot be
+But that success attends him; if mishap,
+Ere this he had returned, with fury driven
+By his avengers; since no place like this
+Can fit his punishment, or their revenge.
+Methinks I feel new strength within me rise,
+Wings growing, and dominion given me large
+Beyond this deep; whatever draws me on,
+Or sympathy, or some connatural force,
+Powerful at greatest distance to unite,
+With secret amity, things of like kind,
+By secretest conveyance.  Thou, my shade
+Inseparable, must with me along;
+For Death from Sin no power can separate.
+But, lest the difficulty of passing back
+Stay his return perhaps over this gulf
+Impassable, impervious; let us try
+Adventurous work, yet to thy power and mine
+Not unagreeable, to found a path
+Over this main from Hell to that new world,
+Where Satan now prevails; a monument
+Of merit high to all the infernal host,
+Easing their passage hence, for intercourse,
+Or transmigration, as their lot shall lead.
+Nor can I miss the way, so strongly drawn
+By this new-felt attraction and instinct.
+Whom thus the meager Shadow answered soon.
+Go, whither Fate, and inclination strong,
+Leads thee; I shall not lag behind, nor err
+The way, thou leading; such a scent I draw
+Of carnage, prey innumerable, and taste
+The savour of death from all things there that live:
+Nor shall I to the work thou enterprisest
+Be wanting, but afford thee equal aid.
+So saying, with delight he snuffed the smell
+Of mortal change on earth.  As when a flock
+Of ravenous fowl, though many a league remote,
+Against the day of battle, to a field,
+Where armies lie encamped, come flying, lured
+With scent of living carcasses designed
+For death, the following day, in bloody fight:
+So scented the grim Feature, and upturned
+His nostril wide into the murky air;
+Sagacious of his quarry from so far.
+Then both from out Hell-gates, into the waste
+Wide anarchy of Chaos, damp and dark,
+Flew diverse; and with power (their power was great)
+Hovering upon the waters, what they met
+Solid or slimy, as in raging sea
+Tost up and down, together crouded drove,
+From each side shoaling towards the mouth of Hell;
+As when two polar winds, blowing adverse
+Upon the Cronian sea, together drive
+Mountains of ice, that stop the imagined way
+Beyond Petsora eastward, to the rich
+Cathaian coast.  The aggregated soil
+Death with his mace petrifick, cold and dry,
+As with a trident, smote; and fixed as firm
+As Delos, floating once; the rest his look
+Bound with Gorgonian rigour not to move;
+And with Asphaltick slime, broad as the gate,
+Deep to the roots of Hell the gathered beach
+They fastened, and the mole immense wrought on
+Over the foaming deep high-arched, a bridge
+Of length prodigious, joining to the wall
+Immoveable of this now fenceless world,
+Forfeit to Death; from hence a passage broad,
+Smooth, easy, inoffensive, down to Hell.
+So, if great things to small may be compared,
+Xerxes, the liberty of Greece to yoke,
+From Susa, his Memnonian palace high,
+Came to the sea: and, over Hellespont
+Bridging his way, Europe with Asia joined,
+And scourged with many a stroke the indignant waves.
+Now had they brought the work by wonderous art
+Pontifical, a ridge of pendant rock,
+Over the vexed abyss, following the track
+Of Satan to the self-same place where he
+First lighted from his wing, and landed safe
+From out of Chaos, to the outside bare
+Of this round world:  With pins of adamant
+And chains they made all fast, too fast they made
+And durable!  And now in little space
+The confines met of empyrean Heaven,
+And of this World; and, on the left hand, Hell
+With long reach interposed; three several ways
+In sight, to each of these three places led.
+And now their way to Earth they had descried,
+To Paradise first tending; when, behold!
+Satan, in likeness of an Angel bright,
+Betwixt the Centaur and the Scorpion steering
+His zenith, while the sun in Aries rose:
+Disguised he came; but those his children dear
+Their parent soon discerned, though in disguise.
+He, after Eve seduced, unminded slunk
+Into the wood fast by; and, changing shape,
+To observe the sequel, saw his guileful act
+By Eve, though all unweeting, seconded
+Upon her husband; saw their shame that sought
+Vain covertures; but when he saw descend
+The Son of God to judge them, terrified
+He fled; not hoping to escape, but shun
+The present; fearing, guilty, what his wrath
+Might suddenly inflict; that past, returned
+By night, and listening where the hapless pair
+Sat in their sad discourse, and various plaint,
+Thence gathered his own doom; which understood
+Not instant, but of future time, with joy
+And tidings fraught, to Hell he now returned;
+And at the brink of Chaos, near the foot
+Of this new wonderous pontifice, unhoped
+Met, who to meet him came, his offspring dear.
+Great joy was at their meeting, and at sight
+Of that stupendious bridge his joy encreased.
+Long he admiring stood, till Sin, his fair
+Enchanting daughter, thus the silence broke.
+O Parent, these are thy magnifick deeds,
+Thy trophies! which thou viewest as not thine own;
+Thou art their author, and prime architect:
+For I no sooner in my heart divined,
+My heart, which by a secret harmony
+Still moves with thine, joined in connexion sweet,
+That thou on earth hadst prospered, which thy looks
+Now also evidence, but straight I felt,
+Though distant from thee worlds between, yet felt,
+That I must after thee, with this thy son;
+Such fatal consequence unites us three!
+Hell could no longer hold us in our bounds,
+Nor this unvoyageable gulf obscure
+Detain from following thy illustrious track.
+Thou hast achieved our liberty, confined
+Within Hell-gates till now; thou us impowered
+To fortify thus far, and overlay,
+With this portentous bridge, the dark abyss.
+Thine now is all this world; thy virtue hath won
+What thy hands builded not; thy wisdom gained
+With odds what war hath lost, and fully avenged
+Our foil in Heaven; here thou shalt monarch reign,
+There didst not; there let him still victor sway,
+As battle hath adjudged; from this new world
+Retiring, by his own doom alienated;
+And henceforth monarchy with thee divide
+Of all things, parted by the empyreal bounds,
+His quadrature, from thy orbicular world;
+Or try thee now more dangerous to his throne.
+Whom thus the Prince of darkness answered glad.
+Fair Daughter, and thou Son and Grandchild both;
+High proof ye now have given to be the race
+Of Satan (for I glory in the name,
+Antagonist of Heaven's Almighty King,)
+Amply have merited of me, of all
+The infernal empire, that so near Heaven's door
+Triumphal with triumphal act have met,
+Mine, with this glorious work; and made one realm,
+Hell and this world, one realm, one continent
+Of easy thorough-fare.  Therefore, while I
+Descend through darkness, on your road with ease,
+To my associate Powers, them to acquaint
+With these successes, and with them rejoice;
+You two this way, among these numerous orbs,
+All yours, right down to Paradise descend;
+There dwell, and reign in bliss; thence on the earth
+Dominion exercise and in the air,
+Chiefly on Man, sole lord of all declared;
+Him first make sure your thrall, and lastly kill.
+My substitutes I send ye, and create
+Plenipotent on earth, of matchless might
+Issuing from me: on your joint vigour now
+My hold of this new kingdom all depends,
+Through Sin to Death exposed by my exploit.
+If your joint power prevail, the affairs of Hell
+No detriment need fear; go, and be strong!
+So saying he dismissed them; they with speed
+Their course through thickest constellations held,
+Spreading their bane; the blasted stars looked wan,
+And planets, planet-struck, real eclipse
+Then suffered.  The other way Satan went down
+The causey to Hell-gate:  On either side
+Disparted Chaos overbuilt exclaimed,
+And with rebounding surge the bars assailed,
+That scorned his indignation:  Through the gate,
+Wide open and unguarded, Satan passed,
+And all about found desolate; for those,
+Appointed to sit there, had left their charge,
+Flown to the upper world; the rest were all
+Far to the inland retired, about the walls
+Of Pandemonium; city and proud seat
+Of Lucifer, so by allusion called
+Of that bright star to Satan paragoned;
+There kept their watch the legions, while the Grand
+In council sat, solicitous what chance
+Might intercept their emperour sent; so he
+Departing gave command, and they observed.
+As when the Tartar from his Russian foe,
+By Astracan, over the snowy plains,
+Retires; or Bactrin Sophi, from the horns
+Of Turkish crescent, leaves all waste beyond
+The realm of Aladule, in his retreat
+To Tauris or Casbeen:  So these, the late
+Heaven-banished host, left desart utmost Hell
+Many a dark league, reduced in careful watch
+Round their metropolis; and now expecting
+Each hour their great adventurer, from the search
+Of foreign worlds:  He through the midst unmarked,
+In show plebeian Angel militant
+Of lowest order, passed; and from the door
+Of that Plutonian hall, invisible
+Ascended his high throne; which, under state
+Of richest texture spread, at the upper end
+Was placed in regal lustre.  Down a while
+He sat, and round about him saw unseen:
+At last, as from a cloud, his fulgent head
+And shape star-bright appeared, or brighter; clad
+With what permissive glory since his fall
+Was left him, or false glitter:  All amazed
+At that so sudden blaze the Stygian throng
+Bent their aspect, and whom they wished beheld,
+Their mighty Chief returned: loud was the acclaim:
+Forth rushed in haste the great consulting peers,
+Raised from their dark Divan, and with like joy
+Congratulant approached him; who with hand
+Silence, and with these words attention, won.
+Thrones, Dominations, Princedoms, Virtues, Powers;
+For in possession such, not only of right,
+I call ye, and declare ye now; returned
+Successful beyond hope, to lead ye forth
+Triumphant out of this infernal pit
+Abominable, accursed, the house of woe,
+And dungeon of our tyrant:  Now possess,
+As Lords, a spacious world, to our native Heaven
+Little inferiour, by my adventure hard
+With peril great achieved.  Long were to tell
+What I have done; what suffered;with what pain
+Voyaged th' unreal, vast, unbounded deep
+Of horrible confusion; over which
+By Sin and Death a broad way now is paved,
+To expedite your glorious march; but I
+Toiled out my uncouth passage, forced to ride
+The untractable abyss, plunged in the womb
+Of unoriginal Night and Chaos wild;
+That, jealous of their secrets, fiercely opposed
+My journey strange, with clamorous uproar
+Protesting Fate supreme; thence how I found
+The new created world, which fame in Heaven
+Long had foretold, a fabrick wonderful
+Of absolute perfection! therein Man
+Placed in a Paradise, by our exile
+Made happy:  Him by fraud I have seduced
+From his Creator; and, the more to encrease
+Your wonder, with an apple; he, thereat
+Offended, worth your laughter! hath given up
+Both his beloved Man, and all his world,
+To Sin and Death a prey, and so to us,
+Without our hazard, labour, or alarm;
+To range in, and to dwell, and over Man
+To rule, as over all he should have ruled.
+True is, me also he hath judged, or rather
+Me not, but the brute serpent in whose shape
+Man I deceived: that which to me belongs,
+Is enmity which he will put between
+Me and mankind; I am to bruise his heel;
+His seed, when is not set, shall bruise my head:
+A world who would not purchase with a bruise,
+Or much more grievous pain?--Ye have the account
+Of my performance:  What remains, ye Gods,
+But up, and enter now into full bliss?
+So having said, a while he stood, expecting
+Their universal shout, and high applause,
+To fill his ear; when, contrary, he hears
+On all sides, from innumerable tongues,
+A dismal universal hiss, the sound
+Of publick scorn; he wondered, but not long
+Had leisure, wondering at himself now more,
+His visage drawn he felt to sharp and spare;
+His arms clung to his ribs; his legs entwining
+Each other, till supplanted down he fell
+A monstrous serpent on his belly prone,
+Reluctant, but in vain; a greater power
+Now ruled him, punished in the shape he sinned,
+According to his doom: he would have spoke,
+But hiss for hiss returned with forked tongue
+To forked tongue; for now were all transformed
+Alike, to serpents all, as accessories
+To his bold riot:  Dreadful was the din
+Of hissing through the hall, thick swarming now
+With complicated monsters head and tail,
+Scorpion, and Asp, and Amphisbaena dire,
+Cerastes horned, Hydrus, and Elops drear,
+And Dipsas; (not so thick swarmed once the soil
+Bedropt with blood of Gorgon, or the isle
+Ophiusa,) but still greatest he the midst,
+Now Dragon grown, larger than whom the sun
+Ingendered in the Pythian vale or slime,
+Huge Python, and his power no less he seemed
+Above the rest still to retain; they all
+Him followed, issuing forth to the open field,
+Where all yet left of that revolted rout,
+Heaven-fallen, in station stood or just array;
+Sublime with expectation when to see
+In triumph issuing forth their glorious Chief;
+They saw, but other sight instead! a croud
+Of ugly serpents; horrour on them fell,
+And horrid sympathy; for, what they saw,
+They felt themselves, now changing; down their arms,
+Down fell both spear and shield; down they as fast;
+And the dire hiss renewed, and the dire form
+Catched, by contagion; like in punishment,
+As in their crime.  Thus was the applause they meant,
+Turned to exploding hiss, triumph to shame
+Cast on themselves from their own mouths.  There stood
+A grove hard by, sprung up with this their change,
+His will who reigns above, to aggravate
+Their penance, laden with fair fruit, like that
+Which grew in Paradise, the bait of Eve
+Used by the Tempter: on that prospect strange
+Their earnest eyes they fixed, imagining
+For one forbidden tree a multitude
+Now risen, to work them further woe or shame;
+Yet, parched with scalding thirst and hunger fierce,
+Though to delude them sent, could not abstain;
+But on they rolled in heaps, and, up the trees
+Climbing, sat thicker than the snaky locks
+That curled Megaera: greedily they plucked
+The fruitage fair to sight, like that which grew
+Near that bituminous lake where Sodom flamed;
+This more delusive, not the touch, but taste
+Deceived; they, fondly thinking to allay
+Their appetite with gust, instead of fruit
+Chewed bitter ashes, which the offended taste
+With spattering noise rejected: oft they assayed,
+Hunger and thirst constraining; drugged as oft,
+With hatefullest disrelish writhed their jaws,
+With soot and cinders filled; so oft they fell
+Into the same illusion, not as Man
+Whom they triumphed once lapsed.  Thus were they plagued
+And worn with famine, long and ceaseless hiss,
+Till their lost shape, permitted, they resumed;
+Yearly enjoined, some say, to undergo,
+This annual humbling certain numbered days,
+To dash their pride, and joy, for Man seduced.
