half of the materials we used were deprecated with macOS 10.14, broken
and not supported by run time changes of the macOS theme. furthermore
our styling names were completely inconsistent with the actually look
since macOS 10.14, eg ultradark got a lot brighter and couldn't be
considered ultradark anymore.
i decided to drop the old option --macos-title-bar-style and rework
the whole mechanism to allow more freedom. now materials and appearance
can be set separately. even if apple changes the look or semantics in
the future the new options can be easily adapted.
setting the appearance of the window to nil will always use the system
setting and changes on run time switches too. this is only the case for
macOS 10.14.
quite a lot of the title bar functionality and logic was within our
window. since we recently added a custom title bar class to our window
i decided to move all that functionality into that class and in its
own file.
this is also a preparation for the next commits.
i found the old pixel format creation a bit too messy. pixel format
attribute arrays and look ups were all over the place, the actual logic
what kind of format was created was inscrutable, the software pixel
format was hardcoded and no probing was done.
i split the attributes into mandatory and optional ones, one mandatory
for a hardware and software pixel format each, and moved those to the
top of the class. that way new attributes can be easily added to either
the mandatory or optional attributes and they don't mess up the actual
pixel creation logic any more. furthermore both hardware and software
pixel formats are being probed the same way now. to minimise code
duplications the probing was moved into its own function.
only the dragged types NSFilenamesPboardType and NSURLPboardType were
supported to be dropped on the window, which was inconsistent with the
dragged types the dock icon supports. the dock icon additional supports
strings that represents an URL or a path. the system takes care of
validating the strings properly in the case of the dock icon, but in the
case of dropping on the window it needs to be done manually.
support for strings is added by also allowing the NSPasteboardTypeString
type and manually validating the strings. strings are split by new lines
and trimmed, to also support a list of URLs and paths. every new element
is checked if being an URL or path and only then being added to the
playlist.
on init an NSWindow can't be placed on a none Main screen NSScreen
outside the Main screen's frame bounds.
To fix this we just check if the target screen is different from the
main screen and if that is the case we check the actual position with
the expect one. if they are different we try to reposition the window
to the wanted position.
Fixes#6453
when quitting mpv in fullscreen the System always switchs to Space 1
regardless of which Space mpv was on previous to switching to fs. to fix
this we close the window before quitting fs. that way the System
switches back the the Space mpv was previous on before fs.
new events were added but not fetched by the vo, because we didn't
signal the vo that new events were available.
actually wakeup the vo when new events are available.
#6299 reported problems with earlier 3.0.x swift versions. i tested with
3.0.2/SDK 10.12.2 and just assumed it also works with the older 3.0.x
swift and 10.12.x SDK versions. due to the unstable nature of swift
there were slight API differences that caused build problems.
since swift is bundled with the SDK we just bump the minimum swift
version.
Regression from 8e3308d687.
Broken cases were:
* --no-cursor-autohide acted like --cursor-autohide=always.
* --cursor-autohide-fs-only always hid the cursor if starting
non-fullscreen; entering fullscreen at least once fixed it.
The old size limit was chosen before LUT texture was supported in user
shader. At that time, the whole user shader will be compiled and run
on GPU, which makes large user shader impractical to be used.
With the introduction of LUT texture, the old size limit doesn't make
any sense. For example, a 1024x1024 rgba16f LUT will cost 32MB shader
size.
Fix this by increasing the size limit to a value that's unlikely be
reached.
this was meant to be fixed by 546f038, but with --disable-cplugins the
do_the_symbol_stuff function was never called and the handle_add_object
function was again always called before the actual linking task was
created.
to fix this we explicitly call handle_add_object only after all the
tasks the do_the_symbol_stuff function is called after too.
Fixes#6028
Adds the negation missed in 8816e1117e
when moving from a positive-is-active to positive-is-idle variable.
This leads to proper updates to properties such as "eof-reached",
as well as fixes screensaver state updates.
Separately found and fixed by avih and wnoun.
Co-authored-by: wnoun <wnoun@outlook.com>
Manual changes done:
* Merged the interface-changes under the already master'd changes.
* Moved the hwdec-related option changes to video/decode/vd_lavc.c.
modulo operator could be used to check if size is multiple of a
certain number.
equal operator could be used to verify if size of different textures
aligns.
Before this commit, texture offset is set after all source textures
are finalized. Which means CHROMA hooks won't be able to align with
luma planes. This could be problematic for chroma prescalers utilizing
information from luma plane.
Fix this by find the reference texture early, and set global texture
offset early.