+However, some tradition they dispersed
+Among the Heathen, of their purchase got,
+And fabled how the Serpent, whom they called
+Ophion, with Eurynome, the wide--
+Encroaching Eve perhaps, had first the rule
+Of high Olympus; thence by Saturn driven
+And Ops, ere yet Dictaean Jove was born.
+Mean while in Paradise the hellish pair
+Too soon arrived; Sin, there in power before,
+Once actual; now in body, and to dwell
+Habitual habitant; behind her Death,
+Close following pace for pace, not mounted yet
+On his pale horse: to whom Sin thus began.
+Second of Satan sprung, all-conquering Death!
+What thinkest thou of our empire now, though earned
+With travel difficult, not better far
+Than still at Hell's dark threshold to have sat watch,
+Unnamed, undreaded, and thyself half starved?
+Whom thus the Sin-born monster answered soon.
+To me, who with eternal famine pine,
+Alike is Hell, or Paradise, or Heaven;
+There best, where most with ravine I may meet;
+Which here, though plenteous, all too little seems
+To stuff this maw, this vast unhide-bound corps.
+To whom the incestuous mother thus replied.
+Thou therefore on these herbs, and fruits, and flowers,
+Feed first; on each beast next, and fish, and fowl;
+No homely morsels! and, whatever thing
+The sithe of Time mows down, devour unspared;
+Till I, in Man residing, through the race,
+His thoughts, his looks, words, actions, all infect;
+And season him thy last and sweetest prey.
+This said, they both betook them several ways,
+Both to destroy, or unimmortal make
+All kinds, and for destruction to mature
+Sooner or later; which the Almighty seeing,
+From his transcendent seat the Saints among,
+To those bright Orders uttered thus his voice.
+See, with what heat these dogs of Hell advance
+To waste and havock yonder world, which I
+So fair and good created; and had still
+Kept in that state, had not the folly of Man
+Let in these wasteful furies, who impute
+Folly to me; so doth the Prince of Hell
+And his adherents, that with so much ease
+I suffer them to enter and possess
+A place so heavenly; and, conniving, seem
+To gratify my scornful enemies,
+That laugh, as if, transported with some fit
+Of passion, I to them had quitted all,
+At random yielded up to their misrule;
+And know not that I called, and drew them thither,
+My Hell-hounds, to lick up the draff and filth
+Which Man's polluting sin with taint hath shed
+On what was pure; til, crammed and gorged, nigh burst
+With sucked and glutted offal, at one sling
+Of thy victorious arm, well-pleasing Son,
+Both Sin, and Death, and yawning Grave, at last,
+Through Chaos hurled, obstruct the mouth of Hell
+For ever, and seal up his ravenous jaws.
+Then Heaven and Earth renewed shall be made pure
+To sanctity, that shall receive no stain:
+Till then, the curse pronounced on both precedes.
+He ended, and the heavenly audience loud
+Sung Halleluiah, as the sound of seas,
+Through multitude that sung:  Just are thy ways,
+Righteous are thy decrees on all thy works;
+Who can extenuate thee?  Next, to the Son,
+Destined Restorer of mankind, by whom
+New Heaven and Earth shall to the ages rise,
+Or down from Heaven descend.--Such was their song;
+While the Creator, calling forth by name
+His mighty Angels, gave them several charge,
+As sorted best with present things.  The sun
+Had first his precept so to move, so shine,
+As might affect the earth with cold and heat
+Scarce tolerable; and from the north to call
+Decrepit winter; from the south to bring
+Solstitial summer's heat.  To the blanc moon
+Her office they prescribed; to the other five
+Their planetary motions, and aspects,
+In sextile, square, and trine, and opposite,
+Of noxious efficacy, and when to join
+In synod unbenign; and taught the fixed
+Their influence malignant when to shower,
+Which of them rising with the sun, or falling,
+Should prove tempestuous:  To the winds they set
+Their corners, when with bluster to confound
+Sea, air, and shore; the thunder when to roll
+With terrour through the dark aereal hall.
+Some say, he bid his Angels turn ascanse
+The poles of earth, twice ten degrees and more,
+From the sun's axle; they with labour pushed
+Oblique the centrick globe:  Some say, the sun
+Was bid turn reins from the equinoctial road
+Like distant breadth to Taurus with the seven
+Atlantick Sisters, and the Spartan Twins,
+Up to the Tropick Crab: thence down amain
+By Leo, and the Virgin, and the Scales,
+As deep as Capricorn; to bring in change
+Of seasons to each clime; else had the spring
+Perpetual smiled on earth with vernant flowers,
+Equal in days and nights, except to those
+Beyond the polar circles; to them day
+Had unbenighted shone, while the low sun,
+To recompense his distance, in their sight
+Had rounded still the horizon, and not known
+Or east or west; which had forbid the snow
+From cold Estotiland, and south as far
+Beneath Magellan.  At that tasted fruit
+The sun, as from Thyestean banquet, turned
+His course intended; else, how had the world
+Inhabited, though sinless, more than now,
+Avoided pinching cold and scorching heat?
+These changes in the Heavens, though slow, produced
+Like change on sea and land; sideral blast,
+Vapour, and mist, and exhalation hot,
+Corrupt and pestilent:  Now from the north
+Of Norumbega, and the Samoed shore,
+Bursting their brazen dungeon, armed with ice,
+And snow, and hail, and stormy gust and flaw,
+Boreas, and Caecias, and Argestes loud,
+And Thrascias, rend the woods, and seas upturn;
+With adverse blast upturns them from the south
+Notus, and Afer black with thunderous clouds
+From Serraliona; thwart of these, as fierce,
+Forth rush the Levant and the Ponent winds,
+Eurus and Zephyr, with their lateral noise,
+Sirocco and Libecchio.  Thus began
+Outrage from lifeless things; but Discord first,
+Daughter of Sin, among the irrational
+Death introduced, through fierce antipathy:
+Beast now with beast 'gan war, and fowl with fowl,
+And fish with fish; to graze the herb all leaving,
+Devoured each other; nor stood much in awe
+Of Man, but fled him; or, with countenance grim,
+Glared on him passing.  These were from without
+The growing miseries, which Adam saw
+Already in part, though hid in gloomiest shade,
+To sorrow abandoned, but worse felt within;
+And, in a troubled sea of passion tost,
+Thus to disburden sought with sad complaint.
+O miserable of happy!  Is this the end
+Of this new glorious world, and me so late
+The glory of that glory, who now become
+Accursed, of blessed? hide me from the face
+Of God, whom to behold was then my highth
+Of happiness!--Yet well, if here would end
+The misery; I deserved it, and would bear
+My own deservings; but this will not serve:
+All that I eat or drink, or shall beget,
+Is propagated curse.  O voice, once heard
+Delightfully, Encrease and multiply;
+Now death to hear! for what can I encrease,
+Or multiply, but curses on my head?
+Who of all ages to succeed, but, feeling
+The evil on him brought by me, will curse
+My head?  Ill fare our ancestor impure,
+For this we may thank Adam! but his thanks
+Shall be the execration: so, besides
+Mine own that bide upon me, all from me
+Shall with a fierce reflux on me rebound;
+On me, as on their natural center, light
+Heavy, though in their place.  O fleeting joys
+Of Paradise, dear bought with lasting woes!
+Did I request thee, Maker, from my clay
+To mould me Man? did I solicit thee
+From darkness to promote me, or here place
+In this delicious garden?  As my will
+Concurred not to my being, it were but right
+And equal to reduce me to my dust;
+Desirous to resign and render back
+All I received; unable to perform
+Thy terms too hard, by which I was to hold
+The good I sought not.  To the loss of that,
+Sufficient penalty, why hast thou added
+The sense of endless woes?  Inexplicable
+Why am I mocked with death, and lengthened out
+To deathless pain?  How gladly would I meet
+Mortality my sentence, and be earth
+Insensible!  How glad would lay me down
+As in my mother's lap!  There I should rest,
+And sleep secure; his dreadful voice no more
+Would thunder in my ears; no fear of worse
+To me, and to my offspring, would torment me
+With cruel expectation.  Yet one doubt
+Pursues me still, lest all I cannot die;
+Lest that pure breath of life, the spirit of Man
+Which God inspired, cannot together perish
+With this corporeal clod; then, in the grave,
+Or in some other dismal place, who knows
+But I shall die a living death?  O thought
+Horrid, if true!  Yet why? It was but breath
+Of life that sinned; what dies but what had life
+And sin?  The body properly had neither,
+All of me then shall die: let this appease
+The doubt, since human reach no further knows.
+For though the Lord of all be infinite,
+Is his wrath also?  Be it, Man is not so,
+But mortal doomed.  How can he exercise
+Wrath without end on Man, whom death must end?
+Can he make deathless death?  That were to make
+Strange contradiction, which to God himself
+Impossible is held; as argument
+Of weakness, not of power.  Will he draw out,
+For anger's sake, finite to infinite,
+In punished Man, to satisfy his rigour,
+Satisfied never?  That were to extend
+His sentence beyond dust and Nature's law;
+By which all causes else, according still
+To the reception of their matter, act;
+Not to the extent of their own sphere.  But say
+That death be not one stroke, as I supposed,
+Bereaving sense, but endless misery
+From this day onward; which I feel begun
+Both in me, and without me; and so last
+To perpetuity;--Ay me!that fear
+Comes thundering back with dreadful revolution
+On my defenceless head; both Death and I
+Am found eternal, and incorporate both;
+Nor I on my part single; in me all
+Posterity stands cursed:  Fair patrimony
+That I must leave ye, Sons!  O, were I able
+To waste it all myself, and leave ye none!
+So disinherited, how would you bless
+Me, now your curse!  Ah, why should all mankind,
+For one man's fault, thus guiltless be condemned,
+It guiltless?  But from me what can proceed,
+But all corrupt; both mind and will depraved
+Not to do only, but to will the same
+With me?  How can they then acquitted stand
+In sight of God?  Him, after all disputes,
+Forced I absolve: all my evasions vain,
+And reasonings, though through mazes, lead me still
+But to my own conviction: first and last
+On me, me only, as the source and spring
+Of all corruption, all the blame lights due;
+So might the wrath!  Fond wish!couldst thou support
+That burden, heavier than the earth to bear;
+Than all the world much heavier, though divided
+With that bad Woman?  Thus, what thou desirest,
+And what thou fearest, alike destroys all hope
+Of refuge, and concludes thee miserable
+Beyond all past example and future;
+To Satan only like both crime and doom.
+O Conscience! into what abyss of fears
+And horrours hast thou driven me; out of which
+I find no way, from deep to deeper plunged!
+Thus Adam to himself lamented loud,
+Through the still night; not now, as ere Man fell,
+Wholesome, and cool, and mild, but with black air
+Accompanied; with damps, and dreadful gloom;
+Which to his evil conscience represented
+All things with double terrour:  On the ground
+Outstretched he lay, on the cold ground; and oft
+Cursed his creation;  Death as oft accused
+Of tardy execution, since denounced
+The day of his offence.  Why comes not Death,
+Said he, with one thrice-acceptable stroke
+To end me?  Shall Truth fail to keep her word,
+Justice Divine not hasten to be just?
+But Death comes not at call; Justice Divine
+Mends not her slowest pace for prayers or cries,
+O woods, O fountains, hillocks, dales, and bowers!
+With other echo late I taught your shades
+To answer, and resound far other song.--
+Whom thus afflicted when sad Eve beheld,
+Desolate where she sat, approaching nigh,
+Soft words to his fierce passion she assayed:
+But her with stern regard he thus repelled.
+Out of my sight, thou Serpent!  That name best
+Befits thee with him leagued, thyself as false
+And hateful; nothing wants, but that thy shape,
+Like his, and colour serpentine, may show
+Thy inward fraud; to warn all creatures from thee
+Henceforth; lest that too heavenly form, pretended
+To hellish falshood, snare them!  But for thee
+I had persisted happy; had not thy pride
+And wandering vanity, when least was safe,
+Rejected my forewarning, and disdained
+Not to be trusted; longing to be seen,
+Though by the Devil himself; him overweening
+To over-reach; but, with the serpent meeting,
+Fooled and beguiled; by him thou, I by thee
+To trust thee from my side; imagined wise,
+Constant, mature, proof against all assaults;
+And understood not all was but a show,
+Rather than solid virtue; all but a rib
+Crooked by nature, bent, as now appears,
+More to the part sinister, from me drawn;
+Well if thrown out, as supernumerary
+To my just number found.  O! why did God,
+Creator wise, that peopled highest Heaven
+With Spirits masculine, create at last
+This novelty on earth, this fair defect
+Of nature, and not fill the world at once
+With Men, as Angels, without feminine;
+Or find some other way to generate
+Mankind?  This mischief had not been befallen,
+And more that shall befall; innumerable
+Disturbances on earth through female snares,
+And strait conjunction with this sex: for either
+He never shall find out fit mate, but such
+As some misfortune brings him, or mistake;
+Or whom he wishes most shall seldom gain
+Through her perverseness, but shall see her gained
+By a far worse; or, if she love, withheld
+By parents; or his happiest choice too late
+Shall meet, already linked and wedlock-bound
+To a fell adversary, his hate or shame:
+Which infinite calamity shall cause
+To human life, and houshold peace confound.
+He added not, and from her turned; but Eve,
+Not so repulsed, with tears that ceased not flowing
+And tresses all disordered, at his feet
+Fell humble; and, embracing them, besought
+His peace, and thus proceeded in her plaint.
+Forsake me not thus, Adam! witness Heaven
+What love sincere, and reverence in my heart
+I bear thee, and unweeting have offended,
+Unhappily deceived!  Thy suppliant
+I beg, and clasp thy knees; bereave me not,
+Whereon I live, thy gentle looks, thy aid,
+Thy counsel, in this uttermost distress,
+My only strength and stay:  Forlorn of thee,
+Whither shall I betake me, where subsist?
+While yet we live, scarce one short hour perhaps,
+Between us two let there be peace; both joining,
+As joined in injuries, one enmity
+Against a foe by doom express assigned us,
+That cruel Serpent:  On me exercise not
+Thy hatred for this misery befallen;
+On me already lost, me than thyself
+More miserable!  Both have sinned;but thou
+Against God only; I against God and thee;
+And to the place of judgement will return,
+There with my cries importune Heaven; that all
+The sentence, from thy head removed, may light
+On me, sole cause to thee of all this woe;
+Me, me only, just object of his ire!
+She ended weeping; and her lowly plight,
+Immoveable, till peace obtained from fault
+Acknowledged and deplored, in Adam wrought
+Commiseration:  Soon his heart relented
+Towards her, his life so late, and sole delight,
+Now at his feet submissive in distress;
+Creature so fair his reconcilement seeking,
+His counsel, whom she had displeased, his aid:
+As one disarmed, his anger all he lost,
+And thus with peaceful words upraised her soon.
+Unwary, and too desirous, as before,
+So now of what thou knowest not, who desirest
+The punishment all on thyself; alas!
+Bear thine own first, ill able to sustain
+His full wrath, whose thou feelest as yet least part,
+And my displeasure bearest so ill.  If prayers
+Could alter high decrees, I to that place
+Would speed before thee, and be louder heard,
+That on my head all might be visited;
+Thy frailty and infirmer sex forgiven,
+To me committed, and by me exposed.
+But rise;--let us no more contend, nor blame
+Each other, blamed enough elsewhere; but strive
+In offices of love, how we may lighten
+Each other's burden, in our share of woe;
+Since this day's death denounced, if aught I see,
+Will prove no sudden, but a slow-paced evil;
+A long day's dying, to augment our pain;
+And to our seed (O hapless seed!) derived.
+To whom thus Eve, recovering heart, replied.
+Adam, by sad experiment I know
+How little weight my words with thee can find,
+Found so erroneous; thence by just event
+Found so unfortunate:  Nevertheless,
+Restored by thee, vile as I am, to place
+Of new acceptance, hopeful to regain
+Thy love, the sole contentment of my heart
+Living or dying, from thee I will not hide
+What thoughts in my unquiet breast are risen,
+Tending to some relief of our extremes,
+Or end; though sharp and sad, yet tolerable,
+As in our evils, and of easier choice.
+If care of our descent perplex us most,
+Which must be born to certain woe, devoured
+By Death at last; and miserable it is
+To be to others cause of misery,
+Our own begotten, and of our loins to bring
+Into this cursed world a woeful race,
+That after wretched life must be at last
+Food for so foul a monster; in thy power
+It lies, yet ere conception to prevent
+The race unblest, to being yet unbegot.
+Childless thou art, childless remain: so Death
+Shall be deceived his glut, and with us two
+Be forced to satisfy his ravenous maw.
+But if thou judge it hard and difficult,
+Conversing, looking, loving, to abstain
+From love's due rights, nuptial embraces sweet;
+And with desire to languish without hope,
+Before the present object languishing
+With like desire; which would be misery
+And torment less than none of what we dread;
+Then, both ourselves and seed at once to free
+From what we fear for both, let us make short, --
+Let us seek Death; -- or, he not found, supply
+With our own hands his office on ourselves:
+Why stand we longer shivering under fears,
+That show no end but death, and have the power,
+Of many ways to die the shortest choosing,
+Destruction with destruction to destroy? --
+She ended here, or vehement despair
+Broke off the rest: so much of death her thoughts
+Had entertained, as dyed her cheeks with pale.
+But Adam, with such counsel nothing swayed,
+To better hopes his more attentive mind
+Labouring had raised; and thus to Eve replied.
+Eve, thy contempt of life and pleasure seems
+To argue in thee something more sublime
+And excellent, than what thy mind contemns;
+But self-destruction therefore sought, refutes
+That excellence thought in thee; and implies,
+Not thy contempt, but anguish and regret
+For loss of life and pleasure overloved.
+Or if thou covet death, as utmost end
+Of misery, so thinking to evade
+The penalty pronounced; doubt not but God
+Hath wiselier armed his vengeful ire, than so
+To be forestalled; much more I fear lest death,
+So snatched, will not exempt us from the pain
+We are by doom to pay; rather, such acts
+Of contumacy will provoke the Highest
+To make death in us live:  Then let us seek
+Some safer resolution, which methinks
+I have in view, calling to mind with heed
+Part of our sentence, that thy seed shall bruise
+The Serpent's head; piteous amends! unless
+Be meant, whom I conjecture, our grand foe,
+Satan; who, in the serpent, hath contrived
+Against us this deceit:  To crush his head
+Would be revenge indeed! which will be lost
+By death brought on ourselves, or childless days
+Resolved, as thou proposest; so our foe
+Shal 'scape his punishment ordained, and we
+Instead shall double ours upon our heads.
+No more be mentioned then of violence
+Against ourselves; and wilful barrenness,
+That cuts us off from hope; and savours only
+Rancour and pride, impatience and despite,
+Reluctance against God and his just yoke
+Laid on our necks.  Remember with what mild
+And gracious temper he both heard, and judged,
+Without wrath or reviling; we expected
+Immediate dissolution, which we thought
+Was meant by death that day; when lo!to thee
+Pains only in child-bearing were foretold,
+And bringing forth; soon recompensed with joy,
+Fruit of thy womb:  On me the curse aslope
+Glanced on the ground; with labour I must earn
+My bread; what harm? Idleness had been worse;
+My labour will sustain me; and, lest cold
+Or heat should injure us, his timely care
+Hath, unbesought, provided; and his hands
+Clothed us unworthy, pitying while he judged;
+How much more, if we pray him, will his ear
+Be open, and his heart to pity incline,
+And teach us further by what means to shun
+The inclement seasons, rain, ice, hail, and snow!
+Which now the sky, with various face, begins
+To show us in this mountain; while the winds
+Blow moist and keen, shattering the graceful locks
+Of these fair spreading trees; which bids us seek
+Some better shroud, some better warmth to cherish
+Our limbs benummed, ere this diurnal star
+Leave cold the night, how we his gathered beams
+Reflected may with matter sere foment;
+Or, by collision of two bodies, grind
+The air attrite to fire; as late the clouds
+Justling, or pushed with winds, rude in their shock,
+Tine the slant lightning; whose thwart flame, driven down
+Kindles the gummy bark of fir or pine;
+And sends a comfortable heat from far,
+Which might supply the sun:  Such fire to use,
+And what may else be remedy or cure
+To evils which our own misdeeds have wrought,
+He will instruct us praying, and of grace
+Beseeching him; so as we need not fear
+To pass commodiously this life, sustained
+By him with many comforts, till we end
+In dust, our final rest and native home.
+What better can we do, than, to the place
+Repairing where he judged us, prostrate fall
+Before him reverent; and there confess
+Humbly our faults, and pardon beg; with tears
+Watering the ground, and with our sighs the air
+Frequenting, sent from hearts contrite, in sign
+Of sorrow unfeigned, and humiliation meek
+
+
+
+Book XI
+
+
+Undoubtedly he will relent, and turn
+From his displeasure; in whose look serene,
+When angry most he seemed and most severe,
+What else but favour, grace, and mercy, shone?
+So spake our father penitent; nor Eve
+Felt less remorse: they, forthwith to the place
+Repairing where he judged them, prostrate fell
+Before him reverent; and both confessed
+Humbly their faults, and pardon begged; with tears
+Watering the ground, and with their sighs the air
+Frequenting, sent from hearts contrite, in sign
+Of sorrow unfeigned, and humiliation meek.
+Thus they, in lowliest plight, repentant stood
+Praying; for from the mercy-seat above
+Prevenient grace descending had removed
+The stony from their hearts, and made new flesh
+Regenerate grow instead; that sighs now breathed
+Unutterable; which the Spirit of prayer
+Inspired, and winged for Heaven with speedier flight
+Than loudest oratory:  Yet their port
+Not of mean suitors; nor important less
+Seemed their petition, than when the ancient pair
+In fables old, less ancient yet than these,
+Deucalion and chaste Pyrrha, to restore
+The race of mankind drowned, before the shrine
+Of Themis stood devout.  To Heaven their prayers
+Flew up, nor missed the way, by envious winds
+Blown vagabond or frustrate: in they passed
+Dimensionless through heavenly doors; then clad
+With incense, where the golden altar fumed,
+By their great intercessour, came in sight
+Before the Father's throne: them the glad Son
+Presenting, thus to intercede began.
+See$ Father, what first-fruits on earth are sprung
+From thy implanted grace in Man; these sighs
+And prayers, which in this golden censer mixed
+With incense, I thy priest before thee bring;
+Fruits of more pleasing savour, from thy seed
+Sown with contrition in his heart, than those
+Which, his own hand manuring, all the trees
+Of Paradise could have produced, ere fallen
+From innocence.  Now therefore, bend thine ear
+To supplication; hear his sighs, though mute;
+Unskilful with what words to pray, let me
+Interpret for him; me, his advocate
+And propitiation; all his works on me,
+Good, or not good, ingraft; my merit those
+Shall perfect, and for these my death shall pay.
+Accept me; and, in me, from these receive
+The smell of peace toward mankind: let him live
+Before thee reconciled, at least his days
+Numbered, though sad; till death, his doom, (which I
+To mitigate thus plead, not to reverse,)
+To better life shall yield him: where with me
+All my redeemed may dwell in joy and bliss;
+Made one with me, as I with thee am one.
+To whom the Father, without cloud, serene.
+All thy request for Man, accepted Son,
+Obtain; all thy request was my decree:
+But, longer in that Paradise to dwell,
+The law I gave to Nature him forbids:
+Those pure immortal elements, that know,
+No gross, no unharmonious mixture foul,
+Eject him, tainted now; and purge him off,
+As a distemper, gross, to air as gross,
+And mortal food; as may dispose him best
+For dissolution wrought by sin, that first
+Distempered all things, and of incorrupt
+Corrupted.  I, at first, with two fair gifts
+Created him endowed; with happiness,
+And immortality: that fondly lost,
+This other served but to eternize woe;
+Till I provided death: so death becomes
+His final remedy; and, after life,
+Tried in sharp tribulation, and refined
+By faith and faithful works, to second life,
+Waked in the renovation of the just,
+Resigns him up with Heaven and Earth renewed.
+But let us call to synod all the Blest,
+Through Heaven's wide bounds: from them I will not hide
+My judgements; how with mankind I proceed,
+As how with peccant Angels late they saw,
+And in their state, though firm, stood more confirmed.
+He ended, and the Son gave signal high
+To the bright minister that watched; he blew
+His trumpet, heard in Oreb since perhaps
+When God descended, and perhaps once more
+To sound at general doom.  The angelick blast
+Filled all the regions: from their blisful bowers
+Of amarantine shade, fountain or spring,
+By the waters of life, where'er they sat
+In fellowships of joy, the sons of light
+Hasted, resorting to the summons high;
+And took their seats; till from his throne supreme
+The Almighty thus pronounced his sovran will.
+O Sons, like one of us Man is become
+To know both good and evil, since his taste
+Of that defended fruit; but let him boast
+His knowledge of good lost, and evil got;
+Happier! had it sufficed him to have known
+Good by itself, and evil not at all.
+He sorrows now, repents, and prays contrite,
+My motions in him; longer than they move,
+His heart I know, how variable and vain,
+Self-left.  Lest therefore his now bolder hand
+Reach also of the tree of life, and eat,
+And live for ever, dream at least to live
+For ever, to remove him I decree,
+And send him from the garden forth to till
+The ground whence he was taken, fitter soil.
+Michael, this my behest have thou in charge;
+Take to thee from among the Cherubim
+Thy choice of flaming warriours, lest the Fiend,
+Or in behalf of Man, or to invade
+Vacant possession, some new trouble raise:
+Haste thee, and from the Paradise of God
+Without remorse drive out the sinful pair;
+From hallowed ground the unholy; and denounce
+To them, and to their progeny, from thence
+Perpetual banishment.  Yet, lest they faint
+At the sad sentence rigorously urged,
+(For I behold them softened, and with tears
+Bewailing their excess,) all terrour hide.