Only printable ASCII characters were considered to be valid texts. Make
it possible that UTF-8 contents are also considered valid.
This does not make the SDH subtitle filter support non-English
languages. This just prevents the filter from blindly marking lines that
have only UTF-8 characters as empty.
Fixes#6502
The seek range update was to early and did not take the removed head
packets into account. And therefore missed that the queue was not
BOF anymore.
This led to not be able to backward seek before the first packet of
the first seek range.
Fix it by moving the seek range update after the possible removal and
the change of the BOF flag.
Fixes: #6522
As stated in the original commit message, if the demuxer set the start
time to the first subtitle packet, the subtitles would be shifted
incorrectly. It appears that it is the case for external PGS subtitles.
This reverts commit 520fc74036.
Fixes#5485
This allows context_drm_egl to use as many buffers as libgbm or the
swapchain_depth setting allows (whichever is smaller).
On pause and on still images (cover art etc.) to make sure that output does not
lag behind user input, the swapchain is drained and reverts to working in a dual
buffered (equivalent to swapchain-depth=1) manner.
When possible (swapchain-depth>=2), the wait on the page flip event is now not
done immediately after queueing, but is deferred to the next invocation of
swap_buffers. Which should give us more CPU time between invocations.
Although, since gbm_surface_has_free_buffers() can only tell us a boolean value
and not how many buffers we have left, we are forced to do this contortionist
dance where we first overshoot until gbm_surface_has_free_buffers() reports 0,
followed by immediately waiting so we can free a buffer, to be able to get the
deferred wait on page flip rolling.
With this commit we do not rely on the default vsync fences/latency emulation of
video/out/opengl/context.c, but supply our own, since the places we create and
wait for the fences needs to be somewhat different for best performance.
Minor fixes:
* According to GBM documentation all BO:s gotten with
gbm_surface_lock_front_buffer must be released before gbm_surface_destroy is
called on the surface.
* We let the page flip handler function handle the waiting_for_flip flag.
This solves some edge cases when using files with very weird metadata
(e.g. MaxCLL 10k and so forth). Instead of just blindly seeding it with
the tagged metadata, forcibly set the initial state from the detected
values.
Rather than the linear cd/m^2 units, these (relative) logarithmic units
lend themselves much better to actually detecting scene changes,
especially since the scene averaging was changed to also work
logarithmically.
Gamut mapping can take very bright out-of-gamut colors into the
negatives, which completely destroys the color balance (which tone
mapping tries its best to preserve).
This change switches to a logarithmic mean to estimate the average
signal brightness. This handles dark scenes with isolated highlights
much more faithfully than the linear mean did, since the log of the
signal roughly corresponds to the perceptual brightness.
In theory our "eye adaptation" algorithm works in both ways, both
darkening bright scenes and brightening dark scenes. But I've always
just prevented the latter with a hard clamp, since I wanted to avoid
blowing up dark scenes into looking funny (and full of noise).
But allowing a tiny bit of over-exposure might be a good thing. I won't
change the default just yet (better let users test), but a moderate
value of 1.2 might be better than the current 1.0 limit. Needs testing
especially on dark scenes.
The previous approach of using an FIR with tunable hard threshold for
scene changes had several problems:
- the FIR involved annoying hard-coded buffer sizes, high VRAM usage,
and the FIR sum was prone to numerical overflow which limited the
number of frames we could average over. We also totally redesign the
scene change detection.
- the hard scene change detection was prone to both false positives and
false negatives, each with their own (annoying) issues.
Scrap this entirely and switch to a dual approach of using a simple
single-pole IIR low pass filter to smooth out noise, while using a
softer scene change curve (with tunable low and high thresholds), based
on `smoothstep`. The IIR filter is extremely simple in its
implementation and has an arbitrarily user-tunable cutoff frequency,
while the smoothstep-based scene change curve provides a good, tunable
tradeoff between adaptation speed and stability - without exhibiting
either of the traditional issues associated with the hard cutoff.
Another way to think about the new options is that the "low threshold"
provides a margin of error within which we don't care about small
fluctuations in the scene (which will therefore be smoothed out by the
IIR filter).
Instead of desaturating towards luma, we desaturate towards the
per-channel tone mapped version. This essentially proves a smooth
roll-off towards the "hollywood"-style (non-chromatic) tone mapping
algorithm, which works better for bright content, while continuing to
use the "linear" style (chromatic) tone mapping algorithm for primarily
in-gamut content.
We also split up the desaturation algorithm into strength and exponent,
which allows users to use less aggressive desaturation settings without
affecting the overall curve.