+If patiently thy bidding they obey,
+Dismiss them not disconsolate; reveal
+To Adam what shall come in future days,
+As I shall thee enlighten; intermix
+My covenant in the Woman's seed renewed;
+So send them forth, though sorrowing, yet in peace:
+And on the east side of the garden place,
+Where entrance up from Eden easiest climbs,
+Cherubick watch; and of a sword the flame
+Wide-waving; all approach far off to fright,
+And guard all passage to the tree of life:
+Lest Paradise a receptacle prove
+To Spirits foul, and all my trees their prey;
+With whose stolen fruit Man once more to delude.
+He ceased; and the arch-angelick Power prepared
+For swift descent; with him the cohort bright
+Of watchful Cherubim: four faces each
+Had, like a double Janus; all their shape
+Spangled with eyes more numerous than those
+Of Argus, and more wakeful than to drouse,
+Charmed with Arcadian pipe, the pastoral reed
+Of Hermes, or his opiate rod.  Mean while,
+To re-salute the world with sacred light,
+Leucothea waked; and with fresh dews imbalmed
+The earth; when Adam and first matron Eve
+Had ended now their orisons, and found
+Strength added from above; new hope to spring
+Out of despair; joy, but with fear yet linked;
+Which thus to Eve his welcome words renewed.
+Eve, easily my faith admit, that all
+The good which we enjoy from Heaven descends;
+But, that from us aught should ascend to Heaven
+So prevalent as to concern the mind
+Of God high-blest, or to incline his will,
+Hard to belief may seem; yet this will prayer
+Or one short sigh of human breath, upborne
+Even to the seat of God.  For since I sought
+By prayer the offended Deity to appease;
+Kneeled, and before him humbled all my heart;
+Methought I saw him placable and mild,
+Bending his ear; persuasion in me grew
+That I was heard with favour; peace returned
+Home to my breast, and to my memory
+His promise, that thy seed shall bruise our foe;
+Which, then not minded in dismay, yet now
+Assures me that the bitterness of death
+Is past, and we shall live.  Whence hail to thee,
+Eve rightly called, mother of all mankind,
+Mother of all things living, since by thee
+Man is to live; and all things live for Man.
+To whom thus Eve with sad demeanour meek.
+Ill-worthy I such title should belong
+To me transgressour; who, for thee ordained
+A help, became thy snare; to me reproach
+Rather belongs, distrust, and all dispraise:
+But infinite in pardon was my Judge,
+That I, who first brought death on all, am graced
+The source of life; next favourable thou,
+Who highly thus to entitle me vouchsaf'st,
+Far other name deserving.  But the field
+To labour calls us, now with sweat imposed,
+Though after sleepless night; for see!the morn,
+All unconcerned with our unrest, begins
+Her rosy progress smiling: let us forth;
+I never from thy side henceforth to stray,
+Where'er our day's work lies, though now enjoined
+Laborious, till day droop; while here we dwell,
+What can be toilsome in these pleasant walks?
+Here let us live, though in fallen state, content.
+So spake, so wished much humbled Eve; but Fate
+Subscribed not:  Nature first gave signs, impressed
+On bird, beast, air; air suddenly eclipsed,
+After short blush of morn; nigh in her sight
+The bird of Jove, stooped from his aery tour,
+Two birds of gayest plume before him drove;
+Down from a hill the beast that reigns in woods,
+First hunter then, pursued a gentle brace,
+Goodliest of all the forest, hart and hind;
+Direct to the eastern gate was bent their flight.
+Adam observed, and with his eye the chase
+Pursuing, not unmoved, to Eve thus spake.
+O Eve, some further change awaits us nigh,
+Which Heaven, by these mute signs in Nature, shows
+Forerunners of his purpose; or to warn
+Us, haply too secure, of our discharge
+From penalty, because from death released
+Some days: how long, and what till then our life,
+Who knows? or more than this, that we are dust,
+And thither must return, and be no more?
+Why else this double object in our sight
+Of flight pursued in the air, and o'er the ground,
+One way the self-same hour? why in the east
+Darkness ere day's mid-course, and morning-light
+More orient in yon western cloud, that draws
+O'er the blue firmament a radiant white,
+And slow descends with something heavenly fraught?
+He erred not; for by this the heavenly bands
+Down from a sky of jasper lighted now
+In Paradise, and on a hill made halt;
+A glorious apparition, had not doubt
+And carnal fear that day dimmed Adam's eye.
+Not that more glorious, when the Angels met
+Jacob in Mahanaim, where he saw
+The field pavilioned with his guardians bright;
+Nor that, which on the flaming mount appeared
+In Dothan, covered with a camp of fire,
+Against the Syrian king, who to surprise
+One man, assassin-like, had levied war,
+War unproclaimed.  The princely Hierarch
+In their bright stand there left his Powers, to seise
+Possession of the garden; he alone,
+To find where Adam sheltered, took his way,
+Not unperceived of Adam; who to Eve,
+While the great visitant approached, thus spake.
+Eve$ now expect great tidings, which perhaps
+Of us will soon determine, or impose
+New laws to be observed; for I descry,
+From yonder blazing cloud that veils the hill,
+One of the heavenly host; and, by his gait,
+None of the meanest; some great Potentate
+Or of the Thrones above; such majesty
+Invests him coming! yet not terrible,
+That I should fear; nor sociably mild,
+As Raphael, that I should much confide;
+But solemn and sublime; whom not to offend,
+With reverence I must meet, and thou retire.
+He ended: and the Arch-Angel soon drew nigh,
+Not in his shape celestial, but as man
+Clad to meet man; over his lucid arms
+A military vest of purple flowed,
+Livelier than Meliboean, or the grain
+Of Sarra, worn by kings and heroes old
+In time of truce; Iris had dipt the woof;
+His starry helm unbuckled showed him prime
+In manhood where youth ended; by his side,
+As in a glistering zodiack, hung the sword,
+Satan's dire dread; and in his hand the spear.
+Adam bowed low; he, kingly, from his state
+Inclined not, but his coming thus declared.
+Adam, Heaven's high behest no preface needs:
+Sufficient that thy prayers are heard; and Death,
+Then due by sentence when thou didst transgress,
+Defeated of his seisure many days
+Given thee of grace; wherein thou mayest repent,
+And one bad act with many deeds well done
+Mayest cover:  Well may then thy Lord, appeased,
+Redeem thee quite from Death's rapacious claim;
+But longer in this Paradise to dwell
+Permits not: to remove thee I am come,
+And send thee from the garden forth to till
+The ground whence thou wast taken, fitter soil.
+He added not; for Adam at the news
+Heart-struck with chilling gripe of sorrow stood,
+That all his senses bound; Eve, who unseen
+Yet all had heard, with audible lament
+Discovered soon the place of her retire.
+O unexpected stroke, worse than of Death!
+Must I thus leave thee$ Paradise? thus leave
+Thee, native soil! these happy walks and shades,
+Fit haunt of Gods? where I had hope to spend,
+Quiet though sad, the respite of that day
+That must be mortal to us both.  O flowers,
+That never will in other climate grow,
+My early visitation, and my last
+ ;t even, which I bred up with tender hand
+From the first opening bud, and gave ye names!
+Who now shall rear ye to the sun, or rank
+Your tribes, and water from the ambrosial fount?
+Thee lastly, nuptial bower! by me adorned
+With what to sight or smell was sweet! from thee
+How shall I part, and whither wander down
+Into a lower world; to this obscure
+And wild? how shall we breathe in other air
+Less pure, accustomed to immortal fruits?
+Whom thus the Angel interrupted mild.
+Lament not, Eve, but patiently resign
+What justly thou hast lost, nor set thy heart,
+Thus over-fond, on that which is not thine:
+Thy going is not lonely; with thee goes
+Thy husband; whom to follow thou art bound;
+Where he abides, think there thy native soil.
+Adam, by this from the cold sudden damp
+Recovering, and his scattered spirits returned,
+To Michael thus his humble words addressed.
+Celestial, whether among the Thrones, or named
+Of them the highest; for such of shape may seem
+Prince above princes! gently hast thou told
+Thy message, which might else in telling wound,
+And in performing end us; what besides
+Of sorrow, and dejection, and despair,
+Our frailty can sustain, thy tidings bring,
+Departure from this happy place, our sweet
+Recess, and only consolation left
+Familiar to our eyes! all places else
+Inhospitable appear, and desolate;
+Nor knowing us, nor known:  And, if by prayer
+Incessant I could hope to change the will
+Of Him who all things can, I would not cease
+To weary him with my assiduous cries:
+But prayer against his absolute decree
+No more avails than breath against the wind,
+Blown stifling back on him that breathes it forth:
+Therefore to his great bidding I submit.
+This most afflicts me, that, departing hence,
+As from his face I shall be hid, deprived
+His blessed countenance:  Here I could frequent
+With worship place by place where he vouchsafed
+Presence Divine; and to my sons relate,
+'On this mount he appeared; under this tree
+'Stood visible; among these pines his voice
+'I heard; here with him at this fountain talked:
+So many grateful altars I would rear
+Of grassy turf, and pile up every stone
+Of lustre from the brook, in memory,
+Or monument to ages; and theron
+Offer sweet-smelling gums, and fruits, and flowers:
+In yonder nether world where shall I seek
+His bright appearances, or foot-step trace?
+For though I fled him angry, yet recalled
+To life prolonged and promised race, I now
+Gladly behold though but his utmost skirts
+Of glory; and far off his steps adore.
+To whom thus Michael with regard benign.
+Adam, thou knowest Heaven his, and all the Earth;
+Not this rock only; his Omnipresence fills
+Land, sea, and air, and every kind that lives,
+Fomented by his virtual power and warmed:
+All the earth he gave thee to possess and rule,
+No despicable gift; surmise not then
+His presence to these narrow bounds confined
+Of Paradise, or Eden: this had been
+Perhaps thy capital seat, from whence had spread
+All generations; and had hither come
+From all the ends of the earth, to celebrate
+And reverence thee, their great progenitor.
+But this pre-eminence thou hast lost, brought down
+To dwell on even ground now with thy sons:
+Yet doubt not but in valley, and in plain,
+God is, as here; and will be found alike
+Present; and of his presence many a sign
+Still following thee, still compassing thee round
+With goodness and paternal love, his face
+Express, and of his steps the track divine.
+Which that thou mayest believe, and be confirmed
+Ere thou from hence depart; know, I am sent
+To show thee what shall come in future days
+To thee, and to thy offspring: good with bad
+Expect to hear; supernal grace contending
+With sinfulness of men; thereby to learn
+True patience, and to temper joy with fear
+And pious sorrow; equally inured
+By moderation either state to bear,
+Prosperous or adverse: so shalt thou lead
+Safest thy life, and best prepared endure
+Thy mortal passage when it comes.--Ascend
+This hill; let Eve (for I have drenched her eyes)
+Here sleep below; while thou to foresight wakest;
+As once thou sleptst, while she to life was formed.
+To whom thus Adam gratefully replied.
+Ascend, I follow thee, safe Guide, the path
+Thou leadest me; and to the hand of Heaven submit,
+However chastening; to the evil turn
+My obvious breast; arming to overcome
+By suffering, and earn rest from labour won,
+If so I may attain. -- So both ascend
+In the visions of God.  It was a hill,
+Of Paradise the highest; from whose top
+The hemisphere of earth, in clearest ken,
+Stretched out to the amplest reach of prospect lay.
+Not higher that hill, nor wider looking round,
+Whereon, for different cause, the Tempter set
+Our second Adam, in the wilderness;
+To show him all Earth's kingdoms, and their glory.
+His eye might there command wherever stood
+City of old or modern fame, the seat
+Of mightiest empire, from the destined walls
+Of Cambalu, seat of Cathaian Can,
+And Samarchand by Oxus, Temir's throne,
+To Paquin of Sinaean kings; and thence
+To Agra and Lahor of great Mogul,
+Down to the golden Chersonese; or where
+The Persian in Ecbatan sat, or since
+In Hispahan; or where the Russian Ksar
+In Mosco; or the Sultan in Bizance,
+Turchestan-born; nor could his eye not ken
+The empire of Negus to his utmost port
+Ercoco, and the less maritim kings
+Mombaza, and Quiloa, and Melind,
+And Sofala, thought Ophir, to the realm
+Of Congo, and Angola farthest south;
+Or thence from Niger flood to Atlas mount
+The kingdoms of Almansor, Fez and Sus,
+Morocco, and Algiers, and Tremisen;
+On Europe thence, and where Rome was to sway
+The world: in spirit perhaps he also saw
+Rich Mexico, the seat of Montezume,
+And Cusco in Peru, the richer seat
+Of Atabalipa; and yet unspoiled
+Guiana, whose great city Geryon's sons
+Call El Dorado.  But to nobler sights
+Michael from Adam's eyes the film removed,
+Which that false fruit that promised clearer sight
+Had bred; then purged with euphrasy and rue
+The visual nerve, for he had much to see;
+And from the well of life three drops instilled.
+So deep the power of these ingredients pierced,
+Even to the inmost seat of mental sight,
+That Adam, now enforced to close his eyes,
+Sunk down, and all his spirits became entranced;
+But him the gentle Angel by the hand
+Soon raised, and his attention thus recalled.
+Adam, now ope thine eyes; and first behold
+The effects, which thy original crime hath wrought
+In some to spring from thee; who never touched
+The excepted tree; nor with the snake conspired;
+Nor sinned thy sin; yet from that sin derive
+Corruption, to bring forth more violent deeds.
+His eyes he opened, and beheld a field,
+Part arable and tilth, whereon were sheaves
+New reaped; the other part sheep-walks and folds;
+I' the midst an altar as the land-mark stood,
+Rustick, of grassy sord; thither anon
+A sweaty reaper from his tillage brought
+First fruits, the green ear, and the yellow sheaf,
+Unculled, as came to hand; a shepherd next,
+More meek, came with the firstlings of his flock,
+Choicest and best; then, sacrificing, laid
+The inwards and their fat, with incense strowed,
+On the cleft wood, and all due rights performed:
+His offering soon propitious fire from Heaven
+Consumed with nimble glance, and grateful steam;
+The other's not, for his was not sincere;
+Whereat he inly raged, and, as they talked,
+Smote him into the midriff with a stone
+That beat out life; he fell;and, deadly pale,
+Groaned out his soul with gushing blood effused.
+Much at that sight was Adam in his heart
+Dismayed, and thus in haste to the Angel cried.
+O Teacher, some great mischief hath befallen
+To that meek man, who well had sacrificed;
+Is piety thus and pure devotion paid?
+To whom Michael thus, he also moved, replied.
+These two are brethren, Adam, and to come
+Out of thy loins; the unjust the just hath slain,
+For envy that his brother's offering found
+From Heaven acceptance; but the bloody fact
+Will be avenged; and the other's faith, approved,
+Lose no reward; though here thou see him die,
+Rolling in dust and gore.  To which our sire.
+Alas! both for the deed, and for the cause!
+But have I now seen Death?  Is this the way
+I must return to native dust?  O sight
+Of terrour, foul and ugly to behold,
+Horrid to think, how horrible to feel!
+To whom thus Michael.  Death thou hast seen
+In his first shape on Man; but many shapes
+Of Death, and many are the ways that lead
+To his grim cave, all dismal; yet to sense
+More terrible at the entrance, than within.
+Some, as thou sawest, by violent stroke shall die;
+By fire, flood, famine, by intemperance more
+In meats and drinks, which on the earth shall bring
+Diseases dire, of which a monstrous crew
+Before thee shall appear; that thou mayest know
+What misery the inabstinence of Eve
+Shall bring on Men.  Immediately a place
+Before his eyes appeared, sad, noisome, dark;
+A lazar-house it seemed; wherein were laid
+Numbers of all diseased; all maladies
+Of ghastly spasm, or racking torture, qualms
+Of heart-sick agony, all feverous kinds,
+Convulsions, epilepsies, fierce catarrhs,
+Intestine stone and ulcer, colick-pangs,
+Demoniack phrenzy, moaping melancholy,
+And moon-struck madness, pining atrophy,
+Marasmus, and wide-wasting pestilence,
+Dropsies, and asthmas, and joint-racking rheums.
+Dire was the tossing, deep the groans; Despair
+Tended the sick busiest from couch to couch;
+And over them triumphant Death his dart
+Shook, but delayed to strike, though oft invoked
+With vows, as their chief good, and final hope.
+Sight so deform what heart of rock could long
+Dry-eyed behold?  Adam could not, but wept,
+Though not of woman born; compassion quelled
+His best of man, and gave him up to tears
+A space, till firmer thoughts restrained excess;
+And, scarce recovering words, his plaint renewed.
+O miserable mankind, to what fall
+Degraded, to what wretched state reserved!
+Better end here unborn.  Why is life given
+To be thus wrested from us? rather, why
+Obtruded on us thus? who, if we knew
+What we receive, would either no accept
+Life offered, or soon beg to lay it down;
+Glad to be so dismissed in peace.  Can thus
+The image of God in Man, created once
+So goodly and erect, though faulty since,
+To such unsightly sufferings be debased
+Under inhuman pains?  Why should not Man,
+Retaining still divine similitude
+In part, from such deformities be free,
+And, for his Maker's image sake, exempt?
+Their Maker's image, answered Michael, then
+Forsook them, when themselves they vilified
+To serve ungoverned Appetite; and took
+His image whom they served, a brutish vice,
+Inductive mainly to the sin of Eve.
+Therefore so abject is their punishment,
+Disfiguring not God's likeness, but their own;
+Or if his likeness, by themselves defaced;
+While they pervert pure Nature's healthful rules
+To loathsome sickness; worthily, since they
+God's image did not reverence in themselves.
+I yield it just, said Adam, and submit.
+But is there yet no other way, besides
+These painful passages, how we may come
+To death, and mix with our connatural dust?
+There is, said Michael, if thou well observe
+The rule of Not too much; by temperance taught,
+In what thou eatest and drinkest; seeking from thence
+Due nourishment, not gluttonous delight,
+Till many years over thy head return:
+So mayest thou live; till, like ripe fruit, thou drop
+Into thy mother's lap; or be with ease
+Gathered, nor harshly plucked; for death mature:
+This is Old Age; but then, thou must outlive
+Thy youth, thy strength, thy beauty; which will change
+To withered, weak, and gray; thy senses then,
+Obtuse, all taste of pleasure must forego,
+To what thou hast; and, for the air of youth,
+Hopeful and cheerful, in thy blood will reign
+A melancholy damp of cold and dry
+To weigh thy spirits down, and last consume
+The balm of life.  To whom our ancestor.
+Henceforth I fly not death, nor would prolong
+Life much; bent rather, how I may be quit,
+Fairest and easiest, of this cumbrous charge;
+Which I must keep till my appointed day
+Of rendering up, and patiently attend
+My dissolution.  Michael replied.
+Nor love thy life, nor hate; but what thou livest
+Live well; how long, or short, permit to Heaven:
+And now prepare thee for another sight.
+He looked, and saw a spacious plain, whereon
+Were tents of various hue; by some, were herds
+Of cattle grazing; others, whence the sound
+Of instruments, that made melodious chime,
+Was heard, of harp and organ; and, who moved
+Their stops and chords, was seen; his volant touch,
+Instinct through all proportions, low and high,
+Fled and pursued transverse the resonant fugue.
+In other part stood one who, at the forge
+Labouring, two massy clods of iron and brass
+Had melted, (whether found where casual fire
+Had wasted woods on mountain or in vale,
+Down to the veins of earth; thence gliding hot
+To some cave's mouth; or whether washed by stream
+From underground;) the liquid ore he drained
+Into fit moulds prepared; from which he formed
+First his own tools; then, what might else be wrought
+Fusil or graven in metal.  After these,
+But on the hither side, a different sort
+From the high neighbouring hills, which was their seat,
+Down to the plain descended; by their guise
+Just men they seemed, and all their study bent
+To worship God aright, and know his works
+Not hid; nor those things last, which might preserve
+Freedom and peace to Men; they on the plain
+Long had not walked, when from the tents, behold!
+A bevy of fair women, richly gay
+In gems and wanton dress; to the harp they sung
+Soft amorous ditties, and in dance came on:
+The men, though grave, eyed them; and let their eyes
+Rove without rein; till, in the amorous net
+Fast caught, they liked; and each his liking chose;
+And now of love they treat, till the evening-star,
+Love's harbinger, appeared; then, all in heat
+They light the nuptial torch, and bid invoke
+Hymen, then first to marriage rites invoked:
+With feast and musick all the tents resound.
+Such happy interview, and fair event
+Of love and youth not lost, songs, garlands, flowers,
+And charming symphonies, attached the heart
+Of Adam, soon inclined to admit delight,
+The bent of nature; which he thus expressed.
+True opener of mine eyes, prime Angel blest;
+Much better seems this vision, and more hope
+Of peaceful days portends, than those two past;
+Those were of hate and death, or pain much worse;
+Here Nature seems fulfilled in all her ends.
+To whom thus Michael.  Judge not what is best
+By pleasure, though to nature seeming meet;
+Created, as thou art, to nobler end
+Holy and pure, conformity divine.
+Those tents thou sawest so pleasant, were the tents
+Of wickedness, wherein shall dwell his race
+Who slew his brother; studious they appear
+Of arts that polish life, inventers rare;
+Unmindful of their Maker, though his Spirit
+Taught them; but they his gifts acknowledged none.
+Yet they a beauteous offspring shall beget;
+For that fair female troop thou sawest, that seemed
+Of Goddesses, so blithe, so smooth, so gay,
+Yet empty of all good wherein consists
+Woman's domestick honour and chief praise;
+Bred only and completed to the taste
+Of lustful appetence, to sing, to dance,
+To dress, and troll the tongue, and roll the eye:
+To these that sober race of men, whose lives
+Religious titled them the sons of God,
+Shall yield up all their virtue, all their fame
+Ignobly, to the trains and to the smiles
+Of these fair atheists; and now swim in joy,
+Erelong to swim at large; and laugh, for which
+The world erelong a world of tears must weep.
+To whom thus Adam, of short joy bereft.
+O pity and shame, that they, who to live well
+Entered so fair, should turn aside to tread
+Paths indirect, or in the mid way faint!
+But still I see the tenour of Man's woe
+Holds on the same, from Woman to begin.
+From Man's effeminate slackness it begins,
+Said the Angel, who should better hold his place
+By wisdom, and superiour gifts received.
+But now prepare thee for another scene.
+He looked, and saw wide territory spread
+Before him, towns, and rural works between;
+Cities of men with lofty gates and towers,
+Concourse in arms, fierce faces threatening war,
+Giants of mighty bone and bold emprise;
+Part wield their arms, part curb the foaming steed,
+Single or in array of battle ranged
+Both horse and foot, nor idly mustering stood;
+One way a band select from forage drives
+A herd of beeves, fair oxen and fair kine,
+From a fat meadow ground; or fleecy flock,
+Ewes and their bleating lambs over the plain,
+Their booty; scarce with life the shepherds fly,
+But call in aid, which makes a bloody fray;
+With cruel tournament the squadrons join;
+Where cattle pastured late, now scattered lies
+With carcasses and arms the ensanguined field,
+Deserted:  Others to a city strong
+Lay siege, encamped; by battery, scale, and mine,
+Assaulting; others from the wall defend
+With dart and javelin, stones, and sulphurous fire;
+On each hand slaughter, and gigantick deeds.
+In other part the sceptered heralds call
+To council, in the city-gates; anon
+Gray-headed men and grave, with warriours mixed,
+Assemble, and harangues are heard; but soon,
+In factious opposition; till at last,
+Of middle age one rising, eminent
+In wise deport, spake much of right and wrong,
+Of justice, or religion, truth, and peace,
+And judgement from above: him old and young
+Exploded, and had seized with violent hands,
+Had not a cloud descending snatched him thence
+Unseen amid the throng: so violence
+Proceeded, and oppression, and sword-law,
+Through all the plain, and refuge none was found.
+Adam was all in tears, and to his guide
+Lamenting turned full sad; O!what are these,
+Death's ministers, not men? who thus deal death
+Inhumanly to men, and multiply
+Ten thousandfold the sin of him who slew
+His brother: for of whom such massacre
+Make they, but of their brethren; men of men
+But who was that just man, whom had not Heaven
+Rescued, had in his righteousness been lost?
+To whom thus Michael.  These are the product
+Of those ill-mated marriages thou sawest;
+Where good with bad were matched, who of themselves
+Abhor to join; and, by imprudence mixed,
+Produce prodigious births of body or mind.
+Such were these giants, men of high renown;
+For in those days might only shall be admired,
+And valour and heroick virtue called;
+To overcome in battle, and subdue
+Nations, and bring home spoils with infinite
+Man-slaughter, shall be held the highest pitch
+Of human glory; and for glory done
+Of triumph, to be styled great conquerours
+Patrons of mankind, Gods, and sons of Gods;
+Destroyers rightlier called, and plagues of men.
+Thus fame shall be achieved, renown on earth;
+And what most merits fame, in silence hid.
+But he, the seventh from thee, whom thou beheldst
+The only righteous in a world preverse,
+And therefore hated, therefore so beset
+With foes, for daring single to be just,
+And utter odious truth, that God would come
+To judge them with his Saints; him the Most High
+Rapt in a balmy cloud with winged steeds
+Did, as thou sawest, receive, to walk with God
+High in salvation and the climes of bliss,
+Exempt from death; to show thee what reward
+Awaits the good; the rest what punishment;
+Which now direct thine eyes and soon behold.
+He looked, and saw the face of things quite changed;
+The brazen throat of war had ceased to roar;
+All now was turned to jollity and game,
+To luxury and riot, feast and dance;
+Marrying or prostituting, as befel,
+Rape or adultery, where passing fair
+Allured them; thence from cups to civil broils.
+At length a reverend sire among them came,
+And of their doings great dislike declared,
+And testified against their ways; he oft
+Frequented their assemblies, whereso met,
+Triumphs or festivals; and to them preached
+Conversion and repentance, as to souls
+In prison, under judgements imminent:
+But all in vain: which when he saw, he ceased
+Contending, and removed his tents far off;
+Then, from the mountain hewing timber tall,
+Began to build a vessel of huge bulk;
+Measured by cubit, length, and breadth, and highth;
+Smeared round with pitch; and in the side a door
+Contrived; and of provisions laid in large,
+For man and beast: when lo, a wonder strange!
+Of every beast, and bird, and insect small,
+Came sevens, and pairs; and entered in as taught
+Their order: last the sire and his three sons,
+With their four wives; and God made fast the door.
+Mean while the south-wind rose, and, with black wings
+Wide-hovering, all the clouds together drove
+From under Heaven; the hills to their supply
+Vapour, and exhalation dusk and moist,
+Sent up amain; and now the thickened sky
+Like a dark cieling stood; down rushed the rain
+Impetuous; and continued, till the earth
+No more was seen: the floating vessel swum
+Uplifted, and secure with beaked prow
+Rode tilting o'er the waves; all dwellings else
+Flood overwhelmed, and them with all their pomp
+Deep under water rolled; sea covered sea,
+Sea without shore; and in their palaces,
+Where luxury late reigned, sea-monsters whelped
+And stabled; of mankind, so numerous late,
+All left, in one small bottom swum imbarked.
+How didst thou grieve then, Adam, to behold
+The end of all thy offspring, end so sad,
+Depopulation!  Thee another flood,
+Of tears and sorrow a flood, thee also drowned,
+And sunk thee as thy sons; till, gently reared
+By the Angel, on thy feet thou stoodest at last,
+Though comfortless; as when a father mourns
+His children, all in view destroyed at once;
+And scarce to the Angel utter'dst thus thy plaint.
+O visions ill foreseen!  Better had I
+Lived ignorant of future! so had borne
+My part of evil only, each day's lot
+Enough to bear; those now, that were dispensed
+The burden of many ages, on me light
+At once, by my foreknowledge gaining birth
+Abortive, to torment me ere their being,
+With thought that they must be.  Let no man seek
+Henceforth to be foretold, what shall befall
+Him or his children; evil he may be sure,
+Which neither his foreknowing can prevent;
+And he the future evil shall no less
+In apprehension than in substance feel,
+Grievous to bear: but that care now is past,
+Man is not whom to warn: those few escaped
+Famine and anguish will at last consume,
+Wandering that watery desart:  I had hope,
+When violence was ceased, and war on earth,
+All would have then gone well; peace would have crowned
+With length of happy days the race of Man;
+But I was far deceived; for now I see
+Peace to corrupt no less than war to waste.
+How comes it thus? unfold, celestial Guide,
+And whether here the race of Man will end.
+To whom thus Michael.  Those, whom last thou sawest
+In triumph and luxurious wealth, are they
+First seen in acts of prowess eminent
+And great exploits, but of true virtue void;
+Who, having spilt much blood, and done much wast
+Subduing nations, and achieved thereby
+Fame in the world, high titles, and rich prey;
+Shall change their course to pleasure, ease, and sloth,
+Surfeit, and lust; till wantonness and pride
+Raise out of friendship hostile deeds in peace.
+The conquered also, and enslaved by war,
+Shall, with their freedom lost, all virtue lose
+And fear of God; from whom their piety feigned
+In sharp contest of battle found no aid
+Against invaders; therefore, cooled in zeal,
+Thenceforth shall practice how to live secure,
+Worldly or dissolute, on what their lords
+Shall leave them to enjoy; for the earth shall bear
+More than enough, that temperance may be tried:
+So all shall turn degenerate, all depraved;
+Justice and temperance, truth and faith, forgot;
+One man except, the only son of light
+In a dark age, against example good,
+Against allurement, custom, and a world
+Offended: fearless of reproach and scorn,
+The grand-child, with twelve sons encreased, departs
+From Canaan, to a land hereafter called
+Egypt, divided by the river Nile;
+See where it flows, disgorging at seven mouths
+Into the sea:  To sojourn in that land
+He comes, invited by a younger son
+In time of dearth; a son, whose worthy deeds
+Raise him to be the second in that realm
+Of Pharaoh:  There he dies, and leaves his race
+Growing into a nation, and now grown
+Suspected to a sequent king, who seeks
+To stop their overgrowth, as inmate guests
+Or violence, he of their wicked ways
+Shall them admonish; and before them set
+The paths of righteousness, how much more safe
+And full of peace; denouncing wrath to come
+On their impenitence; and shall return
+Of them derided, but of God observed
+The one just man alive; by his command
+Shall build a wonderous ark, as thou beheldst,
+To save himself, and houshold, from amidst
+A world devote to universal wrack.
+No sooner he, with them of man and beast
+Select for life, shall in the ark be lodged,
+And sheltered round; but all the cataracts
+Of Heaven set open on the Earth shall pour
+Rain, day and night; all fountains of the deep,
+Broke up, shall heave the ocean to usurp
+Beyond all bounds; till inundation rise
+Above the highest hills:  Then shall this mount
+Of Paradise by might of waves be moved
+Out of his place, pushed by the horned flood,
+With all his verdure spoiled, and trees adrift,
+Down the great river to the opening gulf,
+And there take root an island salt and bare,
+The haunt of seals, and orcs, and sea-mews' clang:
+To teach thee that God attributes to place
+No sanctity, if none be thither brought
+By men who there frequent, or therein dwell.
+And now, what further shall ensue, behold.
+He looked, and saw the ark hull on the flood,
+Which now abated; for the clouds were fled,
+Driven by a keen north-wind, that, blowing dry,
+Wrinkled the face of deluge, as decayed;
+And the clear sun on his wide watery glass
+Gazed hot, and of the fresh wave largely drew,
+As after thirst; which made their flowing shrink
+From standing lake to tripping ebb, that stole
+With soft foot towards the deep; who now had stopt
+His sluces, as the Heaven his windows shut.
+The ark no more now floats, but seems on ground,
+Fast on the top of some high mountain fixed.
+And now the tops of hills, as rocks, appear;
+With clamour thence the rapid currents drive,
+Towards the retreating sea, their furious tide.
+Forthwith from out the ark a raven flies,
+And after him, the surer messenger,
+A dove sent forth once and again to spy
+Green tree or ground, whereon his foot may light:
+The second time returning, in his bill
+An olive-leaf he brings, pacifick sign:
+Anon dry ground appears, and from his ark
+The ancient sire descends, with all his train;
+Then with uplifted hands, and eyes devout,
+Grateful to Heaven, over his head beholds
+A dewy cloud, and in the cloud a bow
+Conspicuous with three lifted colours gay,
+Betokening peace from God, and covenant new.
+Whereat the heart of Adam, erst so sad,
+Greatly rejoiced; and thus his joy broke forth.
+O thou, who future things canst represent
+As present, heavenly Instructer!  I revive
+At this last sight; assured that Man shall live,
+With all the creatures, and their seed preserve.
+Far less I now lament for one whole world
+Of wicked sons destroyed, than I rejoice
+For one man found so perfect, and so just,
+That God vouchsafes to raise another world
+From him, and all his anger to forget.
+But say, what mean those coloured streaks in Heaven
+Distended, as the brow of God appeased?
+Or serve they, as a flowery verge, to bind
+The fluid skirts of that same watery cloud,
+Lest it again dissolve, and shower the earth?
+To whom the Arch-Angel.  Dextrously thou aimest;
+So willingly doth God remit his ire,
+Though late repenting him of Man depraved;
+Grieved at his heart, when looking down he saw
+The whole earth filled with violence, and all flesh
+Corrupting each their way; yet, those removed,
+Such grace shall one just man find in his sight,
+That he relents, not to blot out mankind;
+And makes a covenant never to destroy
+The earth again by flood; nor let the sea
+Surpass his bounds; nor rain to drown the world,
+With man therein or beast; but, when he brings
+Over the earth a cloud, will therein set
+His triple-coloured bow, whereon to look,
+And call to mind his covenant: Day and night,
+Seed-time and harvest, heat and hoary frost,
+Shall hold their course; till fire purge all things new,
+Both Heaven and Earth, wherein the just shall dwell.
+
+
+
+Book XII
+
+
+As one who in his journey bates at noon,
+Though bent on speed; so here the Arch-Angel paused
+Betwixt the world destroyed and world restored,
+If Adam aught perhaps might interpose;
+Then, with transition sweet, new speech resumes.
+Thus thou hast seen one world begin, and end;
+And Man, as from a second stock, proceed.
+Much thou hast yet to see; but I perceive
+Thy mortal sight to fail; objects divine
+Must needs impair and weary human sense:
+Henceforth what is to come I will relate;
+Thou therefore give due audience, and attend.
+This second source of Men, while yet but few,
+And while the dread of judgement past remains
+Fresh in their minds, fearing the Deity,
+With some regard to what is just and right
+Shall lead their lives, and multiply apace;
+Labouring the soil, and reaping plenteous crop,
+Corn, wine, and oil; and, from the herd or flock,
+Oft sacrificing bullock, lamb, or kid,
+With large wine-offerings poured, and sacred feast,
+Shall spend their days in joy unblamed; and dwell
+Long time in peace, by families and tribes,
+Under paternal rule: till one shall rise
+Of proud ambitious heart; who, not content
+With fair equality, fraternal state,
+Will arrogate dominion undeserved
+Over his brethren, and quite dispossess
+Concord and law of nature from the earth;
+Hunting (and men not beasts shall be his game)
+With war, and hostile snare, such as refuse
+Subjection to his empire tyrannous:
+A mighty hunter thence he shall be styled
+Before the Lord; as in despite of Heaven,
+Or from Heaven, claiming second sovranty;
+And from rebellion shall derive his name,
+Though of rebellion others he accuse.
+He with a crew, whom like ambition joins
+With him or under him to tyrannize,
+Marching from Eden towards the west, shall find
+The plain, wherein a black bituminous gurge
+Boils out from under ground, the mouth of Hell:
+Of brick, and of that stuff, they cast to build
+A city and tower, whose top may reach to Heaven;
+And get themselves a name; lest, far dispersed
+In foreign lands, their memory be lost;
+Regardless whether good or evil fame.
+But God, who oft descends to visit men
+Unseen, and through their habitations walks
+To mark their doings, them beholding soon,
+Comes down to see their city, ere the tower
+Obstruct Heaven-towers, and in derision sets
+Upon their tongues a various spirit, to rase
+Quite out their native language; and, instead,
+To sow a jangling noise of words unknown:
+Forthwith a hideous gabble rises loud,
+Among the builders; each to other calls
+Not understood; till hoarse, and all in rage,
+As mocked they storm: great laughter was in Heaven,
+And looking down, to see the hubbub strange,
+And hear the din:  Thus was the building left
+Ridiculous, and the work Confusion named.
+Whereto thus Adam, fatherly displeased.
+O execrable son! so to aspire
+Above his brethren; to himself assuming
+Authority usurped, from God not given:
+He gave us only over beast, fish, fowl,
+Dominion absolute; that right we hold
+By his donation; but man over men
+He made not lord; such title to himself
+Reserving, human left from human free.
+But this usurper his encroachment proud
+Stays not on Man; to God his tower intends
+Siege and defiance:  Wretched man!what food
+Will he convey up thither, to sustain
+Himself and his rash army; where thin air
+Above the clouds will pine his entrails gross,
+And famish him of breath, if not of bread?
+To whom thus Michael.  Justly thou abhorrest
+That son, who on the quiet state of men
+Such trouble brought, affecting to subdue
+Rational liberty; yet know withal,
+Since thy original lapse, true liberty
+Is lost, which always with right reason dwells
+Twinned, and from her hath no dividual being:
+Reason in man obscured, or not obeyed,
+Immediately inordinate desires,
+And upstart passions, catch the government
+From reason; and to servitude reduce
+Man, till then free.  Therefore, since he permits
+Within himself unworthy powers to reign
+Over free reason, God, in judgement just,
+Subjects him from without to violent lords;
+Who oft as undeservedly enthrall
+His outward freedom:  Tyranny must be;
+Though to the tyrant thereby no excuse.
+Yet sometimes nations will decline so low
+From virtue, which is reason, that no wrong,
+But justice, and some fatal curse annexed,
+Deprives them of their outward liberty;
+Their inward lost:  Witness the irreverent son
+Of him who built the ark; who, for the shame
+Done to his father, heard this heavy curse,
+Servant of servants, on his vicious race.
+Thus will this latter, as the former world,
+Still tend from bad to worse; till God at last,
+Wearied with their iniquities, withdraw
+His presence from among them, and avert
+His holy eyes; resolving from thenceforth
+To leave them to their own polluted ways;
+And one peculiar nation to select
+From all the rest, of whom to be invoked,
+A nation from one faithful man to spring:
+Him on this side Euphrates yet residing,
+Bred up in idol-worship:  O, that men
+(Canst thou believe?) should be so stupid grown,
+While yet the patriarch lived, who 'scaped the flood,
+As to forsake the living God, and fall
+To worship their own work in wood and stone
+For Gods!  Yet him God the Most High vouchsafes
+To call by vision, from his father's house,
+His kindred, and false Gods, into a land
+Which he will show him; and from him will raise
+A mighty nation; and upon him shower
+His benediction so, that in his seed
+All nations shall be blest: he straight obeys;
+Not knowing to what land, yet firm believes:
+I see him, but thou canst not, with what faith
+He leaves his Gods, his friends, and native soil,
+Ur of Chaldaea, passing now the ford
+To Haran; after him a cumbrous train
+Of herds and flocks, and numerous servitude;
+Not wandering poor, but trusting all his wealth
+With God, who called him, in a land unknown.
+Canaan he now attains; I see his tents
+Pitched about Sechem, and the neighbouring plain
+Of Moreh; there by promise he receives
+Gift to his progeny of all that land,
+From Hameth northward to the Desart south;
+(Things by their names I call, though yet unnamed;)
+From Hermon east to the great western Sea;
+Mount Hermon, yonder sea; each place behold
+In prospect, as I point them; on the shore
+Mount Carmel; here, the double-founted stream,
+Jordan, true limit eastward; but his sons
+Shall dwell to Senir, that long ridge of hills.
+This ponder, that all nations of the earth
+Shall in his seed be blessed:  By that seed
+Is meant thy great Deliverer, who shall bruise
+The Serpent's head; whereof to thee anon
+Plainlier shall be revealed.  This patriarch blest,
+Whom faithful Abraham due time shall call,
+A son, and of his son a grand-child, leaves;
+Like him in faith, in wisdom, and renown:
+The grandchild, with twelve sons increased, departs
+From Canaan to a land hereafter called
+Egypt, divided by the river Nile
+See where it flows, disgorging at seven mouths
+Into the sea. To sojourn in that land
+He comes, invited by a younger son
+In time of dearth, a son whose worthy deeds
+Raise him to be the second in that realm
+Of Pharaoh. There he dies, and leaves his race
+Growing into a nation, and now grown
+Suspected to a sequent king, who seeks
+To stop their overgrowth, as inmate guests
+Too numerous; whence of guests he makes them slaves
+Inhospitably, and kills their infant males:
+Till by two brethren (these two brethren call
+Moses and Aaron) sent from God to claim
+His people from enthralment, they return,
+With glory and spoil, back to their promised land.
+But first, the lawless tyrant, who denies
+To know their God, or message to regard,
+Must be compelled by signs and judgements dire;
+To blood unshed the rivers must be turned;
+Frogs, lice, and flies, must all his palace fill
+With loathed intrusion, and fill all the land;
+His cattle must of rot and murren die;
+Botches and blains must all his flesh emboss,
+And all his people; thunder mixed with hail,
+Hail mixed with fire, must rend the Egyptians sky,
+And wheel on the earth, devouring where it rolls;
+What it devours not, herb, or fruit, or grain,
+A darksome cloud of locusts swarming down
+Must eat, and on the ground leave nothing green;
+Darkness must overshadow all his bounds,
+Palpable darkness, and blot out three days;
+Last, with one midnight stroke, all the first-born
+Of Egypt must lie dead.  Thus with ten wounds
+The river-dragon tamed at length submits
+To let his sojourners depart, and oft
+Humbles his stubborn heart; but still, as ice
+More hardened after thaw; till, in his rage
+Pursuing whom he late dismissed, the sea
+Swallows him with his host; but them lets pass,
+As on dry land, between two crystal walls;
+Awed by the rod of Moses so to stand
+Divided, till his rescued gain their shore:
+Such wondrous power God to his saint will lend,
+Though present in his Angel; who shall go
+Before them in a cloud, and pillar of fire;
+By day a cloud, by night a pillar of fire;
+To guide them in their journey, and remove
+Behind them, while the obdurate king pursues:
+All night he will pursue; but his approach
+Darkness defends between till morning watch;
+Then through the fiery pillar, and the cloud,
+God looking forth will trouble all his host,
+And craze their chariot-wheels: when by command
+Moses once more his potent rod extends
+Over the sea; the sea his rod obeys;
+On their embattled ranks the waves return,
+And overwhelm their war:  The race elect
+Safe toward Canaan from the shore advance
+Through the wild Desart, not the readiest way;
+Lest, entering on the Canaanite alarmed,
+War terrify them inexpert, and fear
+Return them back to Egypt, choosing rather
+Inglorious life with servitude; for life
+To noble and ignoble is more sweet
+Untrained in arms, where rashness leads not on.
+This also shall they gain by their delay
+In the wide wilderness; there they shall found
+Their government, and their great senate choose
+Through the twelve tribes, to rule by laws ordained:
+God from the mount of Sinai, whose gray top
+Shall tremble, he descending, will himself
+In thunder, lightning, and loud trumpets' sound,
+Ordain them laws; part, such as appertain
+To civil justice; part, religious rites
+Of sacrifice; informing them, by types
+And shadows, of that destined Seed to bruise
+The Serpent, by what means he shall achieve
+Mankind's deliverance.  But the voice of God
+To mortal ear is dreadful:  They beseech
+That Moses might report to them his will,
+And terrour cease; he grants what they besought,
+Instructed that to God is no access
+Without Mediator, whose high office now
+Moses in figure bears; to introduce
+One greater, of whose day he shall foretel,
+And all the Prophets in their age the times
+Of great Messiah shall sing.  Thus, laws and rites
+Established, such delight hath God in Men
+Obedient to his will, that he vouchsafes
+Among them to set up his tabernacle;
+The Holy One with mortal Men to dwell:
+By his prescript a sanctuary is framed
+Of cedar, overlaid with gold; therein
+An ark, and in the ark his testimony,
+The records of his covenant; over these
+A mercy-seat of gold, between the wings
+Of two bright Cherubim; before him burn
+Seven lamps as in a zodiack representing
+The heavenly fires; over the tent a cloud
+Shall rest by day, a fiery gleam by night;
+Save when they journey, and at length they come,
+Conducted by his Angel, to the land
+Promised to Abraham and his seed:--The rest
+Were long to tell; how many battles fought
+How many kings destroyed; and kingdoms won;
+Or how the sun shall in mid Heaven stand still
+A day entire, and night's due course adjourn,
+Man's voice commanding, 'Sun, in Gibeon stand,
+'And thou moon in the vale of Aialon,
+'Till Israel overcome! so call the third
+From Abraham, son of Isaac; and from him
+His whole descent, who thus shall Canaan win.
+Here Adam interposed.  O sent from Heaven,
+Enlightener of my darkness, gracious things
+Thou hast revealed; those chiefly, which concern
+Just Abraham and his seed: now first I find
+Mine eyes true-opening, and my heart much eased;
+Erewhile perplexed with thoughts, what would become
+Of me and all mankind:  But now I see
+His day, in whom all nations shall be blest;
+Favour unmerited by me, who sought
+Forbidden knowledge by forbidden means.
+This yet I apprehend not, why to those
+Among whom God will deign to dwell on earth
+So many and so various laws are given;
+So many laws argue so many sins
+Among them; how can God with such reside?
+To whom thus Michael.  Doubt not but that sin
+Will reign among them, as of thee begot;
+And therefore was law given them, to evince
+Their natural pravity, by stirring up
+Sin against law to fight: that when they see
+Law can discover sin, but not remove,
+Save by those shadowy expiations weak,
+The blood of bulls and goats, they may conclude
+Some blood more precious must be paid for Man;
+Just for unjust; that, in such righteousness
+To them by faith imputed, they may find
+Justification towards God, and peace
+Of conscience; which the law by ceremonies
+Cannot appease; nor Man the mortal part
+Perform; and, not performing, cannot live.
+So law appears imperfect; and but given
+With purpose to resign them, in full time,
+Up to a better covenant; disciplined
+From shadowy types to truth; from flesh to spirit;
+From imposition of strict laws to free
+Acceptance of large grace; from servile fear
+To filial; works of law to works of faith.
+And therefore shall not Moses, though of God
+Highly beloved, being but the minister
+Of law, his people into Canaan lead;
+But Joshua, whom the Gentiles Jesus call,
+His name and office bearing, who shall quell
+The adversary-Serpent, and bring back
+Through the world's wilderness long-wandered Man
+Safe to eternal Paradise of rest.
+Mean while they, in their earthly Canaan placed,
+Long time shall dwell and prosper, but when sins
+National interrupt their publick peace,
+Provoking God to raise them enemies;
+From whom as oft he saves them penitent
+By Judges first, then under Kings; of whom
+The second, both for piety renowned
+And puissant deeds, a promise shall receive
+Irrevocable, that his regal throne
+For ever shall endure; the like shall sing
+All Prophecy, that of the royal stock
+Of David (so I name this king) shall rise
+A Son, the Woman's seed to thee foretold,
+Foretold to Abraham, as in whom shall trust
+All nations; and to kings foretold, of kings
+The last; for of his reign shall be no end.
+But first, a long succession must ensue;
+And his next son, for wealth and wisdom famed,
+The clouded ark of God, till then in tents
+Wandering, shall in a glorious temple enshrine.
+Such follow him, as shall be registered
+Part good, part bad; of bad the longer scroll;
+Whose foul idolatries, and other faults
+Heaped to the popular sum, will so incense
+God, as to leave them, and expose their land,
+Their city, his temple, and his holy ark,
+With all his sacred things, a scorn and prey
+To that proud city, whose high walls thou sawest
+Left in confusion; Babylon thence called.
+There in captivity he lets them dwell
+The space of seventy years; then brings them back,
+Remembering mercy, and his covenant sworn
+To David, stablished as the days of Heaven.
+Returned from Babylon by leave of kings
+Their lords, whom God disposed, the house of God
+They first re-edify; and for a while
+In mean estate live moderate; till, grown
+In wealth and multitude, factious they grow;
+But first among the priests dissention springs,
+Men who attend the altar, and should most
+Endeavour peace: their strife pollution brings
+Upon the temple itself: at last they seise
+The scepter, and regard not David's sons;
+Then lose it to a stranger, that the true
+Anointed King Messiah might be born
+Barred of his right; yet at his birth a star,
+Unseen before in Heaven, proclaims him come;
+And guides the eastern sages, who inquire
+His place, to offer incense, myrrh, and gold:
+His place of birth a solemn Angel tells
+To simple shepherds, keeping watch by night;
+They gladly thither haste, and by a quire
+Of squadroned Angels hear his carol sung.
+A virgin is his mother, but his sire
+The power of the Most High:  He shall ascend
+The throne hereditary, and bound his reign
+With Earth's wide bounds, his glory with the Heavens.
+He ceased, discerning Adam with such joy
+Surcharged, as had like grief been dewed in tears,
+Without the vent of words; which these he breathed.
+O prophet of glad tidings, finisher
+Of utmost hope! now clear I understand
+What oft my steadiest thoughts have searched in vain;
+Why our great Expectation should be called
+The seed of Woman:  Virgin Mother, hail,
+High in the love of Heaven; yet from my loins
+Thou shalt proceed, and from thy womb the Son
+Of God Most High: so God with Man unites!
+Needs must the Serpent now his capital bruise
+Expect with mortal pain:  Say where and when
+Their fight, what stroke shall bruise the victor's heel.
+To whom thus Michael.  Dream not of their fight,
+As of a duel, or the local wounds
+Of head or heel:  Not therefore joins the Son
+Manhood to Godhead, with more strength to foil
+Thy enemy; nor so is overcome
+Satan, whose fall from Heaven, a deadlier bruise,
+Disabled, not to give thee thy death's wound:
+Which he, who comes thy Saviour, shall recure,
+Not by destroying Satan, but his works
+In thee, and in thy seed:  Nor can this be,
+But by fulfilling that which thou didst want,
+Obedience to the law of God, imposed
+On penalty of death, and suffering death;
+The penalty to thy transgression due,
+And due to theirs which out of thine will grow:
+So only can high Justice rest appaid.
+The law of God exact he shall fulfil
+Both by obedience and by love, though love
+Alone fulfil the law; thy punishment
+He shall endure, by coming in the flesh
+To a reproachful life, and cursed death;
+Proclaiming life to all who shall believe
+In his redemption; and that his obedience,
+Imputed, becomes theirs by faith; his merits
+To save them, not their own, though legal, works.
+For this he shall live hated, be blasphemed,
+Seised on by force, judged, and to death condemned
+A shameful and accursed, nailed to the cross
+By his own nation; slain for bringing life:
+But to the cross he nails thy enemies,
+The law that is against thee, and the sins
+Of all mankind, with him there crucified,
+Never to hurt them more who rightly trust
+In this his satisfaction; so he dies,
+But soon revives; Death over him no power
+Shall long usurp; ere the third dawning light
+Return, the stars of morn shall see him rise
+Out of his grave, fresh as the dawning light,
+Thy ransom paid, which Man from death redeems,
+His death for Man, as many as offered life
+Neglect not, and the benefit embrace
+By faith not void of works:  This God-like act
+Annuls thy doom, the death thou shouldest have died,
+In sin for ever lost from life; this act
+Shall bruise the head of Satan, crush his strength,
+Defeating Sin and Death, his two main arms;
+And fix far deeper in his head their stings
+Than temporal death shall bruise the victor's heel,
+Or theirs whom he redeems; a death, like sleep,
+A gentle wafting to immortal life.
+Nor after resurrection shall he stay
+Longer on earth, than certain times to appear
+To his disciples, men who in his life
+Still followed him; to them shall leave in charge
+To teach all nations what of him they learned
+And his salvation; them who shall believe
+Baptizing in the profluent stream, the sign
+Of washing them from guilt of sin to life
+Pure, and in mind prepared, if so befall,
+For death, like that which the Redeemer died.
+All nations they shall teach; for, from that day,
+Not only to the sons of Abraham's loins
+Salvation shall be preached, but to the sons
+Of Abraham's faith wherever through the world;
+So in his seed all nations shall be blest.
+Then to the Heaven of Heavens he shall ascend
+With victory, triumphing through the air
+Over his foes and thine; there shall surprise
+The Serpent, prince of air, and drag in chains
+Through all his realm, and there confounded leave;
+Then enter into glory, and resume
+His seat at God's right hand, exalted high
+Above all names in Heaven; and thence shall come,
+When this world's dissolution shall be ripe,
+With glory and power to judge both quick and dead;
+To judge the unfaithful dead, but to reward
+His faithful, and receive them into bliss,
+Whether in Heaven or Earth; for then the Earth
+Shall all be Paradise, far happier place
+Than this of Eden, and far happier days.
+So spake the Arch-Angel Michael; then paused,
+As at the world's great period; and our sire,
+Replete with joy and wonder, thus replied.
+O Goodness infinite, Goodness immense!
+That all this good of evil shall produce,
+And evil turn to good; more wonderful
+Than that which by creation first brought forth
+Light out of darkness!  Full of doubt I stand,
+Whether I should repent me now of sin
+By me done, and occasioned; or rejoice
+Much more, that much more good thereof shall spring;
+To God more glory, more good-will to Men
+From God, and over wrath grace shall abound.
+But say, if our Deliverer up to Heaven
+Must re-ascend, what will betide the few
+His faithful, left among the unfaithful herd,
+The enemies of truth?  Who then shall guide
+His people, who defend?  Will they not deal
+Worse with his followers than with him they dealt?
+Be sure they will, said the Angel; but from Heaven
+He to his own a Comforter will send,
+The promise of the Father, who shall dwell
+His Spirit within them; and the law of faith,
+Working through love, upon their hearts shall write,
+To guide them in all truth; and also arm
+With spiritual armour, able to resist
+Satan's assaults, and quench his fiery darts;
+What man can do against them, not afraid,
+Though to the death; against such cruelties
+With inward consolations recompensed,
+And oft supported so as shall amaze
+Their proudest persecutors:  For the Spirit,
+Poured first on his Apostles, whom he sends
+To evangelize the nations, then on all
+Baptized, shall them with wonderous gifts endue
+To speak all tongues, and do all miracles,
+As did their Lord before them.  Thus they win
+Great numbers of each nation to receive
+With joy the tidings brought from Heaven:  At length
+Their ministry performed, and race well run,
+Their doctrine and their story written left,
+They die; but in their room, as they forewarn,
+Wolves shall succeed for teachers, grievous wolves,
+Who all the sacred mysteries of Heaven
+To their own vile advantages shall turn
+Of lucre and ambition; and the truth
+With superstitions and traditions taint,
+Left only in those written records pure,
+Though not but by the Spirit understood.
+Then shall they seek to avail themselves of names,
+Places, and titles, and with these to join
+Secular power; though feigning still to act
+By spiritual, to themselves appropriating
+The Spirit of God, promised alike and given
+To all believers; and, from that pretence,
+Spiritual laws by carnal power shall force
+On every conscience; laws which none shall find
+Left them inrolled, or what the Spirit within
+Shall on the heart engrave.  What will they then
+But force the Spirit of Grace itself, and bind
+His consort Liberty? what, but unbuild
+His living temples, built by faith to stand,
+Their own faith, not another's? for, on earth,
+Who against faith and conscience can be heard
+Infallible? yet many will presume:
+Whence heavy persecution shall arise
+On all, who in the worship persevere
+Of spirit and truth; the rest, far greater part,
+Will deem in outward rites and specious forms
+Religion satisfied; Truth shall retire
+Bestuck with slanderous darts, and works of faith
+Rarely be found:  So shall the world go on,
+To good malignant, to bad men benign;
+Under her own weight groaning; till the day
+Appear of respiration to the just,
+And vengeance to the wicked, at return
+Of him so lately promised to thy aid,
+The Woman's Seed; obscurely then foretold,
+Now ampler known thy Saviour and thy Lord;
+Last, in the clouds, from Heaven to be revealed
+In glory of the Father, to dissolve
+Satan with his perverted world; then raise
+From the conflagrant mass, purged and refined,
+New Heavens, new Earth, ages of endless date,
+Founded in righteousness, and peace, and love;
+To bring forth fruits, joy and eternal bliss.
+He ended; and thus Adam last replied.
+How soon hath thy prediction, Seer blest,
+Measured this transient world, the race of time,
+Till time stand fixed!  Beyond is all abyss,
+Eternity, whose end no eye can reach.
+Greatly-instructed I shall hence depart;
+Greatly in peace of thought; and have my fill
+Of knowledge, what this vessel can contain;
+Beyond which was my folly to aspire.
+Henceforth I learn, that to obey is best,
+And love with fear the only God; to walk
+As in his presence; ever to observe
+His providence; and on him sole depend,
+Merciful over all his works, with good
+Still overcoming evil, and by small
+Accomplishing great things, by things deemed weak
+Subverting worldly strong, and worldly wise
+By simply meek: that suffering for truth's sake
+Is fortitude to highest victory,
+And, to the faithful, death the gate of life;
+Taught this by his example, whom I now
+Acknowledge my Redeemer ever blest.
+To whom thus also the Angel last replied.
+This having learned, thou hast attained the sum
+Of wisdom; hope no higher, though all the stars
+Thou knewest by name, and all the ethereal powers,
+All secrets of the deep, all Nature's works,
+Or works of God in Heaven, air, earth, or sea,
+And all the riches of this world enjoyedst,
+And all the rule, one empire; only add
+Deeds to thy knowledge answerable; add faith,
+Add virtue, patience, temperance; add love,
+By name to come called charity, the soul
+Of all the rest: then wilt thou not be loth
+To leave this Paradise, but shalt possess
+A Paradise within thee, happier far.--
+Let us descend now therefore from this top
+Of speculation; for the hour precise
+Exacts our parting hence; and see!the guards,
+By me encamped on yonder hill, expect
+Their motion; at whose front a flaming sword,
+In signal of remove, waves fiercely round:
+We may no longer stay: go, waken Eve;
+Her also I with gentle dreams have calmed
+Portending good, and all her spirits composed
+To meek submission: thou, at season fit,
+Let her with thee partake what thou hast heard;
+Chiefly what may concern her faith to know,
+The great deliverance by her seed to come
+(For by the Woman's seed) on all mankind:
+That ye may live, which will be many days,
+Both in one faith unanimous, though sad,
+With cause, for evils past; yet much more cheered
+With meditation on the happy end.
+He ended, and they both descend the hill;
+Descended, Adam to the bower, where Eve
+Lay sleeping, ran before; but found her waked;
+And thus with words not sad she him received.
+Whence thou returnest, and whither wentest, I know;
+For God is also in sleep; and dreams advise,
+Which he hath sent propitious, some great good
+Presaging, since with sorrow and heart's distress
+Wearied I fell asleep:  But now lead on;
+In me is no delay; with thee to go,
+Is to stay here; without thee here to stay,
+Is to go hence unwilling; thou to me
+Art all things under $Heaven, all places thou,
+Who for my wilful crime art banished hence.
+This further consolation yet secure
+I carry hence; though all by me is lost,
+Such favour I unworthy am vouchsafed,
+By me the Promised Seed shall all restore.
+So spake our mother Eve; and Adam heard
+Well pleased, but answered not:  For now, too nigh
+The Arch-Angel stood; and, from the other hill
+To their fixed station, all in bright array
+The Cherubim descended; on the ground
+Gliding meteorous, as evening-mist
+Risen from a river o'er the marish glides,
+And gathers ground fast at the labourer's heel
+Homeward returning.  High in front advanced,
+The brandished sword of God before them blazed,
+Fierce as a comet; which with torrid heat,
+And vapour as the Libyan air adust,
+Began to parch that temperate clime; whereat
+In either hand the hastening Angel caught
+Our lingering parents, and to the eastern gate
+Led them direct, and down the cliff as fast
+To the subjected plain; then disappeared.
+They, looking back, all the eastern side beheld
+Of Paradise, so late their happy seat,
+Waved over by that flaming brand; the gate
+With dreadful faces thronged, and fiery arms:
+Some natural tears they dropt, but wiped them soon;
+The world was all before them, where to choose
+Their place of rest, and Providence their guide:
+They, hand in hand, with wandering steps and slow,
+Through Eden took their solitary way.
+
+[The End]
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+http://travelocity-dest.excite.com/DestGuides/0,1840,TRAVELOCITY|2662|3|1|239114,00.html
+http://www.maastrek.de/maas/4a73999ddfd2d79be20a/1/0/5
+http://aol.weather.com/weather/cities/us_pa_fairview.html
+http://aol.weather.com/weather/cities/us_pa_fort_loudon.html
+http://javatest.a-net.nl/servlet/pedit.Main/http://www.tigerden.com/junkmail/compladdr.html
+http://ftp.dti.ad.jp/pub/windows/forest/file/backup/press1/?M=A
+http://www.contest.edu.tw/85/endshow/5/baseball/news/97feb/0225t_1c.html
+http://www.contest.edu.tw/85/endshow/5/baseball/news/97feb/0225c_3c.html
+http://www.contest.edu.tw/85/endshow/5/baseball/news/97feb/0217c_2c.html
+http://www.contest.edu.tw/85/endshow/5/baseball/news/97feb/0216c_play.html
+http://www.contest.edu.tw/85/endshow/5/baseball/news/97feb/0214co_1c.html
+http://preview.egroups.com/messages/decoratingplusnews/6
+http://astro1.chungnam.ac.kr/NetBBS/Bbs.dll/bulletin/rcm/zka/B2-kC23n/qqatt/^
\ No newline at end of file
diff --git a/test/comp/testdata/xargs.1 b/test/comp/testdata/xargs.1
new file mode 100644
index 00000000..a9f39a73
--- /dev/null
+++ b/test/comp/testdata/xargs.1
@@ -0,0 +1,112 @@
+.TH XARGS 1L \" -*- nroff -*-
+.SH NAME
+xargs \- build and execute command lines from standard input
+.SH SYNOPSIS
+.B xargs
+[\-0prtx] [\-e[eof-str]] [\-i[replace-str]] [\-l[max-lines]]
+[\-n max-args] [\-s max-chars] [\-P max-procs] [\-\-null] [\-\-eof[=eof-str]]
+[\-\-replace[=replace-str]] [\-\-max-lines[=max-lines]] [\-\-interactive]
+[\-\-max-chars=max-chars] [\-\-verbose] [\-\-exit] [\-\-max-procs=max-procs]
+[\-\-max-args=max-args] [\-\-no-run-if-empty] [\-\-version] [\-\-help]
+[command [initial-arguments]]
+.SH DESCRIPTION
+This manual page
+documents the GNU version of
+.BR xargs .
+.B xargs
+reads arguments from the standard input, delimited by blanks (which can be
+protected with double or single quotes or a backslash) or newlines,
+and executes the
+.I command
+(default is /bin/echo) one or more times with any
+.I initial-arguments
+followed by arguments read from standard input.  Blank lines on the
+standard input are ignored.
+.P
+.B xargs
+exits with the following status:
+.nf
+0 if it succeeds
+123 if any invocation of the command exited with status 1-125
+124 if the command exited with status 255
+125 if the command is killed by a signal
+126 if the command cannot be run
+127 if the command is not found
+1 if some other error occurred.
+.fi
+.SS OPTIONS
+.TP
+.I "\-\-null, \-0"
+Input filenames are terminated by a null character instead of by
+whitespace, and the quotes and backslash are not special (every
+character is taken literally).  Disables the end of file string, which
+is treated like any other argument.  Useful when arguments might
+contain white space, quote marks, or backslashes.  The GNU find
+\-print0 option produces input suitable for this mode.
+.TP
+.I "\-\-eof[=eof-str], \-e[eof-str]"
+Set the end of file string to \fIeof-str\fR.  If the end of file
+string occurs as a line of input, the rest of the input is ignored.
+If \fIeof-str\fR is omitted, there is no end of file string.  If this
+option is not given, the end of file string defaults to "_".
+.TP
+.I "\-\-help"
+Print a summary of the options to
+.B xargs
+and exit.
+.TP
+.I "\-\-replace[=replace-str], \-i[replace-str]"
+Replace occurences of \fIreplace-str\fR in the initial arguments with
+names read from standard input.
+Also, unquoted blanks do not terminate arguments.
+If \fIreplace-str\fR is omitted, it
+defaults to "{}" (like for `find \-exec').  Implies \fI\-x\fP and
+\fI\-l 1\fP.
+.TP
+.I "\-\-max-lines[=max-lines], -l[max-lines]"
+Use at most \fImax-lines\fR nonblank input lines per command line;
+\fImax-lines\fR defaults to 1 if omitted.  Trailing blanks cause an
+input line to be logically continued on the next input line.  Implies
+\fI\-x\fR.
+.TP
+.I "\-\-max-args=max-args, \-n max-args"
+Use at most \fImax-args\fR arguments per command line.  Fewer than
+\fImax-args\fR arguments will be used if the size (see the \-s option)
+is exceeded, unless the \-x option is given, in which case \fBxargs\fR
+will exit.
+.TP
+.I "\-\-interactive, \-p"
+Prompt the user about whether to run each command line and read a line
+from the terminal.  Only run the command line if the response starts
+with `y' or `Y'.  Implies \fI\-t\fR.
+.TP
+.I "\-\-no-run-if-empty, \-r"
+If the standard input does not contain any nonblanks, do not run the
+command.  Normally, the command is run once even if there is no input.
+.TP
+.I "\-\-max-chars=max-chars, \-s max-chars"
+Use at most \fImax-chars\fR characters per command line, including the
+command and initial arguments and the terminating nulls at the ends of
+the argument strings.  The default is as large as possible, up to 20k
+characters.
+.TP
+.I "\-\-verbose, \-t"
+Print the command line on the standard error output before executing
+it.
+.TP
+.I "\-\-version"
+Print the version number of
+.B xargs
+and exit.
+.TP
+.I "\-\-exit, \-x"
+Exit if the size (see the \fI\-s\fR option) is exceeded.
+.TP
+.I "\-\-max-procs=max-procs, \-P max-procs"
+Run up to \fImax-procs\fR processes at a time; the default is 1.  If
+\fImax-procs\fR is 0, \fBxargs\fR will run as many processes as
+possible at a time.  Use the \fI\-n\fR option with \fI\-P\fR;
+otherwise chances are that only one exec will be done.
+.SH "SEE ALSO"
+\fBfind\fP(1L), \fBlocate\fP(1L), \fBlocatedb\fP(5L), \fBupdatedb\fP(1)
+\fBFinding Files\fP (on-line in Info, or printed)